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Relevant bibliographies by topics / New York (N.Y.). Nassau street theater

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Academic literature on the topic 'New York (N.Y.). Nassau street theater'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "New York (N.Y.). Nassau street theater"

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Meleo-Erwin, Zoe C. "“Shape Carries Story”: Navigating the World as Fat." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.978.

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Story spreads out through time the behaviors or bodies – the shapes – a self has been or will be, each replacing the one before. Hence a story has before and after, gain and loss. It goes somewhere…Moreover, shape or body is crucial, not incidental, to story. It carries story; it makes story visible; in a sense it is story. Shape (or visible body) is in space what story is in time. (Bynum, quoted in Garland Thomson, 113-114) Drawing on Goffman’s classic work on stigma, research documenting the existence of discrimination and bias against individuals classified as obese goes back five decades.

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Books on the topic "New York (N.Y.). Nassau street theater"

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author, Postal Matthew A., ed. 140 Broadway, originally the Marine Midland Bank building (aka 71-89 Cedar Street, 54-74 Liberty Street, 27-39 Nassau Street), Manhattan: Built 1964-68 ; Skidmore, Owings & Merrill, architect Gordon Bunshaft, partner in charge of design; Roger N. Radford, lead designer. NYC Landmarks Preservation Commission, 2013.

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Showtime at the Apollo: The Epic Tale of Harlem's Legendary Theater. ABRAMS (Ignition), 2019.

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Showtime at the Apollo: The Epic Tale of Harlem’s Legendary Theater. Harry N. Abrams, 2019.

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Showtime at the Apollo: The Epic Tale of Harlem's Legendary Theater. Abrams, Inc., 2020.

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Showtime at the Apollo. Henry Holt & Co, 1985.

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Book chapters on the topic "New York (N.Y.). Nassau street theater"

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Hudson, Berkley. "Catfish Alley Fire." In O. N. Pruitt's Possum Town. University of North Carolina Press, 2022. http://dx.doi.org/10.5149/northcarolina/9781469662701.003.0012.

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From the late nineteenth through the mid-twentieth century, Catfish Alley was a strip of flourishing Black businesses, a product of racial segregation: restaurants, pool halls, the town’s first Black-run drugstore, barbershops, honky-tonks, a birthing center, and Black doctors’ offices. This was a small-town version of Black business districts elsewhere, whether Harlem in New York City or Sweet Auburn in Atlanta. On Catfish Alley, Blacks could go to a medical clinic and be treated without having to go into a separate-but-unequal entrance at the two white hospitals. In Pruitt’s photograph, you

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