Relevant bibliographies by topics / New Zealand Science fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'New Zealand Science fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "New Zealand Science fiction"

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Murray, Jeff, and Jessica Maufort. "A novel to influence public policy? The role of New Zealand in climate migration and the occupation of Antarctica." Journal of New Zealand & Pacific Studies 9, no. 1 (June 1, 2021): 59–76. http://dx.doi.org/10.1386/nzps_00048_1.

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In recent years, the notion of ‘climate change fiction’ (‘cli-fi’) has passed into common parlance to denote a strand of fictionalized narratives foregrounding the dynamics and consequences of climate change on Earth. While the acceptance criteria for such a category are flexible at best, the role of policy-making and of New Zealand as a political actor and geographical setting to the global eco-catastrophe remain marginal features in such contemporary stories. Jeff Murray’s 2019 novel entitled Melt crucially bridges fiction and public policy, in a move to put the Pacific, New Zealand and Antarctica at the forefront of climate change debates. As the near future sees Antarctica melting, the novel particularly focuses on the sociopolitical and infrastructural challenge that millions of climate change refugees will represent to wealthy and relatively spared nations, such as New Zealand. Correlated issues in sustainable management, economic inequality, intercultural relations and geopolitics are further evoked. In its attempt to alert New Zealand policy-makers and the general public to these long-term questions, Melt importantly invites reflection on the potentiality of narrative to inspire action taking. This article takes the form of an interdisciplinary discussion between Murray, a first-time novelist with a professional background in strategy policy, and literary and cultural studies scholar Jessica Maufort.
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Alessio, Dominic. "From body snatchers to mind snatchers: Indigenous science fiction, postcolonialism, and Aotearoa/New Zealand history." Journal of Postcolonial Writing 47, no. 3 (July 2011): 257–69. http://dx.doi.org/10.1080/17449855.2010.534616.

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Chandler, David. "New Zealand in Great Famine Era Irish politics: The strange case of A Narrative of the Sufferings of Maria Bennett." Journal of New Zealand & Pacific Studies 9, no. 2 (December 1, 2021): 215–29. http://dx.doi.org/10.1386/nzps_00068_1.

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A Narrative of the Sufferings of Maria Bennett, a crudely printed, eight-page pamphlet, was published in Dublin in spring 1846. It has been interpreted as an early fiction concerning New Zealand, or alternatively as a New Zealand ‘captivity narrative’, possibly based on the author’s own experiences. Against these readings, it is argued here that Maria Bennett, more concerned with Ireland than New Zealand, is a piece of pro-British propaganda hurried out in connection with the British Government’s ‘Protection of Life (Ireland) Bill’ ‐ generally referred to simply as the ‘Coercion Bill’ ‐ first debated on 23 February 1846. The Great Famine had begun with the substantial failure of Ireland’s staple potato crop in autumn 1845. This led to an increase in lawlessness, and the Government planned to combine its relief measures with draconian new security regulations. The story of Maria Bennett, a fictional young Irishwoman transported to Australia but shipwrecked in New Zealand, was designed to advertise the humanity of British law. Having escaped from the Māori, she manages to get to London, where she is pardoned by Sir James Graham, the Home Secretary, the man responsible for the Coercion Bill. New Zealand, imagined at the very beginning of the British colonial era, functions in the text as a dark analogy to Ireland, a sort of pristine example of the ‘savage’ conditions making British rule necessary and desirable in the first place. A hungry, lawless Ireland could descend to that level of uncivilization, unless, the propagandist urges, it accepts more British law.
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Seran, Justine. "Tales of Torment: Death, Nature, and Genre in Keri Hulme’s Short Story Collection Te Kaihau/The Windeater." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 16 (June 5, 2013): 1–13. http://dx.doi.org/10.2218/forum.16.523.

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This article engages in close reading of New Zealand Maori writer Keri Hulme's 1986 short fiction collection. It explores how she borrows from Western literary genres to create a syncretic literature of unease and build a universe where death and destruction are linked to an imbalance in the natural world.
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Nairn, Karen, and Ruth Panelli. "Using Fiction to Make Meaning in Research With Young People in Rural New Zealand." Qualitative Inquiry 15, no. 1 (August 25, 2008): 96–112. http://dx.doi.org/10.1177/1077800408318314.

