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Journal articles on the topic 'Newspaper cartoons'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Ogunrinde, Ebenezer Deji, and Adegboye Kehinde Oladunni. "A Comparative Multimodal Stylistics Analysis of Selected Newspapers Cartoons." International Journal of Current Research in the Humanities 27, no. 1 (2024): 26–44. http://dx.doi.org/10.4314/ijcrh.v27i1.2.

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This study focuses on the comparative multimodal stylistic analysis of selected newspapers cartoons. A comparative study of newspapers cartoon juxtaposes two or more newspaper cartoon brands. Multimodality entails the mode(s) employed in a cartoon to portray meaning. The data for the study comprises ten cartoons selected through the purposive random sampling technique between 2020 and 2021 from The Punch, The Nation and The Guardian newspapers respectively. Data were analysed using Halliday’s meta-function of language in his Systemic Functional Grammar. It was discovered that framing, salience

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2

Vásquez León, David. "Political Cartoon in Ecuador." Politikon: The IAPSS Journal of Political Science 25 (December 15, 2014): 95–119. http://dx.doi.org/10.22151/politikon.25.6.

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Cartoonist Xavier Bonilla and El Universo newspaper were sanctioned in 2014 after publishing a cartoon which, according to the sanction, motivated social agitation and was inaccurate. Against a backdrop of continuous friction between Rafael Correa’s government and private media in Ecuador, the text examines if the sanction created an environment of fear or self-censorship (chilling effect) in other cartoonists in Ecuador. For the analysis, 81 cartoons from three newspapers were monitored and analyzed during the month following the February 23th elections in Ecuador, in which the results were n

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3

OKATA, Gift Ngozi, Thomas K. EGWUONWU, and Clara O.K. EGWUONWU. "Language and Image Interaction in Cartoons: A Stylistic Analysis of Language Use and Humour in Selected Punch Newspaper Cartoons." Beyond Babel: BU Journal of Language, Literature and Humanities 7, no. 1 (2020): 1–23. https://doi.org/10.5281/zenodo.10794384.

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<em>Although double semiotic modes characterize meaning deduction in cartoons, nonetheless the visual is the most pivotal mode. The interaction between language and image is usually encapsulated around the expressive pattern of the cartoonist in forms of caricature, exaggeration, metaphor, size, registers and symbols. In spite the robust studies on political cartoons, scant studies exist on the persuasive stylistic analysis of three political cartoons of the Punch newspaper of April to June, 2016. Therefore, this study fills this gap.  Using a total of three randomly selected political ca

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Akuno, Lydia Adhiambo, Magonya A. Lilian, and Oloo A. Pamella. "Pictorial Metaphors in The Portrayal of Corruption as Dirt in The Kenyan Daily Nation Newspaper Cartoons." Indiana Journal of Arts & Literature 5, no. 2 (2024): 8–14. https://doi.org/10.5281/zenodo.10702420.

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Cartoons use language as an artistic medium in which various options are explored for effective communication. Cartoon is used to satirize and lampoon socio-political abuses like corruption. In Kenya, corruption poses one of the greatest challenges facing the Kenyan government and reports on corruption scandals in the media are the order of the day. Political cartoon therefore has enabled the cartoonist to deal with political issues mockingly in an indirect way through cross - domain mappings, to ridicule dictators and corrupt figures without fear of victimization. The present paper analysed p

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Nyoni, Mika, Nesbeth Grand, and Tsitsi Nyoni. "Beyond The Humour: a Newspaper Cartoon as Socio-Politico-Economic Commentary: The Case of 'Wasu' of the Manica Post in Zimbabwe." Greener Journal of Social Sciences 2, no. 5 (2012): 179–90. https://doi.org/10.15580/gjss.2012.6.102512152.

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The research looks at the role of a newspaper cartoon ('Wasu' of The Manica Post in Zimbabwe) in the socio-economic and political landscape of Zimbabwe. Up to one hundred cartoons were collected from the period 2004 to 2010 and from these a few were selected for thorough scrutiny. Besides analyzing the cartoons collected, the researchers also interviewed Blessing Mukuze, the cartoonist and creator of the cartoon character 'Wasu' to provide an illumination on the background of the persona. The analysis reveals that although cartoons are perceived by the ordinary reader as primar

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Abdel-Tawwab Sharaf Eldin, Ahmad. "A Pragmatic Study of Political Cartoons in Al-Ahram Weekly Newspaper." British Journal of Translation, Linguistics and Literature 2, no. 2 (2022): 25–48. http://dx.doi.org/10.54848/bjtll.v2i2.33.

