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1

Van Hout, Tom, and Geert Jacobs. "News production theory and practice." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 18, no. 1 (March 1, 2008): 59–85. http://dx.doi.org/10.1075/prag.18.1.04hou.

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This paper considers notions of agency, interaction and power in business news journalism. In the first part, we present a bird’s eye view of news access theory as it is reflected in selected sociological and anthropological literature on the ethnography of news production. Next, we show how these theoretical notions can be applied to the study of press releases and particularly to the linguistic pragmatic analysis of the specific social and textual practices that surround their transformation into news reports. Drawing on selected fieldwork data collected at the business desk of a major Flemish quality newspaper, we present an innovative methodology combining newsroom ethnography and computer-assisted writing process analysis which documents how a reporter discovers a story, introduces it into the newsroom, writes and reflects on it. In doing so, we put the individual journalist’s writing practices center stage, zoom in on the specific ways in which he interacts with sources and conceptualize power in terms of his dependence on press releases. Following Beeman & Peterson (2001), we argue in favor of a view of journalism as ‘interpretive practice’ and of news production as a process of entextualization involving multiple actors who struggle over authority, ownership and control.
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Tahat, Khalaf. "The Marketing Values in News Production." Romanian Journal of Communication and Public Relations 20, no. 3 (December 1, 2018): 75. http://dx.doi.org/10.21018/rjcpr.2018.3.266.

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The main purpose of this study is to test the proposed marketing model in news production by applying it to the contentofanon-Western news organization as well as to explore the degree to which this proposed model predicts the type of media content patterns. Content analysis was used on the English (AJE) and the Arabic (AJA) versions of Al Jazeera news websites from January 1, 2014 to April 30, 2014. A systematic random sample of 358 stories from AJA news stories was selected, and the same sampling procedure yielded 234 stories constituting the AJE sample. The findings of the study revealed that Al Jazeera reflects marketing values at a moderate level (5.93 out of 11) at the marketing model. At individual level of each news website, AJE scores higher on marketing measures than AJA. AJA reflects the marketing values at the end top of the low level (3.85 out of 11), and AJE reflects the marketing values in the middle of the moderate level (5.87 out of 11). The chi square test shows that there are statistically significant differences.
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Araujo, Fernanda Couto. "News production and the dangerous fake news noise." International Journal of Advanced Engineering Research and Science 7, no. 9 (2020): 499–509. http://dx.doi.org/10.22161/ijaers.79.58.

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Dixon, Travis L. "White News, Incognizant Racism, and News Production Biases." Review of Communication 3, no. 3 (July 2003): 216–19. http://dx.doi.org/10.1080/0308413.

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5

Merminod, Gilles. "Narrative analysis applied to text production." AILA Review 33 (October 7, 2020): 104–19. http://dx.doi.org/10.1075/aila.00032.mer.

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Abstract The following paper adopts the vantage point of a linguistic ethnographic approach to news production, focused on the process of quoting, and combined with narrative analysis. The starting point of the analysis is an account given by a person who lived through a dramatic event. The paper investigates how the processes of recontextualization affects the account during the making of a broadcast news story. It explains how and why news practitioners adjust stretches of talk to the news text they are producing, and it reveals to what extent a pre-existing version of what happened (that of the account) can be reshaped by one in the making (that of the news story in which the account is going to figure). In the case study, the processes of recontextualization relates to three narrative issues: (1) quoting involves adapting the account’s characters’ categorizations to those of the news story; (2) quoting entails choosing between different schemes of incidence that depict what happened slightly differently; (3) quoting asks for a delimitation of the account’s spatiotemporal parameters that corresponds with those of the news story. Such a narrative adjustment is neither a tightly planned nor an arbitrary process but is embedded in the professional practice as it unfolds in the social and material world.
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Cagé, Julia, Nicolas Hervé, and Marie-Luce Viaud. "The Production of Information in an Online World." Review of Economic Studies 87, no. 5 (December 11, 2019): 2126–64. http://dx.doi.org/10.1093/restud/rdz061.

