Journal articles on the topic 'News-Tribune'

The purpose of this study was to determine the influence of external factors and internal when making a decision to buy Borneo Tribune Daily newspaper. The author uses descriptive methods f and using 100 respondents were using purposive sampling. External variable is an indicator for culture, sub-culture,social class, reference groups / reference and families. Indicators for the internal variables are motivation, perception, learning, and beliefs and attitudes. While the indicator for the decision variables measured through 5 stages of buying decision process konsume purchase. The analytical tool used is multiple linear regression. The results of the study revealed that the external and internal factors significant and positive influence in the purchase decision Borneo Tribune Daily News of 0.581 and 0.400. Based on this value it can be concluded that external factors have a greater influence than internal factors. simultaneous correlation coefficient indicates a strong relationship category. value of F at 145.661> 3.09 so the value Ftable simultaneously (synchronously) does not have significant influence in the purchase decision Borneo Daily News Tribune was denied. t value> of ttable, so the null hypothesis that external factors and internal states partially customers do not have a significant influence in the purchase decision Borneo Daily News Tribune was denied.Keywords: Faktor internal, faktor eksternal, pengambilan keputusan pembelian, Borneo Tribun.

This study is an attempt to evaluate and check that how Muslims and Islam are represented /portrayed in western media through in the light of the relationship between Culture, belief, language, religion, ways of life and ideology. For finding that, headlines of larger circulated print media of the west the Independent, Chicago Tribune and Chicago Sun-Times, were selected w-e-f January2016 to December 2017 and Muslim and Islam representation was studied. This study explores the image of Muslims and Islam in Chicago Tribune and Chicago Sun times Newspapers selected news headlines during the period 2016 to 2017. And found that the overall coverage regarding Muslims and Islam remain Negative in both newspapers. It is based on hypothesis that “the overall ratios of unfavorable coverage about Muslims and Islam would be greater than favorable coverage in Chicago Tribune and Chicago Sun times” and tested through content analysis and two communication theories and media framing theory is applied. 200news items published regarding Muslims and Islam during proposed period of study in both newspapers in which in Chicago Sun times the result was (31 % coverage remained Positive 61 % remained Negative and 8 % remained Neutral) and in Chicago Tribune Positive (37 % coverage remained Positive 56 % remained Negative and 7 % news items were Neutral).The above mentioned analysis proved that Muslims and Islam are represented negatively and it proved that the western media presents a bad image of Muslims.

This study compares the news media’s visual framing of the Los Angeles Riots of 1992 and the Ferguson, Missouri, riots of 2014. A visual content analysis of 387 news images published in the New York Times, Los Angeles Times, Chicago Tribune and Atlanta Journal-Constitution was conducted. Results show that newspapers’ visual portrayals of civil unrest have shifted focus from the confrontation between protesters and the police to an emphasis on the depiction of morality, human interest and civil emotions.

This article proposes comparing nonprofit news organizations that prioritize social welfare goals with the hybrid organizational form that mixes the institutional logics of charities and business enterprises: the Social Enterprise. The institutional logic comprises organizing templates, patterns of actions and values. These Social News Enterprises (SNEs) are analyzed as hybrids mixing the institutional logics of commercial, public, and alternative news media. Financed by donations and the revenue from services, SNEs engage in public, investigative, and explanatory journalism. Normative behavioral principles of SNEs are used to compare the impact-based model of ProPublica with the growth-focused model of The Texas Tribune.

David Kraft has been with ESPN’s online operation since 1996, when it was known as ESPNetSportsZone. That year, Kraft helped design ESPN’s online coverage of the bombing at the Summer Olympics in Atlanta. For 4 years he has headed the news operation at espn.com and since 2009 has also managed the copy desk. Prior to joining ESPN, Kraft spent 6 years as the managing editor of Volleyball magazine, immediately preceded by 3 years as a newspaper reporter at the San Luis Obispo Telegram-Tribune.

Local news media can safely republish defamatory stories furnished by reputable wire services on the basis of the “wire service” libel defense. The powerful, but often neglected, libel defense has been applied to at least twenty reported cases in thirteen jurisdictions. Its success rate has been almost 100 percent. From the First Amendment perspective, the wire service defense, which has its genesis in Layne v. Tribune Co. (1933), adds considerably to free debate as an additional weapon for the press to tackle meritless libel suits.

This paper describes a content analysis of science news reporting in three major daily newspapers, the New York Times, the Chicago Tribune, and the Washington Post, during the last three decades. It was found that although science articles represent only a small percentage of the total number of articles printed, this percentage has steadily increased with each time period. The results also show that, at least in the newspapers analysed, science coverage does not differ substantially in terms of the range of topics covered, as well as information that has been both included and omitted from science news accounts. Although there were some differences between articles appearing in the different time frames, in general science news reporting has not changed significantly in terms of the comprehensiveness of accounts. An especially significant finding is that articles frequently omitted methodological and contextual information, features most often mentioned as critical for a complete journalistic account of science.

The study aims to examine the narrative of CPEC disseminated by the Pakistani national print English media. For comprehensive understanding, the CPEC was divided into three dimensions, economic, culture and environment. The study follows the secondary data for the analysis of the narrative on the print English media about the CPEC. The English media was specified in a way that all the leading newspapers like Dawn, The Tribune and The News were consulted covering the news and the opinion-based articles. The study finds that the change in the trends about narrative of CPEC seems fluctuating between the favorable and unfavorable for Pakistan. Hence, the changing trends in narrative seem quite clear and visible. The study recommends that government and relevant officials representing CPEC should properly interaction with the media and journalists need to be capacitated in knowledge about the particular aspects of CPEC.

This mixed methods case study on the international newspaper coverage of women in the Tibetan riots in March 2008 analyses to what extent women are represented according to prevailing gender stereotypes in conflict news. The study largely confirms news media’s gender bias, in that news media hides women’s agency. Women are either not included in the studied 62 articles from International Herald Tribune, China Daily, and the Tibet Post International, or represented according to prevailing gender stereotypes, namely as passive feminine objects. Interestingly, Chi-square testing reveals that the Tibet Post International, an online newspaper run by Tibetan exiles, deviated from the general tendency by representing remarkably frequent images of active Tibetan women. Around one-third (32 percent) of the Tibet Post International’s articles included press photos featuring women and the clear majority (88 percent) of these images represented them as active. However, the qualitative part of the study tells that text associated with the newspaper’s images of active Tibetan women reduced these women’s perceived agency. When introducing text into the interpretation of these images, the women in many cases were turned into potential victims. This points out that text-image interaction is an often overlooked, yet integral part of assigning meaning in conflict news.

Subject area Economics, entrepreneurship, pricing and marketing strategy, print industry in Pakistan. Study level/applicability Undergraduate and first-year graduate level. Case overview The main theme of the case revolves around decision-making by the publisher, Bilal Lakhani, as he operates in conditions of an oligopolistic market. The case focuses on the set-up of a major English-language newspaper, The Express Tribune, in conjunction with the internationally branded and well-regarded International Herald Tribune by a well-known business group of Pakistan. The group already has a major Urdu newspaper, which has been operational for 15 years, and three television channels, as well as a host of other non-media-related businesses. The case tries to go behind the reasons for setting up an English-language newspaper in a market which already has at least five major existing ones and where literacy is not that widespread. Also, experience in much of the rest of the world would suggest that newspapers – i.e. the print media – are in decline, especially because of the rise of the Internet and social media as means for providing news, information and entertainment. The case is set in Karachi, Pakistan's media capital and, in particular, in an organization that has been involved in the business of media for several years. It currently runs the country's second most-circulated Urdu newspaper, Daily Express. Specifically, the time period is three weeks after the paper, The Express Tribune, was launched into a market with a few competitors and high brand loyalty for existing competitors. The publisher of the paper, Bilal Lakhani, is questioning his pricing decision right after the launch of the paper and there are a series of reasons he is looking into on how he set the original price and why should he reduce the price of the paper now. Expected learning outcomes Students should be able to see, understand and analyze: challenges faced by entrepreneurs of starting an initiative which has a largely unreliable and untested audience; the extent of interdependence in an oligopolistic industry and how it influences the current and future decision-makings of an entrepreneur or any other firm for that matter, especially in a developing economy; the personnel, financial production and regulation issues involved in setting up assembly/ delivery systems that deliver a product for mass use, i.e. a newspaper; and the pricing and marketing strategies involved in the launch and subsequent successful operation of a product, in this case, a newspaper. Supplementary materials Teaching notes are available for educators only. Please contact your library to gain login details or email support@emeraldinsight.com to request teaching notes.

Scholars in the arena of media and communication have paid attention to the news framing of the controversial US drone policy in the post 9/11 mainly from the Western media perspectives. Scant scholarly heed has been given to examine the media framing of the US drone strikes from the national media perspectives of the targeted countries. The current study attempts to build on the existing scholarship on US drone policy by exploring the news media framing in two elite national newspapers of Pakistan. Using inductive framing as methodological approach and qualitative analysis as methodology, the study analyzed the editorial discourse in the selected dailies on the US drones. The findings reveal that both the newspapers covered the drones using strikingly different frames. The Daily Times constructed the discourse on US drones using the efficacy frame predominantly- that the drones are effective and doing ‘good job’ against the militants. The Express Tribune framed the drones as violation of Pakistan’s sovereignty and counterproductive. The discussion elaborates the possible factors for the differential framing of US drones in the two national dailies of Pakistan.

The study aims to explore the image of the media as portrayed in leading English Pakistani newspapers. The objectives of the study are to analyze the framing of news concerning the religious minorities in three national dailies of Pakistan to determine either the Pakistani press portrays the minorities image positively or negatively. Content analysis was performed on three leading English dailies, The Dawn, The News and Express Tribune, after random selection from January 01, 2016, to December 31, 2016. The front, back and editorial pages were the sample size of the study. The findings of the study showed that the media portrayed minorities in a positive manner; however, the newspapers focused more on controversial issues such as forced conversions, attacks on places of worship, violations of the right to freedom and other human rights. Softer issues such as Political and Economic Empowerment and Improved Legislation were not covered as frequently. The need of giving more space to the education and entertainment need of minorities and to inform the majority about the positive contributions of minorities has also been found out during the study.

This study compares the freedom of expression exercised by news media of the United States and the Pakistan; with reference to the controversial movie trailer "Innocence of Muslims"; released on You-tube by July 1, 2012. Content analysis research design is applied. Our time frame is September 11-30, 2012 and 50 opinion articles from the Washington post, the Los Angeles Times, Dawn and the Express Tribune are our sample. The framing theory is applied; consistency and discord frame category system is adopted. Dominant frames and their changing trends in different quarters of the timeframe are studied. It was found that discord frame was dominant frame on both sides. The vitality of the discord and consistency frame coverage in Pakistani media was higher than United States' media. The US media was consistency oriented whereas PN media was discord oriented. However, overall trend of both media were found leaning towards the settlement.

Purpose: The study sought to determine the type of news on political corruption by newspapers in South Sudan Method The study used descriptive research design to address the research objectives. The target population in this study was Sudan Tribune, Juba Monitor, The Dawn, Peace Day, Sudanese Online newspapers, international and local NGOs, journalists who work for the media station and lecturers and students from Juba University. The researcher identified every single element and the sampling frame was the five newspapers, also local and international NGOs, students and lecturers from Juba University Findings of the study Media houses shied away from giving priority to political corruption news for the fear of their lives, intimidation and torture. the coverage of political corruption news on a quarter of a page, hence confirming the fact that the public in South Sudan was denied the opportunity by the print media to question the government on corruption in the country Contributions Informed by the findings, the study had the following recommendation The various media regulatory policies and the constitutional rights should be implemented by the instruments of power including the police, the government and the judiciary. This would assure journalists and media houses of their freedom to access information and freedom of expression, while shielding them from intimidation, torture and killing. The legislature, in collaboration with the media regulatory bodies in South Sudan should enact laws that protected media houses and journalists, especially in the cases where they cover sensitive but important information.

Considering the outbreak of Corona pandemic as a case study the article explores the dominant frames used in the coverage of COVID-19 pandemic by the Pakistani English e papers. The media framing is analyzed through qualitative inductive content analysis of the COVID-19 related news stories published in the e papers of Dawn and Express Tribune. Three broad themes emerged as a result of the inductive content analysis which included Scientific Development related to Pandemic; Scale of Pandemic; Social and Economic Impact of Pandemic. The results indicated that the coverage by the e papers was mostly aimed at educating the readers; difficult jargon related to medicine was mostly avoided and where the use of jargon was unavoidable it was properly explained. Most of the stories were developing in nature as the pandemic itself was unfolding at a very fast pace during the selected time frame. The news related information was mostly compiled in a manner which was meant to both warn the readers and the policy makers about the growing scale of the pandemic. The coverage also provided recommendations for the revival of economic and social activities which were halted because of the COVID-19 pandemic.

Abstract The paper explores the role of the media in influencing public opinion from an inferential-pragmatic perspective. It presents preliminary results of the study focused on representation of Russia in Western newspapers. Drawing on Critical Discourse Analysis (Fairclough 1995,2001; van Dijk 2009) and media linguistics (Fowler 1991, Richardson 2007, among others) the study centres around the linguistic means of construing ambiguity/uncertainty, viewed as a strategy of persuasion. We mostly focus on the semantics of certain groups of words and other textual features such as indefinite pronouns, epistemic modality, passive voice, present perfect tense, interrogative headlines and some other tools used in media texts to construe ambiguity which, in its turn, arguably aims at influencing public opinion. We also look at presupposition, information structure, evaluation and transitivity. Though we have limited our study to the English language sources (The Guardian, The Telegraph, The Independent, The Washington Post, The Wall Street Journal, the Chicago Tribune, news websites of the BBC, Reuters, Express, Politico and Fox News, among others), we are not suggesting that linguistic ambiguity is a feature of Western, rather than Russian, or other languages' media.

AbstractIn 2015, South Sudan increased the number of its states from 10 to 28, followed by four more states in 2017. The redrawing of internal borders came through presidential decree as South Sudan's violent civil war continued to unfold. This development has led to two ardent voices: one arguing to maintain the new states, and another advocating to reverse them. Applying argumentation theory and critical discourse analysis to news articles, analysis pieces, and press releases collected from Gurtong and Sudan Tribune from July 2015 to April 2017, this article assesses the argument advanced by both camps and evaluates their implications for peace in South Sudan. In examining the claim, the counter-claim, and their underlying premises, the article finds areas of contention and convergence between the two camps and argues for the compatibility of the values which undergird both positions.

Using both content and critical discourse analysis, this article traces the emergence of and changes in the ways feminism has been discursively constructed in 998 British and American news articles between 1968 and 1982 – which I define as the ‘height’ of the Second Feminist Wave, and 2008 – marking 40 years after feminism began gaining momentum in both nations. In analysing the British Times, Daily Mirror, Daily Mail, and Guardian newspapers, as well as the American New York Times, Washington Post, Chicago Tribune, Washington Times, I argue that not only has there been an erasure of feminist activism from these newspapers over time, but that discourses of feminism have become both de-politicized and de-radicalized since the 1960s, and can now largely be considered neoliberal in nature – a problematic construction for those seeking collective social change.

CPEC has become the centre of attention for the whole world as it has been entitled as “a game changer”, since Chine has been connected to the European and Gulf states through CPEC via Silk Road. Gawadar has become an important trade centre of the future. Due to these key reasons, this issue is being manipulated and portrayed in different colours at national and international forums. Keeping the present scenario in view, the present study has beeninvested to explore the hidden strategies of different local news papers that how this phenomenon is being portrayed and manipulated. It is an analytical research of media discourse that primarily studies how social power and inequality is manipulated and reproduced through text and talk in both social and political contexts.CDA of journalistic discourse tries to unveil the biased language to make the readers aware of manipulative strategies used in both printed and online news papers.The present study aims at making a comparative study of three daily English newspapers, The “Dawn News”, “The Express Tribune” and “The Business Recorder” about the news headlines on CPEC (China-Pakistan Economic Corridor) to show the negotiation on the important issues like CPEC via news headlines. Through investing the Critical Discourse Analysis as method,the researchershavetried to investigate the manipulations invested by the editors to represent their own ideologies on the same issue. To meet the same goalthreeheadlines were collected from all these three news papers dealing with the same phenomenon. All those headlines were analysed on the modal of Van Dijk (2000) in terms of discursive strategies through discursive micro and macro strategies presented by Van Dijk. The nature of the study is qualitative. The results show a controversial approach towards the acceptance of this mega project and apprehensions of the stake holders and political figures.

It is obvious that the use of newspapers is one of the ways through which literate farmers could access agriculture-related information and are acquainted with innovations in agriculture. This study investigated the content of agricultural training advertisements in three Nigerian newspapers: The Guardian, Nigerian Tribune and Daily Times. Using multistage sampling techniques, 240 editions of these newspapers containing 609 advertisements for five years (2001–2005) were selected. In terms of agricultural subsectoral coverage, 30.3% were on veterinary services while forestry services recorded the least advertisement (4.0 %). The Nigerian Tribune newspaper has the highest coverage of agricultural training advertisements 40.7% compared to the 34.7% and 12.2% for Daily Times and Guardian newspapers, respectively. The result also showed that majority of agricultural training advertisements (81.10%) were placed on the non-prominent pages of the selected newspapers. Chi-Square analysis of association between the categories of agricultural training advertisements in the focal newspapers showed that there is significant relationship in the rate at which the sampled newspapers advertise different category of agricultural training advertisements in the newspapers (p<0.05). Chi square analysis also indicated that there is significant association between the placements of agricultural training advertisements and type of newspapers (p<0.05). This implies that advertisement placement on prominent pages of newspapers is determined by the policy of print media organization which also varies with cost of advertisement. It is therefore recommended that agricultural news items should be given more prominence as a panacea for increased information source to new entrants, especially the literate farmers to encourage farming. DOI: http://dx.doi.org/10.3329/ijarit.v3i2.17838 Int. J. Agril. Res. Innov. & Tech. 3 (2): 12-15, December, 2013

Purpose: The purpose of the study to examine the prominence of political corruption news by newspapers in South Sudan Method: The study used descriptive research design to address the research objectives. The target population in this study was Sudan Tribune, Juba Monitor, The Dawn, Peace Day, Sudanese Online newspapers, international and local NGOs, journalists who work for the media station and lecturers and students from Juba University. The researcher can identify every single element and the sampling frame was the five newspapers, also local and international NGOs, students and lecturers from Juba University Findings: The findings indicated that media houses shied away from giving priority to political corruption news for the fear of their lives, intimidation and torture. This further saw the coverage of political corruption news on a quarter of a page, hence confirming the fact that the public in South Sudan was denied the opportunity by the print media to question the government on corruption in the country Unique contribution to theory, policy and practice: The study had the following recommendations: The various media regulatory policies and the constitutional rights should be implemented by the instruments of power including the police, the government and the judiciary. This would assure journalists and media houses of their freedom to access information and freedom of expression, while shielding them from intimidation, torture and killing. The legislature, in collaboration with the media regulatory bodies in South Sudan should enact laws that protected media houses and journalists, especially in the cases where they covered sensitive but important information. Those who infringed on the rights of journalists and media houses should be pursued and arraigned in the court of law, where punitive action would be taken against them. This would further reaffirm journalists of their safety.

Metadiscourse markers (MMs) are lexical resources that writers use to organize their discourse and express their stance about the content or the reader. Metadiscourse analysis of Pakistani English Newspaper Editorials (PENE) has been conducted. The corpus of this study has contained 1000 editorials taken from four renowned Pakistani newspapers: Dawn News (DN), The Frontier (TF), The Express Tribune (TET) and The News (TN). The distribution of 250 editorials from each newspaper has been retrieved from online sources. The frequencies of metadiscourse features (MFs) have been counted and compared, and further studied metadiscourse features (MFs) functionally on the basis of propositional and non-propositional contents. A comprehensive model on Interpersonal metadiscourse has been proposed and it has been categorized into interactive and interactional markers. A comprehensive scheme of metadiscourse markers (MMs) has been proposed for the analysis of the present study. The findings revealed that all corpora used more interactive than interactional markers. In this regard, the sub-categories of interactive metadiscourse such as sequencing markers and transition markers have been frequently observed in the corpus of The Frontier (TF) as compared to other said corpora. The sub-categories of interactional metadiscourse such as engagement, and hedges have been frequently seen in the corpus of The Frontier (TF) as compared to other said corpora. In conclusion, this study has claimed that The Frontier (TF) is more reader-friendly because of the excessive use of interactive metadiscourse.