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Della Valle, Paola. "Chris Baker’s Kokopu Dreams: A Prophetic View of a Disrupted Post-Pandemic World." Altre Modernità, no. 28 (November 30, 2022): 273–85. http://dx.doi.org/10.54103/2035-7680/19131.

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The global pandemic, with its multiple and far-reaching disruptions, has forced us to rethink and rewrite the world we live in. Chris Baker’s novel Kokopu Dreams (2000) sounds somehow prophetic today in the aftermath of the Covid-19 crisis. His work could be labelled as “speculative fiction” and placed among the umbrella categories of magic realism, science fiction and post-apocalyptic fiction. Set in Aotearoa New Zealand, the story focuses on the life of the few human survivors of a rapidly-spreading deadly illness caused by the rabbit calicivirus, illegally introduced into the country. The calicivirus has mutated and killed almost all the human population, who is now living in a land controlled by animals and spirits. The novel is also a template of transcultural writing, mixing Māori creation stories, Christian and Celtic mythologies, scientific issues and aspects of everyday life. Having grown up in a contact zone of different cultures―Baker is of Polynesian (Samoan), Anglo-Saxon and Celtic origin, but regards himself as a “Pacific” person―he shares that multiplicity of belonging which is a typical condition in the Pacific region today. Baker deals with a physical and cultural collective trauma, and the process of re-signification of the ethos in a bi-cultural country made of people of mixed ancestry, European and Māori. The re-elaboration of the epidemic experience is therefore based on both a Western rational representation and an indigenous mythical one.
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Muellenbach, Joanne Marie. "The Role of Reading Classic Fiction in Book Groups for People with Dementia is Better Understood through Use of a Qualitative Feasibility Study." Evidence Based Library and Information Practice 13, no. 2 (June 5, 2018): 97–99. http://dx.doi.org/10.18438/eblip29417.

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A Review of: Rimkeit, B.S. and Claridge, G. (2017). Peer reviewed: literary Alzheimer’s, a qualitative feasibility study of dementia-friendly book groups. New Zealand Library & Information Management Journal, 56(2), 14-22. https://figshare.com/articles/Literary_Alzheimer_s_A_qualitative_feasibility_study_of_dementia-friendly_book_groups/5715052/1 Abstract Objective – To explore how people living with dementia experience reading classic fiction in book groups and what benefits this intervention provides. Design – Qualitative feasibility study. Setting – Day centre within a care home in the North Island of New Zealand. Subjects – Eight participants with a medical diagnosis of dementia – four community dwellers who attend day centers, and four residents of a secure dementia unit in a care home. Methods – Investigators used surveys, focus groups, and interpretative phenomenological analysis (IPA), for ideographic analysis of the data. Main results – Following analysis of the focus book group data, three superordinate, with related subordinate, themes were found: 1) the participant as a lively reader. The participants shared childhood memories of reading and when they became adults, how they encouraged reading within the household and with their own children. Subordinate themes included: recall, liveliness of discussion, and interest in reading and book clubs; 2) the participant as guardian of the voice of Dickens. Participants believed that, when the language is simplified, the beauty and rich imagery of Dickens is lost. Subordinate themes included: oversimplifying “loses the voice of Dickens”, familiarity, and continued play on words; and 3) the participant as a discerning book reviewer. The participants offered a number of ‘dementia-friendly’ suggestions, including the use of memory aids and simplifying text. Subordinate themes were expressed as four recommendations: use cast of characters; illustrations pick up the energy of the story, but balance quantity with risk of being childish; the physical quality of the text and paper; and chunk quantity of text while keeping the style of the original author. The choice of using classic fiction that was already well known was validated by the participants, who had some preconceptions about Ebenezer Scrooge, and described him by using epithets such as mean, an old bastard, and ugly. The participants found the investigators’ adapted version to be oversimplified, as short excerpts of the original Dickens seemed to evoke emotional and aesthetic responses of appreciation. Therefore, when creating adaptations, it is important to preserve the beauty of the original writing as much as possible. Conclusion – This qualitative feasibility study has provided a better understanding of how people living with dementia experience classic fiction in shared book groups. For individuals with Alzheimer’s disease, language skills may be well-preserved until later in the disease course. For example, the focus group participants demonstrated an appreciation and command of language, as well as enthusiasm and excitement in the sharing of the original Dickens with others. They suggested the use of memory aids, such as including a cast of characters, and repeating the referent newly on each page. Participants also suggested that the adapted version be shortened, to use a large font, and to include plenty of pictures. The choice of using classic fiction was validated by the participants, as they found these tales comforting and familiar, particularly when they included such colorful characters as Ebenezer Scrooge. Finally, people living with dementia should be encouraged to enjoy books for the same reason other adults love to read – primarily for the creative process. Classic fiction may be adapted to enhance readability, but the adaptation must be done in a thoughtful manner. While memory deficits occur in Alzheimer’s disease, an appreciation of complex language may be preserved until the later disease stages.
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Johnson, Danielle, Paula Blackett, Andrew E. F. Allison, and Ashley M. Broadbent. "Measuring Social Vulnerability to Climate Change at the Coast: Embracing Complexity and Context for More Accurate and Equitable Analysis." Water 15, no. 19 (September 28, 2023): 3408. http://dx.doi.org/10.3390/w15193408.