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Abstract News production requires investment, and competitors’ ability to appropriate a story may reduce a media’s incentives to provide original content. Yet, there is little legal protection of intellectual property rights in online news production, which raises the issue of the extent of copying online and the incentives to provide original content. In this article, we build a unique dataset combining all the online content produced by French news media during the year 2013 with new micro audience data. We develop a topic detection algorithm that identifies each news event, trace the timeline of each story, and study news propagation. We provide new evidence on online news production. First, we document high reactivity of online media: one quarter of the news stories are reproduced online in under 4 min. We show that this is accompanied by substantial copying, both at the extensive and at the intensive margins, which may constitute a severe threat to the commercial viability of the news media. Next, we estimate the returns to originality in online news production. Using article-level variations and media-level daily audience combined with article-level social media statistics, we find that original content producers tend to receive more viewers, thereby mitigating the newsgathering incentive problem raised by copying.
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7

Valdeón, Roberto A. "(Un)stable sources, translation and news production." Target. International Journal of Translation Studies 27, no. 3 (October 12, 2015): 440–53. http://dx.doi.org/10.1075/target.27.3.07val.

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This article discusses the distinction stable versus unstable sources, which Hernández Guerrero has suggested in her book on news translation. It starts with a short overview of news translation as a subfield within the discipline of translation studies, emphasizing the role of translation in news production since the emergence of the journalistic profession. The next section discusses the concepts of ‘stable’ and ‘unstable’ sources, and moves on to introduce framing, a key concept in communication studies, defined as the central organizing idea that allows news consumers to make sense of events. The term will be related to the mechanisms that journalists resort to in order to produce source texts, which, in turn, can also affect the selection and de-selection processes undertaken by news producers when relying on articles published in other languages. The final sections will consider the translated economic columns of Paul Krugman, originally published in the New York Times and in Spanish by the daily El País, to reflect on the usefulness of the binary opposition stable versus unstable sources, and will show that, in some media, certain unstable texts can turn stable.
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Schudson, Michael. "The sociology of news production." Media, Culture & Society 11, no. 3 (July 1989): 263–82. http://dx.doi.org/10.1177/016344389011003002.

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9

Zamith, Rodrigo. "Quantified Audiences in News Production." Digital Journalism 6, no. 4 (March 6, 2018): 418–35. http://dx.doi.org/10.1080/21670811.2018.1444999.

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10

Pultarova, T. "News: Design and Production, Transport." Engineering & Technology 9, no. 12 (December 1, 2014): 10. http://dx.doi.org/10.1049/et.2014.1216.

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Lindstedt, Inger, Jonas Löwgren, Bo Reimer, and Richard Topgaard. "Nonlinear news production and consumption." Computers in Entertainment 7, no. 3 (September 2009): 1–17. http://dx.doi.org/10.1145/1594943.1594954.

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Volkmer, Ingrid. "Book Review: Global News Production." Journalism: Theory, Practice & Criticism 6, no. 2 (May 2005): 243–45. http://dx.doi.org/10.1177/1464884905051011.

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d'Haenens, Leen. "Determinants of International News Production." Gazette (Leiden, Netherlands) 65, no. 1 (February 2003): 5–7. http://dx.doi.org/10.1177/0016549203065001133.

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Lau, Raymond W. K. "Critical Realism and News Production." Media, Culture & Society 26, no. 5 (September 2004): 693–711. http://dx.doi.org/10.1177/0163443704045507.

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Gureev, A. A., V. E. Somov, A. I. Lugovskoi, and A. V. Ivanov. "News in asphalt production technology." Chemistry and Technology of Fuels and Oils 36, no. 2 (March 2000): 134–37. http://dx.doi.org/10.1007/bf02725263.

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Koltsova, Olessia. "News Production in Contemporary Russia." European Journal of Communication 16, no. 3 (September 2001): 315–35. http://dx.doi.org/10.1177/0267323101016003002.

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17

Carroll, Raymond L. "Changes in the News: Trends in Network News Production." Journalism Quarterly 65, no. 4 (December 1988): 940–45. http://dx.doi.org/10.1177/107769908806500416.

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18

Ilan, Jonathan. "Glocalization and international news-photo production: News images from Israel made for global news markets." Journalism 21, no. 6 (May 9, 2019): 784–99. http://dx.doi.org/10.1177/1464884919847802.