The objective of this research is to investigate the language used by male and female Pakistani journalists by focusing on the use of interaction markers. This study aims to explore the meta-discourse features in the writings of the Pakistani English newspaper journalists. The data is collected from Dawn, The News, The Nation and The Express Tribune newspapers. The corpus for the research consisted of two hundred (200) columns written by forty Pakistani journalists including both males and females. Hyland&rsquo;s (2005a) model of interactional meta-discourse was used as a theoretical framework. Mixed methodology will be used to analyze the data qualitatively and quantitatively to find out the gender-based differences in the use of interaction markers in the writings of Pakistani journalists. First, the data collected are quantified quantitatively then for the elaboration of gender-based differences in the use of interaction markers, qualitative research methodology is used. Moreover, Antconc, a corpus-based research tool, is employed to statistically analyze the corpus of the study. The study provides the analysis of interactional markers in the Pakistani journalistic discourse by employing Hyland&rsquo;s (2005a) model of interaction. The results show that there exists a gender-based difference in the use of interaction markers. The female Pakistani columnists use interaction markers more frequently than the male counterparts. The research provides new insight to the national and international researchers about gender-based differences in media discourse within the Pakistani context.

The charge given to a nation’s free press in informing the public of the world around them is immense and essential to a functioning democratic society. A free press functions optimally when it operates independent from the constraining influence of powerful entities within its government, thus, allowing it to fulfil its role as an independent check on government action. As events unfold overseas, papers fill various columns with what is deemed “newsworthy.” If and how these unfolding events are reported back to the public carries tremendous weight in helping to form public opinion that either supports, opposes, or remains indifferent to the policy that governments implement abroad. The boardrooms of a nation’s leading news outlets are filled with individuals who also possess the ability to significantly counter or reinforce government claims concerning the relevance, consequences, or threats encompassed within overseas developments; from their leading headlines splashed across page one to the very wording used to depict a particular event. These abilities, when combined, allow a nation’s media to exert substantial influence on constraining or expanding decision-making options for policymakers who wish to garner public support or avoid potential public backlash. This paper will examine how this influence was exercised within U.S. society and its three leading news sources (The New York Times, Washington Post, and Chicago Tribune) in the reporting of four significant events: the 1960 Sharpeville Massacre in apartheid South Africa, the 1975 Indonesian invasion of East Timor, the Kwangju Massacre of 1980 in South Korea, and the Hungarian Revolution of 1956. The goal of this paper is to recount the historic role the U.S. media has played in its telling of developing international events, and determine whether it has fulfilled its duty to inform the public with the impartiality it lays claim to or whether, at times, it simply mirrors the foreign policy agenda of a particular administration and operates in a manner as to ensure its successful implementation.

The aim of this study is to analyze two articles in two different newspapers (The Guardian and Herald Tribune) to underline, following a rhetorical exposition, not only the parallels between them in terms of the information given and the incidents mentioned, but also the striking differences or contrasts in their treatment of the same event. This comparative analysis will follow two of the three main rhetorical components, that is: invention and disposition . In «invention» we shall deal with the semantic contents or subject matter of the news: deployment of missiles versus disarmament proposals. The main function of language displayed is the communicative one, and as it highlights the content of the message, the language is making use of the referential or denotative function in contrast to the connotative function . Arrangement or «disposition » contains an analysis of the structural scheme of both news texts, that is, how the previous material is organized into structural form. In this structural part we shall analyze the main parts of a news item: its headline, lead and the body. The news item adopts the structure of an inverted triangle: the most important facts appear in the » headline » and are explained in the » lead ». Although the two headlines treat the same event, they usually adopt different point of views in their treatment in the headline and the place they occupy within the paper. Emphasis will be laid on one of the three major functional-semantic components of a text: the ideational element, the field which tends to determine the transitivity pattern, types of processes, participants and settings (or circumstances). We are going to apply to these journalistic texts mainly a cognitive approach, but also a functional one, analyzing the processes and their components to deduce which ones are the commonest and why. To conclude, the contrast in newspaper styles is best seen when different newspapers deal with the same story right from the opening lines of a news item. These two articles are clear examples of journalistic language, in which the semantic contents are more or less the same although each newspaper focuses them according to a different point of view, paying attention to the elements which could more strongly interest their respective readers. This is related somehow to three main » cognitive linguistic » perspectives: experiential view, the prominence view, and attentional view. Finally, this comparative analysis will allow us to see how the culture and the ideology of the newspaper can influence the treatment of the same event.El objetivo de este estudio es analizar dos artículos periodísticos en dos periódicos diferentes (The Guardian y Herald Tribune) para resaltar, siguiendo una exposición retórica, no solamente las similitudes entre ellos en cuanto a la información publicada y los incidentes mencionados, sino también las diferencias más llamativas a la hora de tratar el mismo hecho. Este análisis comparativo tendrá como base dos de los tres principales componentes de la Retórica, es decir: «inventio» y «dispositio». En «inventio» nos centraremos en los contenidos semánticos o tema principal de la noticia: el despliegue de misiles frente a las propuestas de desarme. La principal función del lenguaje utilizada es la comunicativa y, al poner énfasis en el contenido del mensaje, se está haciendo uso de la función referencial o denotativa frente a la connotativa. «Dispositio» consiste en un análisis estructural de ambos textos, estos es, cómo el material anterior se organiza de manera estructurada. En este apartado dedicado a la estructura, analizaremos los principales componentes de una noticia: titular, encabezamiento y desarrollo o cuerpo. Las noticias periodísticas adoptan la forma de un triángulo invertido, ya que los hechos más importantes aparecen en el titular y se desarrollan en el encabezamiento. Aunque los dos titulares tratan el mismo tema, suelen adoptar diferentes puntos de vista al resumirlo en sus respectivos titulares, ocupando éstos distintos lugares en el periódico. Se hará hincapié en uno de los tres principales componentes funcionales-semánticos del texto: el elemento ideacional, el campo que determina el modelo de transitividad, tipos de procesos, participantes y circunstancias. Se aplicará a estos textos periodísticos una metodología cognitiva funcional a la hora de analizar los procesos y sus componentes para concluir cuáles son los más comunes y por qué. Como conclusión, el contraste en los estilos periodísticos se percibe mejor cuando diferentes periódicos tratan la misma noticia desde sus primeras líneas. Estos dos artículos son un claro ejemplo de lenguaje periodístico, en los que los contenidos semánticos son más o menos los mismos, aunque cada periódico los interpreta según su punto de vista, prestando más atención a los hechos que podrían interesar más a sus lectores respectivos. Esto está de alguna manera relacionado con los tres principales enfoques de la lingüística cognitiva: «punto de vista de la experiencia, de la importancia y de la atención.»Finalmente, este análisis comparativo nos permitirá demostrar cómo la cultura y la ideología de un periódico puede influir en el tratamiento de un mismo hecho.

Введение. Рассматриваются лексические и семантические неологизмы в общественно-политических текстах, выделяются семантические подгруппы, в которых они функционируют. Представлена теоретическая и практическая значимость исследования. Цель статьи – проанализировать выявленные неологизмы в общественно-политических текстах, разделить их по группам и подгруппам, определить самые распространенные методы образования неологизмов в английском языке. Материал и методы. Материалом исследования послужили американские и британские журналы и информационные сайты: CNN, The Guardian, The Daily Beast, The Washington Post, NBC News, Chicago Tribune, The Independent, Forbes, The Sun, Spectator, NY Post. Результаты и обсуждение. Определены актуальные типы неологизмов в современных общественно-политических текстах – лексические и семантические неологизмы. Лексические неологизмы – это совершенно новые слова, раннее не употреблявшиеся в языке. Семантические неологизмы – это слова, ранее существовавшие в языке, но приобретшие новые семы. Они служат различным стилистическим целям, их употребление зависит от функционального стиля речи и контекста. Анализ практических примеров отражает соотношение этих двух типов неологизмов. Самой частотной группой являются лексические неологизмы. Из 60 выявленных неологизмов 76,6 % (46 лексических единиц) относились к первой группе и лишь 23,4 % (14) – ко второй. В результате в сфере общественно-политических текстов выделено четыре семантические подгруппы, в которых чаще всего используются лексические неологизмы. Подгруппа «Политические отношения» включает в себя 16 неологизмов, «Общественные отношения» – 15, «Личная жизнь и быт человека» – 12, «Интернет и технологии» – всего 3 неологизма. Неологизмы второй группы – «Общественные отношения» – можно отнести к гендерным неологизмам, т. е. отражающим возросший в последние годы интерес к гендерологии, феминизму и равенству полов. Заключение. Лексические неологизмы преобладают над семантическими в общественно-политических текстах (76,6 и 23,4 % соответственно), однако семантические неологизмы доминируют в текстах общественно-политической тематики. Основным способом образования лексических неологизмов являются продуктивные словообразовательные модели (преффиксальный и суффикальный способы). Лексические неологизмы в проанализированных текстах можно условно разделить на четыре подгруппы: «Политические отношения», «Общественные отношения/экология», «Интернет и технологии», «Личная жизнь и быт человека». Чаще всего неологизмы употребляются в первой и второй подгруппах. Introduction. This article considers lexical and semantic neologisms in socio-political texts and their semantic subgroups. The theoretical and practical significance of the research is presented. The purpose of the article is to analyze neologisms in socio-political texts, divide them into groups and subgroups; define the most widespread methods of neologisms formation in English. Material and methods. The research material was taken from American and British magazines and information sites: CNN, The Guardian, the Daily Beast, the Washington Post, NBC News, Chicago Tribune, The Independent, Forbes, the Sun, Spectator, NY Post. Results and discussion. The current types of neologisms in modern socio-political texts (lexical and semantic neologisms) are defined. Lexical neologisms are completely new words that were not used earlier in the language. Semantic neologisms are those words that previously existed in the language, but which have acquired new semes. They serve various stylistic purposes and their use depends on the functional style of speech and context. The analysis of practical examples reflects the relationship between these two types of neologisms. The most frequent group is lexical neologisms. Of the 60 identified neologisms, 76.6 % (46 lexical units) belonged to the first group and only 23.4% (14 lexical units) to the second. In the sphere of socio-political texts, 4 semantic subgroups are identified, in which lexical neologisms are most often used. The subgroup “Political relations” includes 16 neologisms, “Public relations” – 15, “Personal life and human life” – 12 neologisms, and the smallest number of neologisms found belongs to the group “Internet and technology” – only 3 analyzed neologisms. Neologisms of the second group can be attributed to gender neologisms, that is, reflecting the increased interest in gender studies, feminism and gender equality in recent years. Conclusion. Lexical neologisms predominate over semantic ones in socio-political texts (76.6 and 23.4 %, respectively), however, semantic neologisms predominate in socio-political texts. The main method of forming lexical neologisms is productive word-formation models (prefixal and suffixal methods). Lexical neologisms in the analyzed texts can be divided into 4 subgroups: “Political relations”, “Social relations/ ecology”, “Internet and technology”, “Personal life and everyday life of a person”. Most often, neologisms are used in the first and second subgroups.

Despite the fear entertained by the downstream countries of the Nile basin, little attention was paid to the right of Ethiopia to utilize the Blue Nile waters. The purpose of this study is to explain the tension between upper riparian Ethiopia and downstream Sudan and Egypt on the Grand Ethiopian Renaissance Dam (GERD) filling and controversies on its annual operation. A descriptive qualitative research method was employed to describe the tension concerning the filling and controversies on the annual operation of the GERD. The investigation relied on secondary sources of data obtained from YouTube videos of international broadcast media such as CGTN, Aljazeera, and TRT World. In addition, national broadcast media of Ethiopia (Ethiopian Broadcasting Corporation and Ahadu Television), Sudan (Sudan Tribune), and Egypt (Daily News Egypt) accessed to make data balance. Moreover, letters from these countries sent to the UNSC have been reviewed. Besides, published and unpublished secondary sources on the Nile basin hydro-politics and the GERD were reviewed. The finding of the study reveals that the filling of the dam does not constitute significant harm as it can be seen from the first phase filling given the hydrological condition in the Eastern Nile Basin. The controversy regarding the annual operation of the GERD arises from the fear that their historical and current water use will be threatened. They wanted to conclude the binding agreement in their favor at the expense of Ethiopia’s future utilization of Blue Nile water. Their fear is Ethiopia would not remain faithful to its promises that the dam and its filling do not affect their water security. Rather than basing their claim on invalid colonial treaties, Egypt and Sudan should acknowledge Ethiopia’s right to utilize the Blue Nile water resource and fill the dam without causing significant harm. It is suggested to clear distrust and discuss issues of common concern by tolerating short-term risk for the long-term collective prosperity.

<p>This type of research is research conducted using the Multiple Linear Regression<br />method to explain the direct and indirect relationship as well as simultaneously and<br />partially psychological factors from the variables of Motivation, Perception,<br />Learning, Beliefs, and Attitudes Toward Consumer Decisions to Buy the Manado<br />Tribune newspaper in Manado City, North Sulawesi. The research object chosen<br />was the Manado Tribune Daily Newspaper with a sample of 120 respondents. Data<br />analysis techniques with the help of SPSS v.22.0 software for Windows. The results<br />showed that motivation (X1) has a significant effect on Purchasing Decisions (Y).<br />Perception (X2) has a substantial effect on Purchasing Decisions (Y), Learning<br />(X3) has a significant effect on Purchasing Decisions (Y), Belief (X4) has no<br />significant effect on Purchasing Decisions (Y) ), and Attitude (X5) has a positive<br />and significant effect on Purchasing Decisions (Y). Simultaneously all X variables<br />have a significant effect on Purchasing Decisions (Y).</p>

Desde por lo menos 2014, una campaña feminista está desafiando la desigualdad de género en las universidades irlandesas. Siete demandas judiciales empezadas por profesoras contra la National University of Ireland, Galway (NUI Galway) incluyeron, con éxito, el tema en la agenda pública y culminaron en la transformación de las políticas nacionales para la enseñanza superior. Este artículo considera los valores notícia movilizados para relatar la campaña. El objetivo es investigar como las historias fueron seleccionadas y enmarcadas por la media hegemónica. Las noticias fueron recolectadas con palabras clave que eran los nombres de las litigantes en los archivos digitales de los dos más grandes diarios irlandeses (Irish Independent e Irish Times), también de un semanario local (Connacht Tribune). La muestra de 111 publicaciones se analizó con base en la tipología de valores noticia desarrollada por Gislaine Silva. Los resultados indican que los valores noticia con más incidencia fueron conflicto, colectividad y celebridad, desvelando que la realización de eventos mediáticos es crucial para romper la exclusión o condena de la agenda feminista en los discursos periodísticos. La pesquisa empírica ofrece un terreno fértil para reflexionar sobre la representación mediática de los feminismos contemporáneos, además de pensar la política de la memoria relativa al movimiento sufragista.

Este estudio analiza e interpreta los marcadores de compromiso (EM) como características del metadiscurso en cuatro periódicos paquistaníes en inglés. Para este propósito, propone un nuevo modelo de marcadores de compromiso como el metadiscurso a partir de los modelos existentes. El modelo propuesto se ha clasificado en expresiones inclusivas, personalización, expresión de preguntas de direcciones de los lectores, pasajes, anécdotas y comentarios. Se ha propuesto una lista detallada de marcadores de compromise. Los resultados de este estudio revelaron que el corpus de The Frontier usaba marcadores de compromiso excesivos en comparación con otros cuerpos: The News, Dawn News y The Express Tribune. En conclusión, el corpus de The Frontier es más fácil de leer debido al uso excesivo de marcadores de compromise.

Abstract: Newspapers have to be objective in representing the news to the audience. This research wanted to measure the objectivity’s tendency of the news about H5N1 virus, which attacked Indonesia in year 2003. The news’ objectivities on International Herald Tribune from January 2005 until December 2006 were being measured with the Westerstahl’s Objectivity’s Principle and content analysis as the method. There are 2 dimensions in Westerstahl’s Objectivity’s Principle. First is factuality, which consists of truth and relevance, and the second one is impartiality which consists of balance and neutral presentation. Abstrak: Surat kabar harus obyektif dalam menyajikan berita kepada audiens. Riset ini ingin mengukur kecenderungan obyektivitas berita tentang virus H5N1 yang melanda Indonesia pada tahun 2003. Obyektivitas berita diukur berdasar prinsip-prinsip obyektivitas Westerstahl dan menggunakan metode analisis isi. Ada dua dimensi dalam prinsip-prinsip obyektivitas Westerstahl. Pertama adalah faktualitas yang terdiri dari kebenaran dan relevansi, dan yang kedua adalah imparsialitas yang terdiri dari keseimbangan dan penyajian yang netral.

This paper discusses the key findings of PhD research that analysed how four Irish national ‘opinion leader’ newspapers – The Irish Times, the Irish Independent, the Sunday Independent and the Sunday Tribune – framed the Israeli-Palestinian conflict from July 2000 to July 2004 (O’Regan, 2007). Two sets of significant findings emerged from this research. Firstly, this research’s qualitative frame analysis found that the sampled newspapers acted as contested sites that variously displayed competing frames of the Israeli-Palestinian conflict, rather than exclusively transmitting hegemonic, or elitist frames. Secondly, it was concluded that the politics and dynamics of the Israeli-Palestinian conflict itself influenced newspaper coverage trends, as did the politico-cultural context supplied by Ireland’s ‘small state’ and post-colonial status and its consequent lack of ‘hard’ foreign policies towards the Middle East. A range of media factors, such as resource constraints, editorial judgments and news values, also had important constructivist implications for newspaper outcomes. Taken together, these findings strongly critique the propaganda, hegemonic and political control perspectives that have characterised research to date. Instead, this research concluded that competing conflict protagonists’ level of media access is best viewed as an achieved outcome, which changes in line with developments in the wider political and media environments and in the operation of news factors.

ObjectiveI analyze a collection of data visualizations created during the crack and opioid epidemics, respectively, published by mainstream news media using three criteria: genre, subject matter, and language used to describe the graphic. I use precarity as a theoretical framework--that is, “a politically induced condition in which certain populations suffer from failing social and economic networks of support and become differentially exposed to injury, violence, and death” (Butler, 2009, p. 35)--to argue that visualizations created during the crack epidemic positioned addicts as criminals whereas opioid addicts have been positioned as patients in need of treatment.IntroductionIn late 2015, two economists studying health-related data inadvertently discovered an alarming trend: death rates for middle-aged, white Americans were dramatically increasing from drug overdoses (Kolata, 2015), particularly opioids (CDC, 2015). The opioid epidemic has since been widely publicized in the media. However, as critics have argued, the government's response to the crack epidemic differs dramatically from an arguably equally devastating “drug epidemic” that hit many inner US cities thirty years ago—the influx of crack cocaine. More specifically, opioid addicts, who tend to be white, have been positioned as patients, whereas in the 1970s and 80s during the war on drugs, heroin and crack addicts, respectively, who tended to be people of color, were criminalized (Hart, 2017; Hutchinson, 2017).MethodsI collected data visualzations created during the crack epidemic for 1/1/86-12/31/92 and for the opioid epidemic from 11/3/15 (the date the NYT covered Case and Deaton's study)-9/30/18 for opioids from the following mainstream news organizations: Newsweek, The Chicago Tribune, The Los Angeles (LA) Times, The New York Times (NYT), The Washington Post (WaPo), Time Magazine, U.S.A Today, and U.S. News and World Report. I then organized each collection by genre (bar or pie chart, line graph, map, etc), subject matter (crime-related, drug use and abuse related, effects on children, effects on health including deaths and treatment, STDs, and trafficking), and also assessed whether the text in the article directly referred to the graphic and discussed the data shown.ResultsSeventy three images were included of the crack epidemic and 100 were included for the opioid epidemic. The majority of graphics created during the crack epidemic were bar and line graphs whereas there was far more variation in the genre of graphics created during the opioid epidemic. The majority of graphics created during the crack epidemic also showed crime-related information (defined as crime rates, location of crimes, number of crimes committed, specific types of crimes such as homicides as well as information about arrests and sentencing) whereas very few data visualizations created during the opioid epidemic were related to crime. Indeed, the majority of these visuals showed effects on health (more specifically mortality). Finally, data visualizations create during the crack epidemic were rarely directed referred in the text of the article, but were usually discussed albeit, along with other visual information. In contrast, data visualizations created during the opioid epidemic were usually directly referenced and overtly discussed.ConclusionsI suggest that these results illustrates precarity (Bulter, 2009) by revealing systemic inequalities that protect some people, but leave others vulnerable through two counter narratives: opioid addiction is a public health issue, but crack addiction is a crime.ReferencesButler, Judith. (2009). Frames of war: When is life grievable? Brooklyn, NY: Verso Books.Case, A. and Deaton, A. (2015). Rising morbidity and mortality in midlife among white non-Hispanic Americans in the 21st century. Proceedings of the National Academy of Sciences of the United States of America. 112(49): 15078-15083.CDC. (2015). Controlled Substance Prescribing Patterns — Prescription Behavior Surveillance System, Eight States, 2013. Morbidity and Mortality Weekly Report. October 16, 2015 / 64(SS09);1-14. Hart, C. L. (2017, August 18). The real opioid emergency. The New York Times.Hutchinson, E. O. (2017, June 21). The opioid crisis in black and white. Huffington Post.Kolata, G. (2015, November 3). Rise in Deaths for U.S. Whites in Middle Age. The New York Times.

This variable describes how a war is framed in a news article. It suggests what interpretation or perspective on a war is promoted through a news item (Dimitrova & Strömbäck, 2008; Entman, 1993). In general, there are two approaches to framing: Deductive frame analyses measure the presence of frames that were derived from prior research or small pilot studies, whereas inductive frame analyses derive the frames from the actual material itself. As such, the frames measured in inductive analyses tend to be case-specific and can rarely be used for other conflict cases and material (cf. Matthes & Kohring, 2008). In deductive frame analyses, however, a set re-occurring frames has been identified and operationalized. They have been measured in the coverage of a variety of wars and in news items that were published in different media organizations (e.g. Carpenter, 2007; Dimitrova & Strömbäck, 2005, 2008). These frames and their operationalizations will be described in the following example. Field of application/theoretical foundation: Frame analyses is grounded in the framing approach that describes a media frame as the result of a journalistic process of selecting some aspects of a given social reality and making them more salient in a given text (Entman, 1993). As such, framing is often measured to analyze how a war is portrayed in the news. In doing so, scholars mainly aim to identify media bias that for example can be the result of ethnocentrism, the editorial line, political influences or the predominant journalism culture (Baden, 2014; Jungblut, 2020; Shoemaker & Reese, 2014). Consequentially, media frames are often regarded as the result of a specific working environment and are thus often conceptualized as a dependent variable (e.g. Carpenter, 2007; Dimitrova & Strömbäck, 2005, 2008). Alternatively, media frames can be understood as the independent variable if a study seeks to unravel whether the media holds an impact on the public opinion on a given war (e.g. Edy & Meirick, 2007). References/combination with other methods of data collection: Frames that have repeatedly been identified in content analytical research have also been used in experimental research designs to unravel if the media portrayal of a war shapes how the audience thinks about this particular war (e.g. Iyengar & Simon, 1993). Similarly, scholars have also combined content analyses with multiple waves of surveys to analyze whether the media, for example, influences the public support for conflict interventions (e.g. Edy & Meirick, 2007). Sample operationalization: Please indicate which of these frames is present in the text. In each article, multiple frames can be present at the same time. Frame Description Measurement Military Conflict Frame There is an emphasis on the military conflict/action among individuals, groups, or institutions 0 = frame is absent 1 = frame is present Human Interest Frame There is an emphasis on the human participants in the event 0 = frame is absent 1 = frame is present Violence of War Frame There is an emphasis on injuries/causalities and the destruction or aftermath caused by war 0 = frame is absent 1 = frame is present Anti-War Protest Frame There is an emphasis on the opposition to war 0 = frame is absent 1 = frame is present Media Self-Reference Frame There is an emphasis on the news media and their reporting of war 0 = frame is absent 1 = frame is present Responsibility Frame There is an emphasis on the party/person responsible for the event, issue, or problem 0 = frame is absent 1 = frame is present Diagnostic Frame There is an emphasis on what caused the event or problem 0 = frame is absent 1 = frame is present Information on Carpenter, 2007 Author: Serena Carpenter Research question/research interest: Portrayal of the Iraq War in Elite and Non-Elite newspapers Object of analysis: Two elite newspapers (New York Times & Washington Post) and four non-elite newspapers (San Antonio Express News, Roanoke Times, News Tribune and Columbus Dispatch) Timeframe of analysis: The study analyzes the framing in three phases: Invasion Phase (March 20, 2003, to May 1, 2003), final two months of the presidential campaign (September 1, 2004, to November 2,2004) & period from the first Iraqi election to the Iraqi National Assembly's vote to approve a cabinet (January 30, 2005, to April 28, 2005) Info about variable Variable name/definition: Deductive conflict frame Level of analysis: Article Values: 0 = absent, 1= present (for each of the described frames) Scale: binary (nominal) Realiability: Scott's pi > 0.86 References Baden, C. (2014). Constructions of violent conflict in public discourse. Conceptual framework for the content & discourse analytic perspective (within WP5, WP6, WP7, & WP8). INFOCORE Working Paper 2014/10. http://www.infocore.eu/wp-content/uploads/2016/02/Conceptual-Paper-MWG-CA_final.pdf Carpenter, S. (2007). US elite and non-elite newspapers' portrayal of the Iraq War: A comparison of frames and source use. Journalism & Mass Communication Quarterly, 84(4), 761-776. doi:10.1177/107769900708400407 Dimitrova, D. V., & Strömbäck, J. (2005). Mission accomplished? Framing of the Iraq War in the elite newspapers in Sweden and the United States. International Communication Gazette, 67(5), 399-417. https://doi.org/10.1177/0016549205056050 Dimitrova, D. V., & Strömbäck, J. (2008). Foreign policy and the framing of the 2003 Iraq War in elite Swedish and US newspapers. Media, War & Conflict, 1(2), 203-220. doi:10.1177/1750635208090957 Edy, J. A., & Meirick, P. C. (2007). Wanted, dead or alive: Media frames, frame adoption, and support for the war in Afghanistan. Journal of Communication, 57(1), 119-141. doi:10.1111/j.1460-2466.2006.00332_4.x Entman, R. M. (1993). Framing: Toward clarification of a fractured paradigm. Journal of Communication, 43(4), 51-58. doi:10.1111/j.1460-2466.1993.tb01304.x Iyengar, S., & Simon, A. (1993). News coverage of the Gulf crisis and public opinion: A study of agenda-setting, priming, and framing. Communication research, 20(3), 365-383. doi:10.1177/009365093020003002 Jungblut, M. (2020). Strategic Communication and its Role in Conflict News: A Computational Analysis of the International News Coverage on Four Conflicts. Springer Nature. Matthes, J., & Kohring, M. (2008). The content analysis of media frames: Toward improving reliability and validity. Journal of Communication, 58(2), 258-279. doi:10.1111/j.1460-2466.2008.00384.x Shoemaker, P. J., & Reese, S. D. (2014). Mediating the message in the 21st century: a media sociology perspective (Third edition. ed.). Routledge.

Abstrak Persaingan media dan perkembangan Teknologi Informasi dan Komunikasi (TIK) yang membawa tren baru dalam dunia industri komunikasi. Instrument untuk menghadapinya adalah konvergensi yang berorientasi pada kepentingan konsumen dan pemilik media. Media yang telah terkonvergensi juga berpengaruh terhadap besarnya kepentingan ekonomi politik dalam penerapan konvergensi. Pengumpulan datanya dilakukan dengan cara observasi dan wawancara mendalam serta kajian literatur. Hasil analisis deskriptif menunjukkan bahwa strategi 3M (Multimedia, Multichannel dan Multiplatform) digunakan Tribun Jogja menjadi salah satu alternative strategi untuk menerapkan konvergensi dan mentransformasikan dirinya menuju full convergence. Sedangkan pada ekonomi politik nya terlihat bahwa melalui penerapan konvergensi media ini, maka dengan komodifikasi yaitu adanya pengambilan dan penyeragaman konten di antara sesama media yang berada di bawah jaringan Tribun akan mendapatkan keuntungan melalui pasokan pengiklan, begitu pula spasialisasi yang memungkinkan penyaluran konten berita secara realtime dapat mengurangi biaya tenaga kerja, administratif, dan material. Kesimpulan dari penelitian ini adalah konvergensi yang dilakukan adalah konvergensi kontekstual yaitu konvergensi yang disesuaikan dengan kebutuhan dan kondisi budaya perusahaan dan masyarakat. Ini terbukti konvergensi dapat terlaksana tanpa melakukan perubahan radikal dengan menyatukan newsroom cetak dan online, media sudah dapat melakukan konvergensi. Kata-kata kunci: Konvergensi media, Rangkaian Konvergensi, Ekonomi politik media dan Tribun Jogja Abstract Media competition and the development of Information and Communication Technology (ICT), which brings a new trend in the world of the communications industry. Instrument to deal with it is the convergence oriented to the interests of consumers and media owners. Media who had converged also affect the amount of economic and political interests in the application of convergence. Data collection is done by observation and in-depth interviews and review of the literature. Descriptive analysis showed that the strategy of 3M (Multimedia, Multichannel and Multiplatform) used Tribun Jogja be one alternative strategy for implementing the convergence and transforming itself towards full convergence. While in political economy it is seen that through the application of media convergence, then the commodification that is their decision and uniformity of content among media that are under the network Tribune will benefit through the supply of advertisers, as well as spatialization that enables the distribution of news content in real time can reduce labor costs, administrative and material. The conclusion from this study is that convergence is the convergence contextual done that convergence is tailored to the needs and conditions of the corporate culture and society. It proved convergence can be accomplished without a radical change by uniting print and online newsrooms, media have to do convergence. Keywords: media convergence, Continuum Convergence, the media and political economy, Tribun Jogja Newspaper.

Responsibility frames in media coverage describe the mediated attribution of responsibility for causes and remedies (treatments, solutions) for health issues, mostly differentiating between individual and societal responsibility. Field of application/theoretical foundation: Media coverage of health topics, public opinion formation, attribution of responsibility, framing studies, social media on health issues Example studies: Gollust & Lantz (2009); Kim & Willis (2007); O’Hara & Smith (2007); Stefanik-Sidener (2013); Yoo & Kim (2012); Zhang & Jin (2015) Information on Kim & Willis, 2007 Authors: Sei-Hill Kim, Leigh Anne Willis Health topic: Obesity Research questions: How have the media presented the causes and solutions for obesity? Have certain causes and solutions appeared more often than others? How has media coverage of causal and solution responsibility changed over the years? Have mentions of certain causes and solutions increased or decreased? Object of analysis: Newspaper and television news data containing “obesity” or “obese” appearing in the headline, lead paragraphs, or index terms; articles published in The New York Times, The Washington Post, Chicago Sun-Times, The San Francisco Chronicle, The Houston Chronicle, and USA Today; news transcripts on obesity from three television networks (ABC, CBS, NBC); after conducting a systematic sampling, n = 300 articles and n = 200 transcripts were analyzed Time frame of analysis: January 1995 to August 2004 Info about variables Variables: Variables included attributions of causal and treatment responsibility, cause or treatment option was coded as ‘‘not present’’ (0) or ‘‘present’’ (1). Level of analysis: News article respectively tv transcript Causal responsibility Solution responsibility Personal causes (Scott’s pi= .81) Unhealthy diet: Consuming too much food, consuming too much unhealthy food, addictive or emotional eating. Sedentary lifestyle: Lack of exercise, Lack of physical activities. Genetic conditions: Genetic=biological factors that may produce obesity (e.g., imbalance of hunger hormones that may stimulate appetite). Others: E.g., poor adult role models. Personal solutions (Scott’s pi= .74) Healthy diet: Consuming less food, consuming healthy food. Physically activities: More exercise and physical activities. Medical treatments: Medications (e.g., diet pills), surgical treatments of obesity (e.g., gastric bypass, gastric stapling). Others: E.g., working with a support group, talking to a counselor, parents as role models. Societal causes (Scott’s pi= .86) The food industry: Obesity-promoting foods (fast=junk food), super-sizing, large increase in fast=junk food restaurants, other aggressive marketing promotions. Schools & education: Unhealthy foods in school cafeterias, lack of physical activity programs at schools, lack of public education about healthy eating and lifestyle. Socioeconomic factors: Low-income families may not be able to afford healthy food, exercise equipment, or a gym membership. They may be too busy to prepare their own healthy food. Others: E.g., automobile-oriented society (e.g., drive-thru stores and restaurants, big-box stores), unsafe community (crime, traffic, accident), and limited opportunities for outdoor activities. Societal solutions (Scott’s pi= .81) Regulations of the food industry: Regulating obesity-promoting foods, super-sizing, vending machines, and other aggressive marketing promotions, taxing unhealthy food. Changes in schools & education: Healthier food in school cafeteria, more physical activity programs at schools, more public education. Socioeconomic changes: Narrowing income gap, healthy food should be more affordable and available, more affordable exercise. Others: E.g., less automobile-oriented and more walking-oriented society (less drive-thru stores and restaurants, less big-box stores), safer community, and more opportunities for outdoor activities. Information on Stefanik-Sidener, 2013 Author: Kelsey Stefanik-Sidener Health topic: Diabetes Research questions: What was the dominant frame used in news stories about diabetes? What were the most common cause and solution frames used for each type of diabetes? Object of analysis: Diabetes coverage in the New York Times (N = 239) Time frame of analysis: 2000 to 2010 Info about variables Variables: The articles were coded for the presence of three types of frames for both causes of and solutions to diabetes, respectively: behavioral, societal, or medical, frames were not mutually exclusive Level of analysis: News article General cause frame (Krippendorff’s Alpha= .96) General solution frame (Krippendorff’s Alpha= .64) Behavioral causal frame Poor diet, lack of physical activity, or other individual-level issues Personal solutions Improving one’s diet or increasing activity levels Societal cause frames Poor food environments, car-centered culture, poor nutrition in schools, or other broad problems Societal solution frames Improving access to healthy foods, increasing nutrition education, or other public policy/societal-level solutions Medical cause frames Family history, genetics, age Medical solution frames Blood sugar control, medication, or surgery Information on Yoo & Kim, 2012 Authors: Jina H. Yoo, Junghyun Kim Health topic: obesity Research questions: What typifications (i.e., causal claims and solution claims) have been made in videos on YouTube with regard to the obesity issue? How do these typifications vary among different types of media formats on YouTube? Object of analysis: YouTube was searched with the keywords “obesity” and “obese” on 5 March 2010 and owing to capacity limits, the number of available videos was limited to 1,000 per each keyword; after a systematic random sampling and excluding irrelevant videos, total sample of N = 417 YouTube videos was analyzed Time frame of analysis: 2000 to 2010 Info about variables Variables: articles were coded for the presence of causal claims and solution typifications, behavioral, biological, and systematic causal factors on obesity being causal claims and behavioral solution, medical or pharmacological solution and systematic solution Reliability: Intercoder reliability was calculated for each category, and average intercoder reliability coefficient was .89. The Cohen’s kappa coefficient for each variable ranged between .77 and 1.00 Level of analysis: each whole video, including all of the video’s visual, audio, and text presentation Causal claims for obesity Solution typifications for obesity Behavioral causal claim Obesity is due to the individual’s lifestyle choices, including lack of exercise, wrong diet, lack of willpower and self-control, etc. Behavioral solution Improving one’s diet or increasing activity levels Biological causal claim Obesity is due to genetic or hormonal problems Medical or pharmacological solution To use diet pills or have a gastric bypass surgery as a means of treating obesity. Systematic causal claim Obesity is based on environmental influences and policy choices, including detrimental practices of corporations and government, such as the fast food industry’s marketing practices, school cafeterias’ unhealthy foods, inadequate or inaccurate information about food and nutrition, etc. Systematic solution A societal level of obesity treatment, such as implementing obesity-related policies, banning fast food marketing, removing vending machines from school, etc. Information on Zhang & Jin, 2015 Authors: Yuan Zhang, Yan Jin Health topic: Depression Research question: Do cultural values and organizational restraints shape the responsibility frames for health issues? Object of analysis: US (n = 228) and Chinese (n = 224) newspaper coverage on depression, including New York Times and USA Today, Philadelphia Inquirer, Houston Chronicle, Star Tribune and Denver Post; Chinese newspapers were not further specified, except for People’s Daily and Beijing Daily Time frame of analysis: 2000 to 2012 Info about variables Variables: News framing of causal and problem-solving responsibilities was measured at individual and societal levels, with individual-level and society-level causes and solutions. Each cause and solution included four subcategories which were measured nominally as 0 (absent) or 1 (present). Reliability: For the US data, a pretest in which two coders both coded a randomly selected 10% of the sample yielded Pearson’s r of 0.737 (p < 0.001) for individual causes, 0.862 (p < 0.001) for societal causes, 0.790 (p < 0.001) for individual solutions, and 0.907 (p < 0.001) for societal solutions. For the Chinese data, a pretest in which two bilingual coders both coded a randomly selected 10% of the sample yielded Pearson’s r of 0.861 (p < 0.001) for individual causes, 0.893 (p < 0.001) for societal causes, 0.807 (p < 0.001) for individual solutions, and 0.899 (p < 0.001) Level of analysis: Article Variables & operational definitions: In the appendix References Gollust, S. E., & Lantz, P. M. (2009). Communicating population health: Print news media coverage of type 2 diabetes. Social Science & Medicine (1982), 69(7), 1091–1098. https://doi.org/10.1016/j.socscimed.2009.07.009 Kim, S.?H., & Willis, A. (2007). Talking about obesity: News framing of who is responsible for causing and fixing the problem. Journal of Health Communication, 12(4), 359–376. https://doi.org/10.1080/10810730701326051 O’Hara, S. K., & Smith, K. C. (2007). Presentation of eating disorders in the news media: What are the implications for patient diagnosis and treatment? Patient Education and Counseling, 68(1), 43–51. https://doi.org/10.1016/j.pec.2007.04.006 Stefanik-Sidener, K. (2013). Nature, nurture, or that fast food hamburger: Media framing of diabetes in the New York Times from 2000 to 2010. Health Communication, 28(4), 351–358. https://doi.org/10.1080/10410236.2012.688187 Yoo, J. H., & Kim, J. (2012). Obesity in the new media: a content analysis of obesity videos on YouTube. Health Communication, 27(1), 86–97. https://doi.org/10.1080/10410236.2011.569003 Zhang, Y., & Jin, Y. (2015). Who's responsible for depression? The Journal of International Communication, 21(2), 204–225. https://doi.org/10.1080/13216597.2015.1052532 Zhang, Y., & Jin, Y. (2015). Who's responsible for depression? Journal of International Communication, 21(2), 204–225.