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Social vulnerability indices are often used to quantify differential vulnerability to the impacts of climate change within coastal communities. In this review, we examine how “tried and tested” methodologies for analysing social vulnerability to climate hazards at the coast are being challenged by a new wave of indices that offer more nuanced conclusions about who is vulnerable, how, and why. Instead of producing high-level, generalised, and static conclusions about vulnerability, this new wave of indices engages more deeply with the interlinked socioeconomic, cultural, political, and economic specificities of place, as well as the multi-scalar and temporal dynamics, incongruities, and inconsistencies that are inherent to peoples’ lived, felt experiences of social vulnerability. By integrating these complex observations into an output that is still readily accessible to decision- and policy-makers, the new wave of indices supports the pursuit of more tailored, context-appropriate, and equitable climate adaptation. We suggest one way that these more nuanced forms of vulnerability analyses might be operationalised, by reflecting on an experimental research project that uses personas or fictional characters to examine social vulnerability to climate change in coastal Aotearoa New Zealand.
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Evans, Patrick. "Spectacular babies: The Globalisation of New Zealand fiction." World Literature Written in English 38, no. 2 (January 2000): 94–109. http://dx.doi.org/10.1080/17449850008589331.

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Acheson, Carole. "Cultural Ambivalence: Ngaio Marsh's New Zealand Detective Fiction." Journal of Popular Culture 19, no. 2 (September 1985): 159–74. http://dx.doi.org/10.1111/j.0022-3840.1985.00159.x.

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Dissertations / Theses on the topic "New Zealand Science fiction"

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McDonnell, Brian. "The Translation of New Zealand fiction into film." Thesis, University of Auckland, 1986. http://hdl.handle.net/2292/2010.

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This thesis explores the topic of literature-into-film adaptation by investigating the use of New Zealand fiction by film-makers in this country. It attempts this task primarily by examining eight case-studies of the adaptation process: five features designed for cinema release (Sleeping Dogs, A State of Siege, Sons for the Return Home, The Scarecrow and Other Halves), one feature-length television drama (the God Boy), and two thirty-minute television dramas (The Woman at the Store and Big Brother, Little Sister, from the series Winners and Losers). All eight had their first screenings in the ten-year period 1975-1985. For each of the case-studies, the following aspects are investigated: the original work of fiction, a practical history of the adaptation process (including interviews with people involved), and a study of changes made during the scripting and shooting stages. The films are analysed in detail, with a focus on visual and auditory style, in particular how these handle the themes, characterisation and style of the original works. Comparisons are made of the structures of the novels and the films. For each film, an especially close reading is offered of sample scenes (frequently the opening and closing scenes). The thesis is illustrated with still photographs – in effect, quotations from key moments – and these provide a focus to aspects of the discussion. Where individual adaptation problems existed in particular case-studies (for example, the challenge of the first-person narration of The God Boy), these are examined in detail. The interaction of both novels and films with the society around them is given emphasis, and the films are placed in their cultural and economic context - and in the context of general film history. For each film, the complex reception they gained from different groups (for example, reviewers, ethnic groups, gender groups, the authors of the original works) is discussed. All the aspects outlined above demonstrate the complexity of the responses made by New Zealand film-makers to the pressure and challenges of adaptation. They indicate the different answers they gave to the questions raised by the adaptation process in a new national cinema, and reveal their individual achievements.
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Melhop, Val. "Romance and realism : New Zealand short fiction, 1865-1965." Thesis, University of Canterbury. English, 1991. http://hdl.handle.net/10092/7060.