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This article focuses on news photos’ glocal production mechanisms as they are produced in Israel by the three largest international news agencies (Thomson Reuters, AP, and AFP). Designed to make locally manufactured news photos internationally appealing, these mechanisms are required by the agencies if they are to survive in a complex business environment. Yet this environment also mobilizes forces which define the international news organization – not as a unified industrial unit, but as an arena in which different forms of social power constantly struggle. Combining in-depth interviews and interpretive methods while focusing on significant examples in the agencies’ processes of production and organizational structures, the article explores (a) the glocal mechanisms that are activated in the production processes of news photos from Israel by international news agencies, (b) the forces that affect their execution, and (c) how these powers reflect on the international news organization.
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19

Erdal, Ivar John. "Researching Media Convergence and Crossmedia News Production." Nordicom Review 28, no. 2 (November 1, 2007): 51–61. http://dx.doi.org/10.1515/nor-2017-0209.

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Abstract Digitization of production has facilitated changes in the organization and practices of journalism. Technological convergence, media convergence and organizational convergence have helped change the way in which news is made. A substantial amount of research has been done on news production in general, and television news in particular. However, little research has been done specifically on the production context in a digital, integrated broadcasting environment, taking into account new technology and its relationship to changes in institutional context, production processes and the resulting texts. The present article discusses some challenges that face research into media organization, challenges that are a result of these developments. The discussion is structured around two main developments: changing professional practices and genre development. The article will also look at where this line of research fits into the larger picture of media studies, and discuss the relationship to existing research in the field.
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20

Konow Lund, Maria Theresa, and Roel Puijk. "Rolling News as Disruptive Change." Nordicom Review 33, no. 1 (March 1, 2013): 67–81. http://dx.doi.org/10.2478/nor-2013-0005.

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Abstract In the present article, we compare the models that the management in two leading commercial Norwegian media organizations, one with a foothold in the written press, VerdensGang (VG), and one in television, TV 2, have used in dealing with the disruptive change in news caused by the introduction of rolling news. Both started with an experimental internal phase but later used different models to organize their news production. By establishing a spin-off, separate from the printed newspaper, VG retreated from synergies between online and offline productions, but gained by having two organizations dedicated to the processes and values of each medium. Their online services are financed by advertisements alone. The commercially financed television channel, TV 2, used an acquisition model, but encountered problems with integrating the parts. Today, their strategy involves a proliferation of digital TV channels, financed by a combination of advertisements and payment from viewers. Not only their Internet site, but particularly their 24/7 news channel Nyhetskanalen is a central element in the production of continous news.
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21

Marwantika, Asna Istya, and Nurwahyuni Nurwahyuni. "Independensi Beritatrends.Com dalam Pemberitaan Politik Lokal Jawa Timur." Journal of Communication Studies 1, no. 01 (January 30, 2021): 1–18. http://dx.doi.org/10.37680/jcs.v1i01.691.

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This article reviews east Java's local political news on the online news portal Beritatrends.com, a news portal based in the Magetan region of East Java. The focus of the issue under review is how the editorial process in the production of local political news editions in February-October 2018, and how the independence of local political news editions in february-October 2018 editions in online media Beritatrends.com. The analysis used in this article is a content analysis technique. The results of the analysis showed that the editorial process in the production of online media Beritatrends.com has been in accordance with the standards and stages of the procedure of the news production process which includes pre-production, production, and post-production. Local political news in the Beritatrends.com February-October 2018, appeared independent. News content contains personalized elements in a particular person, so that the reader is directed to positive opinions and stereotypes to an object. Although the appearance of some local political news Beritatrends.com is not independent, but the news is presented by fulfilling the elements of good news, namely the presence of elements 5W + 1H, and the news is accurate by listing the time of an event, the suitability of the news headline with the content of the news, including photos or images of events as supporting data.
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22

Mohammed, Wunpini Fatimata. "Journalistic griots: The marginalization of indigenous language news and oral epistemologies in Ghana." Radio Journal:International Studies in Broadcast & Audio Media 17, no. 2 (October 1, 2019): 235–52. http://dx.doi.org/10.1386/rjao_00007_1.

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This study examines news production and newsroom culture in radio stations in Ghana’s Northern Region. It explores the dynamics of news production and delivery in indigenous language newsrooms. Through in-depth interviews with eight indigenous language news presenters and journalists, the study critically explores the intricacies of news production, drawing attention to how news production is contextualized within this society. Through an oral epistemological approach, I argue that news journalists and presenters draw on orature and oral epistemologies to build their news-presenting personas and personalities in a way that positions them as frame sponsors who intentionally set the agenda for news content by unilaterally selecting specific stories to air. This study presents novel ways to conceptualize framing and agenda-setting while demonstrating the usefulness of customizing theory for specific sociocultural contexts. The study presents theoretical and practical implications to bridge the gap between theory and praxis while rethinking news production in Global South contexts such as Ghana.
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Kammer, Aske. "Audience Participation in the Production of Online News." Nordicom Review 34, s1 (March 13, 2020): 113–26. http://dx.doi.org/10.2478/nor-2013-0108.