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During the past century, political cartoons were considered as the most extreme form of expression in newspapers, as they were not committed to any norm of journalistic objectivity, or even the domain of objective reality. Some cartoonists consider political cartoons as historical sources of satirical critique of the political status quo. Generally speaking, there are various forms of cartoons, such as political, social, and humorous cartoons. Each one has a different function. The function of political cartoons lies in making a real change in a society in favor of suppressed classes thr

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Başaran İnce, Gökçen. "The Free Republican Party in the political cartoons of the 1930s." New Perspectives on Turkey 53 (November 2015): 93–136. http://dx.doi.org/10.1017/npt.2015.20.

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AbstractThe Free Republican Party (FRP; Serbest Cumhuriyet Fırkası), founded and dissolved in 1930, represented the second attempt to transition to a multi-party system in Turkey, following the formation of the Progressive Republican Party (Terakkiperver Cumhuriyet Fırkası) in 1924. In contrast to the oppositional establishment of the latter, the FRP seemed to be a state-originated project whose establishment was decided upon by the elites of the day, led by Mustafa Kemal Atatürk. Its representation in contemporary cartoons is deemed important today given the political cartoon’s ability to sim

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8

Manning, Haydon, and Robert Phiddian. "The political cartoonist and the editor." Pacific Journalism Review : Te Koakoa 11, no. 2 (2005): 127–50. http://dx.doi.org/10.24135/pjr.v11i2.1056.

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New Zealand Herald cartoonist Malcolm Evans was dismissed from the newspaper after he refused to follow his editor's instruction to cease cartooning on the Israeli-Palestinian conflict. Members of the Jewish community were upset by a number of his cartoons, drawn during the first half of 2003. Evans is not alone among cartoonists to attract the anger of Jewish community lobbies and the hesitation of their editors when presenting cartoons dealing with the activities of the Israeli government. Cartoonists Tony Auth (Philadelphia Inquirer) and Michael Leunig (The Age) have also presented controve

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9

Somia, Behzad Anwar, and Zulekha Fajar. "Representation of Gaza War in Pakistani and British Newspapers Editorial Cartoons: A Semiotic Analysis." Qlantic Journal of Social Sciences 5, no. 4 (2024): 1–8. http://dx.doi.org/10.55737/qjss.790103554.

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This study aims to examine the representation of the Gaza war in Pakistani and British newspaper editorials through cartoons. Machin and Mayr (2012) multimodal analytical model has been applied for the analysis of cartoons. The data for this study is collected from English newspapers. The data source of this research included two Pakistani newspapers (The Dawn, The News International) and two British newspapers (The Telegraph, The Independent). The time period for the data collection is 3 weeks. The editorial cartoons have been selected by using the purposive sampling technique. The results of

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10

Fisher, Julie. "Cartoon Corner." Mathematics Teaching in the Middle School 3, no. 6 (1998): 434. http://dx.doi.org/10.5951/mtms.3.6.0434.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight amthematics in an interesting way. The questions accompanying the cartoons can be used as a large- or small-group actitlity, as homework, or as an extracredit assignment. Students might want to create their own mathematicsrelated cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies or cartoons and classroom-tested questions, double-spaced, for review by the editor or this section. The cartoons must include the date and the newspaper syndicate

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Fisher, Julie A. "Cartoon Corner." Mathematics Teaching in the Middle School 4, no. 1 (1998): 43. http://dx.doi.org/10.5951/mtms.4.1.0043.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The qurstions accompanying the cartoons can be used as a large- or small-group activity, as homework, or as an extra-credit assignment. Students might want to create their own mathematics-related cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies of cartoons and classroom-tested questions, double-spaced, for review by the editor of this section. The cartoons must include the date and the newspaper syndicate

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Fisher, Julie A. "Cartoon Corner." Mathematics Teaching in the Middle School 4, no. 2 (1998): 113. http://dx.doi.org/10.5951/mtms.4.2.0113.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The questions accompanying the cartoons can be used as a large- or small-group activity, as homework, or as an extracredit assignment. Students might want to create their own mathematicsrelated cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies of cartoons and classroom-tested questions, doublespaced, for review by the editor of this section. The cartoons must include the date and the newspaper syndicate th

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Cain, Barbara. "Cartoon Corner." Mathematics Teaching in the Middle School 1, no. 3 (1994): 226. http://dx.doi.org/10.5951/mtms.1.3.0226.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The questions accompanyin the cartoons can be used as a large- or small-group in class activity, as homework, or as an extra-credit assignment. Students might want to create their own mathematics related cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies of cartoons and classroom tested questions, double-spaced, for review by the editor of this section. The cartoons must include the date and the newspaper s