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This thesis examines changes in the relationship between romance and realism in the New Zealand short story over a period of one hundred years, from approximately 1865 to 1965. I argue that the short story is inherently a romantic genre and that both realism and romance are constant elements. My purpose is to show an evolving pattern between the two modes of writing during the rise of realism which began in the nineteenth century and peaked in the postwar period. Because there is a fluctuating relationship between the two modes in New Zealand short fiction, it is possible, through the psychoanalytical approach to the stories which I employ, to establish the prevailing emotional climate of each era. Beginning with the colonial period, I show how the magazine influenced fiction writing by initiating some important changes to the European New Zealand short story. I discuss the attempt by male writers of the 1930s to dominate the literary scene by using realism as a weapon. Then, with Katherine Mansfield and Frank Sargeson as the models for postwar writers, I illuminate through my analysis of the texts, a new coalition of romantic realism.
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Fee, Roderick Harold. "Sandcastles, and, The postmodern rules for family living a thesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Creative Writing (MCW), 2008." Click here to access exegesis online, 2008. http://aut.researchgateway.ac.nz/handle/10292/770.

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Wohlfart, Irmengard. "Translation studies perspectives on Patricia Grace's Potiki the original work and the German translation : dissertation submitted to the University of Auckland in partial fulfilment of the degree of Professional Master of Arts in Translation Studies, 2007." Click here to access this resource online, 2007.

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Johnson, Catherine Ann. "A New Meridian." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4006.

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Botur, Michael Stephen. "Shorty." Click here to access this resource online, 2009. http://hdl.handle.net/10292/726.

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The eight short stories in Shorty examine themes including racism, oppression, conflict, social perception, miscommunication, struggles over meaning, truth and ethnic identity. New Zealand is a country reinventing itself from its colonial past (Wyn 2004 p. 277); identity-making in this country is a ‘dynamic process’ (Liu et al. 2005 p.11) which generates new cultural forms and practices. The concept of culture and subculture links the aforementioned themes in Shorty.
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Tyson, A. F. "Dehistoricised Histories: The Cultural Significance of Recent Popular New Zealand Historical Fiction." Thesis, University of Canterbury. Department of English, 2007. http://hdl.handle.net/10092/1568.

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The recent popularity of mass-market New Zealand historical fiction coincides with the increasing vocality of particular cultural discourses that resist the influence of revisionist histories on dominant understandings of national identity. This thesis examines how the depiction of colonial history in four such novels legitimates and sustains hegemonic understandings of New Zealand as culturally European. The novels analysed are The Denniston Rose (2003) by Jenny Pattrick, Tamar (2002) by Deborah Challinor, The Cost of Courage (2003) by Carol Thomas, and The Love Apple (2005) by Coral Atkinson. The cultural context in which these books have been produced is situated within a history of nationalist discourses and Raymond Williams’s theorisation of hegemonic cultural processes is employed to explain how contemporary national culture continues to rely on colonial principles that sustain settler cultural dominance. Close analysis of the temporal and geographical settings of the novels reveals how the portrayal of history in these novels evades colonial conquest and the Māori cultural presence. A comparison of the historical and contemporary cultural significance of the spatial settings employed in these novels – the wilderness, pastoral, and colonial urban spaces – highlights how these settings tacitly communicate that New Zealand is culturally European. Nevertheless, the problematic cultural legacies of colonialism still haunt these novels. The way in which the narratives resolve these issues reveals that hegemonic New Zealand identity is reliant on a dehistoricised view of settlement and therefore perpetually vulnerable to the intrusion of Māori memory.
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Cattermole, Grant. "School reports : university fiction in the masculine tradition of New Zealand literature." Thesis, University of Canterbury. English, 2011. http://hdl.handle.net/10092/9709.

