Relevant bibliographies by topics / New Zealand Christian fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'New Zealand Christian fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "New Zealand Christian fiction"

1

Anderson, Jean. "Christina Stachurski, Reading Pakeha? Fiction and Identity in Aotearoa New Zealand." Commonwealth Essays and Studies 33, no. 2 (2011): 154–55. http://dx.doi.org/10.4000/ces.8240.

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Holmes, Martin George. "Christianity as a Moral Force in the Fiction of John A. Lee." Christianity & Literature 70, no. 4 (2021): 404–19. http://dx.doi.org/10.1353/chy.2021.0049.

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Abstract: It has often been assumed that John A. Lee, one of New Zealand's most famous and influential authors, was anti-clerical and dismissive of Christianity. This opinion stems from the fact that Lee was a lapsed Presbyterian and a scientific socialist who frequently denounced Christian individuals and institutions in his fiction. In this article, I argue that Lee was actually a secular Puritan who regarded the Gospel message as compatible with radical socialism. Consequently, he tended to criticize Christian individuals and institutions only when he felt that they had departed from the te
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Della Valle, Paola. "Chris Baker’s Kokopu Dreams: A Prophetic View of a Disrupted Post-Pandemic World." Altre Modernità, no. 28 (November 30, 2022): 273–85. http://dx.doi.org/10.54103/2035-7680/19131.

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The global pandemic, with its multiple and far-reaching disruptions, has forced us to rethink and rewrite the world we live in. Chris Baker’s novel Kokopu Dreams (2000) sounds somehow prophetic today in the aftermath of the Covid-19 crisis. His work could be labelled as “speculative fiction” and placed among the umbrella categories of magic realism, science fiction and post-apocalyptic fiction. Set in Aotearoa New Zealand, the story focuses on the life of the few human survivors of a rapidly-spreading deadly illness caused by the rabbit calicivirus, illegally introduced into the country. The c
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Evans, Patrick. "Spectacular babies: The Globalisation of New Zealand fiction." World Literature Written in English 38, no. 2 (2000): 94–109. http://dx.doi.org/10.1080/17449850008589331.

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Acheson, Carole. "Cultural Ambivalence: Ngaio Marsh's New Zealand Detective Fiction." Journal of Popular Culture 19, no. 2 (1985): 159–74. http://dx.doi.org/10.1111/j.0022-3840.1985.00159.x.

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Dalziell, Tanya. "Domestic Fiction in Colonial Australia and New Zealand." Journal of Australian Studies 39, no. 2 (2015): 274–76. http://dx.doi.org/10.1080/14443058.2015.1018093.

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Grace, Peter. "REVIEW: A possible new path to Māori-Pākehā understanding." Pacific Journalism Review : Te Koakoa 25, no. 1&2 (2019): 311–13. http://dx.doi.org/10.24135/pjr.v25i1and2.507.

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Listening to the People of the Land: Christianity, Colonisation & the Path to Redemption, edited by Susan Healy. Auckland: Pax Christi, Aotearoa New Zealand, 2019, with support from the New Zealand Dominican Sisters. 332 pages. ISBN 978-0-473-45957-4.Praying for Peace: A Selection of Prayers and Reflections, edited by Kevin McBride. Auckland: Pax Christi, Aotearoa New Zealand, in association with the Pacific Media Centre, 2018. 152 pages. ISBN 978-0-473-43798-5.THE STRENGTH of this series of essays in Listening to the People of the Land is the varying perspectives given on the brutal losse
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Hughes, Shaun F. D. "New Zealand Fiction, and: Critical Essays on the New Zealand Short Story, and: Australian Fiction (review)." MFS Modern Fiction Studies 31, no. 2 (1985): 471–75. http://dx.doi.org/10.1353/mfs.0.0071.

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LINEHAM, PETER J. "Christian Reaction to Freethought and Rationalism in New Zealand." Journal of Religious History 15, no. 2 (1988): 236–50. http://dx.doi.org/10.1111/j.1467-9809.1988.tb00530.x.

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Thompson, Christian. "A conspectus of New Zealand flower flies (Diptera: Syrphidae) with the description of a new genus and species." Zootaxa 1716 (December 31, 2008): 1–20. https://doi.org/10.5281/zenodo.181009.

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Dissertations / Theses on the topic "New Zealand Christian fiction"

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McDonnell, Brian. "The Translation of New Zealand fiction into film." Thesis, University of Auckland, 1986. http://hdl.handle.net/2292/2010.

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This thesis explores the topic of literature-into-film adaptation by investigating the use of New Zealand fiction by film-makers in this country. It attempts this task primarily by examining eight case-studies of the adaptation process: five features designed for cinema release (Sleeping Dogs, A State of Siege, Sons for the Return Home, The Scarecrow and Other Halves), one feature-length television drama (the God Boy), and two thirty-minute television dramas (The Woman at the Store and Big Brother, Little Sister, from the series Winners and Losers). All eight had their first screenings in the
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Melhop, Val. "Romance and realism : New Zealand short fiction, 1865-1965." Thesis, University of Canterbury. English, 1991. http://hdl.handle.net/10092/7060.