ObjectiveIn this panel, attendees will learn about how disaster surveillance was conducted in response to Hurricanes Irma and Harvey, as well as the role of CDC at the federal level in supporting local response efforts. By hearing and discussing the challenges faced and solutions identified, attendees will be better able to respond in the event of a low-frequency/high-consequence disaster occurring within their jurisdiction.IntroductionIn this panel, the presenters will discuss their perspective in responding to Hurricanes Harvey and Irma. Hurricane Harvey made landfall on August 25th and over the course of 4 days dropped approximately 27 trillion gallons of water on Texas and Louisiana.1 The flooding that ensued was unprecedented and forced over 13,000 people into shelters.2 These individuals needed to have their basic needs -food, shelter, clothing, sanitation- met as well as their physical and mental health needs. The George R Brown Conference Center (GRB) and NRG Stadium Center were set up as mega-shelters to house shelterees. Hurricane Irma made landfall on September 10th in the Florida Keys as a Category 4 Hurricane. The Hurricane caused 72 deaths3 and forced thousands of people into shelters.4 These weather events created novel challenges for local response efforts. Decision makers needed timely and actionable data, including surveillance data.DescriptionAt the federal level, Aaron Kite-Powell will discuss his experiences in supporting local efforts to acquire timely and actionable data collected by on-site federally deployed disaster medical assistance teams (DMAT). DMAT provided clinical services to residents who were staying in a mega-shelter. Data collected from DMAT was electronically sent to CDC through the National Syndromic Surveillance Program (NSSP) where it could be accessed in CDC's instance of ESSENCE. Additionally, in Houston, 3 area hospitals submitted their data to NSSP. The City of Houston Health Department (HHD) was given access to DMAT and hospital syndromic data through ESSENCE. Once access was established, just in time training was conducted for HHD.David Atrubin will discuss how Florida’s syndromic surveillance system was utilized during Hurricane Irma in September 2017. ESSENCE-FL provided critical near real-time surveillance data before, during, and after the storm. Multiple data sources, within the ESSENCE-FL, were utilized including emergency department, poison control, death record, and DMAT data. In addition to the anticipated increases in animal bites, injuries, medication refills, dialysis visits, and carbon monoxide exposures, some unexpected increases were observed as well.Eric Bakota will describe his experience in coordinating the remote shelter surveillance team for the City of Houston Health Department. In the immediate aftermath of the flooding, several organizations opened shelters for people who were forced to leave their homes. Many of these facilities were not officially connected to the City. An ad hoc process was used to identify and connect with these facilities. Once identified as a shelter, a team of 6 epidemiologists conducted daily check-ins to determine the census and status of shelterees. Several tools to coordinate activities and record the data collected were used, including Dropbox, Googlesheets, and MAVEN. Each tool had its own strengths and limitations that will be discussed.How the Moderator Intends to Engage the Audience in Discussions on the TopicThe moderator should engage the panelists by asking questions the following questions:● How did each panelist work with their Federal/State/Local partners● How did each panelist integrate into the larger response framework (e.g., ICS)● How did each panelist use technology to address any novel surveillance barriers during the disasterReferences1. Sanchez R, Yan H, Simon D. Harvey aftermath: Houston 'open for business'; other cities suffering. CNN. 2017 Sep 1.2. Sullivan K, Hernandez A, Fahrenthold D. Harvey leaving record rainfall, at least 22 deaths behind in Houston. Chicago Tribune. 2017 Aug 29.3. Impact of Hurricane Irma. Boston Globe. Accessed 2017 Oct 10. https://www.bostonglobe.com/news/bigpicture/2017/09/11/impact-hurricane-irma/W6WBN9K2lXd4gPmtu26auN/story.html4. Smith A. After Hurricane Irma, Many Ask: How Safe Are Shelters? Tampa Bay Times. 2017 September 21.

Swine semantics erupted into a linguistic battle between the two U.S. presidential candidates in the 2008 campaign over a lesser-known colloquialism “lipstick on a pig” reference in a speech by then Democratic presidential candidate, Barack Obama. This resulted in the Republicans sparring with the Democrats over the identification of the “swine” in question, claiming “sexism” and demanding an apology on behalf of then Governor Sarah Palin, the first female Republican vice presidential candidate. The Republican Party, fearful of being criticised for its own sexist and racist views (Kuhn par. 1), seized the opportunity to attack the Democrats with a proactive media campaign that made the lipstick comment a lead story in the media during a critical time less than two months before the election, derailing more serious campaign issues and focusing attention on Palin, who had just made her national political debut and whose level of experience was widely debated. Leskovec, Backstrom, and Kleinberg conducted a meme-tracking study for analysing news-cycle phrases in approximately 90 million stories from 1.6 million online sites spanning mainstream news to blogs during the final three months of the U.S. presidential election (1). They discovered that “lipstick on a pig” was “stickier” than other phrases and received “unexpectedly high popularity” (4). A simple Google search of “lipstick on a pig” resulted in 244,000 results, with more than half originating in 2008. Obama’s “Lipstick on a Pig” Reference During the final rounds of the 2008 U.S. presidential campaign, Democratic presidential candidate Barack Obama’s words at a widely televised campaign stop in Lebanon, Virginia, on 9 September, sparked a linguistic debate between the two major American political parties 56 days before Election Day. Obama attempted to debunk McCain’s strategy about change in the following statement:John McCain says he’s about change, too. [...] And so I guess his whole angle is, watch out, George Bush. Except for economic policy, healthcare policy, tax policy, education policy, foreign policy, and Karl Rove-style politics [...] That’s not change. That’s just calling some—the same thing, something different. But you know [...] you can put [...] lipstick on a pig. It’s still a pig (“Obama’s Take”).A reporter from The New York Times commented that it was clear to the audience that Obama’s “lipstick” phrase was a direct reference to McCain’s policies (Zeleny par. 5). Known as a well-educated, articulate speaker, perhaps one considered too professorial for mainstream America, Obama attempted to inject more folksy language and humour into his dialogue with the public. However, the Republicans interpreted the metaphor quite differently. Republicans Claim “Sexism” from a “Male Chauvinist Pig” The Republican contender John McCain and his entourage immediately took offence, claiming that the “pig” in question was a sexist comment referring to Palin, who was introduced on 29 August as the first female vice presidential candidate on the Republican ticket (“VP Pick”). A Republican National Committee spokeswoman quickly told the media, “Sarah Palin’s maverick record of reform doesn’t need any ‘dressing up,’ but the Obama campaign’s condescending commentary deserves some dressing down” (Chozick par. 8). McCain’s camp formed the Palin Truth Squad with 54 Republican women, primarily lawyers and politicians, on the same day as the metaphor was used, to counter negative media and Internet commentary about Palin (Harper A13). Almost immediately after Obama’s “lipstick” comment, McCain’s camp conducted a conference call with journalists and former Massachusetts Governor Jane Swift, a Republican and chair of the Palin Truth Squad, who stated the lipstick comment referred to Palin, “the only one of the four—the presidential and vice presidential candidates—who wears lipstick” (Kornblut and Shear par. 12). Another member of the Squad, Thelma Drake, then a Republican Representative from Virginia, said that “it’s hard for Barack Obama to paint himself as the agent of change if he harbors the same mindset that Palin and millions of women just like her, have been fighting against their whole lives” (Applegate par. 8). Swift and others also claimed Obama was referring to Palin since she had herself used a lipstick metaphor during her Republican National Convention speech, 3 Sepember: “I love those hockey moms. You know, they say the difference between a hockey mom and a pit bull? Lipstick” (“Palin’s Speech” par. 26). The Republicans also created an anti-Obama Web ad with the theme, “Ready to Lead? No. Ready to Smear? Yes,“ (Weisman and Slevin A01) with a compilation of video clips of Palin’s “lipstick” joke, followed by the latter part of Obama's “lipstick” speech, and CBS News anchorwoman, Katie Couric, talking about “sexism” in politics, that latter of which referred to an older clip referring to Hillary Clinton’s campaign for the White House. Both clips on Obama and Couric were taken out of context. CBS retaliated and released a statement that the network “does not endorse any candidate” and that “any use of CBS personnel in political advertising that suggests the contrary is misleading” (Silva par. 8). YouTube pulled the Republican Web ads stating that the cause was “due to a copyright claim” (Silva par. 7). Another porcine phrase became linked to Obama—“male chauvinist pig”—an expression that evolved as an outgrowth of the feminist movement in the 1960s and first appeared with the third word, “pig,” in the media in 1970 (Mansbridge and Flaster 261). BlogHer, a blog for women, posted “Liberal Chauvinist Pigs,” on the same day as Obama's speech, asking: “Does the expression male chauvinist pig come to mind?” (Leary par. 5) Other conservative blogs also reflected on this question, painting Obama as a male chauvinist pig, and chastising both the liberal media and the Democrats for questioning Palin’s credentials as a viable vice presidential candidate. Obama “Sexist Pig Gear” protest tee-shirts, buttons, and bumper stickers were sold online by Zazzle.com. Democratic Response to “Controversy” During a campaign stop in Norfolk, Virginia, the day after his “lipstick” comment, Obama called the Republican backlash the “latest made-up controversy by the John McCain campaign” and appealed for a return to more serious topics with “enough” of “foolish diversions” (“Obama Hits”). He stated that the Republicans “seize on an innocent remark, try to take it out of context, throw up an outrageous ad, because they know it’s catnip for the news media” (“Obama Hits”). Obama also referred to the situation as the “silly season of politics” in media interviews (James par. 8). Obama’s spokespeople rallied claiming that McCain played the “gender card about the use of a common analogy” (Kornblut and Shear par. 6). An Obama campaign spokesman distributed to the media copies of articles from a Chicago Tribune story in 2007 in which McCain applied the lipstick analogy about the healthcare strategy of Hillary Clinton, a previous female Democratic presidential contender (Chozick 11). Another Obama spokeswoman said that the porcine expression “was older than my grandfather’s grandfather,” (Zimmer par. 1) which also inspired the media and linguists to further investigate this claim. Evolution of “Lipstick on a Pig” This particular colloquial use of a “pig” evolved from a long history of porcine expressions in American politics. American political discourse has been rich with cultural references to porcine idioms with negative connotations. Pork barrels were common 19th-century household items used to store salt pork, and some plantation owners doled out the large barrels as rewards to slaves who then had to compete with each other to grab a portion (Maxey 693). In post-Civil War America, “pork barrel” became a political term for legislative bills “loaded with special projects for Members of Congress to distribute to their constituents back home as an act of largesse, courtesy of the federal taxpayer” (“Pork Barrel Legislation”). Today, “pork barrel” is widely used in the U.S., Australia, New Zealand, the United Kingdom, and other countries (“Definition Pork Barrel”) to refer to “government projects or appropriations yielding rich patronage benefits” (“Pork Barrel”). Conservative radio personality Rush Limbaugh coined the term, “porkulus,” as another expression for “pork barrel” by merging the words “pork and “stimulus,” while discussing President Obama’s economic stimulus package in January 2009 (Kuntz par. 1). Ben Zimmer, an American lexicologist, explained that “many porcine proverbs describe vain attempts at converting something from ugly to pretty, or from useless to useful” (par. 2). Zimmer and other writers investigated the heritage of “lipstick on a pig” over the past 500 years from “you can't make a silk purse from a sow’s ear,” “a hog in armour is still a hog,” and “a hog in a silk waistcoat is still a hog.” Zimmer connected the dots between the words “lipstick,” a 19th-century invention, and “pig” to a Los Angeles Times editor in 1926 who wrote: “Most of us know as much of history as a pig does of lipsticks” (par. 3). American Politicians Who Have Smeared “Lipstick on a Pig” Which American politicians had used “lipstick on a pig” before Obama? Both Democrats and Republicans have coloured their speech with this colloquialism to refer to specific issues, not specific people. In 2008, Elizabeth Edwards, wife of presidential hopeful John Edwards, used the porcine expression about McCain’s healthcare proposals at a Democratic campaign event and House Minority Leader John Boehner, a Republican, about weak Republican fundraising efforts during the same month (Covington and Curry par. 7-8). McCain ironically used the term twice to criticise Hillary Clinton’s healthcare proposals as “lipstick on a pig,” while they were both campaigning in 2007 (Covington and Curry par. 6). His statement received limited attention at the time. During a telephone interview in 2007, Obama also had used the pig analogy when referring to an “impossible assignment” George W. Bush gave to General Petraeus, who was then serving as the Multinational Forces Iraq Commander (Tapper par. 15). In 2004, Republican Vice President Richard Cheney applied a regional slant: “As we like to say in Wyoming, you can put all the lipstick you want on a pig, but at the end of the day it's still a pig,” about the national defence record of John Kerry, then a Democratic presidential nominee (Covington and Curry par. 4). A few months earlier that year, John Edwards, Democratic vice presidential candidate, scolded the Bush administration for putting “lipstick on a pig” on “lackluster job-creation numbers” (Covington and Curry par. 3). Representative Charles Rangel, a Democrat, identified the “pig” as a tax bill the same year (Siegel par. 15-16). In 1992, the late Governor of Texas, Ann Richards, a Democrat, who was known for colourful phrases, gave the pig a name when she said: “You can put lipstick on a hog and call it Monique, but it is still a pig,” referring to the Republican administration for deploying warships to protect oil tankers in the Middle East, effectively subsidizing foreign oil (Zimmer par. 4). A year earlier, when she introduced her first budget for Texas, she said: “This is not another one of those deals where you put lipstick on a hog and call it a princess” (Zimmer par. 4). The earliest reputed recorded use of an American politician using the phrase was Texas Democrat Jim Hightower, who applied it to depict the reorganisation of Ronald Reagan's Cabinet in 1986 (Macintyre 16). Time magazine reporters (Covington and Curry par. 2) and Zimmer (par. 3) claimed that a San Francisco radio personality, Ron Lyons, was one of the earliest quoted in print with “lipstick on a pig” about renovation plans for a local park in November 1985 in the Washington Post. Author of the Double-Tongued Dictionary, Grant Barrett, uncovered a 1980 article from a small Washington state newspaper as the earliest written record with an article that stated: “You can clean up a pig, put a ribbon on it’s [sic] tail, spray it with perfume, but it is still a pig” (Guzman par. 7). A book on communication also adopted the pig metaphor in its title in 2006, Lipstick on a Pig: Winning in the No-Spin Era by Someone Who Knows the Game, by Torie Clarke, who previously served as Assistant Secretary of Defense for Public Affairs under Donald Rumsfield during the early years of the G.W. Bush Administration. Media Commentary According to The New York Times (Leibovich and Barrett), “lipstick on a pig” was one of the most popular political buzzwords and phrases of 2008, along with others directly referring to Palin, “Caribou Barbie” and “Hockey Mom,” as well as “Maverick,” a popular term used by both McCain and Palin. Many journalists played on the metaphor to express disdain for negative political campaigns. A Wall Street Journal article asked: “What's the difference between a more hopeful kind of politics and old-fashioned attacks? Lipstick” (Chozick par. 1). International media also covered the Obama-McCain lipstick wars. The Economist, for example, wrote that the “descent of American politics into pig wrestling has dismayed America’s best friends abroad” (“Endless Culture War” par. 6). Bloggers claimed that Obama’s “lipstick” speech was influenced by copy and imagery from two leading American cartoonists. The Free Republic, self-acclaimed to be “the premier online gathering place for independent, grass-roots conservatism” (Freerepublic.com), claimed that Obama plagiarized almost verbatim the language leading into the “pig” comment from a Tom Toles cartoon that ran in the Washington Post on 5 Sepember (see fig. 1).Fig. 1. Toles, Tom. Cartoon. Washington Post. 5 Sep. 2008. 30 July 2010 Another cartoon by R. J. Matson appeared in the St. Louis Post Dispatch (see fig. 2) four days before Obama’s speech that depicted Palin not just as a pig wearing lipstick, but as one using pork barrel funding. The cartoon’s caption provides an interpretation of Palin's lipstick analogy: “Question: What’s the Difference Between a Hockey Mom Reformer and a Business-As-Usual Pork Barrel-Spending Politician? Answer: Lipstick.” Newsbusters.org blogger stated: “It’s not too far-fetched to say Team Obama is cribbing his stump speech laugh lines from the liberal funnies” (Shepherd par. 3). Fig 2. Matson, R. J. Cartoon. St. Louis Post Dispatch. 5 Sep. 2008. 30 July 2010 . A porcine American character known for heavy makeup and a starring role as one of the Muppets created by puppeteer Jim Henson in the 1970s, Miss Piggy still remains an American icon. She commented on the situation during an interview on the set of “Today,” an American television program. When the interviewer asked, “Were you surprised by all the hubbub this election season over your lipstick practices?,” Miss Piggy’s response was “Moi will not dignify that with a response” (Raphael par. 6-7). Concluding Comments The 2008 U.S. presidential election presented new players in the arena: the first African-American in a leading party and the first female Republican. During a major election, words used by candidates are widely scrutinised and, in this case, the “lipstick on a pig” phrase was misconstrued by the opposing party, known for conservative values, that latched onto the opportunity to level a charge of sexism against the more liberal party. Vocabulary about gender, like language about race, can become a “minefield” (Givhan M01). With today’s 24/7 news cycle and the blogosphere, the perceived significance of a political comment, whether innocent or not, is magnified through repeated analysis and commentary. The meme-tracking study by Leskovec, Backstrom, and Kleinberg observed that 2.5 hours was the typical time lag between stories originating in mainstream media and reaching the blogosphere (8); whereas only 3.5 percent of the stories began in blogs and later permeated into traditional media (9). An English author of the history of clichés and language, Julia Cresswell, stated that the “lipstick” term “seems to be another candidate for clichéhood” (61). Although usage of clichés can prove to cause complications as in the case of Obama’s lipstick reference, Obama was able to diffuse the Republican backlash quickly and make a plea to return to serious issues affecting voters. David Greenberg analysed Obama’s presidential win and explained: And although other factors, especially the tanking economy, obviously contributed more directly to his November victory, it would be a mistake to overlook the importance of his skill at mastering the politics of negative attacks. When Obama went negative against others, he carefully singled out aspects of his opponents’ characters that, he argued, American politics itself had to transcend; he associated his foes with the worst of the old politics and himself with the best of the new. When others fired at him, in contrast, he was almost always able to turn the criticisms back upon them—through feigned outrage, among other tactics—as perpetuating those selfsame blights on our politics (70). References Applegate, Aaron. “Rep. Drake Criticizes Obama for ‘Lipstick on a Pig’ Remark.” Virginia Pilot 10 Sep. 2008. 28 Jul. 2010. Chozick, Amy. “Obama Puts Different Twist on Lipstick.” Wall Street Journal 9 Sep. 2008. 30 Jul. 2010. Covington, Marti, and Maya Curry. “A Brief History of: ‘Putting Lipstick on a Pig.’” Time 11 Sep. 2008. 17 May 2010. Cresswell, Julia. “Let’s Hear it for the Cliché.” British Journalism Review 19.57 (2008): 57-61. “Endless Culture War.” The Economist 4 Oct. 2008: ABI/INFORM Global, ProQuest. 30 Jul. 2010. “Definition Pork Barrel.” Webster’s Online Dictionary. 30 Jul. 2010. freerepublic.com. “Welcome to Free Republic.” Free Republic 2009. 30 Jul. 2010. Givhan, Robin. “On the Subject of Race, Words Get in the Way.” Washington Post 20 Jan. 2008: M01. Greenberg, David. “Accentuating the Negative.” Dissent 56.2 (2009): 70-75. Guzman, Monica. “‘Lipstick on a Pig’ Finds Origin in Tiny State Newspaper.” Seattlepi.com 10 Sep. 2008. 17 May 2010. Harper, Jennifer. “Obama Comment Offends GOP Women; ‘Palin Truth Squad’ Sent Out to Counter ‘Lipstick on a Pig’ Remark.” Washington Times 10 Sep. 2008: A13. Huston, Warner Todd. “Did Obama Steal His Lip Stick on a Pig From a Political Cartoon?” Newsbusters.org 10 Sep. 2008. 15 Jul. 2010 . James, Frank. “Barack Obama on David Letterman.” Chicago Tribune 11 Sep. 2008. 15 Jul. 2010 http://www.swamppolitics.com/news/politics/blog/2008/09/barack_obama_on_david_letterma.html>. Kornblut, Anne E., and Michael D. Shear. “McCain Camp Sees an Insult in a Saying.” Washington Post 10 Sep. 2008. 30 Jul. 2010 AR2008090903531.html>. Kuhn, David P. “GOP Fears Charges of Racism, Sexism.” Politico.com 23 Feb. 2008. 4 Oct. 2010. Kuntz, Tom. “Porkulus.” NYTimes.com 8 Feb. 2009. 30 Jul. 2010. Leary, Anne. “Liberal Chauvinist Pigs.” BlogHer 9 Sep. 2008. 2 Oct. 2010. Leibovich, Mark, and Grant Barrett. “The Buzzwords of 2008.” New York Times 21 Dec. 2008. 29 Jul. 2010 http://www.nytimes.com/ref/weekinreview/buzzwords2008.html>. Leskovec, Jure, Lars Backstrom, and Jon Kleinberg. “Meme-tracking and the Dynamics of the News Cycle.” ACM SIGKDD International Conference on Knowledge Discovery and Data Mining, Paris, 28 Jun. 2009. 30 Jul. 2010 . Macintyre, Ben. “US Politics is Littered with Dawgs, Crawdaddys and Pigs in Lipstick.” The Times [London] 27 Sep. 2008: 16. Mansbridge, Jane, and Katherine Flaster. “Male Chauvinist, Feminist, Sexist, and Sexual Harassment: Different Trajectories in Feminist Linguistic Innovation.” American Speech 80.3 (Fall 2005): 256-279. Maxey, Chester Collins. “A Little History of Pork.” National Municipal Review, Volume VIII. Concord: Rumford Press, 1919. Google Books. 30 Jul. 2010. “Obama Hits Back Against McCain Campaign.” MSNBC 10 Sep. 2008. Televised Speech. 18 May 2010. “Obama’s Take on McCain's Version of Change.” CNN 9 Sep. 2009. YouTube.com. 17 May 2010. “Palin’s Speech at the Republican National Convention.” New York Times 3 Sep. 2008. 17 May 2010. “Pork Barrel.” Merriam-Webster Online Dictionary 2010. 30 Jul. 2010. “Pork Barrel Legislation.” C-SPAN Congressional Glossary. c-span.org. 17 May 2010. Raphael, Rina. “Miss Piggy: Obama Should Make Poodle First Pet” Today 13 Nov. 2008. MSNBC.com. 29 Jul. 2010. Shepherd, Ken. “Palin Shown As Lipsticked Pig in Cartoon Days Before Obama Remark.” NewsBusters.org 11 Sep. 2008. 30 Jul. 2010 . Siegel, Robert. “Putting Lipstick on a Pig.” National Public Radio 10 Sep. 2008. 16 Jul. 2010. Silva, Mark. “Katie Couric's 'Lipstick' Rescue: CBS.” Chicago Tribune 11 Sep. 2008. 30 Jul. 2010. Tapper, Jack. “A Piggish Debate: Power, Pop, and Probings from ABC News Senior White House Correspondent Jake Tapper.” ABC News 9 Sep. 2008. 29 Jul. 2010. “VP Pick Palin Makes Appeal to Women Voters.” NBC News, msnbc.com, and Associated Press 28 Aug. 2008. 30 Jul. 2010. Weisman, Jonathan, and Peter Slevin. “McCain Camp Hits Obama on More Than One Front.” Washington Post 11 Sep. 2008: A04. Zeleny, Jeff. “Feeling a Challenge, Obama Sharpens His Silver Tongue.” New York Times 10 Sep. 2008. 27 Jul. 2010. Zimmer, Ben. “Who First Put ‘Lipstick on a Pig’?” The Slate 10 Sep. 2008. 17 May 2010.

Figure 1: Jacket Art, AWAKE: A Dream from Standing Rock (2017), featuring Floris White Bull and used with permission from Bullfrog Films.AWAKE follows the dramatic rise of the historic #NODAPL Native-led peaceful resistance at the Standing Rock Sioux Reservation, North Dakota, which captured the world’s attention.Thousands of activists converged from around the country to stand in solidarity with the Water Protectors (activists) protesting the construction of the $3.7 billion Dakota Access Pipeline (DAPL), which is intended to carry fracked oil from North Dakota’s Bakken oil fields through sovereign land and under the Missouri River, the water source for the Standing Rock reservation and 17 million people downstream. Pipeline leaks are commonplace. Since 2010, over 3,300 oil spills and leaks have been reported.The film is a collaboration between Indigenous filmmakers, Director Myron Dewey and Executive Producer Doog Good Feather, and Oscar-nominated environmental filmmakers Josh Fox and James Spione. Each of the three sections of the film tells the story of the Standing Rock protests in the unique perspective and style of the filmmaker who created it.The Water Protectors at Standing Rock have awakened the nation and forever the way we fight for clean water, the environment and the future of our planet.Synopsis of AWAKE: A Dream from Standing Rock, courtesy of Bullfrog FilmsFloris White Bull (Floris Ptesáŋ Huŋká) is a member of the Standing Rock Lakota Nation, an activist and a writer and advisor for the film, AWAKE: A Dream from Standing Rock. Despite being led as a peaceful protest, White Bull and many others at the 2017 protests at Standing Rock witnessed local police and private security forces accosting Water Protectors and journalists with militarized tactics, dogs, rubber bullets, mace, tear gas, and water cannons. People were illegally detained and forcibly removed from sovereign Native American land. In fact, during the protest White Bull was held in a cage with the number 151 marked on her forearm in permanent marker. While the protest was marred with acts of violence by police and security, it also was – and continues to be – a site of hope, where many lessons have been learned from the Standing Rock activist community.We were initially contacted by the distributors of AWAKE to provide a film review. However, we felt it was necessary for the voice of the filmmakers and the people involved in the protest – especially those Indigenous voices – to continue to be heard. As such, for this feature article in M/C Journal we invited Floris White Bull to answer a few questions on protest and the film. Due to the word constraints for M/C Journal, we limited ourselves to four questions. What follows is a very poignant and personal statement not only on the importance of events at Standing Rock, but also on protest in general. In light of this, the content of this exchange has not been edited from its original format. (Ben Hightower and Scott East)What is the role of the documentary in relation to protest? (BH & SE)The opposition to the Dakota Access Pipeline was and continues to be about human rights, water rights, and the rights of nature. It is about the right for our children to drink clean water. This film, as well as any other films or reporting that have come out of Standing Rock, serves as documentation. It acts as a way to preserve the moment in time, but also to uphold and promote the freedom of the press and the integrity of journalism. It allows us to tell our own story – to create our own narrative. So often, the role media has played throughout history has been to justify human rights violations through vilification of entire races/nations/peoples. This had taken place at Standing Rock by local media Bismarck Tribune and KFYR. They would publish stories perpetuating stereotypes and old fear mongering tactics accusing our people of killing livestock in the area, shooting arrows at the airplane that circled the camp continually at low altitudes. As a tribal member of the Standing Rock Lakota Nation, my people and I have somewhat coexisted with the residents of Bismarck/Mandan and the small towns outlying. There was always racial tension that existed but it came to a head when the Indigenous voices opposing the pipeline – a pipeline that was also opposed by the residents upstream from us – was quickly met with unabashed public oppressive colonial shaming.Take for example an article that ran in the Bismarck Tribune the day that access to the main road between Standing Rock and Mandan was blocked off.Kirchmeier said the protest has become unlawful as a result of criminal activity. He said his officers have been threatened and heard gunshots. The agency has gotten reports of pipe bombs, assaults on private security personnel, fireworks and vandalism.In the interest of public safety, North Dakota Department of Transportation and Highway Patrol has established a traffic control point on Highway 1806 south of the North Dakota Veterans Cemetery. Only emergency vehicles and local traffic will be allowed through. Other vehicles will be detoured to Highway 6. (Grueskin)There were no pipebombs, gunshots or threats to the lives of officers. If there were, wouldn’t you think there would have been more than enough cause to come in and clear the camps at that point? We were not a danger to the public. In fact, the gathering of support also brought a great deal of money into the economy locally.Everyone that came to our camps did so because they felt the need to come. They brought with them their gifts and talents. Some people came and were great cooks, some were strong and helped chop wood, some were builders. Journalists and photographers brought their cameras and documented the human rights violations and helped to share our story with the world.Our film is about honoring those people and the way we all came together. It’s about telling our truth. (FWB)What are some of the lessons learned from Standing Rock? (BH & SE)Standing Rock became a blueprint for the world to show what we are able to accomplish unified. It is a testament to the ingenuity and capability of the human race to collectively change the path that we are headed down … a path led by fossil fuels and corporations with only their bottom-line in mind.There were many lessons learned. We learned to avoid the game of “who is the leader” – instead, it is important to have clear objectives focused on the collective so that if one leader has to step away, the movement continues. We learned to have foresight … to look past the goals we’ve set and move forward in optimism. We learned what self-government and self-determination looks like. Historically our people governed themselves but we have not been able to practice this in over a hundred years. This aspect, like every other aspect of our way of life had been oppressed. We know that this way of life is possible, the wheels are just rusty. Our movement needs to be self-sustaining and to evolve so that we can model this return to traditional ways for the world. It is the evolution of our understanding for this to be about what we are trying to build and model for the world.We continue to learn from this fight. A great deal of people are hurting now, processing through PTSD and other traumas. The importance of self-care is a journey for us all. (FWB)What is the continued legacy of the Standing Rock protest? (BH & SE)A beautiful community of our hopes and dreams that we were always told wasn’t possible. A place where over 300 Indigenous nations came together, where traditional enemies stood side by side to begin fighting a common enemy. Unification of all races and faiths. Freedom.Those of us who lived there breathed freedom. Our time was not dictated by clocks or calendars. The power of the people is the continued legacy. This is the beauty of the human spirit and our ability to put our differences aside to build something better for future generations. Taking responsibility for the world we leave. The amazing diversity of Indigenous nations – our songs, languages, stories and dances that define us. Our love for the lands and stories and histories that tie us to the land we are indigenous to. Everything that Indigenous people have come through, doing it with dignity, continuing to hold on to the things that define us is what is going to heal the world. The Indigenous people of this land mass have endured attempted genocide and oppression for hundreds of years. The diversity of our languages and stories make us distinct, but the respect in which we view and treat the earth is our commonality. It is the respect we treat ourselves and one another with that welcomed weary souls back to the circle. Compassion and generosity are a few of the keystone values that ground our people yet, are lacking in the world. Our legacy is love. Love for our future generations, our Mother Earth, one another, and our willingness to sacrifice out of love. (FWB)Looking back on one year of Trump's office and the signing of Dakota Access (and Keystone XL) executive orders, what developments have arisen and what is the path forward in terms of resistance? (BH & SE)Racism and colonial governmental decisions are nothing new to the Indigenous nations. The path forward is the same as it has always been – holding on to our goals, values and dignity with resilience. Our people came through states putting bounties on our scalps, armies hunting us down, having our children kidnapped by law, abuses suffered at the hands of the schools those children were taken to in attempt to “Kill the Indian, Save the Man”, starvation periods, forced sterilization. We are not strangers to colonial government oppression. New laws passed in attempt to oppress unity are nothing compared to the love we have for the future generations. (FWB)ReferencesGrueskin, Caroline. “Construction Stops, Traffic Restricted Due to Dakota Access Pipeline Protest.” Bismarck Tribune, 17 Aug. 2016. <https://bismarcktribune.com/news/state-and-regional/construction-stops-traffic-restricted-due-to-dakota-access-pipeline-protest/article_80b8ef24-7bf3-507c-95f9-6292795a7ed4.html>.

IntroductionNordic mythology, also known as Norse mythology, is a term used to describe Medieval creation myths and tales of Gods and otherworldly realms, told and retold by Northern Germanic and Scandinavian tribes of the ninth century AD (see for example Gaiman).I discuss a new type of Nordic mythology that is being created through popular culture, social media, books, and television shows. I am interested in how contemporary portrayals of the Nordic countries has created a kind of mythological place called Scandinavia, where things, people, and ideas are better than in other places.Whereas the old myths portray a fierce warrior race, the new myths create a utopian Scandinavia as a place that is inherently good; a place that is progressive and harmonious. In the creation of these new myths the underbelly of the North is often neglected, producing a homogenised representation of a group of countries that are in actuality diverse and inevitably imperfect.ScandimaniaGenerally the term Scandinavia always refers to Denmark, Norway, and Sweden. When including Finland and Iceland, it is more accurate to refer to the five as the Nordic countries. I was born and grew up in Denmark. My observations are skewed towards a focus on Denmark, rather than Scandinavia as a whole. Though I will use the term Nordic and Scandinavia throughout the article, it is worth noting that these definitions describe a group of countries that despite some commonalities are also quite different in geography, and culture.Whether we are speaking strictly of Scandinavia or of the Nordic countries as a whole, one thing is certain: in recent years there has been a surge of popularity in all things Nordic. Scandinavian design has been popular since the 1950s, known for its functionality and simplistic beauty, and globalised through the Swedish furniture chain IKEA. Consequently, Nordic interior design has become a style widely praised and emulated, as has Nordic fashion, architecture, and innovation.The fact that Scandinavian people are often represented as being intelligent and beautiful adds to the notion of stylish and aesthetically pleasing ideals. This is partly why sperm from Danish sperm donors is the most sought after and widely distributed in the world: perhaps prospective parents find the idea of having a baby of Viking stock appealing (Kale). Nordic countries are also known for their egalitarian societies, which are described as “the holy grail of a healthy economy and society” (Cleary). These are countries where the collective good is cherished. Tax rates are high (in Denmark between 55 per cent and 60 per cent of income), which leads to excellent welfare systems.In recent years other terms have entered the collective Western vocabulary. New Nordic Cuisine describes a trend that has taken the culinary world by storm. This term refers to food that is created with seasonal, local, and foraged ingredients. The emphasis being a renewed connection to nature and old ways. In 2016 the Danish word hygge was shortlisted by the Oxford Dictionary as word of the year. A word, which has no direct English translation, it means “a quality of cosiness and comfortable conviviality that engenders a feeling of contentment or well-being (regarded as a defining characteristic of Danish culture)”. Countless books were published in the United Kingdom, and elsewhere, explaining the art of hygge. Other Scandinavian words are now becoming popular, such as the Swedish lagom, meaning “just enough”.In the past two years, the United Nations’ World Happiness Report listed Denmark and Norway as the happiest places on earth. Other surveys similarly put the Nordic countries on top as the most prosperous places on earth (Anderson).Mythologies and Discursive FormationsThe standard definition of myth is a “traditional story, especially one concerning the early history of a people or explaining a natural or social phenomenon, and typically involving supernatural beings or events.” Or “A widely held but false belief or idea” (Oxford Dictionaries, Myth).During what became known as the “discursive turn”, both Barthes and Foucault expanded the conception of myth by placing it within a wider socio-political and historical contexts of power and truth. “Discursive formations” became a commonly accepted way of describing a cluster of ideas, images, and practices that define particular “truths” within a given cultural context (Hall 6). In other words, myths serve specific purposes within given socio-cultural constructions.I argue that the current idolisation of Scandinavia is creating a common global narrative of a superior society. A mythical place that has “figured it out”, and found the key to happiness. The mythologised North is based on an array of media stories, statistics, reports, articles, advertising, political rhetoric, books, films, TV series, exhibitions, and social media activity. These perpetuate a “truth” of the Nordic countries as being especially benign, cultured, and distinguished. The Smiling PolicemanIn his well-known essay Myth Today, Barthes analyses an image of a North African boy in uniform saluting the French flag on the front cover of a magazine. Barthes argues that by analysing the semiotic meaning of the image in two stages, one can identify the “myth”.The first level is the signifiers (what we see), a dark skinned boy, a uniform, a raised arm, a flag. The signified is our recognition of these as a North African boy raising his arm to the French flag. The second level of interpretation is the wider context in which we understand what we see: the greatness of France is signified in the depiction of one of her colonial subjects submitting to and glorifying the flag. That is to say, the myth generated by the image is the story of France as a great colonial and military nation.Now take a look at this image, which was distributed the world over in newspapers, online media, and in turn social media (Warren; Kolff). This image is interesting because it epitomises much of what is believed about Scandinavia (the new myths). If we approach the image through the semiotic lens of Barthes, we firstly describe what is seen in the picture (signifiers): a blonde policeman, a girl of dark complexion, a road in the countryside, a van in the distance, and some other people with backpacks on the side of the road. When we put these elements together in context, we understand that the image to be depicting a Danish policeman, blonde, smiling and handsome, playing with a Syrian refugee girl on an empty Danish highway, with her fellow refugees behind her.The second level of interpretation (the myth) is created by combining the elements into a story: A friendly police officer is playing with a refugee girl, which is unusual because policemen are commonly seen as authoritarian and unfriendly to illegal immigrants. This policeman is smiling. He is happy in his job. He is healthy, good-looking, and compassionate.This fits the image of Scandinavian men as good fathers (they have paternity leave, and often help equally with child rearing). The image confirms that the happiest people on earth would of course also have happy, friendly policemen. The belief that the Scandinavian social model is one to admire would appear to be endorsed.The fact that this is in a rural setting with green landscapes adds further to the notion of Nordic freshness, naturalness, environmentalism, and food that comes from the wild. The fact that the policeman is well-groomed, stylish, well-built, and handsome reinforces the notion that Scandinavia is a place of style and taste, where the good Viking gene pool produces fit and beautiful people.It makes sense that in a place with a focus on togetherness and the common good, refugees are also treated well. Just as the French image of a dark-skinned boy saluting the French flag sent out messages of French superiority, this image sends out messages of inherent Nordic goodness in a time where positive images of the European refugee crisis are few and far between.In a discursive discussion, one asks not only what meanings does this image convey, but why is this image chosen, distributed, shared, tweeted, and promoted over other images? What purpose does its proliferation serve? What is the historical context in which it is popularised? What is the cultural imagination/narrative that is served? In the current often depressing socio-political situation in Europe, people like to know that there is a place where compassion and play exists.Among other news stories of death, despair, and border protection, depictions of an idealised North can help calm anxieties by implying the existence of a place that is free of conflict. Jakob Stougaard-Nielsen writes:The flood of journalistic and popular ethnographic explorations of the Nordic region in the UK is an expression, perhaps, of a search for a lost sense of identity, a nostalgic longing for an imagined past society more in tune with pre-Thatcherite welfarist values, by way of consuming, appropriating and exoticising proximate cultural identities such as the now much hyped Danish or Nordic utopias. (Nordic Noir, 6)In The Almost Nearly Perfect People, British writer Michael Booth wonders: “one thing in particular about this new-found love of all things Scandinavian … which struck me as particularly odd: considering all this positive PR, and with awareness of the so-called Nordic miracle at an all-time high, why wasn’t everyone flocking to live here [in Denmark]?” (7).In actuality not many people in the West are interested in living in the Nordic countries. Rather, as Barbara Goodwin writes: “utopias hold up a mirror to the fears and aspirations of the time in which they were written” (2). In other words, in an age of anxiety, where traditional norms and stabilities are shifting, to believe that there is a place where contemporary societies have found a way of living in happiness and togetherness provides a sense of hope. People are not flocking to live in Scandinavia because it is not in their interests to have their utopian ideals shattered by the reality that, though the North has a lot to offer, it is inevitably not a utopia (Sougaard-Nielsen, The Truth Is).UnderbellyParadoxically, in recent years, Scandinavia has become well known for its “Nordic Noir” crime fiction and television. In the documentary TV series Scandimania, British TV personality Hugh Fearnley-Whittingstall travels through Denmark, Sweden, and Norway, exploring the culture, scenery, and food. He finds it curious that Denmark has become so famous for its sombre crime series, such as The Killing and The Bridge, because it seems so far removed from the Denmark he experiences riding around the streets of Copenhagen on his bike.Fearnley-Whittingstall ponders that one has to look hard to find the dark side of Denmark, and that perhaps it does not actually exist at all. This observation points to something essential. Even though millions of viewers worldwide have seen shows such as The Killing, which are known for their dark story lines, bleak urban settings, complex but realistic characters, progressive gender equality, and social commentary, the positive mythologising of Scandinavia remains so strong that it engenders a belief that the underbelly shown in Nordic Noir is perhaps entirely fictional.Stougaard-Nielsen (see also Pitcher, Consuming Race) argues that perhaps the British obsession with Nordic Noir (and this could be applied to other western countries) can be attributed to “a more appropriate white cosmopolitan desire to imagine rooted identities in an age of globalisation steeped in complex identity politics” (Nordic Noir, 8). That is to say that, for a segment of society which feels overwhelmed by contemporary multiculturalism, there may be a pleasure in watching a show that is predominantly populated by white Nordic protagonists, where the homes and people are stylish, and where the Nordic model of welfare and progressive thinking provides a rich identity source for white people as a symbolic point of origin.The watching/reading of Nordic Noir, as well as other preoccupations with all things Nordic, help build upon a mythological sense of whiteness that sets itself apart from our usual notions of race politics, by being an accepted form of longing for the North of bygone ages: a place that is progressive, moral, stylish, and imbued with aspirational ways of living, thinking, and being (Pitcher, Racial Politics).The image of the Danish police officer and the refugee girl fits this ideal of a progressive society where race relations are uncomplicated. The policeman who epitomises the Nordic ideal is in a position of power, but this is an authority which is benevolent. The girl is non-threatening in her otherness, because she is a child and female, and therefore does not fit the culturally dreaded Muslim/terrorist stereotype. In this constellation the two can meet beautifully.The reality, of course, is that the race relations and issues surrounding immigration in Denmark, and in other Nordic countries, are as complicated and often messy and hateful as they are in other countries. In Sweden, as Fearnley-Whittingstall touches upon in Scandimania, there are escalating problems with integration of the many new Swedes and growing inequalities in wealth. In Norway, the underlying race tensions became acutely topical in the aftermath of the 2011 massacre, where right-wing extremist Anders Breivik killed 77 people. Denmark has one of the harshest anti-immigration laws in Europe, laws that are continuously being tightened (Boserup); and whenever visiting Denmark I have been surprised to see how much space and time discussions about immigration and integration take up in the news and current affairs.If we contrast the previous image with the image above, taken within a similar timeframe on the same Danish highway, we can see the reality of Danish immigration policies. Here we are exposed to a different story. The scene and the location is the same, but the power dynamics have shifted from benign, peaceful, and playful to aggressive, authoritarian, and conflict ridden. A desperate father carries his daughter, determined to march on towards their destination of Sweden. The policeman is pulling his arm, attempting to detain the refugees so that they cannot go further, the goal being to deport the Syrians back to their previous place of detention, just over the border in Germany (Harticollis). While the previous image reflects the humanity of the refugee crisis, this image reflects the politics, policies, and to a large extent public opinion in Denmark, which is not refugee-friendly. This image, however, was not widely distributed, partly because it feeds into the same depressing narrative of an unsolvable refugee crisis seen so often elsewhere, and partly because it does not fit into the narrative of the infallible North. It could not be tweeted with the hashtag #Humanity, nor shared on Facebook with a smiley face and liked with an emoji heart.Another image from Denmark, in the form of a politically funded billboard, shows that there are deep-seated tendencies within Danish society that want to promote and retain a Denmark which adheres to its traditional values and ethnic whiteness. The image was displayed all over the country, at train stations, bus stops, and other public spaces when I visited in 2016. It was issued by Dansk Folkeparti (the Danish People’s Party); a party which is anti-immigration and which was until recently the country’s second largest party. The title says “Our Denmark”, while the byline cleverly plays with the double meaning of passe på: it can mean “there is so much we need to take care of”, but also “there is so much we need to beware of.” In other words, the white working-class family needs to take care of their Denmark, and beware of anyone who does not fit into this norm. Though hugely contested and criticised (Cremer; see a counter-reaction designed by opponents below), the fact that thinly veiled anti-immigration propaganda can be so readily distributed speaks of an underbelly in Danish society that is not made of the dark murder mysteries in The Killing, but rather of a quietly brewing distain for the foreigner that reigns within stylishly designed living rooms. ConclusionMyths are stories cultures tell and retell until they form a belief system that becomes a natural part of our collective narrative. For Barthes, these stories were intrinsically connected to our understanding of language and our ability to read images, films, artifacts, and popular culture more generally. To later cultural theorists, the notion of discursive formations expands this understanding, to see myth within a broader network of socio-political discourses placed within a certain place and time in history. When connected, small narratives (images, advertising, film, music, news stories, social media sharing, scientific evidence, etc.) come together to form a common narrative (the myth) about how things are and should be in relation to a particular topic. The culminating popularity of numerous Nordic themes (Nordic television/film, interior design, fashion, cuisine, architecture, lifestyle, sustainability, welfare system, school system, gender equality, etc.) has created a grand narrative of the Nordic countries as a type of utopia: one that shows the rest of the world that an egalitarian society of togetherness and progressive innovation is possible. This mythologisation serves to quell anxieties about the flux and uncertainty of contemporary times, and may also serve to legitimise a yearning for a simple, benign, and progressive whiteness, where we imagine Nordic families sitting peacefully at their beechwood dining tables, candles lit, playing board games. This is a projected yearning which is otherwise largely disallowed in today’s multicultural societies.ReferencesAnderson, Elizabeth. “The Most Prosperous Countries in the World, Based on Happiness and Financial Health.” The Telegraph, 2 Nov. 2015. <http://www.telegraph.co.uk/finance/economics/11966461/The-most-prosperous-countries-in-the-world-based-on-happiness-and-financial-health.html>.Barthes, Roland. Mythologies. London: Vintage, 2000 [1957].———. “Myth Today.” Mythologies. London: Vintage, 2000 [1957].Booth, Michael. The Almost Nearly Perfect People. London: Jonathan Cape, 2014.Boserup, Rasmus Alenius. “Denmark’s Harsh New Immigration Law Will End Badly for Everyone.” Huffington Post. <https://www.huffingtonpost.com/rasmus-alenius-boserup/denmark-immigration-law_b_9112148.html>.Bridge, The. (Danish: Broen.) Created by Hans Rosenfeldt. Sveriges Television and DR, 2013-present.Cleary, Paul. “Norway Is Proof That You Can Have It All.” The Australian, 15 July 2013. <http://www.theaustralian.com.au/life/norway-is-proof-that-you-can-have-it-all/news-story/3d2895adbace87431410e7b033ec84bf>.Colson, Thomas. “7 Reasons Denmark Is the Happiest Country in the World.” The Independent, 26 Sep. 2016. <http://www.independent.co.uk/news/world/europe/7-reasons-denmark-is-the-happiest-country-in-the-world-a7331146.html>.Cremer, Justin. “The Strangest Political Story in Denmark Just Got Stranger.” The Local, 19 May 2016. <https://www.thelocal.dk/20160519/strangest-political-story-in-denmark-just-got-stranger>.Dregni, Eric. “Why Is Norway the Happiest Place on Earth?” Star Tribune, 11 June 2017. <http://www.startribune.com/the-height-of-happy/427321393/#1>.Foucault, Michel. The History of Sexuality: The Will to Knowledge. London: Penguin Books, 1998 [1976]. Gaiman, Neil. “Neil Gaiman Retells Classic Norse Mythology.” Conversations. Radio National 30 Mar. 2017.Goodwin, Barbara, ed. The Philosophy of Utopia. London: Frank Cass, 2001.Hall, Stuart, ed. Representation: Cultural Representations and Signifying Practices. London: Sage, 1997.Hartocollis, Anemona. “Traveling in Europe’s River of Migrants.” New York Times, 9 Sep. 2015. <https://www.nytimes.com/interactive/projects/cp/reporters-notebook/migrants/denmark-refugees-migrants>.Helliwell, J., R. Layard, and J. Sachs. World Happiness Report 2017. New York: Sustainable Development Solutions Network, 2017.Kale, Sirin. “Women Are Now Pillaging Sperm Banks for Viking Babies.” Vice, 2 Oct. 2015. <https://broadly.vice.com/en_us/article/3dx9nj/women-are-now-pillaging-sperm-banks-for-viking-babies>.Killing, The. (Danish: Forbrydelsen.) Created by Søren Sveistrup. DR, 2007-2012.Kolff, Louise. “Part III: The Hunk & the Refugee.” Perspectra, 3 Dec. 2015. <https://perspectra.org/2015/12/03/danish-police-and-refugee-girl/>.Oxford Dictionaries. “Hygge.” <https://en.oxforddictionaries.com/definition/hygge>.Oxford Dictionaries. “Myth.” <https://en.oxforddictionaries.com/definition/myth>.Pitcher, Ben. Consuming Race. London: Routledge, 2014.———. “The Racial Politics of Nordic Noir.” Mecetes, 9 April 2014. <http://mecetes.co.uk/racial-politics-nordic-noir/>.Scandimania. Featuring H. Fearnley-Whittingstall. Channel 4, 2014.Sougaard-Nielsen, Jacob. “Nordic Noir in the UK: The Allure of Accessible Difference.” Journal of Aesthetics & Culture 8.1 (2016). 1 Oct. 2017 <http://www.tandfonline.com/doi/full/10.3402/jac.v8.32704>.———. “The Truth Is, Scandinavia Is Neither Heaven nor Hell.” The Conversation, 19 Aug. 2014. <https://theconversation.com/the-truth-is-scandinavia-is-neither-heaven-nor-hell-30641>.Warren, Rossalyn. “The Touching Moment a Policeman Sat Down to Play with a Syrian Refugee.” BuzzFeed News, 15 Sep. 2015. <https://www.buzzfeed.com/rossalynwarren/the-adorable-moment-a-policeman-sat-down-to-play-with-a-syri?utm_term=.qjzl2WEk7#.kgZXOp76M>.

