Academic literature on the topic 'New York (Motion picture)'

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Journal articles on the topic "New York (Motion picture)"

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Wicks, Frank. "Picture This." Mechanical Engineering 126, no. 07 (2004): 32–35. http://dx.doi.org/10.1115/1.2004-jul-3.

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This article highlights that the adage, a picture is worth a thousand words, is a flawed understatement. Our memories, knowledge, and opinions rely heavily on pictures. Words can only provide an explanation to information contained in a good picture. Time always moves forward, but a picture allows us to look back to some prior moment in time. Photography, which means writing with light, would require replacing the artist’s paper with a chemically coated screen, exposing the screen to the image, and then stabilizing the resulting picture. The first practical photographic process was announced i
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Joyce, Simon, and Jennifer Putzi. "“Greatest Combination in Motion Pictures”: Film History and the Division of Labor in the New York Motion Picture Company." Film History: An International Journal 21, no. 3 (2009): 189–207. http://dx.doi.org/10.2979/fil.2009.21.3.189.

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Thom, Michael. "Lights, Camera, but No Action? Tax and Economic Development Lessons From State Motion Picture Incentive Programs." American Review of Public Administration 48, no. 1 (2016): 33–51. http://dx.doi.org/10.1177/0275074016651958.

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Despite mixed results, state government use of targeted economic development programs has escalated. This study evaluates the impact of motion picture incentive programs, an array of tax incentives employed by over 40 states to entice film and television productions out of California and New York, on labor and economic conditions from 1998 through 2013. Results suggest that sales and lodging tax waivers had no effect on any of four different economic indicators. Transferable tax credits had a small, sustained effect on motion picture employment levels but no effect on wages. Refundable tax cre
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ELLIS, PATRICK. "A cinema for the unborn: moving pictures, mental pictures and Electra Sparks's New Thought film theory." British Journal for the History of Science 50, no. 3 (2017): 411–28. http://dx.doi.org/10.1017/s0007087417000644.

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AbstractIn the 1910s, New York suffragette Electra Sparks wrote a series of essays in theMoving Picture Newsthat advocated for cine-therapy treatments for pregnant women. Film was, in her view, the great democratizer of beautiful images, providing high-cultural access to the city's poor. These positive ‘mental pictures’ were important for her because, she claimed, in order to produce an attractive, healthy child, the mother must be exposed to quality cultural material. Sparks's championing of cinema during its ‘second birth’ was founded upon the premise of New Thought. This metaphysical Christ
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Kaufmann, Eric, and Andrea Ballatore. "New York Yankees and Hollywood Anglos: The persistence of Anglo‐conformity in the American motion picture industry." Nations and Nationalism 25, no. 4 (2019): 1153–89. http://dx.doi.org/10.1111/nana.12507.

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Breeze, Andrew. "Andrew James Johnston, Beowulf Global: Konstruktionen historisch-kultureller Verflechtungen im altenglischen Epos. Zürich: Chronos Verlag. 2022, 70 pp." Mediaevistik 35, no. 1 (2022): 428–29. http://dx.doi.org/10.3726/med.2022.01.83.

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Abstract An instructor at Berlin’s Free University, who has analyzed “Robin auf der Leinwand” in his Robin Hood: Geschichte einer Legende (Munich 2013) and co-edited The Medieval Motion Picture: The Politics of Adaptation (New York 2014), now focuses on Beowulf. In three lectures (given at Zurich) he deals with its international setting, styled as “tatsächlich kosmopolitisch” (p. 16). The theme is promising, as he relates it to physical entities: a Roman mosaic “auf dem Orpheus abgebildet” (p. 20) at Bath; Sutton Hoo; a sword-hilt described in Beowulf as wyrmfah (“having snake-like ornaments”)
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Caulton, Thomas. "Motion Pictures and Moral Panic: The Reception of 'White Slavery' Films in New York in 1913." Film & History: An Interdisciplinary Journal 53, no. 1 (2023): 61–78. http://dx.doi.org/10.1353/flm.2023.a903048.

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Leafstedt, Carl. "Rediscovering Victor Bator, founder of the New York Bartók Archives." Studia Musicologica 53, no. 1-3 (2012): 349–72. http://dx.doi.org/10.1556/smus.53.2012.1-3.24.