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This thesis examines changes in the relationship between romance and realism in the New Zealand short story over a period of one hundred years, from approximately 1865 to 1965. I argue that the short story is inherently a romantic genre and that both realism and romance are constant elements. My purpose is to show an evolving pattern between the two modes of writing during the rise of realism which began in the nineteenth century and peaked in the postwar period. Because there is a fluctuating relationship between the two modes in New Zealand short fiction, it is possible, through the psychoan
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Fee, Roderick Harold. "Sandcastles, and, The postmodern rules for family living a thesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Creative Writing (MCW), 2008." Click here to access exegesis online, 2008. http://aut.researchgateway.ac.nz/handle/10292/770.

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Wohlfart, Irmengard. "Translation studies perspectives on Patricia Grace's Potiki the original work and the German translation : dissertation submitted to the University of Auckland in partial fulfilment of the degree of Professional Master of Arts in Translation Studies, 2007." Click here to access this resource online, 2007.

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Botur, Michael Stephen. "Shorty." Click here to access this resource online, 2009. http://hdl.handle.net/10292/726.

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The eight short stories in Shorty examine themes including racism, oppression, conflict, social perception, miscommunication, struggles over meaning, truth and ethnic identity. New Zealand is a country reinventing itself from its colonial past (Wyn 2004 p. 277); identity-making in this country is a ‘dynamic process’ (Liu et al. 2005 p.11) which generates new cultural forms and practices. The concept of culture and subculture links the aforementioned themes in Shorty.
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Tyson, A. F. "Dehistoricised Histories: The Cultural Significance of Recent Popular New Zealand Historical Fiction." Thesis, University of Canterbury. Department of English, 2007. http://hdl.handle.net/10092/1568.

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The recent popularity of mass-market New Zealand historical fiction coincides with the increasing vocality of particular cultural discourses that resist the influence of revisionist histories on dominant understandings of national identity. This thesis examines how the depiction of colonial history in four such novels legitimates and sustains hegemonic understandings of New Zealand as culturally European. The novels analysed are The Denniston Rose (2003) by Jenny Pattrick, Tamar (2002) by Deborah Challinor, The Cost of Courage (2003) by Carol Thomas, and The Love Apple (2005) by Coral Atkinson
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Cattermole, Grant. "School reports : university fiction in the masculine tradition of New Zealand literature." Thesis, University of Canterbury. English, 2011. http://hdl.handle.net/10092/9709.

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This thesis will investigate the fictional discourse that has developed around academia and how this discourse has manifested itself in the New Zealand literary tradition, primarily in the works of M.K. Joseph, Dan Davin and James K. Baxter. These three writers have been selected because of their status within Kai Jensen's conception of “a literary tradition of excitement about masculinity”; in other words, the masculine tradition in New Zealand literature which provides fictional representations of factual events and tensions. This literary approach is also utilised in the tradition of Britis
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Lawn, Jennifer. "Trauma and recovery in Janet Frame's fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25087.pdf.

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Gwynne, Joel. "The secular visionaries : centering aesthetic identities in New Zealand short fiction 1935-2006." Thesis, University of Hull, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445302.

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Dawber, Carol. "Voices of the West Coast: An investigation into the development of a distinctive West Coast character in New Zealand fiction." Thesis, University of Canterbury. Humanities, 2012. http://hdl.handle.net/10092/7106.

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The West Coast of the South Island has a particular history distinct from other regions of New Zealand because of its physical isolation, its sparse and fragmented Maori occupation, its lack of suitability for farm settlement, and its social and economic links with Australia through nineteenth century shipping routes; many of the goldminers who first populated the region came via the Victoria goldfields and had little relationship with other South Island settlements. This thesis begins with a chronological annotated bibliography of imaginative writing with the West Coast as its setting, the
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Books on the topic "New Zealand Christian fiction"

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Katherine, Mansfield. New Zealand stories. Oxford University Press, 1997.

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Katherine, Mansfield. New Zealand stories. Oxford University Press, 1998.

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Marshall, Owen. The best New Zealand fiction. Vintage, 2008.

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1942-, Simpson Peter, and Mansfield Katherine 1888-1923, eds. Seven New Zealand novellas. Reed Books, 2003.

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Bluck, John. Hidden country: Having faith in Aotearoa New Zealand. Bathgate Press, 2010.

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John, Stenhouse, Wood G. A. 1936-, and Australian Theological Forum, eds. Christianity, modernity and culture: New perspectives on New Zealand history. ATF Press, 2005.

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Bryan, Gilling, ed. Godly schools?: Some approaches to Christian education in New Zealand. University of Waikato, 1993.

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1974-, Pirie Mark, and Jones, Tim, 1959 June 15-, eds. Voyagers: Science fiction poetry from New Zealand. Interactive Press, 2009.

