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Journal articles on the topic 'Newfoundland in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Trew1, Johanne Devlin. "The Forgotten Irish?" Ethnologies 27, no. 2 (2007): 43–77. http://dx.doi.org/10.7202/014041ar.

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The Irish in Newfoundland have developed their culture and identity over the past 300 years in the context of the island’s changing political status from independent territory, to British colony, and to Canadian province (since 1949). Newfoundland song, dance and dialect all display evident Irish features and have played an important role in the marketing of the province as a tourist destination. Recent provincial government initiatives to forge contacts with Celtic Tiger Ireland and thus revive this powerfully “imagined” Atlantic network have also contributed to the notion of the “Irishness”

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Hawthorn, Ainsley. "Wherefore Art Thou Juanita?" Names 70, no. 1 (2022): 9–18. http://dx.doi.org/10.5195/names.2022.2377.

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The name Juanita should have been an unlikely candidate for popularity in a place like Newfoundland, where only 0.1% of the population of half a million speaks Spanish as a mother tongue and 0.4% identifies as having Spanish, Latin American, Central American, or South American ethnic origins. Nonetheless, the name is a well-established member of the Newfoundland onomasticon. Drawing on archival research, census data, and other primary source materials, this study seeks to uncover how Juanita was introduced to Newfoundland and what determinants precipitated its widespread acceptance. The author

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Hart, Anne, Joan Ritcey, and Bert Riggs. "The Centre for Newfoundland Studies at Memorial University Libraries." Art Libraries Journal 22, no. 4 (1997): 5–7. http://dx.doi.org/10.1017/s0307472200010592.

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The Centre for Newfoundland Studies, a division of the Memorial University of Newfoundland Libraries, has as its mandate to collect all material possible on all aspects of Newfoundland and Labrador. The Centre’s collections of both published and manuscript materials will be of interest to researchers of the art and architecture of Newfoundland. While the Centre is primarily a reference collection, information services are provided to remote researchers. Researchers may wish to access the Centre’s catalogues and bibliographic tools, including its own Newfoundland periodical article bibliography

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Tennyson, E. J., and H. Whittaker. "THE 1987 NEWFOUNDLAND OIL SPILL EXPERIMENT1." International Oil Spill Conference Proceedings 1989, no. 1 (1989): 101–3. http://dx.doi.org/10.7901/2169-3358-1989-1-101.

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ABSTRACT A joint Canadian-United States exercise involving the intentional spilling of approximately 18,000 gallons of specially treated crude oil was conducted off Newfoundland in September 1987 to evaluate the containment and recovery capabilities of three state-of-the-art booms and skimmers. As part of the exercise, data were collected on a specially instrumented oil spill boom in an attempt to verify a proposed performance test procedure for open-ocean oil spill booms. A viscoelastic chemical additive was used, after the equipment evaluation was completed, to enhance recovery operations. A

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Cavaliere, Elizabeth Anne. "The Cause of Art: Professionalizing the Art Gallery of Newfoundland and Labrador. Jeff A. Webb." Canadian Historical Review 106, no. 2 (2025): 317–18. https://doi.org/10.3138/chr.106.2.br14.

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Jefferies, Daze. "Fish Trade Futures: Counter-Archives and Sex Worker Worlds at the Margins of St. John's Harbour." Journal of Folklore Research 60, no. 2-3 (2023): 67–94. http://dx.doi.org/10.2979/jfr.2023.a912089.

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Abstract: This article imagines the sociohistorical lives of trans women (and) sex workers in Ktaqmkuk (Newfoundland) as deeply entangled with ecological relations of so-called Canada's Atlantic coast—particularly the cultural and economic politics of fish trade at St. John's Harbour. Feeling fishy, a trace of transfeminine sex worker expressive culture and vernacular performance, comes to signify an evocative autoethnographic approach to trans sex worker research-creation at the water's edge. Poetic, illustrative, and sculptural play as both counter-archival worldmaking and critical address h

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Jefferies, Daze. "Fish Trade Futures: Counter-Archives and Sex Worker Worlds at the Margins of St. John's Harbour." Journal of Folklore Research 60, no. 2-3 (2023): 67–94. http://dx.doi.org/10.2979/jfolkrese.60.2_3.04.