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This thesis will investigate the fictional discourse that has developed around academia and how this discourse has manifested itself in the New Zealand literary tradition, primarily in the works of M.K. Joseph, Dan Davin and James K. Baxter. These three writers have been selected because of their status within Kai Jensen's conception of “a literary tradition of excitement about masculinity”; in other words, the masculine tradition in New Zealand literature which provides fictional representations of factual events and tensions. This literary approach is also utilised in the tradition of British university fiction, in which the behaviour of students and faculty are often deliberately exaggerated in order to provide a representation of campus life that captures the essence of the reality without being wholly factual. The fact that these three writers attempt, consciously or unconsciously, to combine the two traditions is a matter of great literary interest: Joseph's A Pound of Saffron (1962) appropriates tropes of the British university novel while extending them to include concerns specific to New Zealand; Davin's Cliffs of Fall (1945), Not Here, Not Now (1970) and Brides of Price (1972) attempt to blend traditions of university fiction with the masculine realist tradition in New Zealand literature, though, as we will see, with limited success; Baxter's station as the maternal grandson of a noted professor allows him to criticise the elitist New Zealand university system in Horse (1985) from a unique position, for he was more sympathetic towards what he considered the working class “peasant wisdom” of his father, Archie, than the “professorial knowledge” of Archie's father-in-law. These three authors have been chosen also because of the way they explore attitudes towards universities amongst mainstream New Zealand society in their writing, for while most novels in the British tradition demonstrate little tension between those within the university walls and those without, in New Zealand fiction the tension is palpable. The motivations for this tension will also be explored in due course, but before we can grapple with how the tradition of British university fiction has impacted New Zealand literature, we must first examine the tradition itself.
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Lawn, Jennifer. "Trauma and recovery in Janet Frame's fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25087.pdf.

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Gwynne, Joel. "The secular visionaries : centering aesthetic identities in New Zealand short fiction 1935-2006." Thesis, University of Hull, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445302.

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Books on the topic "New Zealand Science fiction"

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1974-, Pirie Mark, and Jones, Tim, 1959 June 15-, eds. Voyagers: Science fiction poetry from New Zealand. Brisbane: Interactive Press, 2009.

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1974-, Pirie Mark, and Jones Tim 1959-, eds. Voyagers: Science fiction poetry from New Zealand. Brisbane: Interactive Press, 2009.

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Pirie, Mark. Voyagers: Science fiction poetry from New Zealand. Brisbane: Interactive Press, 2009.

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1974-, Pirie Mark, and Jones, Tim, 1959 June 15-, eds. Voyagers: Science fiction poetry from New Zealand. Brisbane: Interactive Press, 2009.

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Warwick, Bennett, and Hudson Patrick 1967-, eds. Rutherford's dreams: A New Zealand science fiction collection. Wellington, N.Z: IPL Books, 1995.

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1935-, Gadd Bernard, ed. I have seen the future: New Zealand science, future, and fantasy fiction stories. Auckland, N.Z: Longman Paul, 1986.

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Tobin, Paul. White cloud worlds: An anthology of science fiction and fantasy artwork from Aotearoa New Zealand. Auckland, N.Z: HarperCollins, 2010.

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Tobin, Paul. White cloud worlds: An anthology of science fiction and fantasy artwork from Aotearoa New Zealand. Auckland, N.Z: HarperCollins, 2010.

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Hugh, Cook. The Wizards and the Warriors. Gerrards Cross: Colin Smythe, 1986.

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Hugh, Cook. The Wizards and the Warriors. Gerrards Cross: C. Smythe, 1986.

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Book chapters on the topic "New Zealand Science fiction"

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Rawlins, Peter, Carrol Walkley, and Lone Jorgensen. "New Zealand." In Issues in Upper Secondary Science Education, 137–59. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137275967_9.

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Gornitz, Vivian, Nicholas C. Kraus, Nicholas C. Kraus, Ping Wang, Ping Wang, Gregory W. Stone, Richard Seymour, et al. "New Zealand, Coastal Ecology." In Encyclopedia of Coastal Science, 705–9. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-3880-1_227.

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Keatley, Marie R., Lynda E. Chambers, and Rebecca Phillips. "Australia and New Zealand." In Phenology: An Integrative Environmental Science, 23–52. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6925-0_3.

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Latham, Rob. "Teaching the New Wave." In Teaching Science Fiction, 116–28. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230300392_8.

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Buntting, Cathy, and Alister Jones. "School science in New Zealand." In Studies in Science Education in the Asia-Pacific Region, 194–206. London: Routledge, 2017. http://dx.doi.org/10.4324/9781315717678-17.

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Medwin, Thomas. "‘The New Frankenstein’." In Nineteenth Century Science Fiction, 103–20. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003056331-8.