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14

Cain, Barbara. "Cartoon Corner." Mathematics Teaching in the Middle School 1, no. 7 (1995): 552. http://dx.doi.org/10.5951/mtms.1.7.0552.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The questions accompanying the cartoons can be used as a large- or small-group activity, as homework, or as an extracredit assignment. Students might want to create their own mathematics-related cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies of cartoons and classroom-tested questions, doublespaced, for review by the editor of this section. The cartoons must include the date and the newspaper syndicate t

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15

Lawrence, Ann. "Cartoon Corner." Mathematics Teaching in the Middle School 1, no. 8 (1996): 643. http://dx.doi.org/10.5951/mtms.1.8.0643.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The questions accompanying the cartoons can be used as a large- or small-group activity, as homework, or as an extra credit assignment. Students might want to create their own mathematics-related cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies of cartoons and classroom-tested questions, double-spaced, for review by the editor of this section. The cartoons must include the date and the newspaper syndicate

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16

Fisher, Julie. "Cartoon Corner." Mathematics Teaching in the Middle School 2, no. 3 (1997): 161. http://dx.doi.org/10.5951/mtms.2.3.0161.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The questions accompanying the cartoons can be used as a large- or small-group activity, as homework, or as an extra-credit assignment. Students might want to create their own mathematics-related cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies of cartoons and classroom-tested questions, double-spaced, for review by the editor of this section. The Cartoons must include the date and the newspaper syndicate

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17

Fisher, Julie. "Cartoon Corner." Mathematics Teaching in the Middle School 2, no. 4 (1997): 243. http://dx.doi.org/10.5951/mtms.2.4.0243.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The questions accompanying the cartoons can be used as a large- or small-group activity, as homework, or as an extra-credit assignment. Students might want to create their own mathematics-related cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to Submit three copies of cartoons and classroom-tested questions, double-spaced, for review by the editor of this section. The cartoons must include the date and the newspaper syndicate

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18

Fisher, Julie. "Cartoon Corner." Mathematics Teaching in the Middle School 3, no. 2 (1997): 141. http://dx.doi.org/10.5951/mtms.3.2.0141.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The questions accompanying the cartoons can be used as a large-or small-group activity, as homework, or as an extra-credit assigmnent. Students might want to create their own mathematics-related cartoons that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies of cartoons and classroom-tested questions, double-spaced, for review by the editor of this section. The cartoons must include the date and the newspaper syndicate

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19

Dassanayake, Damayanthi, Sarath Rathnayake, Sujeewa Dilhani Maithreepala, and Nimanthika Sanjeewani. "Engaging in a newspaper cartoon thematic analysis to understand the socioeconomic, health, political, and environmental impact of COVID-19 in Sri Lanka." International Health Trends and Perspectives 1, no. 2 (2021): 249–87. http://dx.doi.org/10.32920/ihtp.v1i2.1420.

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Introduction: Newspaper cartoons are viewed as an effective means of communicating important social concerns.  Method:An exploratory content analysis of newspaper cartoons was done during the COVID-19 outbreak in Sri Lanka . Cartoons from eight daily online newspapers published from 15th of March to 15th of April 2020 were included. “corona”, “COVID-19”, or “Sri Lanka” were used as keywords. Thematic analysis was used to identify the different perspectives of cartoons. Results: Background of COVID-19 pandemic, health, social, economic, political, and environmental aspects emerged w

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Fisher, Julie A. "Cartoon Corner." Mathematics Teaching in the Middle School 4, no. 3 (1998): 177. http://dx.doi.org/10.5951/mtms.4.3.0177.

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“Cartoon Corner” is designed to include cartoons that can be used to highlight mathematics in an interesting way. The questions accompanying the cartoons can be used as a large- or small-group activity, as homework, or as an extracredit assignment. Students might want to create their that demonstrate in a humorous way how mathematics is used and misused. Readers are encouraged to submit three copies of cartoons and class room-tested questions, doublespaced, for review by the editor of this section. The cartoons must include the date and the newspaper syndicate that holds the copyright.

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21

Aazam, Fareeha, Tanveer Baig, Amna Azam, and Zainab Azam. "Discourse of Fear and Economic Crisis: A Multimodal Analysis of Pakistani Newspaper’s Political Cartoons of COVID-19." Linguistics and Literature Review 6, no. 2 (2020): 35–45. http://dx.doi.org/10.32350/llr.v6i2.952.