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AbstractThe potential of audience participation constitutes a most important characteristic of digital journalism. This article presents an inductive study of audience participation in the production of online news in a Danish context, analysing how audiences participate, and what relationships between journalists and audiences accompany this participation. The article discusses the concept of participation, arguing on the basis of sociological theory that it should be understood as those instances where the audience influences the content of the news through their intentional actions. Applying this definition, it proposes four ideal types of audience participation in the production of online news, namely sharing of information, collaboration, conversation and meta-communication.
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24

Ryfe, David. "The Economics of News and the Practice of News Production." Journalism Studies 22, no. 1 (December 22, 2020): 60–76. http://dx.doi.org/10.1080/1461670x.2020.1854619.

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Hemmingway, Emma. "PDP, The News Production Network and the Transformation of News." Convergence: The International Journal of Research into New Media Technologies 11, no. 3 (August 2005): 8–27. http://dx.doi.org/10.1177/135485650501100302.

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Ilan, Jonathan. "News and the word-image problematic: A (key)word on international news pictures’ production." Journalism 18, no. 8 (April 22, 2016): 977–93. http://dx.doi.org/10.1177/1464884916643680.

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This article is about the unique word–image relations as these appear in international news production. This is achieved by analysing the labour of a particular team – the keyword team – in the news picture production routine at the powerful Thomson Reuters international news agency. By analysing the daily work of keyworders at Thomson Reuters, I explore how the word–image problem is demonstrated, and settled, in international news production. Similar to the picture categorising mechanisms in the stock business, I argue that word and image relations in news media can also be productive, serving as a cultural practice that helps extending the shelf-life of archived pictures, thus increasing news picture sales worldwide.
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27

Li, Zheng. "Automatic Production Technology of Data News Based on Machine Learning Model." Wireless Communications and Mobile Computing 2022 (February 11, 2022): 1–10. http://dx.doi.org/10.1155/2022/2783792.

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Data news does not appear out of nowhere. It is the result of the press’s ongoing exploration and innovation as part of the ongoing development of information technology. It is based on early computer-assisted news reporting, statistical news and precise news. In terms of theory and technology, it is a game-changer. The media industry is most sensitive to new technologies and is most willing to apply new technologies in the entire process of news reporting, such as information acquisition, content production and management, and content release, in an era of great changes in the popularity of the Internet and the in-depth application of data processing technology in all walks of life. The data news intelligent production platform investigated and designed in this paper, when combined with current emerging technologies, such as big data, cloud computing, and machine learning algorithms, realizes intelligent and automatic news production, ushering traditional news into an era of intelligence, knowledge, and digitization. Machine learning has made significant progress in the automatic production of data news technology and will continue to do so in the future information society.
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Reilly, Bernard F. "The Library and the Cloud: Digital News Production and Preservation." Preservation, Digital Technology & Culture 46, no. 2 (September 6, 2017): 57–60. http://dx.doi.org/10.1515/pdtc-2017-0005.

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Abstract:In the past, in an analog world, libraries—to meet their informational responsibilities—preserved newspapers in analog form and on microfilm. With the emergence of digital technologies, preservation has evolved, and so has the creation of news. These evolutions have challenged libraries to meet their old (and ongoing) responsibilities, and they have faced this challenge by continuing to think of news in the old way: as a commodity to be captured and stored as they have always done it, by themselves, in traditional ways. Today news is not as static as it once was: a version produced for a morning audience; another, modified, for an afternoon or evening audience; each discrete and preservable by itself. News is fluid: it is created and grows as it emerges; and the news media let the information evolve as it evolves in real time. Capturing and preserving this new kind of resource forces libraries and other news-preservation agencies to rethink the old models of operation. Preservation of the news should be done with a new model of cooperation, as the present essay explains.
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Frey, Elsebeth. "Renegotiating Online News." Nordicom Review 34, no. 1 (July 1, 2013): 17–31. http://dx.doi.org/10.2478/nor-2013-0040.