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Abstract: This article imagines the sociohistorical lives of trans women (and) sex workers in Ktaqmkuk (Newfoundland) as deeply entangled with ecological relations of so-called Canada's Atlantic coast—particularly the cultural and economic politics of fish trade at St. John's Harbour. Feeling fishy, a trace of transfeminine sex worker expressive culture and vernacular performance, comes to signify an evocative autoethnographic approach to trans sex worker research-creation at the water's edge. Poetic, illustrative, and sculptural play as both counter-archival worldmaking and critical address h

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Earle, Neil. "Survival as a Lively Art: The Newfoundland and Labrador Experience in Anniversary Retrospective." Journal of Canadian Studies 33, no. 1 (1998): 88–107. http://dx.doi.org/10.3138/jcs.33.1.88.

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9

Polack, Fiona. "Art in the Bush: Romanticist Painting for Indigenous Audiences in Tasmania and Newfoundland." Nineteenth-Century Contexts 33, no. 4 (2011): 333–51. http://dx.doi.org/10.1080/08905495.2011.598671.

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Langille, Sophie. "If Looks Could Quill." IJournal: Student Journal of the Faculty of Information 9, no. 1 (2023): 35–48. http://dx.doi.org/10.33137/ijournal.v9i1.42234.

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Porcupine quillwork has long been practiced as a form of self-adornment by the Mi’kmaq peoples. The Mi’kmaq peoples reside on the unceded territory of Mi’kma’ki, the region spanning across what is now known as Nova Scotia, New Brunswick, and Prince Edward Island, as well as parts of Québec, Newfoundland, and Maine. Following the arrival of colonial settlers, this decorative art form was redirected toward the production of souvenirs and became a highly tradable commodity, appearing on household objects such as chair backs, straight razor covers, and, most commonly, trinket boxes. Thanks to the

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11

Boddie, Susan. "Cultural Awareness Through Music Study: Fostering Diversity, Equity, and Inclusion in Higher Education Vocal Music Curriculum." International Journal on Engineering, Science and Technology 5, no. 2 (2023): 161–75. http://dx.doi.org/10.46328/ijonest.166.

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The educational research study explored ways to bring history into musical art fostering a deeper attentiveness to diversity, equity, and inclusivity in higher education music studies in North America. It explored the historic narrative of the Indigenous Beothuk people of Newfoundland and Labrador, Canada through music. The study focused on the opera Shanawdithit by Canadian composer Dean Burry, and Indigenous Canadian librettist, Yvette Nolan as an example of how music curriculum can be reconsidered and reimagined. The anthropological and archeological history of the Indigenous Beothuk people

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Burkholder, Casey, Katie MacEntee, and Amelia Thorpe. "solidarity through mail-based participatory visual research: exploring queer and feminist futures through an art, activism and archiving project with 2SLGBTQ+ youth amidst COVID-19." Feminist Review 135, no. 1 (2023): 141–61. http://dx.doi.org/10.1177/01417789231205297.

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The COVID-19 pandemic posed a logistical problem to our normal ways of engaging in participatory visual research. Our in-person art, activism and archiving with 2SLGBTQ+ Atlantic Canadian youth pivoted to use distanced engagement strategies that met the demands of the pandemic. We sought to create networks of solidarity while we were apart. Monthly, over the course of a year, we mailed out themed packages of art supplies and directions to fifty-five 2SLGBTQ+ youth situated in the Canadian provinces of New Brunswick, Nova Scotia, Prince Edward Island and Newfoundland and Labrador. Participants

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Harries, John. "A stone that feels right in the hand: Tactile memory, the abduction of agency and presence of the past." Journal of Material Culture 22, no. 1 (2016): 110–30. http://dx.doi.org/10.1177/1359183516679187.

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This article is a theoretical and ethnographic exploration of the possibility of ‘touching the past’. Drawing on fieldwork from Newfoundland, Canada, and in conversation with Gell’s Art and Agency (1998), it focuses on the process of abduction whereby, in their discovery and handling, pieces of stone become artefacts that index the presence of an absent other. It is argued that through this tactile process of becoming an artefactual index, the distinction between past and present is momentarily dissolved, enfolded into the fit between stone and hand, giving rise to the possibility of historica

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Galloway, Kate. "Curating the aural cultures of the Battery: Soundwalking, auditory tourism and interactive locative media sound art." Tourist Studies 18, no. 4 (2017): 442–66. http://dx.doi.org/10.1177/1468797617723764.