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The study investigates COVID-19 language of fear and phobia in Pakistani newspaper's political cartoons. These cartoons are a powerful medium for visual communication of any current and significant scenario as one image depicts the whole story. The editorial cartoons are also used to convey a specific meaning behind visual features. The present study is mainly concerned with the coronavirus, which affected life all over the world, and it is observed how newspapers are reporting this pandemic through political cartoons. Data is collected from 'The Dawn' newspaper. The research is qualitative. M

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Mashudi, Rohaidah, Norishamsawati Ishak, Hawa Rahmat, Faizuniza Mashhod, Isma Suhaila Ismail, and J. Sham Wahid. "DIRECT METHOD AND INDIRECTNESS METHOD: COMMUNICATION STRATEGY IN CARTOON." International Journal of Creative Industries 2, no. 4 (2020): 01–12. http://dx.doi.org/10.35631/ijcrei.24001.

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Cartoons are not only seen as a media channel to provide entertainment to the community. This is because cartoons play an important role as a very effective medium of information delivery to all groups. The message in the cartoon is conveyed either through the language use and illustrations or mere illustrations from a cartoonist. The display of illustrations with the language used in cartoons in the press indirectly brings current issues in various aspects. Even though these illustrations can help stimulate one's ideas and maturity in evaluating a message. The purpose of this study is to exam

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23

EJABENA, Harrison Oghenerukevwe, and Chibuzor Franklin AKPATI. "A Social Semiotic Study of Institutional Corruption in Editorial Cartoons of Nigeria's Vanguard Online News Outlet." GVU Journal of Language, Literature and African Studies 1, no. 1 (2021): 1–27. https://doi.org/10.5281/zenodo.8021921.

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Editorial cartoon is a medium of socio-political critique and has received intellectual patronage. However, extant studies are yet to access the utilisation of semiotic resources for transmitting contextual meanings in editorial cartoons published within the Nigerian socio-cultural milieu. This article extends the frontiers of the existing literature by exploring the effect of context in the selection and appropriation of semiotic resources in selected editorial cartoons of <em>Vanguard</em> Online news outlet. The data include ten purposively-selected <em>Cartoon Sarge</em>editorial cartoons

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Pinar, Maria Jesús. "Humour and intertextuality in Steve Bell's political cartoons." European Journal of Humour Research 8, no. 3 (2020): 16. http://dx.doi.org/10.7592/ejhr2020.8.3.pinar-sanz.

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The aim of this paper is to analyse 12 political cartoons published by Steve Bell in the left-wing oriented newspaper The Guardian to show how visual metaphors and metonymies and intertextual references are powerful strategies to present potent rhetorical depictions of political candidates and political issues. These devices are used to establish intertextual links across political cartoons and historical events, contemporary culture, paintings, literary works and illustrations. The themes that appear regularly in political cartoons have been identified, as well as a number of categories of so

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Yasmin, Saima, Asma Iqbal Kayani, and Behzad Anwar. "Interplay of Linguistic and Semiotic Choices in Shaping Meaning: A Critical Analysis of Political Cartoon in Pakistani English Newspaper." Regional Tribune 3, no. 1 (2024): 225–35. https://doi.org/10.63062/trt/v24.033.

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In today's world, where nations are interconnected through media, the analysis of media discourse from different perspectives on societal issues has gained much currency. The present study analyzes the satirical representation of a newspaper cartoon to find out how these media persons utilize cartoons and the accompanying linguistic choices to affect readers' opinions and understandings. Guided by qualitative research methodology, the data for this study is collected in the form of one cartoon selected through purposive sampling from a Pakistani English newspaper i.e., Dawn. Taking insights fr

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Yasmin, Saima, Asma Iqbal Kayani, and Behzad Anwar. "Interplay of Linguistic and Semiotic Choices in Shaping Meaning: A Critical Analysis of Political Cartoon in Pakistani English Newspaper." Regional Tribune 3, no. 1 (2024): 225–35. https://doi.org/10.63062/trt/V24.033.

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In today's world, where nations are interconnected through media, the analysis of media discourse from different perspectives on societal issues has gained much currency. The present study analyzes the satirical representation of a newspaper cartoon to find out how these media persons utilize cartoons and the accompanying linguistic choices to affect readers' opinions and understandings. Guided by qualitative research methodology, the data for this study is collected in the form of one cartoon selected through purposive sampling from a Pakistani English newspaper i.e., Dawn. Taking insights fr

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Van Heerden, Cornelius. "Newspaper cartoons as a reflection of political change during the first democratic elections in South Africa." Communicare: Journal for Communication Studies in Africa 13, no. 2 (2022): 103–20. http://dx.doi.org/10.36615/jcsa.v13i2.1998.