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Abstract Online journalism is negotiated and renegotiated in the newsroom of Journalen, the training website for students in journalism at Oslo and Akershus University College of Applied Sciences. Using quantitative and qualitative methods, the paper examines three spring terms of online news production by journalism students, particularly looking at sources, links and their multimedia news production. The findings are compared to the students’ professional peers in four news sites in the same period. All five sites are moving towards a convergent news modality. But the students tend to use more sources than their professional peers.
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Sakamoto, Akiko, and Melanie Foedisch. "“No news is good news?”." Translation Spaces 6, no. 2 (December 4, 2017): 333–52. http://dx.doi.org/10.1075/ts.6.2.08sak.

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Abstract Professional translation is now predominantly carried out in virtual-team-style production networks where communication between language service providers (LSPs) and freelance translators’ practice is increasingly restricted to computerised methods. Although some literature deals with interactions between different participants in the translation production network, little attention has been paid to the ways in which they exchange feedback on translation products. Using observation and interview methods, this article examines how feedback is perceived and dealt with by freelance translators and LSPs’ project managers. Our results suggest that, although both groups share the value of feedback to some extent, feedback does not always reach translators and the translators are not always aware of the rationale behind it. By drawing on the Job Characteristics Model (JCM) (Hackman and Oldham 1980), which was developed in organisational psychology, we argue that incorporating feedback in the job constructs of freelance translators’ work may help to enhance translators’ motivation.
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31

Vobič, Igor. "Online multimedia news in print media: A lack of vision in Slovenia." Journalism 12, no. 8 (August 12, 2011): 946–62. http://dx.doi.org/10.1177/1464884911398339.

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Using the case of two Slovenian print media as an example, this article examines how online multimedia news has been adopted, what role different newsroom organization models play in online multimedia news production, and what multimedia news formats have emerged on news websites of Slovenian print media organizations. In the last decade, different multimedia news content has been emerging rapidly within news websites of print media organizations with online production organized differently and multimedia news formatted distinctly. A review of scholarly debates and research in media and journalism studies reveals that the particular institutionally structured features of online news production, and the technical and organizational attributes which influence what gets represented in the medium and the manner in which it is done have not yet emerged. Furthermore, on the basis of news format analysis, participant observation, and problem-centered interviews, the article concludes that there is a lack of vision in furthering the evolution of online production organization and news formats in Slovenian print media arena, which signals the present marginal significance of online multimedia news.
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32

Zampa, Marta, and Marina Bletsas. "On the production of a multimodal news item: An argumentative approach." Semiotica 2018, no. 220 (January 26, 2018): 155–72. http://dx.doi.org/10.1515/sem-2017-0149.

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AbstractThe present paper deals with the production of a multimodal news item from an ethnographic perspective, aiming at fully understanding the role played by news values, i.e. shared criteria for news selection, in newsroom argumentation. The news item we consider is the picture news from Corriere del Ticino, the main Italian-language newspaper in Switzerland. As the Italian name fototesto says, this news item combines a verbal and a photographical component, presenting the journalists with particular challenges in its selection. To shed light on this production process, we take as a case study a picture news on eco-friendly heat distribution and the editorial conference leading to its choice, which took place on January 24, 2013. We analyze the interaction from the viewpoint of argumentation theory, combining Pragma-Dialectics (van Eemeren and Grootendorst) and the Argumentum Model of Topics (Rigotti and Greco Morasso 2009, 2010, under review), and unravel the reasons behind choices in content and form taken collaboratively by the journalists.
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Lima, Raimundo, Carlos Nascimento, André Henning, Paloma Tocci, and Eduardo Castro. "Technology in News and Sports Production." SET EXPO PROCEEDINGS 2, no. 2016 (August 29, 2016): 74–77. http://dx.doi.org/10.18580/setep.2016.20.

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Christofoletti, Rogério. "The interpretative route in news production." Brazilian Journalism Research 6, no. 2 (December 30, 2010): 140–42. http://dx.doi.org/10.25200/bjr.v6n2.2010.9.

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Noor, Habiba. "Assertions of identities through news production." European Journal of Cultural Studies 10, no. 3 (August 2007): 374–88. http://dx.doi.org/10.1177/1367549407079710.

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Catenaccio, Paola, Colleen Cotter, Mark De Smedt, Giuliana Garzone, Geert Jacobs, Felicitas Macgilchrist, Lutgard Lams, et al. "Towards a linguistics of news production." Journal of Pragmatics 43, no. 7 (May 2011): 1843–52. http://dx.doi.org/10.1016/j.pragma.2010.09.022.