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Inside Outside Battery is a mobile media sound art installation for smartphone technologies that uses global positioning system (GPS) locative software to narrate walking visitors through the Battery, a heritage neighbourhood of St. John’s (Newfoundland, Canada). Auditory tourists, or soundwalkers, come to know the aural cultures of the Battery through the dynamic interactions of sound and place using site- and time-specific archival materials, stories, soundscapes, and expressive culture sourced from the Battery that play alongside real-time encounters with the physical and sonic materiality

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McLeod, Heather, Leah B. Lewis, and Xuemei Li. "Resilience and Hope: Exploring Immigrant and Refugee Youth Experiences through Community-based Arts Practice." Engaged Scholar Journal: Community-Engaged Research, Teaching, and Learning 6, no. 2 (2021): 88–104. http://dx.doi.org/10.15402/esj.v6i2.70765.

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Community-based arts practice is programming that informs and fosters essential components of well-being and belonging, including resilience, community attachment via interpersonal connection and exchange as preventive to mental health stressors. Our Art Hive is in a centre-city high school with immigrant and refugee youth in St. John’s Newfoundland, where newcomers often face an insider/outsider dynamic of disconnection. The pop-up Art Hive is a publicly accessible and community-located art-making space grounded in Adlerian theory, collaborative community development, feminist thought, and so

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Curtis, Gerard, and Heather McLeod. "Tradition and the contemporary collide: Newfoundland and Labrador art-education history / Le choc de la tradition et du contemporain : histoire de l’éducation artistique à Terre-Neuve-et-Labrador." Canadian Review of Art Education / Revue canadienne d’éducation artistique 46, no. 1 (2019): 37–43. http://dx.doi.org/10.26443/crae.v46i1.74.

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Abstract: Newfoundland and Labrador, Canada, is a province proud of its historical traditions. Yet, these values are, at times, in conflict with contemporary global culture. The province’s socio-political and cultural struggles and successes, and the impact of an ongoing boom and bust cycle in resource development, are echoed both in the history of art education and in its artistic evolution. From modernism and post modernism, and DBAE to VCAE, the development of the Visual Art Program at the Grenfell Campus of Memorial University in Corner Brook provides a cautionary tale on the vagaries of p

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Khan, Amina H., Elisabeth Levac, and Gail L. Chmura. "Future sea surface temperatures in Large Marine Ecosystems of the Northwest Atlantic." ICES Journal of Marine Science 70, no. 5 (2013): 915–21. http://dx.doi.org/10.1093/icesjms/fst002.

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Abstract Khan, A. H., Levac, E., and Chmura, G. L. 2013. Future sea surface temperatures in Large Marine Ecosystems of the Northwest Atlantic. – ICES Journal of Marine Science, 70: 915–921. We analysed projections of future sea surface temperatures (SSTs) for six Large Marine Ecosystems (LMEs) of the Northwest Atlantic: the West Greenland Shelf, the Newfoundland-Labrador Shelf, the Scotian Shelf, the Northeast US continental shelf, the Southeast US continental shelf, and the Gulf of Mexico. We used state-of-the-art global climate models (CSIRO-Mk3.6, GISS-E2-R) and earth system models (CanESM2

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Latta, Peter. "Contested Space." Ethnologies 27, no. 2 (2007): 17–42. http://dx.doi.org/10.7202/014040ar.

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The announcement in 1999 by the government of Newfoundland and Labrador of a new $40 million cultural heritage complex, known as The Rooms, to replace the crumbling buildings of the provincial art gallery, museum, and archives should have been greeted by celebration. Instead, a rancourous public debate ensued that threatened to cancel the project. That debate centred on government’s choice of an eighteenth century fort site for the new building. This article reviews the genesis of the project which caused the public dispute and traces the discussion as the contest for the building site unfolde

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Holder, Kayla A., Erin Ding, Diana Kao, et al. "Progress towards World Health Organization HIV Infection 95-95-95 measures in Newfoundland and Labrador, Canada." PLOS ONE 19, no. 6 (2024): e0305898. http://dx.doi.org/10.1371/journal.pone.0305898.

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The HIV program in Newfoundland and Labrador (NL) provides care for all persons living with HIV (PLWH) in NL, yet progress toward UNAIDS 95-95-95 goals for diagnosis, linkage to care and viral suppression has not previously been documented. This analysis describes engagement in HIV care and virologic outcomes for the NL cohort in 2016 and 2019 and compares this data to the Canadian HIV Observational Cohort (CANOC). A retrospective review of the NL clinic included adults aged >18 years and descriptive statistics for demographics, risk factors, and clinical variables were assessed and compare

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Sargent, Philip S., Kate L. Dalley, and Derek R. Osborne. "Banded Killifish (Fundulus diaphanus) and Mummichog (Fundulus heteroclitus) distributions in insular Newfoundland waters: implications for a Species at Risk." Canadian Field-Naturalist 134, no. 4 (2021): 307–15. http://dx.doi.org/10.22621/cfn.v134i4.2373.

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Newfoundland’s Banded Killifish (Fundulus diaphanus) population is listed as a species of Special Concern under Canada’s Species at Risk Act and Vulnerable under Newfoundland and Labrador’s Endangered Species Act. Mummichog (Fundulus heteroclitus) is a similar looking fish species and is currently under review by Newfoundland and Labrador’s Species Status Advisory Committee. Both species have limited known distributions in Newfoundland waters that overlap. They may occur sympatrically in estuaries and occasionally hybridize; thus, field identifications can be challenging. We found that dorsal

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Ostashewski, Marcia, Heather Fitzsimmons Frey, and Shaylene Johnson. "Youth-Engaged Art-Based Research in Cape Breton: Transcending Nations, Boundaries and Identities." Jeunesse: Young People, Texts, Cultures 10, no. 2 (2018): 100–125. http://dx.doi.org/10.3138/jeunesse.10.2.100.

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2017, in conjunction with celebrations of 150 years of Canadian Confederation and with funding from government programs, young people from across Cape Breton Island were invited to participate in a performance creation project to explore narratives and experiences of migration and encounter. Youth (ranging in age from seven to nineteen) from disparate places, including Membertou First Nation (a reserve), Chéticamp (an Acadian, francophone town), Étoile de l’Acadie (a francophone school and community centre in Sydney), and Whitney Pier (a district of Sydney that is home to diverse immigrant cul

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Peters, Helen. "Summer in the Bight Theatre Festival." Canadian Theatre Review 89 (December 1996): 76–77. http://dx.doi.org/10.3138/ctr.89.014.

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Rising Tide’s Summer in the Bight originated in Trinity in 1991 with Rick Boland’ s monologue on the origin of Newfoundland’s judi cial system. It developed into a Newfoundland historical pageant written by Boland and Donna Butt which was first performed in 1993.The pageant led to a full fledged theatre festival in 1994. In its third season the festival,running from late Jun e to September, featu red plays by Newfoundland playwri ghts David French, Michael Cook, Al Pittman, Des Walsh, and Ted Russell, mainland collaborators Fern e Downey and Paul Ledoux, and Shakespeare.

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Concilio, Carmen. "Landscape/mindscape/langscape: The ephemerality of the digital and of the real in Marlene Creates’s video-poems for ice and snow." Neohelicon 48, no. 1 (2021): 113–25. http://dx.doi.org/10.1007/s11059-021-00584-z.

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AbstractThe present essay aims at illustrating Marlene Creates’s web project Brickle, nish, and knobbly (2015), as a key example of Eco-Digital Humanities. First of all, it is a digital work of art made of ice images. Besides, it is also a digital archive meant to salvage a linguistic treasury of local idioms that both name and describe all types of snow and ice formations in Newfoundland, Canada. Therefore, the present analysis proves the special quality and inevitable ephemeral status of this project, for it constitutes a multimodal and multimedia web-archive, subject to possible erasure, or

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Andrew Klain, John, and Mario Levesque. "Revisiting the Labrador Boundary Decision to Include Indigenous Interpretations of the Region." Journal of Canadian Studies 53, no. 1 (2019): 123–51. http://dx.doi.org/10.3138/jcs.2018-0007.

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This article examines the lack of Indigenous considerations in settling the Labrador boundary dispute between Quebec and Newfoundland. The Dominion of Newfoundland granted timber permits to the Grand River Pulp and Lumber Company in Labrador in 1902, an act Quebec contested, given its claim to the territory. The final decision by the Judicial Committee of the Privy Council (JCPC) in 1927 largely relied on Newfoundland’s definition of the word coast, granting Newfoundland significant territory at Quebec’s expense. Ignored throughout the process were the Indigenous peoples of Northern Quebec and

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Lynde, Denyse. "Robert Chafe: The Last Two Years in Review." Canadian Theatre Review 128 (September 2006): 58–62. http://dx.doi.org/10.3138/ctr.128.012.

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The year 2004 saw the publication of Robert Chafe’s Two Plays: Butler’s Marsh and Tempting Providence and its nomination for a Governor-General’s Literary Award. It also saw Artistic Fraud of Newfoundland’s production of Burial Practices of the Early European Settlers through to Today, Theatre Newfoundland and Labrador’s (TNL) production of Isle of Demons and Stephenville Festival’s commission of Vive la Rose. Finally, it saw the beginning of the international tour of Tempting Providence. Although busy, this was a typical year for playwright/actor Chafe, who, while closely associated with Arti

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Pope, Peter E. "Bretons, Basques, and Inuit in Labrador and northern Newfoundland: The control of maritime resources in the 16th and 17th centuries." Études/Inuit/Studies 39, no. 1 (2016): 15–36. http://dx.doi.org/10.7202/1036076ar.

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Early Euro-Inuit contacts in Atlantic Canada raise a complex issue in the ethnohistory of resource exploitation. In the 16th century, Breton, Norman, and Basque crews developed a seasonal salt-cod fishery on the coasts of northern Newfoundland and southern Labrador, in about the same period that the Inuit moved southwards along the Labrador coast. The Basques also exploited the Strait of Belle Isle, between Newfoundland and Labrador, for shore-based whaling. Sometime before 1620, Europeans then appear to have withdrawn from Labrador until about 1680, when Canadian merchants based in Quebec beg

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Eagan, Mireille, and Jennifer McVeigh. "Long Distance and Close Contact: a Review of iNuit BlancheiNuit Blanche. St. John’s, Newfoundland and Labrador. October 8, 2016. Curated by Britt Gallpen, Heather Igloliorte and Mark David.SakKijâjuk: Art and Craft from Nunatsiavut. The Rooms, St. Johns, Newfoundland and Labrador. October 8, 2016January 15, 2017. Curated by Heather Igloliorte." TOPIA: Canadian Journal of Cultural Studies 37 (April 2017): 241–46. http://dx.doi.org/10.3138/topia.37.241.

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Ravaglia, Fournier, Bac, et al. "Comparison of Three Algorithms to Estimate Tree Stem Diameter from Terrestrial Laser Scanner Data." Forests 10, no. 7 (2019): 599. http://dx.doi.org/10.3390/f10070599.

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Terrestrial laser scanners provide accurate and detailed point clouds of forest plots, which can be used as an alternative to destructive measurements during forest inventories. Various specialized algorithms have been developed to provide automatic and objective estimates of forest attributes from point clouds. The STEP (Snakes for Tuboid Extraction from Point cloud) algorithm was developed to estimate both stem diameter at breast height and stem diameters along the bole length. Here, we evaluate the accuracy of this algorithm and compare its performance with two other state-of-the-art algori

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Devine, Michael. "Keileydography: The Symphonic Theatre of Jillian Keiley." Canadian Theatre Review 128 (September 2006): 31–36. http://dx.doi.org/10.3138/ctr.128.007.

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I first encountered the name of Jillian Keiley in 1997, when the general manager of Theatre Newfoundland Labrador, where I was artistic director, returned from a PACT meeting singing the praises of a talented young artist from St. John’s. As no one ever says, “No” to Gaylene Buckle for long — I soon agreed to give Jillian her first opportunity to direct on Newfoundland’s west coast. My friend John Mighton had written a challenging play called Possible Worlds, which I’d wanted to direct for years. Hearing of the intelligence and verve of this young, home-grown director, however, changed my plan

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Hicks, Barry J., Brettney L. Pilgrim, and H. Dawn Marshall. "Origins and genetic composition of the European fire ant (Hymenoptera: Formicidae) in Newfoundland, Canada." Canadian Entomologist 146, no. 4 (2014): 457–64. http://dx.doi.org/10.4039/tce.2013.81.