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The first Southern African cartoonists were probably the Stone Age Bushman whose drawings adorn rock faces in this part of the continent. Modern cartoonists may use more sophisticated equipment but their drawings, although on recyclable print, also reflect a particular part of our history. The following view of Schoonraad et al (1989:15: "A collection of cartoons covering a particular period, will present an unequalled graphic history of political and current events" They also add that the state of any nation is reflected by its newspaper cartoons Geipel 1972 argues that to the historian, cart

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Shakeel, Zoya, and Muhammad Farooq Alam. "Multimodal Genre Analysis of Political Cartoons during Pakistan's Economic Crisis." Global Digital & Print Media Review VI, no. I (2023): 290–97. http://dx.doi.org/10.31703/gdpmr.2023(vi-i).23.

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This article analyzes the genre of political cartoons through the prism of multi-modality, focusing on editorial cartoons published in the Dawn newspaper during the 2023 economic crisis in Pakistan. The purpose of the study is to evaluate the visual and linguistic strategies used by cartoonists to convey political messages in a humorous way and analyze how these messages are interpreted by the audience. The research design utilizes a qualitative methodology that involves a deep evaluation of linguistic elements of cartoons and Kress and Leeuwen's framework for analyzing visual grammar. The fin

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Cass, Philip. "A dozen Danish cartoons and the wrath of the Muslim world." Pacific Journalism Review : Te Koakoa 12, no. 1 (2006): 148–54. http://dx.doi.org/10.24135/pjr.v12i1.850.

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How do we understand the outrage in the Muslim world against the 12 cartoons published in the Danish newspaper Jyllands-Posten? And can we move on from anger and misunderstanding? Is there room for dialogue? It is now several weeks since the Muslim world exploded with anger at a series of cartoons originally published in Jyllands- Posten. The cartoons variously depicted the Prophet Mohammed as a terrorist and murderer, the best known of which shows him wearing a bomb as a turban. The cartoons were later re-published in a Norwegian evangelical newsletter. After they were first published a group

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Mangila, Benjamin Baguio. "READING BEYOND THE STROKES: A SEMIOTIC ANALYSIS OF EDITORIAL CARTOONS ON A CAMPUS NEWSPAPER OF A HIGHER EDUCATION INSTITUTION IN THE PHILIPPINES." ETERNAL (English, Teaching, Learning, and Research Journal) 7, no. 1 (2021): 135. http://dx.doi.org/10.24252/eternal.v71.2021.a10.

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Editorial cartoons have an unchallenged history as a unique and important artefact in both political and cultural discourses. In journalism, they offer varied insights and may eventually alter beliefs and opinions, influence politics, trigger discussions, and give life to ideas. This paper investigates the signs and meanings of editorial cartoons published in a campus newspaper of a tertiary school in the Philippines. It anchors on Chandler’s semiotic concepts in analyzing the editorial cartoons that incorporate both the Saussurean dyadic concept of signs, signifier and signified, and the Peir

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Moroz, Nina A. "“Dr. Seuss of Beasts and Men: the Cartoonist’s Experience and the Illustrated Tales of the 1930–1950s." Literature of the Americas, no. 15 (2023): 250–75. http://dx.doi.org/10.22455/2541-7894-2023-15-250-275.

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The paper deals with the first decades in the work of Dr. Seuss (the pseudonym of Theodor Geisel, 1904–1991), one of the most prominent children’s authors of the 20th century. Seuss was not only the author of children’s tales, but also a talented artist who illustrated his own books and whose manner was deeply influenced by his 15-year experience as a cartoonist. In 1920–1940s he worked for different print media, from humor magazines to a political newspaper, drew cartoons and commercial advertisements. Our aim is to study the mutual influence of Seuss-thecartoonist and Seuss-the-writer and il

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Bolanle Jolaoso, Oluwafemi, and Oluwadamilola Bukonla Shojonwo. "Pragmatic Analysis of 2019 Nigerian Presidential Election-Related Newspaper Cartoons." ELS Journal on Interdisciplinary Studies in Humanities 6, no. 1 (2023): 160–72. http://dx.doi.org/10.34050/elsjish.v6i1.24983.

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This study undertook a pragmatic analysis of the 2019 Nigerian Presidential Election-Related Newspaper Cartoons to establish the central issues, their contextual underpinning, the engendering pragmatic acts and strategies and their implication to media, society and politics. It was designed to address the knowledge gap created by extant studies which evaded the appraisal of this slant of political discourse that would provide a better understanding of the political cartoons. To address this issue, the paper adopted the Pragmatic acts theory and the theory of social semiotics to account for the

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Elder, