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Relevant bibliographies by topics / New York (N.Y.). Stuyvesant Theatre

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Journal articles

Academic literature on the topic 'New York (N.Y.). Stuyvesant Theatre'

Author: Grafiati

Published: 2 March 2023

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Journal articles on the topic "New York (N.Y.). Stuyvesant Theatre"

1

Nichols, Richard. "Zeami and the N?? Theatre in the World. Edited by Benito Ortolani and Samuel E. Leiter. New York: Center for Advanced Studies in Theatre Arts, 1998; pp. 177. Paperback." Theatre Survey 42, no. 1 (2001): 98–100. http://dx.doi.org/10.1017/s0040557401253861.

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McDermott, Douglas. "Theatre In America: 200 Years of Plays, Players and Productions. By Mary C. Henderson. New York: Harry N. Abrams, 1986. Pp. 327." Theatre Research International 14, no. 3 (1989): 307–8. http://dx.doi.org/10.1017/s0307883300009111.

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Ridder, Alyssa. "Ethics of homeless representation in costume design." Performing Ethos: An International Journal of Ethics in Theatre & Performance 10, no. 1 (2020): 117–21. http://dx.doi.org/10.1386/peet_00026_7.

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Marisol, set in 1993 New York City, depicts the end of the world from the perspective of a twenty-something Puerto Rican white collar woman who loses her guardian angel. In approaching the costume design for this play I encountered a deeply concerning question: how can I design costumes for homeless characters without appropriating the physical appearance of people who experience homelessness in real life? Homeless characters are represented in many iconic plays in English language theatre, from Angels in America to Oliver!, and costume designers are frequently asked to address the ethics of r

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Barber, Karin. "Come to Laugh: African traditional theatre in Ghana by Kwabena N. Bame New York, Lilian Barber Press, 1985. Pp. 190. - Theatre and Cultural Struggle in South Africa by Robert Mshengu Kavanagh London, Zed Books, 1985. Pp. xv+237. £16.95. £6.50. paperback." Journal of Modern African Studies 25, no. 3 (1987): 561–64. http://dx.doi.org/10.1017/s0022278x00010053.

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Guthrie, Diana, and Alan Bell. "Kwabena N. Bame Come to laugh: African traditional theatre in Ghana. New York, Lilian Barber Press, 1985. 190pp. ISBN 0-936508-07-8 (hardback)/0-936508-08-6 (paperback). £17.95/£7.95." African Research & Documentation 39 (1985): 29–40. http://dx.doi.org/10.1017/s0305862x00008293.

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Andel, Joan D., H. E. Coomans, Rene Berg, et al. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 147, no. 4 (1991): 516–46. http://dx.doi.org/10.1163/22134379-90003185.

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- Joan D. van Andel, H.E. Coomans, Building up the the future from the past; Studies on the architecture and historic monuments in the Dutch Caribbean, Zutphen: De Walburg Pers, 1990, 268 pp., M.A. Newton, M. Coomans-Eustatia (eds.) - Rene van den Berg, James N. Sneddon, Studies in Sulawesi linguistics, Part I, 1989. NUSA, Linguistic studies of Indonesian and other languages in Indonesia, volume 31. Jakarta: Badan Penyelenggara Seri Nusa, Universitas Katolik Indonesia Atma Jaya. - Thomas Crump, H. Beukers, Red-hair medicine: Dutch-Japanese medical relations. Amsterdam/Atlanta, GA: Rodopi, Publ

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Sukanadi, I. Made. "DAMPAK EKSISTENSI MOTIF BATIK WALANG JATI KENCONO TERHADAP PENINGKATAN EKONOMI DAN SOSIAL PENGRAJIN BATIK DI GUNUNGKIDUL." Gorga : Jurnal Seni Rupa 11, no. 2 (2022): 456. http://dx.doi.org/10.24114/gr.v11i2.39026.

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This research aims to answer the problem of the impact of the existence of the Walang Jati Kencono batik motif on the social and economic changes of the community and batik craftsmen of Gunungkidul Regency. The existence of regulation from the Regional Government of Gunung Kidul Regency regarding the use of batik uniforms for elementary, junior high, and high school / vocational schools has strengthened the existence of batik products and the sustainability of batik production by batik craftsmen in Gunungkidul. This research uses the qualitative descriptive method. The data collection method u

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Short, Jim. "More Books - Black Cultural Mythology. By Christel N. Temple. Albany: State University of New York Press, 2020; 370 pp. $95.00 cloth, $33.95 paper, e-book available. - The Cambridge Companion to International Theatre Festivals. Edited by Ric Knowles. Cambridge: Cambridge University Press, 2020; 368 pp. $84.99 cloth, $24.99 paper, e-book available. - Contemporary European Playwrights. Edited by Maria M. Delgado, Bryce Lease, and Dan Rebellato. London: Routledge, 2020; 432 pp.; illustrations. $128.00 cloth, $34.36 paper, e-book available. - Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun. By Clifford Mason. New Brunswick, NJ: Rutgers University Press, 2020; 246 pp.; illustrations. $32.95 cloth, e-book available. - Racial Immanence: Chicanx Bodies beyond Representation. By Marissa K. López. New York: New York University Press, 2019; 208 pp.; illustrations. $89.00 cloth, $28.00 paper, e-book available. - Theatermachine: Tadeusz Kantor in Context. Edited by Magda Romanska and Kathleen Cioffi. Evanston, IL: Northwestern University Press, 2020; 344 pp.; illustrations. $120.00 cloth, $34.95 paper, e-book available." TDR: The Drama Review 65, no. 3 (2021): 178–80. http://dx.doi.org/10.1017/s1054204321000459.

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Makeham, Paul Benedict, Bree Jamila Hadley, and Joon-Yee Bernadette Kwok. "A "Value Ecology" Approach to the Performing Arts." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.490.

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In recent years ecological thinking has been applied to a range of social, cultural, and aesthetic systems, including performing arts as a living system of policy makers, producers, organisations, artists, and audiences. Ecological thinking is systems-based thinking which allows us to see the performing arts as a complex and protean ecosystem; to explain how elements in this system act and interact; and to evaluate its effects on Australia’s social fabric over time. According to Gallasch, ecological thinking is “what we desperately need for the arts.” It enables us to “defeat the fragmentary a

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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese

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