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Bartók’s American estate dates its origins to 1943, when he entrusted his music manuscript collection to the care of two fellow Hungarian emigrés, Gyula Báron and Victor Bator, both then living in the United States. After his death in 1945 the estate devolved into their care, in accord with the legal provisions of the will. For the next 22 years it was carefully managed by Bator, a lawyer and businessman who lived in New York City for the rest of his life. The onset of Cold War politics in the late 1940s presented numerous challenges to the estate, out of which emerged the tangled thicket of r
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Leriche, Frederic. "Regional Assets, Industrial Growth, Global Reach." Locus: Revista de História 26, no. 2 (2020): 29–51. http://dx.doi.org/10.34019/2594-8296.2020.v26.31327.

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Within the US motion picture industry, Hollywood is a (big) tree that hides the forest. Indeed, in this industry, besides this powerful and dominating industrial cluster, there are other — though minor — clusters, particularly in New York and San Francisco. The paper focuses on the latter and argues that the development of the film industry in the San Francisco Bay Area relies on specific regional assets: (1) a unique urban context and experience, (2) a unique alternative culture, and (3) a world-class technological cluster. The paper starts by briefly describing the path dependency of the fil
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FRONC, JENNIFER. "Local Public Opinion: The National Board of Review of Motion Pictures and the Fight against Film Censorship in Virginia, 1916–1922." Journal of American Studies 47, no. 3 (2012): 719–42. http://dx.doi.org/10.1017/s0021875812001375.

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This article examines the conflict that ensued when the National Board of Review of Motion Pictures (a New York City-based organization that opposed any form of legal film censorship) entered the debate over Virginia's state film censor board. Virginia's engagement with film censorship emerged out of its history and politics, particularly in regard to race relations. Elite white Virginians lived in fear both of federal intervention (with the specter of Reconstruction not far behind them) and of a local usurpation of political power by black Virginians. The National Board of Review (NBR) was la
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Dissertations / Theses on the topic "New York (Motion picture)"

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Walsh, John. "A space and time machine : actuality cinema in New York City, 1890s to c. 1905." Thesis, University of Nottingham, 2005. http://eprints.nottingham.ac.uk/10142/.

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Urban actuality films are short, single shot views of street scenes, skyscrapers or construction sites, or views from moving vehicles. They are, typically, regarded as simple filmic snap-shots. Conversely, early cinema is conventionally thought to be a complex hybrid medium, a crucible for the idea and representation of the modern. Through close, contextualised analysis of a series of New York films, this study addresses the discrepancy between the putative insubstantiality of actuality films and the evident complexity of early cinema. A hitherto overlooked historical coincidence of actuality
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Wasson, Haidee. "Modern ideas about old films : the Museum of Modern Art's Film Library and film culture, 1935-39." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0025/NQ50280.pdf.

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Taylor, Paul. "Responding to the shock of the new : trade, technology, and the changing production axis in film, television, and new media /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6202.

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Kontour, Kyle, and n/a. "Making culture or making culture possible : notions of biculturalism in New Zealand 1980s cinema and the role of the New Zealand Film Commission." University of Otago. Department of Communication Studies, 2002. http://adt.otago.ac.nz./public/adt-NZDU20070508.140943.

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In the 1970s and 1980s New Zealand experienced significant socio-economic upheaval due in part to the global economy, economic experiments, and the gains of Maori activism. Despite the divisiveness of this period (or possibly because of it), anxieties over notions of New Zealand national identity were heightened. There was a general feeling among many Kiwis that New Zealand culture (however it was defined) was in danger of extinction, mostly due to the dominant influences of the United states and Britain. New Zealanders sought ways to distinguish themselves and their nation. One of the ways in
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Westling, Jonas. "HDR and the Colorist : How new technology affects professionals in the motion picture industry." Thesis, Högskolan Dalarna, Ljud- och musikproduktion, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30398.

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By utilizing a Research through Design approach this master thesis studies how technological changes might affect professionals working in the motion picture industry, specifically; how the advent of HDR (High Dynamic Range) affects the colorist. The research questions formulated are the following; (1) How can color grading in HDR be approached? (2) What effect can HDR have on visual modality? (3) What specific affordances can HDR offer the colorist? (4) How can HDR affect the creative space of the colorist? Three of the research questions are derived from the theoretical framework applied in
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Kurle, Robert F. "Jesus Christ, Savior for all mankind a New Life Group inductive Bible study guide for Luke, part two /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Roy, Srabanti. "Changing trends of new wave cinema in India and the emergence of an "unconventional" Indian cinema in the early phase of the twenty-first century." Thesis, University of Wales Trinity Saint David, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683056.

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Rossiter, Craig. "The factors that drive success in motion picture development : an Australian context." Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/15891/1/Craig_Rossiter_Thesis.pdf.