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Meikle, Graham. "Review: Gatewatching: Collaborative Online News Production." Media International Australia 121, no. 1 (November 2006): 205–6. http://dx.doi.org/10.1177/1329878x0612100125.

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Gee, Charlie. "Audience Preferences in Determining Quality News Production of Backpack Journalism." Electronic News 13, no. 1 (December 28, 2018): 34–55. http://dx.doi.org/10.1177/1931243118792003.

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The focus of the study centered on television (TV) newsgathering techniques and if the techniques delineated the quality of journalistic presentation. College students ( N = 493) were surveyed on preferences of production quality criteria associated with news stories produced by traditional two-person crews and backpack journalists (BPJs). Respondents were shown eight randomly selected videotaped news stories from a TV market that employed both traditional two-person news crews and BPJs. Each news story was judged on perceptions of pacing, camera composition, lighting, voice narration, interviews selected, and script production.
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Ardèvol-Abreu, Alberto, Catherine M. Hooker, and Homero Gil de Zúñiga. "Online news creation, trust in the media, and political participation: Direct and moderating effects over time." Journalism 19, no. 5 (March 24, 2017): 611–31. http://dx.doi.org/10.1177/1464884917700447.

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This article explores the role of trust in professional and alternative media as (a) antecedents of citizen news production, and (b) moderators of the effect of citizen news production on political participation. Using two-wave panel survey data collected in the United States between December 2013 and March 2014, results show that trust in citizen media predicts people’s tendency to create news. In turn, citizen news production is a positive predictor of both offline and online participation. More importantly, trust in the media moderates the effect of citizen news production over online political participation. Overall, this article highlights the importance of trust in the media with respect to citizen news production and how it matters for democracy. Thus, this study casts a much-needed light on how media trust and citizen journalism intertwine in explaining a more engaged and participatory citizenry.
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Calzado, Mercedes, and Vanesa Lio. "Television journalism, crime news and sourcing practices: findings from Argentina." MATRIZes 15, no. 1 (June 8, 2021): 169–94. http://dx.doi.org/10.11606/issn.1982-8160.v15i1p169-194.

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This paper presents the results of a research project on the new modes of production of television crime news. The enquiry involved monitoring television newscasts of the five major channels in Buenos Aires City and interviews with news workers. We analyze the news content, the ways of narrating and enunciating crime news on television, the role played by the police in the structure of the news, the emergence of new sources of information and the production routines of crime news. Our findings suggest that most of the newscasts on television give prominence to crime news within their agendas and that its production and presentation has changed as the result of the spread of digital technologies as sources of information.
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Kartinawati, Erwin, Muhammad Alfikri, and Solihah Titin Sumanti. "New Journalist Work Patterns and News Media Production in Pandemic." Jurnal ASPIKOM 7, no. 2 (July 29, 2022): 80. http://dx.doi.org/10.24329/aspikom.v7i2.1184.

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The pandemic has changed the work order and old patterns that have prevailed in the media. This paper highlights the changing work patterns and news media production in Surakarta City-Indonesia regarding the pandemic. The data were collected by interviews and observations of journalists assigned to cover the area of Surakarta and the newsroom. The results showed a change in the pattern of coverage, number, and broadcast pattern or news packaging model and changes in editorial policy. The orientation of the news is no longer merely to “worship” exclusivity. It requires high creativity so that it does not lose information. The pattern of coverage previously had to go by interviews and direct observations to become a mediated pattern. It became considered taboo for journalists in the era before the pandemic. Photos and videos no longer have to match the news narrative but can be used as substitute objects as long as they have relevance. The format of voice-over news has been changed a lot in the form of live broadcasts, and mini talk shows to fill the program's broadcast duration, which was affected by the decrease in the number of news reports reported by journalists during the pandemic.
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42

Himma-Kadakas, Marju. "Alternative facts and fake news entering journalistic content production cycle." Cosmopolitan Civil Societies: An Interdisciplinary Journal 9, no. 2 (July 21, 2017): 25–40. http://dx.doi.org/10.5130/ccs.v9i2.5469.