The whole problem of speaking about the end…is that you have to speak of what lies beyond the end and also, at the same time, of the impossibility of ending. Jean Baudrillard, The Illusion of the End(110) Jean Baudrillard’s insights into finality demonstrate that “ends” always prompt cultures to speculate on what can or will happen after these terminations and to fear those traumatic ends, in which the impossible actually occurs, may only be the beginning of chaos. In the absence of “rational” explanations for catastrophic ends and in the whirlwind of emotional responses that are their after-effects, the search for beginnings and origins – the antitheses of Baudrillard’s finality – characterises human response to tragedy. Strangely, Baudrillard’s engagement with the end is linked to an articulation predicated on our ability “to speak” events into existence, to conjure and to bridle those events in terms of recognisable, linear, and logical arrangements of words. Calling this verbal ordering “the poetry of initial conditions” (Baudrillard 113) in which memory imposes a structure so that the chaotic/catastrophic may be studied and its elements may be compared, Baudrillard suggests that this poetry “fascinates” because “we no longer possess a vision of final conditions” (113). The images of contemporary catastrophes and their subsequent visualisation serve as the ultimate reminders that we, as viewers and survivors, were not there – that visualisation itself involves a necessary distance between the horrified viewer and the viewed horror. In the case of the September 11, 2001, attacks on the World Trade Centre, the need to “be there,” to experience vicariously a trauma as similarly as possible to those who later became its victims, perhaps explains why images of the planes first slamming into each of the towers were played and repeated ad nauseam. As Baudrillard suggests, “it would be interesting to know whether…effects persist in the absence of causes … whether something can exist apart from any origin and reference” (111). The ongoing search for these causes – particularly in the case of the World Trade Centre’s obliteration – has manifested itself in a persistent cycle of image production and consumption, prompting those images to serve as the visible/visual join between our own survival and the lost lives of the attacks or as surrogates for those whose death we could not witness. These images frequently allowed the West to legitimise its mourning, served as the road map by which we could (re-)explore the halcyon days prior to September 11, and provided the evidence needed for collective retribution. Ultimately, images served as the fictive embodiments of unseen victims and provided the vehicle by which mourning could be transformed from an isolated act to a shared experience. Visitors on the Rooftop: Visualising Origins and the Moments before Destruction It goes without saying that most have seen the famous photograph of the bundled-up tourist standing on the observation deck of the World Trade Centre with one of the jets ready to strike the tower shortly thereafter (see Figure 1). Though the photograph was deemed a macabre photo-manipulation, it reached thousands of e-mail inboxes almost two weeks following the horrific attacks and led many to ponder excitedly whether this image truly was the “last” image of a pre-September 11 world. Many openly debated why someone would fabricate such an image, yet analysts believe that its creation was a means to heal and to return to the unruffled days prior to September 11, when terrorism was thought to be a phenomenon relegated to the “elsewhere” of the Middle East. A Website devoted to the analysis of cultural rumours, Urban Legends, somewhat melodramatically suggested that the photograph resurrects what recovery efforts could not re-construct – a better understanding of the moments before thousands of individuals perished: The online world is fraught with clever photo manipulations that often provoke gales of laughter in those who view them, so we speculate that whoever put together this particular bit of imaging did so purely as a lark. However, presumed lighthearted motives or not, the photo provokes sensations of horror in those who view it. It apparently captures the last fraction of a second of this man’s life ... and also of the final moment of normalcy before the universe changed for all of us. In the blink of an eye, a beautiful yet ordinary fall day was transformed into flames and falling bodies, buildings collapsing inwards on themselves, and wave upon wave of terror washing over a populace wholly unprepared for a war beginning in its midst…The photo ripped away the healing distance brought by the nearly two weeks between the attacks and the appearance of this digital manipulation, leaving the sheer horror of the moment once again raw and bared to the wind. Though the picture wasn’t real, the emotions it stirred up were. It is because of these emotions the photo has sped from inbox to inbox with the speed that it has. (“The Accidental Tourist”) While the photograph does help the viewer recall the times before our fears of terrorism, war, and death were realised, this image does not episodically capture “the last fraction of a second” in a man’s life, nor does it give credibility to the “blink-of-an-eye” shifts between beautiful and battered worlds. The photographic analysis provided by Urban Legends serves as a retrospective means of condensing the space of time in which we must imagine the inevitable suffering of unseen individuals. Yet, the video of the towers, from the initial impacts to their collapse, measured approximately 102 minutes – a massive space of time in which victims surely contemplated escape, the inevitability of escape, the possibility of their death, and, ultimately, the impossibility of their survival (“Remains of a Day” 58). Post-traumatic visualising serves as the basis for constructing the extended horror as instantaneous, a projection that reflects how we hoped the situation might be for those who experienced it, rather than an accurate representation of the lengthy period of time between the beginning and end of the attacks. The photograph of the “accidental tourist” does not subscribe to the usual tenets of photography that suggest the image we see is, to quote W.J.T. Mitchell, “a purely objective transcript of reality” (Mitchell 281). Rather, this image invites a Burginian “inva[sion] by language in the very moment it is looked at: in memory, in association, [where] snatches of words and images continually intermingle and exchange one for the other” (Burgin 51). One sees the tourist in the photograph as a smiling innocent, posing at the wrong place and at the wrong time. Through that ascription, viewers may justify their anger and melancholy as this singular, visible body (about to be harmed) stands in for countless, unseen others awaiting the same fate. Its discrepancies with the actual opening hours of the WTC observation deck and the positioning of the aircraft largely ignored, the “accidental tourist” photo-manipulation was visualised by countless individuals and forwarded to a plethora of in-boxes because September 11 realities could not be shared intimately on that day, because the death of aircraft passengers, WTC workers, and rescue personnel was an inevitable outcome that could not be visualised as even remotely “actual” or explainable. Computer-based art and design have shown us that approximations to reality often result in its overall conflation. Accordingly, our desperate hope that we have seen glimpses of the moments before tragedy is ultimately dismantled by an acknowledgement of the illogical or impossible elements that go against the basic rules of visualisation. The “accidental tourist” is a phenomenon that not only epitomises Baudrillard’s search for origins in the wake of catastrophic effects, but underscores a collective need to visualise bodies as once-living rather than presently and inevitably dead. Faces in the Smoke: Visualising the Unseen Although such photo-manipulations were rampant in the days and weeks following the attack, many people constructed their own realities in the untouched images that the media streamed to them. The World Trade Centre disaster seemed to implore photography, in particular, to resurrect both the unseen, unremembered moments prior to the airliners’ slamming into the building and to perform two distinct roles as the towers burned: to reaffirm the public’s perception of the attack as an act of evil and to catalyse a sense of hope that those who perished were touched by God or ushered peacefully to their deaths. Within hours of the attacks, photographic stills captured what many thought to be the image of Satan – complete with horns, face, eyes, nose, and mouth – within the plumes of smoke billowing from one of the towers (see Figure 2 and its detail in Figure 3). The Associated Press, whose footage was most frequently used to reference this visual phenomenon, quickly dismissed the speculation; as Vin Alabiso, an executive photo editor for AP, observed: AP has a very strict policy which prohibits the alteration of the content of a photo in any way…The smoke in this photo combined with light and shadow has created an image which readers have seen in different ways. (“Angel or Devil?”) Although Alabiso’s comments defended the authenticity of the photographs, they also suggested the ways in which visual representation and perception could be affected by catastrophic circumstances. While many observers openly questioned whether the photographs had been “doctored,” others all too willingly invested these images with ethereal qualities by asking if the “face” they saw was that of Satan – a question mirroring their belief that such an act of terrorism was clear evidence of evil masterminding. If, as Mitchell has theorised, photographs function through a dialogical exchange of connotative and denotative messages, the photographs of the burning towers instead bombarded viewers with largely connotative messages – in other words, nothing that could precisely link specific bodies to the catastrophe. The visualising of Satan’s face happens not because Satan actually dwells within the plumes of smoke, but because the photograph resists Mitchell’s dialogue with the melancholic eye. The photograph refuses to “speak” for the individuals we know are suffering behind the layers of smoke, so our own eye constructs what the photograph will not reveal: the “face” of a reality we wish to be represented as deplorably and unquestionably evil. Barthes has observed that such “variation in readings is not … anarchic, [but] depends on the different types of knowledge … invested in the image…” (Barthes 46). In traumatic situations, one might amend this analysis to state that these various readings occur because of gaps in this knowledge and because visualisation transforms into an act based on knowledge that we wish we had, that we wish we could share with victims and fellow mourners. These visualisations highlight a desperate need to bridge the viewer’s experience of survival and their concomitant knowledge of others’ deaths and to link the “safe” visualisation of the catastrophic with the utter submission to catastrophe likely felt by those who died. Explaining the faces in the smoke as “natural indentations” as Alabiso did may be the technical and emotionally neutral means of cataloguing these images; however, the spotting of faces in photographic stills is a mechanism of visualisation that humanises a tragedy in which physical bodies (their death, their mutilation) cannot be seen. Other people who saw photographic stills from other angles and degrees of proximity were quick to highlight the presence of angels in the smoke, as captured by WABC from a perspective entirely different from that in Figure 2 (instead, see Figure 3). In either scenario, photography allows the visual personification of redemptive or evil influences, as well as the ability to visualise the tragedy not just as the isolated destruction of an architectural marvel, but as a crime against humanity with cosmic importance. Sharing the Fall: Desperation and the Photographing of Falling Bodies Perhaps what became even more troubling than the imagistic conjuring of human forms within the smoke was the photographing of bodies falling from the upper floors of the North Tower (see Figure 5). Though newspapers (re-)published photographs of the debris and hysteria of the attacks and television networks (re-)broadcast video sequences of the planes’ crashing into the towers and their collapse, the pictures of people jumping from the building were rarely circulated by the media. Dennis Cauchon and Martha T. Moore characterised these consequences of the terrorist attacks as “the most sensitive aspect of the Sept. 11 tragedy … [that] shocked the nation” (Cauchon and Moore). A delicate balance certainly existed between the media’s desire to associate faces with the feelings of desperation we know those who died must have experienced and a now-numb general public who ascribed to the photographs an unequivocal “too-muchness.” To read about those who jumped to escape smoke and flames reveals a horrific and frightfully swift narrative of panic: For those who jumped, the fall lasted 10 seconds. They struck the ground at just less than 150 miles per hour – not fast enough to cause unconsciousness while falling, but fast enough to ensure instant death on impact. People jumped from all four sides of the north tower. They jumped alone, in pairs and in groups. (Cauchon and Moore) The text contextualises these leaps to death in terms that are understandable to survivors who read the story and later discover these descriptions can never approximate the trauma of “being there”: Why did they jump? How fast were they travelling? Did they feel anything when their bodies hit the ground? Were they conscious during their jump? Did they die alone? These questions and their answers put into motion the very moment that the photograph of the jumping man has frozen. Words act as extensions of the physical boundaries of the photograph and underscore the horror of that image, from the description of the conditions that prompted the jump to the pondering of the death that was its consequence. If, as Jonathan Crary’s analysis of photographic viewing might intimate, visualisation prompts both an “autonomy of vision” and a “standardisation and regulation of the observer” (Crary 150), the photograph of a man plummeting to his death fashions the viewer’s eye as autonomous and alive because the image he/she views is the undeniable representation of a now-deceased Other. Yet, as seen in the often-hysterical responses to the threats of terrorism in the days following September 11, this “Other” embodies the very possibility of our own demise. Suddenly, the man we see in mid-air becomes the visualised “Every(wo)man” whose photographic representation also represents our unacknowledged vulnerabilities. Thus, trauma is shared through a poignant visual negotiation of dying: the certainty of the photographed man’s death juxtaposed with the newly realised or conjured threat of the viewer’s own death. In terms of humanness, those who witnessed these falls firsthand recall the ways in which the falling people became objectified – their fall seemingly robbing them of any visible sense of humanity. Eric Thompson, an employee on the seventy-seventh floor of the South Tower, shared an instantaneous moment with one of the victims: Thompson looked the man in the face. He saw his tie flapping in the wind. He watched the man’s body strike the pavement below. “There was no human resemblance whatsoever,” Thompson says. (Cauchon and Moore) Obviously, the in-situ experience of viewing these individuals hopelessly jumping to their deaths served as the prompt to run away, to escape, but the photograph acts as the frozen-in-time re-visitation and sharing of – a turning back toward – this scenario. The act of viewing the photographs reinstates the humanness that the panic of the moment seemingly removed; yet, the disparity between the photograph’s foreground (the jumping man) and its background (the building’s façade) remains its greatest disconcerting element. Unlike those photographic portraits that script behaviours and capture us in our most presentable states of being, this photograph reveals the unwilling subject – he who has not consented to share his state of being with the camera. Though W.J.T. Mitchell suggests that “[p]hotographs…seem necessarily incomplete in their imposition of a frame that can never include everything that was there to be…‘taken’” (Mitchell 289), the eye in times of catastrophe shifts between its desire to maintain the frame (that does not visually engage the inferno from which the man jumped or the concrete upon which he died) and its inability to do so. This photograph, as Mitchell might assert, “speaks” because visualisation allows its total frame of reference to extend beyond its physical boundaries and, as evidenced by post-September 11 phobias and our responses to horrific images, to affect the very means by which catastrophe is imagined and visualised. Technically speaking, the negotiated balance between foreground and background in the photograph is lost: the desperation of the falling man juxtaposed with a seemingly impossible background that should not have been there. Lost, too, is the viewer’s ability to “connect” visually with – literally, to share – that experience, to see oneself within the contexts of that particular visual representation. This inability to see the viewing self in the photograph is an ironic moment of experiential possibility that lingers still in the Western world’s fears surrounding terrorism: when the supposedly impossible act is finally visualised, territorialised, and rendered as possible. Dead Art: The Destructions and Resurrections of Works by Rodin In many ways, the photographing of those experiences so divorced from our own contributed to intense discussions of perspective in visualisation: the viewer’s witnessing of trauma by means of a camera and photographer that captured the image from a “safe” distance. However, the recovery of artwork that actually suffered damage as a result of the World Trade Centre collapse prompted many art historians and theorists to ponder the possibilities of art’s death and to contemplate the fate of art that is physically victimised. In an anticipatory vein, J.M. Bernstein suggests that “art ends as it becomes progressively further distanced from truth and moral goodness, as it loses its capacity to speak the truth about our most fundamental categorical engagements…” (Bernstein 5). If Bernstein’s theory is applied to those works damaged at the World Trade Centre site, the sculptures of Rodin, so famously photographed in the weeks of excavation that followed September 11, could be categorised as “dead” – distanced from the “truth” of human form that Rodin cast, even further from the moral goodness and the striving toward global peace that the Cantor Fitzgerald collection aimed to embrace. While many art critics believed that the destroyed works should not be displayed again, many (including Fritz Koenig, who designed The Sphere, which was damaged in the terrorist attacks) believe that such “dead art” deserves, even requires, resuscitation (see Figure 6). Much like the American flags that survived the infernos at the World Trade Centre and Pentagon site, these lost and re-discovered artworks have served as rallying points to accomplish both the sharing of trauma and an artistically inspired foundation for the re-development of the lower Manhattan site. In the case of Rodin’s The Thinker, which was recovered at the site and later presumed stolen, the statue’s discovery alongside aircraft parts and twisted steel girders served as a unique and rare survival story, almost as the surrogate representative body for those human bodies that were never found, never seen. Dan Barry and William K. Rashbaum recall that in the days following the sculpture’s disappearance, “investigators have been at Fresh Kills [landfill] and at ground zero in recent weeks, flashing a photograph of ‘The Thinker’ and asking, in effect: Have you seen this symbol of humanity” (Barry and Rashbaum)? Given such symbolic weight, sculpture most certainly took on superhuman proportions. Yet, in the days that followed the discovery of artwork that survived the attacks, only passing references were made to those figurative paintings and drawings by Picasso, Hockney, Lichtenstein, and Miró that were lost – perhaps because their subject matter or manner of artistic representation did not (or could not) reflect a “true” infliction of damage and pain the way a three-dimensional, human-like sculpture could. Viewers visualised not only the possibility of their own cultural undoing by seeing damaged Rodins, but also the embodiment of unseen victims’ bodies that could not be recovered. In a rousing speech about September 11 as an attack upon the humanities and the production of culture, Bruce Cole stated that “the loss of artifacts and art, no matter how priceless and precious, is dwarfed by the loss of life” (Cole). Nevertheless, the visualisation of maimed, disfigured art was the lens through which many individuals understood the immensity of that loss of life and the finality of their loved ones’ disappearances. What the destruction and damaging of artwork on September 11 created was an atmosphere in which art, traditionally conjured as the studied and inanimate subject, transformed from a determined to a determining influence, a re-working of Paul Smith’s theory in which “the ‘subject’ … is determined – the object of determinant forces; whereas ‘the individual’ is assumed to be determining” (Smith xxxiv). Damaged sculptures gave representative form to the thousands of victims we, as a visualising public, knew were inside the towers, but their survival spoke to larger artistic issues: the impossibility of art’s end and the foiling of its death. Baudrillard’s notion of the “impossibility of ending” demonstrates that the destruction of art (in the capitalistic sense that is contingent on its undamaged condition and its prescribed worth and “value”) does not equate to the destruction of meaning as such, but that the new and re-negotiated meanings deployed by injured art frighteningly implicate us – viewers who once assigned meaning becoming the subjects who long to be assigned something, anything, be it solace, closure, or retribution. Importantly, the latest plans for the re-vitalised World Trade Centre site indicate that the damaged Rodin and Koenig sculptures will semiotically mediate the significations established when the original World Trade Centre was a vital nexus of activity in lower Manhattan, the shock and pain experienced when the towers collapsed and individuals were searching for meaning in art’s destruction and survival, and the hope many have invested in the new buildings and their role in the maintenance and recovery of memory. A Concluding Thought Digital manipulation, photography, and the re-contextualisation of artistic “masterpieces” from their hermetic placement in the gallery to their brutal dumping in a landfill have served as the humanistic prompts that actively determined the ways in which culture grappled with and shared unimaginable horror. Images have transformed in purpose from static re(-)presentations of reality to active, changing conduits by which pasts can be remembered, by which the intangibility of death can be given substance, by which unshared moments can be more intimately considered. Oddly, visualisation has performed simultaneously two disparate functions: separating the living from the dead through a panoply of re-affirming visual experiences and permitting the re-visitation of those times, events, and people that the human eye could not see itself. Ultimately, what the manipulations, misinterpretations, and destructions of art show us is that the conveyance of meaning between individuals, whether dead or alive, whether seen or unseen, is the image’s most pressing and difficult charge. Works Cited “Angel or Devil? Viewers See Images in Smoke.” Click on Detroit. 17 Sep. 2001. 10 February 2003 <http://www.clickondetroit.com/sh/news/stories/nat-news-96283920010917-120936.php>. Barry, Dan, and William K. Rashbaum. “Rodin Work from Trade Center Survived, and Vanished.” New York Times. 20 May 2002: B1. Barthes, Roland. Image, Music, Text. New York: Hill and Wang, 1977. Baudrillard, Jean. The Illusion of the End. Cambridge: Polity Press, 1994. Bernstein, J.M. The Fate of Art: Aesthetic Alienation from Kant to Derrida and Adorno. Cambridge: Polity Press, 1992. Burgin, Victor. The End of Art Theory: Criticism and Post-Modernity. Atlantic Highlands, N.J.: Humanities Press, 1986. Cauchon, Dennis and Martha T. Moore. “Desperation Drove Sept. 11 Victims Out World Trade Center Windows.” Salt Lake Tribune Online. 4 September 2002. 19 Jan. 2003 <http://www.sltrib.com/2002/sep/09042002/nation_w/768120.htm>. Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge: MIT Press, 1990. Mitchell, W.J.T. Picture Theory. Chicago: University of Chicago P, 1994. “Remains of a Day.” Time 160.11 (9 Sep. 2002): 58. Smith, Paul. Discerning the Subject. Minneapolis: U of Minnesota P, 1988. “The Accidental Tourist.” Urban Legends. 20 Nov. 2001. 21 Feb. 2003 <http://www.snopes2.com/rumors/crash.htm>. Links http://www.clickondetroit.com/sh/news/stories/nat-news-96283920010917-120936.html http://www.sltrib.com/2002/sep/09042002/nation_w/768120.htm http://www.snopes2.com/rumors/crash.htm Citation reference for this article Substitute your date of access for Dn Month Year etc... MLA Style Smith, Royce W.. "The Image Is Dying" M/C: A Journal of Media and Culture< http://www.media-culture.org.au/0304/09-imageisdying.php>. APA Style Smith, R. W. (2003, Apr 23). The Image Is Dying. M/C: A Journal of Media and Culture, 6,< http://www.media-culture.org.au/0304/09-imageisdying.php>