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AbstractThe European Fire Ant, Myrmica rubra (Linnaeus) (Hymenoptera: Formicidae), is an invasive stinging ant that has only recently been recorded in Newfoundland, Canada. The goal of the present study was to investigate the origins of M. rubra ants in Newfoundland. We analysed mtDNA sequences from the cytochrome b and cytochrome c oxidase I genes of ants from six localities in Newfoundland, and neighbouring regions of eastern Canada and the United States of America, and compared them with mtDNA data from a recent wide-scale phylogeographical study of the ant throughout Europe. There is evide

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Bindon, Kathryn. "Cod's Gift to the Soul of the Academic Administrator...or Coming to Newfoundland to Discover That Making Art and Theatre Are Still Acceptable Activities and Respected Sources of Learning at Some Universities." Art Journal 53, no. 3 (1994): 34. http://dx.doi.org/10.2307/777417.

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Carbonell, Marina, and Rosemary Ricciardelli. "Newfoundland and Labrador." Newfoundland and Labrador Studies 37, no. 1 (2022): 1–30. http://dx.doi.org/10.7202/1113968ar.

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In Canada, the practical application of youth diversion is rooted in an understanding of federal youth justice legislation and requires the consideration of police discretion. Yet, policing in Newfoundland and Labrador is shaped by localized practices, policies, and decisions. In the current article, we draw on online survey data to explore how Royal Newfoundland Constabulary (RNC) officers understand and apply Canada’s current federal youth legislation — the Youth Criminal Justice Act (YCJA) — and identify what factors, if any, influence the YCJA’s application. To unpack police officer attitu

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Buchanan, Roberta. "Newfoundland: 1/Outport Reminders." Canadian Theatre Review 43 (June 1985): 111–18. http://dx.doi.org/10.3138/ctr.43.012.

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No theatre company in Newfoundland defines itself as feminist. There Is nothing like the British group Monstrous Regiment which issued a manifesto stating: “We see ourselves as part of the growing and lively movement to improve the status of women.” There are, however, Newfoundland plays which would fit in with Monstrous Regiment’s next statement: “Our work explores the experience of women past and present, and we want to place that experience in the centre of the stage.”1 Three plays, in fact, immediately come to mind: Rhonda Payne’s Stars in the Sky Morning; Grace Butt’s Mom; and Michael Coo

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Clarke, Annette. "Newfoundland: 2/Downtown Views." Canadian Theatre Review 43 (June 1985): 119–26. http://dx.doi.org/10.3138/ctr.43.013.

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Energy that consciously challenges feminist ideas is not a priority in the downtown St John’s theatre scene. St John’s theatre does not formally support the feminist philosophy that there are two cultures in our world with two sets of meanings and experiences —one belonging to women; one to men. We do not have feminist collectives in the threatre; all-female casts are rare; women in the theatre are not collaborating to analyze feminist culture or to create political and revolutionary feminist scenarios.

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Goldie, Terry. "Newfoundland / 1: The Powers That Be." Canadian Theatre Review 48 (September 1986): 6–15. http://dx.doi.org/10.3138/ctr.48.001.

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This year the LSPU Hall, the centre of theatre in St. John’s, is celebrating “A Decade of Performance.” But that strange dramatic flavour for which Newfoundland is justly famous didn’t really begin 10 years ago. Its birth took place a few years before, when Chris Brookes started the Mummers. Then came Codco and Newfoundland became a byword for energetic alternative theatre.

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Kovalenko, T. "Acquisition of land ownership rights by foreign persons according to the laws of Ukraine and Canada." Analytical and Comparative Jurisprudence, no. 2 (May 11, 2024): 351–57. http://dx.doi.org/10.24144/2788-6018.2024.02.60.

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The article conducts a comparative legal study of the specifics of acquisition and exercise of land ownership by foreigners, stateless persons and foreign legal entities under the legislation of Ukraine and Canada, as a result of which the Canadian experience of legal regulation in the specified area, which is most acceptable for Ukraine, is substantiated. It has been established that in the science of land law of Ukraine, one of the most controversial issues is the possibility, scope, conditions and grounds of granting land ownership rights to foreigners, stateless persons, and foreign legal

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Lynde, Denyse. "Writing and Publishing: Four Newfoundland Playwrights in Conversation." Canadian Theatre Review 98 (March 1999): 28–46. http://dx.doi.org/10.3138/ctr.98.008.

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When Ann Wilson asked me to write a piece about Newfoundland publishing for this issue on “Publishing in Canada,” I considered various approaches. None seemed particularly useful until I determined what, for me, was the heart of the issue: the playwright. The people to reflect on and consider publishing plays in Newfoundland should be the playwrights. To give me a loosely defined field of experience, I invited playwrights from Voices from the Landwash who live in the St. John’s area to get together and discuss publishing. All practising (and hence extremely busy) artists, I felt fortunate that

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Bourgeois, Monique Frances, and Dale Kirby. "The Significance of Post-secondary Education for Rural Women Enrolled in Liberal Arts Undergraduate Degrees." Canadian Journal of Higher Education 42, no. 3 (2012): 143–69. http://dx.doi.org/10.47678/cjhe.v42i3.1824.

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The significance of post-secondary education is investigated for rural Newfoundland women enrolled in undergraduate liberal arts degree programs. Data collection for this research involved comprehensive, detailed semistructured biographical interviews with rural women studying liberal arts disciplines during the 2006–2007 academic year at Memorial University of Newfoundland. The data analyses drew on theories of experiential and embodied knowledge, social constructionist theories of gender and place, and research on women, rurality, and post-secondary education. The findings indicate that, ove

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Mosseler, A., D. J. Innes, and B. A. Roberts. "Lack of allozymic variation in disjunct Newfoundland populations of red pine (Pinusresinosa)." Canadian Journal of Forest Research 21, no. 4 (1991): 525–28. http://dx.doi.org/10.1139/x91-072.

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Disjunct, geographically isolated populations of red pine (Pinusresinosa Ait.) on the island of Newfoundland were investigated by enzyme electrophoresis to determine if these populations were genetically distinct from a range-wide sample of mainland populations. Genetic variation at 23 putative gene loci from 12 enzyme systems was assayed by cellulose acetate gel electrophoresis. Each of the 96 trees sampled was monomorphic for all enzyme gene loci assayed, and no genetic differentiation between Newfoundland and mainland populations was detected. The striking lack of genetic variation at enzym

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Lynde, Denyse. "Magnetic North in St. John’s." Canadian Theatre Review 128 (September 2006): 134–38. http://dx.doi.org/10.3138/ctr.128.023.

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Magnetic North Theatre Festival played in St. John’s, Newfoundland from 28 June through 8 July 2006. We in St. John’s were delighted to welcome Canada’s National Festival of Contemporary Canadian Theatre in English. It is hard to believe that this outstanding theatrical event has only been in existence for four years, but what a tremendous special happening we experienced on the East Coast. With world premieres, exciting remounts, special Atlantic contributions, Magnetic Encounters, the Newfoundland and Labrador Scene, On the Verge and non-stop theatre-going and partying, it was a busy and ext

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Peters, Helen. "From Salt Cod to Cod Filets." Canadian Theatre Review 64 (September 1990): 13–17. http://dx.doi.org/10.3138/ctr.64.002.

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In 1972, CODCO founding members Cathy Jones, Greg Malone, Dyan Olsen, Tommy Sexton, Mary Walsh, and Mary White were given $300 seed money by Paul Thompson of Theatre Passe Muraille. This money helped them to live in Toronto and write Cod on a Stick, which was produced as a full length play in Newfoundland in 1973. The play began with four sketches which ran twenty minutes and grew by accretion to its final form, eighteen scenes. This quintessentially Newfoundland troupe – as its members cheerfully admit – is beholden to the Canadian collective theatre movement for its early direction, form and

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Yocom. "A-Berrying in Newfoundland." Journal of American Folklore 124, no. 493 (2011): 211. http://dx.doi.org/10.5406/jamerfolk.124.493.0211.

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Peters, Helen, Sky Gilbert, Tommy Sexton, and Helen Peters. "Three We’ll Miss: The Heart of CODCO." Canadian Theatre Review 79-80 (June 1994): 150–51. http://dx.doi.org/10.3138/ctr.79-80.018.

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Tommy Sexton was a performer from the age of 10 playing Alice in St Bon’s school production of Alice in Wonderland until his death at 36 playing himself in a proposed television movie, Adult Children of Alcoholics. He began acting professionally with the Newfoundland Travelling Theatre Company in 1970 and his professional writing and acting career included CODCO stage plays (1973-88), White Niggers of Bond Street (1979), the Wonderful Grand Band (1980-83), Two Foolish to Talk About (1983-84), S&M Comic Book (1985-86) and the CODCO television series (1987-93). But Tommy Sexton was more than

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Webb, Jeff A. "Palliser’s Act and the Bermudian–Newfoundland Fishery of 1788." Newfoundland and Labrador Studies 37, no. 1 (2022): 1–21. http://dx.doi.org/10.7202/1113969ar.

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Lynde, Denyse, Helen Peters, and Bruce Barton. "Voices From the Landwash: 11 Newfoundland Playwrights, stars in the sky morning: Collective Plays of Newfoundland and Labrador." Canadian Theatre Review 93 (December 1997): 72–74. http://dx.doi.org/10.3138/ctr.93.011.

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Although both Voices From the Landioash and stars ill the sky morning showcase the drama of Newfoundland and Labrad or, the volumes differ significantly in focus. Both texts have been prepared and are introduced with critical rigour and a sincere commitment to the material and artists involved. However, with one exception, all the plays in Voices From the Lunduiasltare works of single authorship. Conversely, stars in the sky morning features the products of the Collective tradition that has had such a strong influence on Newfoundland theatre. The two anthologies are thus highly complementary a

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Bannister, Jerry. "The Naval State in Newfoundland, 1749-1791." Journal of the Canadian Historical Association 11, no. 1 (2006): 17–50. http://dx.doi.org/10.7202/031130ar.

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Abstract This article challenges the conventional view that a colonial state did not exist in eighteenth-century Newfoundland. It rejects the traditional notion that the island's legal system was necessarily illegitimate or ineffective. It argues that despite the limited institutions allowed under statutory law and official imperial policy, an effective system of governance, based on local customs adopted under the rubric of English common law, developed to meet the needs of those in power. The Royal Navy was the engine of law and authority-in early Newfoundland. A series of major reforms unde

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Mulcahy, Dennis. "Current Issues in Rural Education in Newfoundland and Labrador." Australian and International Journal of Rural Education 17, no. 1 (2007): 17–39. http://dx.doi.org/10.47381/aijre.v17i1.532.

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It has been my privilege over the last fifteen years to meet and work with rural educators, researchers and scholars from all over the world. I have visited many small schools, many in quite remote and isolated places in my home province of Newfoundland and Labrador. I have had many conversations with many students, parents and community leaders. I have disciplined myself to listen and respect the local knowledge that has been shared. I say ‘disciplined’because too often university professors are more apt to talk rather than listen. I have come to realise we academics need to talk less and lis

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Gadbois, André E. "Les tribulations judiciares de la mise en valeur hydroélectrique de la rivière Churchill." Les Cahiers de droit 22, no. 3-4 (2005): 839–55. http://dx.doi.org/10.7202/042468ar.

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The Power Contract signed in 1969 between Churchill Falls (Labrador) Corporation Limited and Hydro-Québec was the result of protracted negotiations between the parties which lasted six years. It became the cornerstone of a complex financial arrangement to secure a loan which was at the time the largest private placement effected in the United States of America to provide the funds required for the construction of the Churchill Falls Plant terminated in 1976 at a cost of approximately a billion dollars. This long term contract which had led Premier Smallwood to exclaim : « Glory Hallelujah » wh

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Thomas, Gerald. "Functions of the Newfoundland Outhouse." Western Folklore 48, no. 3 (1989): 221. http://dx.doi.org/10.2307/1499740.

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Kirkland, James W., and John K. Crellin. "Home Medicine: The Newfoundland Experience." Western Folklore 54, no. 4 (1995): 338. http://dx.doi.org/10.2307/1500313.

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