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Kafi, Mohsen. "Wellington Readers' Perceptions of Translated Fiction." In Translating and Interpreting in Australia and New Zealand, 268–88. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003150770-18.

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Gornitz, Vivian, Nicholas C. Kraus, Nicholas C. Kraus, Ping Wang, Ping Wang, Gregory W. Stone, Richard Seymour, et al. "New Zealand, Coastal Geomorphology and Oceanography." In Encyclopedia of Coastal Science, 709–14. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-3880-1_228.

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Schmeink, Lars, and Ingo Cornils. "Introduction: New Perspectives." In Studies in Global Science Fiction, 1–14. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95963-0_1.

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Thechatakerng, Pusanisa. "Thai Immigrant Entrepreneurs in New Zealand." In Communications in Computer and Information Science, 658–70. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34447-3_60.

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Conference papers on the topic "New Zealand Science fiction"

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Landis, Geoffrey. "Spaceflight and Science Fiction." In 50th AIAA Aerospace Sciences Meeting including the New Horizons Forum and Aerospace Exposition. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2012. http://dx.doi.org/10.2514/6.2012-202.

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Adams, Jenni, Pat Langhorne, Eleanor Howick, and Esther Haines. "Women in Physical Science in New Zealand." In WOMEN IN PHYSICS: The IUPAP International Conference on Women in Physics. AIP, 2002. http://dx.doi.org/10.1063/1.1505331.

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Cotter, S. "SDN-based innovation in New Zealand." In 2014 International Science and Technology Conference (Modern Networking Technologies) (MoNeTeC). IEEE, 2014. http://dx.doi.org/10.1109/monetec.2014.6995583.

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"Sport and Exercise Science New Zealand Annual Conference." In Sport and Exercise Science New Zealand Annual Conference 2018. The Journal of Sport and Exercise Science, 2018. http://dx.doi.org/10.36905/jses.2018.01.01.

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"Sport and Exercise Science New Zealand Annual Conference." In Sport and Exercise Science New Zealand Annual Conference 2019. The Journal of Sport and Exercise Science, 2019. http://dx.doi.org/10.36905/jses.2019.01.01.

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Krofcheck, David. "Radiation sensor research and development in New Zealand." In 2007 IEEE Nuclear Science Symposium Conference Record. IEEE, 2007. http://dx.doi.org/10.1109/nssmic.2007.4437150.

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Miao, Qinghai, Min Huang, Yisheng Lv, and Fei-Yue Wang. "Parallel Learning between Science for AI and AI for Science: A Brief Overview and Perspective*." In 2022 Australian & New Zealand Control Conference (ANZCC). IEEE, 2022. http://dx.doi.org/10.1109/anzcc56036.2022.9966863.

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Caroti, Simone, and Glen A. Robertson. "Astrosociology and Science Fiction: a Synergy." In SPACE, PROPULSION & ENERGY SCIENCES INTERNATIONAL FORMUM SPESIF-2010: 14th Conference on Thermophysics Applications in Microgravity 7th Symposium on New Frontiers in Space Propulsion Sciences 2nd Symposium on Astrosociology 1st Symposium on High Frequency Gravitational Waves. AIP, 2010. http://dx.doi.org/10.1063/1.3326267.

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Sheard, Judy, and Simon. "ITiCSE, Australia, and New Zealand: What's the Story?" In ITiCSE '20: Innovation and Technology in Computer Science Education. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3341525.3394982.

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Shirley, Donna, Leslie Howle, and Bunny Lester. "A New Science Fiction Museum - Exciting Young People About Science and Engineering." In Space 2004 Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.2004-5963.

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Reports on the topic "New Zealand Science fiction"

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Sterling, Rogena, Michelle Blake, Nick Jones, Richard Hartshorn, and Tahu Kukutai. The Research Data Landscape in Aotearoa New Zealand: A report undertaken in partnership with the Aotearoa New Zealand Committee on Data in Research (CoDiR). The University of Waikato, December 2023. http://dx.doi.org/10.15663/uow.rdla.dec2023.