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The motion picture industry is characterized by a high degree of artistic innovation that revolves around the project rather than the firm. Success is elusive and firms operate in an environment of symmetrical ignorance, that is, high levels of demand uncertainty as well as product uncertainty. This makes managing the commercial development of new products difficult. The study of the factors that drive success in new product development have been significant, however, little attention has been given to experiential and creatively driven products such as motion pictures. While a number o
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Rossiter, Craig. "The Factors That Drive Success in Motion Picture Development : An Australian Context." Queensland University of Technology, 2003. http://eprints.qut.edu.au/15891/.

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The motion picture industry is characterized by a high degree of artistic innovation that revolves around the project rather than the firm. Success is elusive and firms operate in an environment of symmetrical ignorance, that is, high levels of demand uncertainty as well as product uncertainty. This makes managing the commercial development of new products difficult. The study of the factors that drive success in new product development have been significant, however, little attention has been given to experiential and creatively driven products such as motion pictures. While a number of st
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Scodari, Christine Ann. "The rhetoric of mass intercultural identification : a Burkeian study of the new Australian film industry /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487263399027217.

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Books on the topic "New York (Motion picture)"

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Sevela, Efraim. I love New York. "Kristall", 2002.

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Kaufman, Charlie. Synecdoche, New York: The shooting script. Newmarket Press, 2008.

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Kaufman, Charlie. Synecdoche, New York: The shooting script. Newmarket Press, 2008.

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Alleman, Richard. New York: The movie lover's guide : the ultimate insider tour of movie New York. Broadway Books, 2005.

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Krempel, Ulrich, Candida Höfer, Christian Bau, and Artur Dieckhoff. Zwiebelfische: Jimmy Ernst, Glückstadt New York. 2nd ed. Schwarze Kunst, 2011.

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Pasolini, Pier Paolo. L'inédit de New York. Arléa, 2008.

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Petit, Philippe. Man on wire: Now a major motion picture. Skyhorse Pub., 2008.

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Krulik, Nancy E. Lost in New York: Kevin's Christmas vacation scrapbook. Scholastic, 1992.

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Alberto, Barbera, Cortellazzo Sara, and Tomasi Dario, eds. New York, New York: La città, il mito, il cinema. Aiace, 1986.

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Krulik, Nancy E. Home alone 2: Lost in New York : Kevin's Christmasvacation scrapbook. Hippo Books, 1992.

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Book chapters on the topic "New York (Motion picture)"

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Cordes, Vojislava Filipcevic. "The city in motion." In New York in Cinematic Imagination. Routledge, 2020. http://dx.doi.org/10.4324/9780429284205-3.

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Sanger, Elliott M. "WQXR's Spot in the New York Picture." In Rebel in Radio. Routledge, 2023. http://dx.doi.org/10.4324/9781003454755-7.

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Levy, Ellen. "Slippery Subjects: Thoughts on the Occasion of Ashbery and Koch’s “Death Paints a Picture”." In New York School Collaborations. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137280572_5.

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Stuart, J. T. "The Lagrangian Picture of Fluid Motion and its Implication for Flow Structures." In New Perspectives in Turbulence. Springer New York, 1991. http://dx.doi.org/10.1007/978-1-4612-3156-1_13.

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Koskinen, Hannu E. J., and Emilia K. J. Kilpua. "Charged Particles in Near-Earth Space." In Astronomy and Astrophysics Library. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82167-8_2.

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AbstractIn this chapter we discuss the concepts that govern the motion of charged particles in the geomagnetic field and the principles how they stay trapped in the radiation belts. The basic particle orbit theory can be found in most plasma physics textbooks. We partly follow the presentation in Koskinen (Physics of space storms, from solar surface to the earth. Springer-Praxis, Heidelberg, 2011). A more detailed discussion can be found in Roederer and Zhang (Dynamics of magnetically trapped particles. Springer, Heidelberg, 2014). A classic treatment of adiabatic motion of charged particles is Northrop (The adiabatic motion of charged particles. Interscience Publishers, Wiley, New York, 1963).
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"9. Motion Picture Censorship." In The History of the New York Court of Appeals. Columbia University Press, 2006. http://dx.doi.org/10.7312/meye13632-009.

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Tochterman, Brian. "Fear City on Film." In Dying City. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469633060.003.0008.