In the 2019 documentary Chasing Happiness, recording artist/musician Joe Jonas tells audiences that the band was “living the dream”. Similarly, in the 2012 documentary Artifact, lead singer Jared Leto remarks that at the height of Thirty Seconds to Mars’s success, they “were living the dream”. However, for both the Jonas Brothers and Thirty Seconds to Mars, their experiences of the music industry (much like other commercially successful recording artists) soon transformed into nightmares. Similar to other commercially successful recording artists, the Jonas Brothers and Thirty Seconds to Mars, came up against the constraints of the industry which inevitably led to a forfeiting of authenticity, a loss of creative control, increased exploitation, and unequal remuneration. This work will consider how working in the music industry is not always a dream come true and can instead be viewed as a proverbial nightmare. Living the DreamIn his book Dreams, Carl Gustav Jung discusses how that which is experienced in sleep, speaks of a person’s wishes: that which might be desired in reality but may not actually happen. In his earlier work, The Interpretation of Dreams, Freud argued that the dream is representative of fulfilling a repressed wish. However, the creative industries suggest that a dream need not be a repressed wish; it can become a reality. Jon Bon Jovi believes that his success in the music industry has surpassed his wildest dreams (Atkinson). Jennifer Lopez considers the fact that she held big dreams, had a focussed passion, and strong aspirations the reason why she pursued a creative career that took her out of the Bronx (Thomas). In a Twitter post from 23 April 2018, Bruno Mars declared that he “use [sic] to dream of this shit,” in referring to a picture of him performing for a sold out arena, while in 2019 Shawn Mendes informed his 24.4 million Twitter followers that his “life is a dream”. These are but a few examples of successful music industry artists who are seeing their ‘wishes’ come true and living the American Dream.Endemic to the American culture (and a characteristic of the identity of the country) is the “American Dream”. It centres on “a land in which life should be better and richer and fuller for every man, with opportunity for each according to his ability and achievement” (Adams, 404). Although initially used to describe having a nice house, money, stability and a reasonable standard of living, the American Dream has since evolved to what the scholar Florida believes is the new ‘aspiration of people’: doing work that is enjoyable and relies on human creativity. At its core, the original American Dream required striving to meet individual goals, and was promoted as possible for anyone regardless of their cultural, socio-economic and political background (Samuel), because it encourages the celebrating of the self and personal uniqueness (Gamson). Florida’s conceptualisation of the New American dream, however, tends to emphasise obtaining success, fame and fortune in what Neff, Wissinger, and Zukin (310) consider “hot”, “creative” industries where “the jobs are cool”.Whether old or new, the American Dream has perpetuated and reinforced celebrity culture, with many of the young generation reporting that fame and fortune were their priorities, as they sought to emulate the success of their famous role models (Florida). The rag to riches stories of iconic recording artists can inevitably glorify and make appealing the struggle that permits achieving one’s dream, with celebrities offering young, aspiring creative people a means of identification for helping them to aspire to meet their dreams (Florida; Samuel). For example, a young Demi Lovato spoke of how she idolised and looked up to singer Beyonce Knowles, describing Knowles as a role model because of the way she carries herself (Tishgart). Similarly, American Idol winner Kelly Clarkson cited Aretha Franklin as her musical inspiration and the reason that she sings from a place deep within (Nilles). It is unsurprising then, that popular media has tended to portray artists working in the creative industries and being paid to follow their passions as “a much-vaunted career dream” (Duffy and Wissinger, 4656). Movies such as A Star Is Born (2018), The Coal Miner’s Daughter (1980), Dreamgirls (2006), Begin Again (2013) and La La Land (2016) exalt the perception that creativity, talent, sacrifice and determination will mean dreams come true (Nicolaou). In concert with the American dream is the drive among creative people pursuing creative success to achieve their dreams because of the perceived autonomy they will gain, the chance of self-actualisation and social rewards, and the opportunity to fulfil intrinsic motivations (Amabile; Auger and Woodman; Cohen). For these workers, the love of creation and the happiness that accompanies new discoveries (Csikszentmihalyi) can offset the tight budgets and timelines, precarious labour (Blair, Grey, and Randle; Hesmondhalgh and Baker), uncertain demand (Caves; Shultz), sacrifice of personal relationships (Eikhof and Haunschild), the demand for high quality products (Gil & Spiller), and the tense relationships with administrators (Bilton) which are known to plague these industries. In some cases, young, up and coming creative people overlook these pitfalls, instead romanticising creative careers as ideal and worthwhile. They willingly take on roles and cede control to big corporations to “realize their passions [and] uncover their personal talent” (Bill, 50). Of course, as Ursell argues in discussing television employees, such idealisation can mean creatives, especially those who are young and unfamiliar with the constraints of the industry, end up immersed in and victims of the “vampiric” industry that exploits workers (816). They are socialised towards believing, in this case, that the record label is a necessary component to obtain fame and fortune and whether willing or unwilling, creative workers become complicit in their own exploitation (Cohen). Loss of Control and No CompensationThe music industry itself has been considered by some to typify the cultural industries (Chambers). Popular music has potency in that it is perceived as speaking a universal language (Burnett), engaging the emotions and thoughts of listeners, and assisting in their identity construction (Burnett; Gardikiotis and Baltzis). Given the place of music within society, it is not surprising that in 2018, the global music industry was worth US$19.1billion (IFPI). The music industry is necessarily underpinned by a commercial agenda. At present, six major recording companies exist and between them, they own between 70-80 per cent of the recordings produced globally (Konsor). They also act as gatekeepers, setting trends by defining what and who is worth following and listening to (Csikszentmihalyi; Jones, Anand, and Alvarez). In essence, to be successful in the music industry is to be affiliated with a record label. This is because the highly competitive nature and cluttered environment makes it harder to gain traction in the market without worthwhile representation (Moiso and Rockman). In the 2012 documentary about Thirty Seconds to Mars, Artifact, front man Jared Leto even questions whether it is possible to have “success without a label”. The recording company, he determines, “deal with the crappy jobs”. In a financially uncertain industry that makes money from subjective or experience-based goods (Caves), having a label affords an artist access to “economic capital for production and promotion” that enables “wider recognition” of creative work (Scott, 239). With the support of a record label, creative entrepreneurs are given the chance to be promoted and distributed in the creative marketplace (Scott; Shultz). To have a record label, then, is to be perceived as legitimate and credible (Shultz).However, the commercial music industry is just that, commercial. Accordingly, the desire to make money can see the intrinsic desires of musicians forfeited in favour of standardised products and a lack of remuneration for artists (Negus). To see this standardisation in practice, one need not look further than those contestants appearing on shows such as American Idol or The Voice. Nowhere is the standardisation of the music industry more evident than in Holmes’s 2004 article on Pop Idol. Pop Idol first aired in Britain from 2001-2003 and paved the way for a slew of similar shows around the world such as Australia’s Popstars Live in 2004 and the global Idol phenomena. According to Holmes, audiences are divested of the illusion of talent and stardom when they witness the obvious manufacturing of musical talent. The contestants receive training, are dressed according to a prescribed image, and the show emphasises those melodramatic moments that are commercially enticing to audiences. Her sentiments suggest these shows emphasise the artifice of the music industry by undermining artistic authenticity in favour of generating celebrities. The standardisation is typified in the post Idol careers of Kelly Clarkson and Adam Lambert. Kelly Clarkson parted with the recording company RCA when her manager and producer Clive Davis told her that her album My December (2007) was “not commercial enough” and that Clarkson, who had written most of the songs, was a “shitty writer… who should just shut up and sing” (Nied). Adam Lambert left RCA because they wanted him to make a full length 80s album comprised of covers. Lambert commented that, “while there are lots of great songs from that decade, my heart is simply not in doing a covers album” (Lee). In these instances, winning the show and signing contracts led to both Clarkson and Lambert forfeiting a degree of creative control over their work in favour of formulaic songs that ultimately left both artists unsatisfied. The standardisation and lack of remuneration is notable when signing recording artists to 360° contracts. These 360° contracts have become commonplace in the music industry (Gulchardaz, Bach, and Penin) and see both the material and immaterial labour (such as personal identities) of recording artists become controlled by record labels (Stahl and Meier). These labels determine the aesthetics of the musicians as well as where and how frequently they tour. Furthermore, the labels become owners of any intellectual property generated by an artist during the tenure of the contract (Sanders; Stahl and Meier). For example, in their documentary Show Em What You’re Made Of (2015), the Backstreet Boys lament their affiliation with manager Lou Pearlman. Not only did Pearlman manufacture the group in a way that prevented creative exploration by the members (Sanders), but he withheld profits to the point that the Backstreet Boys had to sue Pearlman in order to gain access to money they deserved. In 2002 the members of the Backstreet Boys had stated that “it wasn’t our destinies that we had to worry about in the past, it was our souls” (Sanders, 541). They were not writing their own music, which came across in the documentary Show Em What You’re Made Of when singer Howie Dorough demanded that if they were to collaborate as a group again in 2013, that everything was to be produced, managed and created by the five group members. Such a demand speaks to creative individuals being tied to their work both personally and emotionally (Bain). The angst encountered by music artists also signals the identity dissonance and conflict felt when they are betraying their true or authentic creative selves (Ashforth and Mael; Ashforth and Humphrey). Performing and abiding by the rules and regulations of others led to frustration because the members felt they were “being passed off as something we aren’t” (Sanders 539). The Backstreet Boys were not the only musicians who were intensely controlled and not adequately compensated by Pearlman. In the documentary The Boy Band Con: The Lou Pearlman Story 2019, Lance Bass of N*Sync and recording artist Aaron Carter admitted that the experience of working with Pearlman became a nightmare when they too, were receiving cheques that were so small that Bass describes them as making his heart sink. For these groups, the dream of making music was undone by contracts that stifled creativity and paid a pittance.In a similar vein, Thirty Seconds to Mars sought to cut ties with their record label when they felt that they were not being adequately compensated for their work. In retaliation EMI issued Mars with a US$30 million lawsuit for breach of contract. The tense renegotiations that followed took a toll on the creative drive of the group. At one point in the documentary Artifact (2012), Leto claims “I can’t sing it right now… You couldn’t pay me all the money in the world to sing this song the way it needs to be sung right now. I’m not ready”. The contract subordination (Phillips; Stahl and Meier) that had led to the need to renegotiate financial terms came at not only a financial cost to the band, but also a physical and emotional one. The negativity impacted the development of the songs for the new album. To make music requires evoking necessary and appropriate emotions in the recording studio (Wood, Duffy, and Smith), so Leto being unable to deliver the song proved problematic. Essentially, the stress of the lawsuit and negotiations damaged the motivation of the band (Amabile; Elsbach and Hargadon; Hallowell) and interfered with their creative approach, which could have produced standardised and poor quality work (Farr and Ford). The dream of making music was almost lost because of the EMI lawsuit. Young creatives often lack bargaining power when entering into contracts with corporations, which can prove disadvantaging when it comes to retaining control over their lives (Phillips; Stahl and Meier). Singer Demi Lovato’s big break came in the 2008 Disney film Camp Rock. As her then manager Phil McIntyre states in the documentary Simply Complicated (2017), Camp Rock was “perceived as the vehicle to becoming a superstar … overnight she became a household name”. However, as “authentic and believable” as Lovato’s edginess appeared, the speed with which her success came took a toll on Lovato. The pressure she experienced having to tour, write songs that were approved by others, star in Disney channel shows and movies, and look a certain way, became too much and to compensate, Lovato engaged in regular drug use to feel free. Accordingly, she developed a hybrid identity to ensure that the squeaky clean image required by the moral clauses of her contract, was not tarnished by her out-of-control lifestyle. The nightmare came from becoming famous at a young age and not being able to handle the expectations that accompanied it, coupled with a stringent contract that exploited her creative talent. Lovato’s is not a unique story. Research has found that musicians are more inclined than those in other workforces to use psychotherapy and psychotropic drugs (Vaag, Bjørngaard, and Bjerkeset) and that fame and money can provide musicians more opportunities to take risks, including drug-use that leads to mortality (Bellis, Hughes, Sharples, Hennell, and Hardcastle). For Lovato, living the dream at a young age ultimately became overwhelming with drugs her only means of escape. AuthenticityThe challenges then for music artists is that the dream of pursuing music can come at the cost of a musician’s authentic self. According to Hughes, “to be authentic is to be in some sense real and true to something ... It is not simply an imitation, but it is sincere, real, true, and original expression of its creator, and is believable or credible representations or example of what it appears to be” (190). For Nick Jonas of the Jonas Brothers, being in the spotlight and abiding by the demands of Disney was “non-stop” and prevented his personal and musical growth (Chasing Happiness). As Kevin Jonas put it, Nick “wanted the Jonas Brothers to be no more”. The extensive promotion that accompanies success and fame, which is designed to drive celebrity culture and financial motivations (Currid-Halkett and Scott; King), can lead to cynical performances and dissatisfaction (Hughes) if the identity work of the creative creates a disjoin between their perceived self and aspirational self (Beech, Gilmore, Cochrane, and Greig). Promoting the band (and having to film a television show and movies he was not invested in all because of contractual obligations) impacted on Nick’s authentic self to the point that the Jonas Brothers made him feel deeply upset and anxious. For Nick, being stifled creatively led to feeling inauthentic, thereby resulting in the demise of the band as his only recourse.In her documentary Gaga: Five Foot Two (2017), Lady Gaga discusses the extent she had to go to maintain a sense of authenticity in response to producer control. As she puts it, “when producers wanted me to be sexy, I always put some absurd spin on it, that made me feel like I was still in control”. Her words reaffirm the perception amongst scholars (Currid-Halkett and Scott; King; Meyers) that in playing the information game, industry leaders will construct an artist’s persona in ways that are most beneficial for, in this case, the record label. That will mean, for example, establishing a coherent life story for musicians that endears them to audiences and engaging recording artists in co-branding opportunities to raise their profile and to legitimise them in the marketplace. Such behaviour can potentially influence the preferences and purchases of audiences and fans, can create favourability, originality and clarity around artists (Loroz and Braig), and can establish competitive advantage that leads to producers being able to charge higher prices for the artists’ work (Hernando and Campo). But what impact does that have on the musician? Lady Gaga could not continue living someone else’s dream. She found herself needing to make changes in order to avoid quitting music altogether. As Gaga told a class of university students at the Emotion Revolution Summit hosted by Yale University:I don’t like being used to make people money. It feels sad when I am overworked and that I have just become a money-making machine and that my passion and creativity take a backseat. That makes me unhappy.According to Eikof and Haunschild, economic necessity can threaten creative motivation. Gaga’s reaction to the commercial demands of the music industry signal an identity conflict because her desire to create, clashed with the need to be commercial, with the outcome imposing “inconsistent demands upon” her (Ashforth and Mael, 29). Therefore, to reduce what could be considered feelings of dissonance and inconsistency (Ashforth and Mael; Ashforth and Humphrey) Gaga started saying “no” to prevent further loss of her identity and sense of authentic self. Taking back control could be seen as a means of reorienting her dream and overcoming what had become dissatisfaction with the commercial processes of the music industry. ConclusionsFor many creatives working in the creative industries – and specifically the music industry – is constructed as a dream come true; the working conditions and expectations experienced by recording artists are far from liberating and instead can become nightmares to which they want to escape. The case studies above, although likely ‘constructed’ retellings of the unfortunate circumstances encountered working in the music industry, nevertheless offer an inside account that contradicts the prevailing ideology that pursuing creative passions leads to a dream career (Florida; Samuel). If anything, the case studies explored above involving 30 Seconds to Mars, the Jonas Brothers, Lady Gaga, Kelly Clarkson, Adam Lambert and the Backstreet Boys, acknowledge what many scholars writing in the creative industries have already identified; that exploitation, subordination, identity conflict and loss of control are the unspoken or lesser known consequences of pursuing the creative dream. That said, the conundrum for creatives is that for success in the industry big “creative” businesses, such as recording labels, are still considered necessary in order to break into the market and to have prolonged success. This is simply because their resources far exceed those at the disposal of independent and up-and-coming creative entrepreneurs. Therefore, it can be argued that this friction of need between creative industry business versus artists will be on-going leading to more of these ‘dream to nightmare’ stories. The struggle will continue manifesting in the relationship between business and artist for long as the recording artists fight for greater equality, independence of creativity and respect for their work, image and identities. 