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1974-, Pirie Mark, and Jones Tim 1959-, eds. Voyagers: Science fiction poetry from New Zealand. Interactive Press, 2009.

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Pirie, Mark. Voyagers: Science fiction poetry from New Zealand. Interactive Press, 2009.

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Book chapters on the topic "New Zealand Christian fiction"

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Kafi, Mohsen. "Wellington Readers' Perceptions of Translated Fiction." In Translating and Interpreting in Australia and New Zealand. Routledge, 2021. http://dx.doi.org/10.4324/9781003150770-18.

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Stafford, Jane. "Romance in the Backblocks in New Zealand Popular Fiction, 1930–1950: Mary Scott’s Barbara Stories." In Popular Fiction and Spatiality. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-56902-8_5.

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Morris, Paula. "Ko wai koe? Identity and Water in Contemporary Women's Writing From Aotearoa New Zealand." In Women and Water in Global Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9780429298837-10.

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Davis, Richard A. "The Christian ministry of reconciliation and settler decolonization in Aotearoa New Zealand." In Religion in Diverse Societies. Routledge, 2024. http://dx.doi.org/10.4324/9781003467236-11.

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Wright, T. John. "The Treaty of Waitangi: Implications for Christian Theological Education in Aotearoa New Zealand." In International Handbooks of Religion and Education. Springer Netherlands, 2009. http://dx.doi.org/10.1007/1-4020-5246-4_38.

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Picard, Andrew, and A. D. Clark-Howard. "The Christian Settler Imaginary: Repentant Remembrances of Christianity's Entanglement with Settler Colonialism in Aotearoa New Zealand." In Towards a Critical White Theology. Routledge, 2025. https://doi.org/10.4324/9781003585718-7.

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Schembri, Peter, Mark David Ryan, and Lauren Carroll Harris. "SCIENCE FICTION." In Directory of World Cinema: Australia and New Zealand 2. Intellect Books, 2015. http://dx.doi.org/10.2307/j.ctv36xvmdt.21.

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"Australia, New Zealand, and South Pacific." In The Complete Review Guide to Contemporary World Fiction. Columbia University Press, 2016. http://dx.doi.org/10.7312/orth14675-029.

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Wagner, Tamara S. "Introduction: Victorian Domestic Fiction Down Under." In Domestic Fiction in Colonial Australia and New Zealand. Routledge, 2015. http://dx.doi.org/10.4324/9781315653884-1.

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"Digital Fiction and Worlds of Perspective DAVID CICCORICCO (UNIVERSITY OF OTAGO, NEW ZEALAND)." In Analyzing Digital Fiction. Routledge, 2013. http://dx.doi.org/10.4324/9780203078112-11.

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Conference papers on the topic "New Zealand Christian fiction"

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Tallon, Rachel, and Joey Domdom. "Navigating Tensions in the Secular Workplace by Christians in the Social Services: Findings from an Aotearoa New Zealand Study." In 2021 ITP Research Symposium. Unitec ePress, 2022. http://dx.doi.org/10.34074/proc.2205015.

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The social services are a value-laden field of employment as work involves frequent ethical decision-making around issues that relate to values, such as end of life, sexuality and so forth. Tensions can exist between individual practitioners, their employment agency and society, concerning ethics and values. This paper presents partial findings from a qualitative study that explored the tensions or issues faced by 16 Christian social-service practitioners working in non-faith-based settings by asking the question, “What tensions do Christian practitioners face in secular organisations?” In par
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Koblenkova, Diana V. "ON SOME TRENDS IN THE SATIRICAL LITERATURE AND CINEMATOGRAPHY OF SWEDEN AT THE END OF THE 20TH — BEGINNING OF THE 21ST CENTURY (C.-J. VALLGREN AND R. ÖSTLUND)." In Second Scientific readings in memory of Professor V. P. Berkov. St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063576.

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The article deals with satirical tendencies in Swedish literature and cinema of the end of the 20th — beginning of the 21st century. On the example of the book by C.-J. Vallgren “This is for you for a brochure, Mr. Bachmann” and R. Östlund’s paintings “Turist” (“Force Majeure”), “Voluntarily-compulsory”, “The Square” and “Triangle of Sadness”, the main problems of Swedish society are analyzed, which are becoming pan-European scale. The paper concludes that both authors consider the most significant problems to be the disappearance of independent thinking, the distortion of ethical principles,
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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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Hajian, George. "Hard Working Covers." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.87.

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“… A good archaeological report not only informs us about the strata from which findings originate, but also gives an account of the strata which first had to be broken through.” (Walter Benjamin. Excavation and Memory, ca. 1932. Analog materials are fundamental to my research. As part of my art practice, I tear, cut, rip, fold, and glue together printed images of the masculine performance and the male body to un-masc and reveal its fragility. During the making process what’s usually left behind is a jumble of non-representational refuse—mainly text, backgrounds, and devices used on a page, in
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