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This chapter considers how films produced in New York City played to an emergent anti-urban political culture. With crime and disorder as the feature antagonist in the New York film cycle of the late 1960s and the 1970s, the vigilante became a vital counterpoint to the perceived incompetence of municipal police departments. Escaping the dying city also served as a powerful motif in the period’s films. The motion picture industry brings the homegrown narrative of New York to a national audience.
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"Materials from the New York State Archives Motion Picture Scripts Collection." In Arab World Cinemas. Edinburgh University Press, 2024. http://dx.doi.org/10.1515/9781474435796-038.

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Robinson, Ray. "The Celluloid Coast." In American Original. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195086935.003.0012.

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Abstract After his arrival, he worked for three dollars a day as a glove cutter in a small upstate New York town. But he had made up his mind that gloves would not be his future. In 1913, in an almost incomprehensible metamor­phosis, he allied himself with his brother-in-law, Jesse L. Lasky; and with a former actor, Cecil B. DeMille, to form a motion-picture company. The three men set up shop in an abandoned barn in Hollywood, California, where the sun never failed to shine.
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Goldman, Herbert G. "Into Her Own." In Fanny Brice. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195057256.003.0007.

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Abstract The Gondorf Ring was a cartel of swindlers and con men built up and headed by the Gondorf brothers of Atlantic City. Charley Gondorf was a legend, and “Henry Gondorff” was the name used for Paul Newman’s character in the 1972 motion picture The Sting. Fanny had already signed to play a featured role in Lew Fields’ Hands Up, a “musicocomico” melodrama about the theft of a neck.lace that opened at the Shubert Theatre in New Haven, Connecticut, on June 7, 1915. The New York Dramatic Mirror said Fanny was ‘‘the hit of the show,” but the production failed to come up to expectations, and was closed in Albany a week and a half later. (Fields sold it outright to the Shuberts, who opened a revised version on Broadway with a different cast.) Fanny returned to New York as Nick’s case came up for trial. She was nervous and afraid, as if to counterpoint Nick’s outward coolness.
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Conference papers on the topic "New York (Motion picture)"

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Siebert, Geralt. "Fire safe glazing with additional requirements." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.1183.

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<p>An essential element of fire protection, in addition to the appropriate design of load‐bearing components (fire resistance), is the subdivision of buildings into fire compartments. In modern architecture is a demand for transparent fire‐resistant components, which are then made of glass. Verifications of the load‐bearing capacity against static loads such as wind usually are done by calculation whereas fire resistance is proofed by tests. In most cases, fire‐resistant glass has no further proof, transparent glass components are either classified for fire or to meet other special requi
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Kleissl, Kenneth C., and J. L. Domingues Costa. "General Design of Hollow RC Sections under Combined Actions." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0591.

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<p>Hollow reinforced concrete sections are consistently considered the preferred solution for medium to large sized bridge projects due to its structural efficiency and the large material savings associated with it.</p><p>To fully harvest the structural capacity of hollow sections exposed to combined actions it is necessary to leave behind the simplicity of treating the verification of structural adequacy for normal stresses (beam theory) separately from that of shear stresses (diagonal truss model) and instead fully exploit the advantages of choosing more efficient stress di
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Mitchell, Boris. "A New High Speed Motion Picture Film." In SMPTE Australia Conference. IEEE, 1994. http://dx.doi.org/10.5594/m001125.

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Graff, Werner, Axel Wittmann, Lukas Rosenthaler, Anton Gunzinger, and Rudolf Gschwind. "New scanning approach for motion picture digitizing." In SYBEN-Broadband European Networks and Electronic Image Capture and Publishing, edited by Jan Bares. SPIE, 1998. http://dx.doi.org/10.1117/12.324110.

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Love, Shayne, and Trevor C. Haskett. "Full-Scale Performance Evaluation of Structure-Dynamic Vibration Absorber Systems." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0357.

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<p>Modern tall buildings are often susceptible to excessive wind-induced motion, which can cause occupant discomfort and decrease component longevity. Increasing the effective damping of these buildings using a dynamic vibration absorber (DVA) is often the preferred option to decrease motion, especially for serviceability-level performance. A tuned mass damper (TMD) is one form of DVA that consists of a steel or concrete mass that is supported near the top of the building. A tuned sloshing damper (TSD) is another type of DVA that consists of a tank that is partially filled with water and
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Argentini, Tommaso, Claudio Montagna, and Daniele Rocchi. "Feasibility study of wind tunnel aeroelastic tests on bridges with floating towers." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2650.