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Processing information into journalistic content in contemporary news media creates a favorable environment for the distribution of misleading and fake information. This paper analyzes the distribution of alternative facts and fake news as a phenomenon characterizing post-fact society and how journalistic work processes may promote and legitimize the distribution of misleading content. The study looks into the back- and front-stage performances of journalistic information processing that are influenced by social time acceleration and the insistence of ‘click-bait’ news criteria. We used three different methods for teaching news reporting on three different groups of Estonian journalism students, and analyzed their performance using self-reflection in focus group interviews. Two groups of students, whose assignments were geared toward the outcome, focused more on front stage performances and underestimated back stage performances, e.g. the evaluation of sources, background information gathering, and fact checking. One group, which was taught news reporting as a process of information filtering, perceived and reflected both front and back stage performances. The results indicate that (online) newsroom practice, which is influenced by time pressure and the continuous requirement of new content, may force journalists to skip the stages of conventional journalistic information processing and due to that create favorable environment for publishing and distributing misleading and fake news.
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43

Ferrucci, Patrick. "Networked: Social media’s impact on news production in digital newsrooms." Newspaper Research Journal 39, no. 1 (March 2018): 6–17. http://dx.doi.org/10.1177/0739532918761069.

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This study examines social media usage by journalists through the prism of the hierarchy of influences model. Utilizing interviews with 53 digital journalists, it identifies the actors playing a role in producing news through social media. It finds that journalists, opinion leaders, audience and extra-media organizations affect news production. It calls for a revisiting of the hierarchy of the influences model to understand on what levels of influence the audience affects news production.
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44

Wang, Mengge. "Artificial Intelligence-Driven Model for Production Innovation of Sports News Dissemination." Wireless Communications and Mobile Computing 2022 (March 25, 2022): 1–13. http://dx.doi.org/10.1155/2022/6797243.

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At present, the media’s application of artificial intelligence news production is still only at the preliminary exploration and practice stage, and some intelligent applications still have a long way to go from the technical idea to the real realization. This article proposes how to conduct research on the production innovation model of sports news communication based on the era of wireless network communication and artificial intelligence. This article is aimed at studying algorithms based on wireless network communication and artificial intelligence era and analyzes the effects of the two on the production innovation mode of sports news dissemination through neural network algorithms. People’s attention to sports has increased year by year, and the dissemination of sports news is constantly innovating in order to keep up with the pace of the times; so, it is also very important to develop new ways of disseminating sports news. With the development of artificial intelligence and wireless communications, more and more news dissemination methods have been developed, and traditional methods can no longer meet the needs of consumers. Therefore, the development of a new innovative production model for sports news dissemination by playing the role of wireless network communication and artificial intelligence is a problem currently attracting attention from scholars, and it is also a practical problem that needs to be solved.
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45

Džihana, Amer. "Sociological Approach to Journalism And Media: News Production." Društvene i humanističke studije (Online) 6, no. 3(16) (July 27, 2021): 545–60. http://dx.doi.org/10.51558/2490-3647.2021.6.3.545.

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This paper points out the importance of a sociological approach to the study of journalism and media. The focus is on the sociological view of the news production process. How do organizational and professional requirements shape and limit journalistic work in news production? Some of the main concepts and interests of the sociological approach are presented, such as gatekeeping, personal characteristics of journalists, social control in newsrooms, relations between journalists and their sources, the issue of journalistic paraideology, and then these issues are discussed in the context of current journalism and media in BiH. The findings of this paper suggest that the meaning of the concept of gatekeeping in light of the dominance of Internet platforms needs to be explored; that we still don’t have a good enough picture of the people who produce the news in BiH; that the issue of social control in newsrooms should be reconsidered in the light of newsroom cutbacks. In addition, research is needed on the nature of the links between journalists and their sources, and the issue of journalistic paraideology in BiH should be examined in the context of reducing the gap between professional journalism and other forms of content production, but also through examination of inherited forms of patriotic journalism.
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46

Tong, Jin, and Jian Sun. "Data Acquisition Method of Sensor News Based on Collaborative Filtering Algorithm." Wireless Communications and Mobile Computing 2022 (February 12, 2022): 1–9. http://dx.doi.org/10.1155/2022/1504454.