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When George Orwell encountered ideas of a technological utopia sixty-five years ago, he acted the grumpy middle-aged man Reading recently a batch of rather shallowly optimistic “progressive” books, I was struck by the automatic way in which people go on repeating certain phrases which were fashionable before 1914. Two great favourites are “the abolition of distance” and “the disappearance of frontiers”. I do not know how often I have met with the statements that “the aeroplane and the radio have abolished distance” and “all parts of the world are now interdependent” (1944). It is worth revisiting the old boy’s grumpiness, because the rhetoric he so niftily skewers continues in our own time. Facebook features “Peace on Facebook” and even claims that it can “decrease world conflict” through inter-cultural communication. Twitter has announced itself as “a triumph of humanity” (“A Cyber-House” 61). Queue George. In between Orwell and latter-day hoody cybertarians, a whole host of excitable public intellectuals announced the impending end of materiality through emergent media forms. Marshall McLuhan, Neil Postman, Daniel Bell, Ithiel de Sola Pool, George Gilder, Alvin Toffler—the list of 1960s futurists goes on and on. And this wasn’t just a matter of punditry: the OECD decreed the coming of the “information society” in 1975 and the European Union (EU) followed suit in 1979, while IBM merrily declared an “information age” in 1977. Bell theorized this technological utopia as post-ideological, because class would cease to matter (Mattelart). Polluting industries seemingly no longer represented the dynamic core of industrial capitalism; instead, market dynamism radiated from a networked, intellectual core of creative and informational activities. The new information and knowledge-based economies would rescue First World hegemony from an “insurgent world” that lurked within as well as beyond itself (Schiller). Orwell’s others and the Cold-War futurists propagated one of the most destructive myths shaping both public debate and scholarly studies of the media, culture, and communication. They convinced generations of analysts, activists, and arrivistes that the promises and problems of the media could be understood via metaphors of the environment, and that the media were weightless and virtual. The famous medium they wished us to see as the message —a substance as vital to our wellbeing as air, water, and soil—turned out to be no such thing. Today’s cybertarians inherit their anti-Marxist, anti-materialist positions, as a casual glance at any new media journal, culture-industry magazine, or bourgeois press outlet discloses. The media are undoubtedly important instruments of social cohesion and fragmentation, political power and dissent, democracy and demagoguery, and other fraught extensions of human consciousness. But talk of media systems as equivalent to physical ecosystems—fashionable among marketers and media scholars alike—is predicated on the notion that they are environmentally benign technologies. This has never been true, from the beginnings of print to today’s cloud-covered computing. Our new book Greening the Media focuses on the environmental impact of the media—the myriad ways that media technology consumes, despoils, and wastes natural resources. We introduce ideas, stories, and facts that have been marginal or absent from popular, academic, and professional histories of media technology. Throughout, ecological issues have been at the core of our work and we immodestly think the same should apply to media communications, and cultural studies more generally. We recognize that those fields have contributed valuable research and teaching that address environmental questions. For instance, there is an abundant literature on representations of the environment in cinema, how to communicate environmental messages successfully, and press coverage of climate change. That’s not enough. You may already know that media technologies contain toxic substances. You may have signed an on-line petition protesting the hazardous and oppressive conditions under which workers assemble cell phones and computers. But you may be startled, as we were, by the scale and pervasiveness of these environmental risks. They are present in and around every site where electronic and electric devices are manufactured, used, and thrown away, poisoning humans, animals, vegetation, soil, air and water. We are using the term “media” as a portmanteau word to cover a multitude of cultural and communications machines and processes—print, film, radio, television, information and communications technologies (ICT), and consumer electronics (CE). This is not only for analytical convenience, but because there is increasing overlap between the sectors. CE connect to ICT and vice versa; televisions resemble computers; books are read on telephones; newspapers are written through clouds; and so on. Cultural forms and gadgets that were once separate are now linked. The currently fashionable notion of convergence doesn’t quite capture the vastness of this integration, which includes any object with a circuit board, scores of accessories that plug into it, and a global nexus of labor and environmental inputs and effects that produce and flow from it. In 2007, a combination of ICT/CE and media production accounted for between 2 and 3 percent of all greenhouse gases emitted around the world (“Gartner Estimates,”; International Telecommunication Union; Malmodin et al.). Between twenty and fifty million tonnes of electronic waste (e-waste) are generated annually, much of it via discarded cell phones and computers, which affluent populations throw out regularly in order to buy replacements. (Presumably this fits the narcissism of small differences that distinguishes them from their own past.) E-waste is historically produced in the Global North—Australasia, Western Europe, Japan, and the US—and dumped in the Global South—Latin America, Africa, Eastern Europe, Southern and Southeast Asia, and China. It takes the form of a thousand different, often deadly, materials for each electrical and electronic gadget. This trend is changing as India and China generate their own media detritus (Robinson; Herat). Enclosed hard drives, backlit screens, cathode ray tubes, wiring, capacitors, and heavy metals pose few risks while these materials remain encased. But once discarded and dismantled, ICT/CE have the potential to expose workers and ecosystems to a morass of toxic components. Theoretically, “outmoded” parts could be reused or swapped for newer parts to refurbish devices. But items that are defined as waste undergo further destruction in order to collect remaining parts and valuable metals, such as gold, silver, copper, and rare-earth elements. This process causes serious health risks to bones, brains, stomachs, lungs, and other vital organs, in addition to birth defects and disrupted biological development in children. Medical catastrophes can result from lead, cadmium, mercury, other heavy metals, poisonous fumes emitted in search of precious metals, and such carcinogenic compounds as polychlorinated biphenyls, dioxin, polyvinyl chloride, and flame retardants (Maxwell and Miller 13). The United States’ Environmental Protection Agency estimates that by 2007 US residents owned approximately three billion electronic devices, with an annual turnover rate of 400 million units, and well over half such purchases made by women. Overall CE ownership varied with age—adults under 45 typically boasted four gadgets; those over 65 made do with one. The Consumer Electronics Association (CEA) says US$145 billion was expended in the sector in 2006 in the US alone, up 13% on the previous year. The CEA refers joyously to a “consumer love affair with technology continuing at a healthy clip.” In the midst of a recession, 2009 saw $165 billion in sales, and households owned between fifteen and twenty-four gadgets on average. By 2010, US$233 billion was spent on electronic products, three-quarters of the population owned a computer, nearly half of all US adults owned an MP3 player, and 85% had a cell phone. By all measures, the amount of ICT/CE on the planet is staggering. As investigative science journalist, Elizabeth Grossman put it: “no industry pushes products into the global market on the scale that high-tech electronics does” (Maxwell and Miller 2). In 2007, “of the 2.25 million tons of TVs, cell phones and computer products ready for end-of-life management, 18% (414,000 tons) was collected for recycling and 82% (1.84 million tons) was disposed of, primarily in landfill” (Environmental Protection Agency 1). Twenty million computers fell obsolete across the US in 1998, and the rate was 130,000 a day by 2005. It has been estimated that the five hundred million personal computers discarded in the US between 1997 and 2007 contained 6.32 billion pounds of plastics, 1.58 billion pounds of lead, three million pounds of cadmium, 1.9 million pounds of chromium, and 632000 pounds of mercury (Environmental Protection Agency; Basel Action Network and Silicon Valley Toxics Coalition 6). The European Union is expected to generate upwards of twelve million tons annually by 2020 (Commission of the European Communities 17). While refrigerators and dangerous refrigerants account for the bulk of EU e-waste, about 44% of the most toxic e-waste measured in 2005 came from medium-to-small ICT/CE: computer monitors, TVs, printers, ink cartridges, telecommunications equipment, toys, tools, and anything with a circuit board (Commission of the European Communities 31-34). Understanding the enormity of the environmental problems caused by making, using, and disposing of media technologies should arrest our enthusiasm for them. But intellectual correctives to the “love affair” with technology, or technophilia, have come and gone without establishing much of a foothold against the breathtaking flood of gadgets and the propaganda that proclaims their awe-inspiring capabilities.[i] There is a peculiar enchantment with the seeming magic of wireless communication, touch-screen phones and tablets, flat-screen high-definition televisions, 3-D IMAX cinema, mobile computing, and so on—a totemic, quasi-sacred power that the historian of technology David Nye has named the technological sublime (Nye Technological Sublime 297).[ii] We demonstrate in our book why there is no place for the technological sublime in projects to green the media. But first we should explain why such symbolic power does not accrue to more mundane technologies; after all, for the time-strapped cook, a pressure cooker does truly magical things. Three important qualities endow ICT/CE with unique symbolic potency—virtuality, volume, and novelty. The technological sublime of media technology is reinforced by the “virtual nature of much of the industry’s content,” which “tends to obscure their responsibility for a vast proliferation of hardware, all with high levels of built-in obsolescence and decreasing levels of efficiency” (Boyce and Lewis 5). Planned obsolescence entered the lexicon as a new “ethics” for electrical engineering in the 1920s and ’30s, when marketers, eager to “habituate people to buying new products,” called for designs to become quickly obsolete “in efficiency, economy, style, or taste” (Grossman 7-8).[iii] This defines the short lifespan deliberately constructed for computer systems (drives, interfaces, operating systems, batteries, etc.) by making tiny improvements incompatible with existing hardware (Science and Technology Council of the American Academy of Motion Picture Arts and Sciences 33-50; Boyce and Lewis). With planned obsolescence leading to “dizzying new heights” of product replacement (Rogers 202), there is an overstated sense of the novelty and preeminence of “new” media—a “cult of the present” is particularly dazzled by the spread of electronic gadgets through globalization (Mattelart and Constantinou 22). References to the symbolic power of media technology can be found in hymnals across the internet and the halls of academe: technologies change us, the media will solve social problems or create new ones, ICTs transform work, monopoly ownership no longer matters, journalism is dead, social networking enables social revolution, and the media deliver a cleaner, post-industrial, capitalism. Here is a typical example from the twilight zone of the technological sublime (actually, the OECD): A major feature of the knowledge-based economy is the impact that ICTs have had on industrial structure, with a rapid growth of services and a relative decline of manufacturing. Services are typically less energy intensive and less polluting, so among those countries with a high and increasing share of services, we often see a declining energy intensity of production … with the emergence of the Knowledge Economy ending the old linear relationship between output and energy use (i.e. partially de-coupling growth and energy use) (Houghton 1) This statement mixes half-truths and nonsense. In reality, old-time, toxic manufacturing has moved to the Global South, where it is ascendant; pollution levels are rising worldwide; and energy consumption is accelerating in residential and institutional sectors, due almost entirely to ICT/CE usage, despite advances in energy conservation technology (a neat instance of the age-old Jevons Paradox). In our book we show how these are all outcomes of growth in ICT/CE, the foundation of the so-called knowledge-based economy. ICT/CE are misleadingly presented as having little or no material ecological impact. In the realm of everyday life, the sublime experience of electronic machinery conceals the physical work and material resources that go into them, while the technological sublime makes the idea that more-is-better palatable, axiomatic; even sexy. In this sense, the technological sublime relates to what Marx called “the Fetishism which attaches itself to the products of labour” once they are in the hands of the consumer, who lusts after them as if they were “independent beings” (77). There is a direct but unseen relationship between technology’s symbolic power and the scale of its environmental impact, which the economist Juliet Schor refers to as a “materiality paradox” —the greater the frenzy to buy goods for their transcendent or nonmaterial cultural meaning, the greater the use of material resources (40-41). We wrote Greening the Media knowing that a study of the media’s effect on the environment must work especially hard to break the enchantment that inflames popular and elite passions for media technologies. We understand that the mere mention of the political-economic arrangements that make shiny gadgets possible, or the environmental consequences of their appearance and disappearance, is bad medicine. It’s an unwelcome buzz kill—not a cool way to converse about cool stuff. But we didn’t write the book expecting to win many allies among high-tech enthusiasts and ICT/CE industry leaders. We do not dispute the importance of information and communication media in our lives and modern social systems. We are media people by profession and personal choice, and deeply immersed in the study and use of emerging media technologies. But we think it’s time for a balanced assessment with less hype and more practical understanding of the relationship of media technologies to the biosphere they inhabit. Media consumers, designers, producers, activists, researchers, and policy makers must find new and effective ways to move ICT/CE production and consumption toward ecologically sound practices. In the course of this project, we found in casual conversation, lecture halls, classroom discussions, and correspondence, consistent and increasing concern with the environmental impact of media technology, especially the deleterious effects of e-waste toxins on workers, air, water, and soil. We have learned that the grip of the technological sublime is not ironclad. Its instability provides a point of departure for investigating and criticizing the relationship between the media and the environment. The media are, and have been for a long time, intimate environmental participants. Media technologies are yesterday’s, today’s, and tomorrow’s news, but rarely in the way they should be. The prevailing myth is that the printing press, telegraph, phonograph, photograph, cinema, telephone, wireless radio, television, and internet changed the world without changing the Earth. In reality, each technology has emerged by despoiling ecosystems and exposing workers to harmful environments, a truth obscured by symbolic power and the power of moguls to set the terms by which such technologies are designed and deployed. Those who benefit from ideas of growth, progress, and convergence, who profit from high-tech innovation, monopoly, and state collusion—the military-industrial-entertainment-academic complex and multinational commandants of labor—have for too long ripped off the Earth and workers. As the current celebration of media technology inevitably winds down, perhaps it will become easier to comprehend that digital wonders come at the expense of employees and ecosystems. This will return us to Max Weber’s insistence that we understand technology in a mundane way as a “mode of processing material goods” (27). Further to understanding that ordinariness, we can turn to the pioneering conversation analyst Harvey Sacks, who noted three decades ago “the failures of technocratic dreams [:] that if only we introduced some fantastic new communication machine the world will be transformed.” Such fantasies derived from the very banality of these introductions—that every time they took place, one more “technical apparatus” was simply “being made at home with the rest of our world’ (548). Media studies can join in this repetitive banality. Or it can withdraw the welcome mat for media technologies that despoil the Earth and wreck the lives of those who make them. In our view, it’s time to green the media by greening media studies. 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Science and Technology Council of the American Academy of Motion Picture Arts and Sciences. The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials. Los Angeles: Academy Imprints, 2007. Weber, Max. “Remarks on Technology and Culture.” Trans. Beatrix Zumsteg and Thomas M. Kemple. Ed. Thomas M. Kemple. Theory, Culture [i] The global recession that began in 2007 has been the main reason for some declines in Global North energy consumption, slower turnover in gadget upgrades, and longer periods of consumer maintenance of electronic goods (Richtel). [ii] The emergence of the technological sublime has been attributed to the Western triumphs in the post-Second World War period, when technological power supposedly supplanted the power of nature to inspire fear and astonishment (Nye Technology Matters 28). Historian Mario Biagioli explains how the sublime permeates everyday life through technoscience: "If around 1950 the popular imaginary placed science close to the military and away from the home, today’s technoscience frames our everyday life at all levels, down to our notion of the self" (818). [iii] This compulsory repetition is seemingly undertaken each time as a novelty, governed by what German cultural critic Walter Benjamin called, in his awkward but occasionally illuminating prose, "the ever-always-the-same" of "mass-production" cloaked in "a hitherto unheard-of significance" (48).