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<p>Floating towers are an innovative design solution for long-span bridges crossing deep waters, where grounded towers are not applicable. This kind of structural solution brings about challenging issues related to the design of such structures exposed to the combined action of aerodynamic forces and hydrodynamic forces. One of the major issues is the experimental validation of numerical models to simulate the structural dynamics, based on hybrid codes joining aero-elastic and hydro-elastic interactions.</p><p>This paper presents a feasibility study of wind-tunnel aeroelastic
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Ude, Todd, Y. Eddie He, Matt Chynoweth, and Zaher Yousif. "Reliability-Based Site-Specific Live Load Models for the Gordie Howe International Bridge." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0608.

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<p>This paper discusses the development of project-specific live load models to achieve target reliability levels for the Gordie Howe International Bridge. This new bridge between Windsor, Ontario Canada and Detroit, Michigan USA will have a main span of 853 m (2800 ft), a design life of 125 years, and will experience atypical traffic patterns as a result of customs inspection plazas required at both ends of the bridge. Due to these variations relative to standard practice, large databases of weigh-in-motion data and simulation studies were used to modify the live load models of both cou
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Chen, Limu, Xudong Jian, Ye Xia, and Limin Sun. "Multi-Vehicle Load Identification Using Existing Bridge Health Monitoring System." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.2452.

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<p>Collecting the information of traffic load, especially heavy trucks, is crucial for bridge statistical analysis, safety evaluation, as well as maintenance strategies. This paper presents a traffic sensing methodology that combines a deep learning based computer vision technique with the influence line theory. Theoretical background and derivations are introduced from both aspects of structural analysis and computer vision techniques. In addition, to evaluate the effectiveness and accuracy of the proposed traffic sensing method through field tests, a systematic analysis is performed on
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Gao, Hao, and Junjie Wang. "Experimental Research on an Assembled Steel Damping Device with the Large Temperature Displacement." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0291.

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<p>The cylinder-shaped damper is proved reliable in mechanical performance and every single-body can simultaneously provide bi-directional damping force. In order to take advantage of these benefits in the long- span bridge, an assembled steel damping device is developed in this paper. A fluid lock-up device is connected in series with a cylinder-shaped steel damper, which can meet the requirement of girders stretch out and draw back freely for large displacements under temperature load, and can control the bi-directional seismic vibration of the structure under earthquake load. A series
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Nagayama, Tomonori, So Kato, Haoqi Wang, Di Su, and Mayuko Nishio. "Vehicle Weight Estimation Using Wireless Accelerometers on a Steel-Box Girder Bridge." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0805.

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<p>While the traffic loads need to be understood toward efficient management of bridges, the loads on each bridge are not well assessed. An easy‐to‐implement vehicle weight estimation technique toward Bridge Weigh‐In‐Motion (BWIM) is developed based on wireless accelerometers; the algorithm is studied for the application to ordinary road bridges where traffic speed is not necessarily high and drive speed fluctuation is not insignificant. The method uses only accelerometers installed on the girders, decreasing installation cost and time which typical BWIM systems based on strain measureme
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Reports on the topic "New York (Motion picture)"

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Briggs, Michael J., Zeki Demirbilek, and Lihwa Lin. Vertical Ship Motion Study for Ambrose Entrance Channel, New York. Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada601297.

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Konijnenburg, Jan. Certification Approaches for Weigh-In-Motion Systems in Law Enforcement Applications. National Institute of Standards and Technology, 2024. http://dx.doi.org/10.6028/nist.sp.2200-05.

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Every day, overweight and excessively heavy vehicles cause damage to roads, bridges, and other vehicle-based infrastructure. To protect the vital transportation infrastructure for the U.S., states have imposed weight limits for commercial and fleet transport vehicles. A common way for enforcing these weight limits is to guide trucks off the road to weigh stations where the vehicles can be weighed using static truck scales. A disadvantage of these dedicated weigh stations is that they take up a substantial amount of space (which is not always available) and time to conduct weighments, as well a
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Sheridan, Anne. Annual report on migration and asylum 2016: Ireland. ESRI, 2017. http://dx.doi.org/10.26504/sustat65.

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The Annual Report on Migration and Asylum 2016 provides an overview of trends, policy developments and significant debates in the area of asylum and migration during 2016 in Ireland. Some important developments in 2016 included: The International Protection Act 2015 was commenced throughout 2016. The single application procedure under the Act came into operation from 31 December 2016. The International Protection Office (IPO) replaced the Office of the Refugee Applications Commissioner (ORAC) from 31 December 2016. The first instance appeals body, the International Protection Appeals Tribunal
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