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Data and datasets are often described as a core strategic asset for Aotearoa New Zealand (Aotearoa) and indispensable for the government’s ambition of being a small nation with an advanced, adaptive, and inclusive economy. In the context of our research, science and innovation (RSI) ecosystem, the value of data cannot be overstated. The purpose of this report is to provide a review (the Review) of Aotearoa’s research data landscape. Research data are data that are used as primary sources to support technical or scientific enquiry, research, or artistic activity; as evidence in the research process; and/or are commonly accepted in the research community as necessary to provide a foundation for, or validate research findings and results. The Review covers four core areas: • Te Tiriti o Waitangi and data sovereignty • research data ecosystems • research data infrastructure • research data cultures. Although informed by international data landscape reviews, this Review emphasises the unique considerations and structural features of the Aotearoa data landscape. Based on our analysis and observations from a series of targeted workshops, we provide a set of recommendations on how to strengthen the system and advance shared aspirations for better outcomes. The recommendations are organised under the five headings from Nosek’s Pyramid of Social Change, setting out a phased strategy for culture and behaviour change. In implementing these recommendations, we recognise that the articles of Te Tiriti should be embedded throughout, consistent with sector requirements (MBIE, 2023d).
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Murray, Chris, Keith Williams, Norrie Millar, Monty Nero, Amy O'Brien, and Damon Herd. A New Palingenesis. University of Dundee, November 2022. http://dx.doi.org/10.20933/100001273.

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Robert Duncan Milne (1844-99), from Cupar, Fife, was a pioneering author of science fiction stories, most of which appeared in San Francisco’s Argonaut magazine in the 1880s and ’90s. SF historian Sam Moskowitz credits Milne with being the first full-time SF writer, and his contribution to the genre is arguably greater than anyone else including Stevenson and Conan Doyle, yet it has all but disappeared into oblivion. Milne was fascinated by science. He drew on the work of Scottish physicists and inventors such as James Clark Maxwell and Alexander Graham Bell into the possibilities of electromagnetic forces and new communications media to overcome distances in space and time. Milne wrote about visual time-travelling long before H.G. Wells. He foresaw virtual ‘tele-presencing’, remote surveillance, mobile phones and worldwide satellite communications – not to mention climate change, scientific terrorism and drone warfare, cryogenics and molecular reengineering. Milne also wrote on alien life forms, artificial immortality, identity theft and personality exchange, lost worlds and the rediscovery of extinct species. ‘A New Palingenesis’, originally published in The Argonaut on July 7th 1883, and adapted in this comic, is a secular version of the resurrection myth. Mary Shelley was the first scientiser of the occult to rework the supernatural idea of reanimating the dead through the mysterious powers of electricity in Frankenstein (1818). In Milne’s story, in which Doctor S- dissolves his terminally ill wife’s body in order to bring her back to life in restored health, is a striking, further modernisation of Frankenstein, to reflect late-nineteenth century interest in electromagnetic science and spiritualism. In particular, it is a retelling of Shelley’s narrative strand about Frankenstein’s aborted attempt to shape a female mate for his creature, but also his misogynistic ambition to bypass the sexual principle in reproducing life altogether. By doing so, Milne interfused Shelley’s updating of the Promethean myth with others. ‘A New Palingenesis’ is also a version of Pygmalion and his male-ordered, wish-fulfilling desire to animate his idealised female sculpture, Galatea from Ovid’s Metamorphoses, perhaps giving a positive twist to Orpheus’s attempt to bring his corpse-bride Eurydice back from the underworld as well? With its basis in spiritualist ideas about the soul as a kind of electrical intelligence, detachable from the body but a material entity nonetheless, Doctor S- treats his wife as an ‘intelligent battery’. He is thus able to preserve her personality after death and renew her body simultaneously because that captured electrical intelligence also carries a DNA-like code for rebuilding the individual organism itself from its chemical constituents. The descriptions of the experiment and the body’s gradual re-materialisation are among Milne’s most visually impressive, anticipating the X-raylike anatomisation and reversal of Griffin’s disappearance process in Wells’s The Invisible Man (1897). In the context of the 1880s, it must have been a compelling scientisation of the paranormal, combining highly technical descriptions of the Doctor’s system of electrically linked glass coffins with ghostly imagery. It is both dramatic and highly visual, even cinematic in its descriptions, and is here brought to life in the form of a comic.
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3

Nehring, Natalia, and Simon Dacey. Formative vs Summative Quizzes as Regular Feedback on Moodle in Computer Science Courses: Which do Students Prefer? Unitec ePress, November 2021. http://dx.doi.org/10.34074/ocds.090.

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Deferred feedback on summative assessments can demotivate students and affect their overall learning performance, and it can change their study routines. The aim of this study is to compare and analyse students’ perceptions about summative and formative regular feedback: whether they are better motivated by being given marks, or by regular feedback without any marks. All participants were students from a Bachelor of Computer Science (BCS) degree at a New Zealand tertiary institute. Three courses were selected across three different levels of the BCS, and the sample group included 272 students from five different semesters. Summative (with marks) and formative (with feedback only) weekly quizzes were introduced in 2017, with the aim of providing early, regular feedback to students. Participants in the study were divided into two groups: students who were doing formative, and those who were doing summative quizzes. In each group, the majority of students indicated that they were happy and positive about getting regular feedback in the form of quizzes, and they appreciated the quiz questions and time spent as a way to adjust and enhance their learning. There was no real difference in students’ subjective evaluations and individual perceptions between those who had summative and those who had formative quizzes. The existence of quizzes, and the results, were important for students as weekly feedback and it didn’t matter whether marks were attached to these weekly feedback activities or not. More studies are needed to determine what type of questions could better influence students’ learning outcomes.
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Kearns, Nick, and William Beale. Show me the Money: Perspectives on Applying for Government Research and Development Co-funding. Unitec ePress, October 2015. http://dx.doi.org/10.34074/ocds.022.

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In 2012-14 Unitec Institute of Technology (in partnership with The Innovation Workshop) carried out research into the application process for New Zealand Government Research & Development [R&D] co-funding administered by the Ministry of Science & Innovation (now Callaghan Innovation Ltd). This research revealed widespread applicant frustration with the application criteria and process. A significant problem perceived by High Value Manufacturing and Service Small Medium Enterprises (HVMS SME) businesses is the focus of R&D funding on product innovation followed by a lack of funding to support later stage commercialisation of products. This later stage of product and market development is excluded from Callaghan Innovation co-funding, leading to ‘prototypes-on-a-shelf’. Applicants also found the process time consuming, due to the complexity of the application questions and the delays in response from the funding network of regional funding partners and the Government Ministry. HVMS SME often used consultants to help manage the application, which is frowned upon by both the regional funding partners and Callaghan Innovation, despite the high levels of co-funding success from these applicants. This work has been carried out during the establishment period of Callaghan Innovation Ltd and some of the above issues may be historic and/or transitional as the institutional arrangements change. This research records the HVMS SME experience in applying for R&D co-funding. Consideration of the user experience, captured in this research, may reveal opportunities to improve the process with better outcomes for the applicants and the economy.
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5

Research Department - Miscellaneous Correspondence - Miscellaneous, General - Australian & New Zealand Association for the Advancement of Science - Correspondence & Memoranda - File 1 - 1936 - 1949. Reserve Bank of Australia, September 2023. http://dx.doi.org/10.47688/rba_archives_2006/18703.

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GOVERNORS & SENIOR PERSONNEL - Dr H.C. Coombs - Correspondence, Diaries and Speeches - Australian and New Zealand Association for the Advancement of Science (ANZAAS) - Chairman - Giblin Lecture - 13 August 1962. Reserve Bank of Australia, September 2022. http://dx.doi.org/10.47688/rba_archives_2006/03033.

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GOVERNORS & SENIOR PERSONNEL - Dr H.C. Coombs - Correspondence, Diaries and Speeches - Address - ?A Matter of Prices? - 34th Australian and New Zealand Association for the Advancement of Science (ANZAAS) Congress, Perth - 26th August 1959. Reserve Bank of Australia, September 2022. http://dx.doi.org/10.47688/rba_archives_2006/04402.

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8

Indigidata Aotearoa - Post-Event Summary Report 2023. The University of Waikato, August 2023. http://dx.doi.org/10.15663/uow.indigidataaotearoa23.

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From the 21st to the 24th of August, the inaugural Indigidata Aotearoa 2023 was held at Te Whare Wānanga o Waikato. In recent years there has been significant advances in the fields of Indigenous data science and sovereignty. The Indigidata Aotearoa programme was designed to develop an understanding of Indigenous data science and sovereignty alongside some of the best researchers in Aotearoa New Zealand. The fully funded wānanga was open to Māori (tauira, kaitiaki, kaipakihi) participants from across Aotearoa. Applications were received from more than 35 respondents, and 23 tauira Māori attended the inaugural event.
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