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With the vigorous development of new media technologies such as Internet of Things, big data, and cloud computing, data-based sensor news (SN) will become the trend of news reporting in the future and the new normal of news production. Under this background, this paper further analyzes the relationship between SN production mode and traditional news production, including the inheritance of traditional news production value concept, as well as the breakthrough and change in form, media, and effect. In this paper, collaborative filtering (CF) algorithm is improved to solve the problems of data sparseness, user interest migration, and scalability in CF technology. In the calculation of news content similar degree (SD), the influence of part of speech and position of feature words in news is also considered, and the time window is used to establish a model that adapts to the change of user interest with time. In this method, the contribution degree of different attributes to distinguishing users is considered, and the attribute SD between users is accurately calculated, which effectively improves the accuracy of SN data acquisition results.
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47

Holton, Avery E., and Valerie Belair-Gagnon. "Strangers to the Game? Interlopers, Intralopers, and Shifting News Production." Media and Communication 6, no. 4 (November 8, 2018): 70–78. http://dx.doi.org/10.17645/mac.v6i4.1490.

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The contours of journalistic practice have evolved substantially since the emergence of the world wide web to include those who were once strangers to the profession. Amateur journalists, bloggers, mobile app designers, programmers, web analytics managers, and others have become part of journalism, influencing the process of journalism from news production to distribution. These technology-oriented strangers—those who have not belonged to traditional journalism practice but have imported their qualities and work into it—are increasingly taking part in journalism, whether welcomed by journalists or shunned as interlopers. Yet, the labels that keep them at journalism’s periphery risk conflating them with much larger groups who are not always adding to the news process (e.g., bloggers, microbloggers) or generalizing them as insiders/outsiders. In this essay, we consider studies that have addressed the roles of journalistic strangers and argue that by delineating differences among these strangers and seeking representative categorizations of who they are, a more holistic understanding of their impact on news production, and journalism broadly, can be advanced. Considering the norms and practices of journalism as increasingly fluid and open to new actors, we offer categorizations of journalistic strangers as explicit and implicit interlopers as well as intralopers. In working to understand these strangers as innovators and disruptors of news production, we begin to unpack how they are collectively contributing to an increasingly un-institutionalized meaning of news while also suggesting a research agenda that gives definition to the various strangers who may be influencing news production and distribution and the organizational field of journalism more broadly.
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Ryfe, David M. "A practice approach to the study of news production." Journalism 19, no. 2 (March 30, 2017): 217–33. http://dx.doi.org/10.1177/1464884917699854.

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Among news production scholars, interest in the theories of Bourdieu, Giddens, Latour, and related authors has grown in the last 20 years. However, few have recognized that these theories contribute to a broader practice perspective in social theory that traces back to the writings of Heidegger, and more directly, to Wittgenstein. In this essay, I outline four basic elements of this approach that are shared across these theories. Among these elements is the notion that social action is organized into discrete practices, and that these practices are produced and reproduced in their performance by individuals. I then assess the practice scholarship in the sociology of news in the context of these elements. I show that while a great deal of research has focused on news practices, relatively little has investigated journalistic performance. Thus, the field has not exploited, as well as it might, the panoply of tools and concepts developed by practice theorists.
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Sa, EunSuk. "Journalists’ Perceptions about Truth in Press Reporting, Freedom and Gate-keeping in South Korea." Asian Social Science 15, no. 7 (June 30, 2019): 57. http://dx.doi.org/10.5539/ass.v15n7p57.

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This paper examines journalists’ perceptions about truth in press reporting, freedom and gate-keeping in South Korea. It is based on quantitative and qualitative survey responses from journalists in South Korea. A study of related theories and an assessment of empirical data result in the following findings: firstly, truth in press reporting connects basically to autonomy of the news production; secondly, the media play gate-keeping roles in every process of news production. With regard to journalists’ primary activities, gathering news was the freest process. The peak-stress part for reporters was writing articles. Editing news was the least free process. A notable finding was that autonomy of the editing news process was predominantly less than it was for the processes of gathering news and writing articles. This means that gate-keeping roles were intensively played by managing groups during the news production.
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Caswell, David. "Producing News in the Age of Artificial Intelligence." MedienWirtschaft 19, no. 3 (2022): 12–16. http://dx.doi.org/10.15358/1613-0669-2022-3-12.

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This article examines the growing use of AI technologies in news production. It describes how the application of AI tools fits within the ongoing digital transformation of news, and offers a simple categorisation of their practical application, with examples from the BBC and other newsrooms. It also discusses how news providers might adapt to audiences within an AI-mediated information ecosystem, and how AI-augmented news production might become more stable, relevant and sustainable than existing forms of digital news.
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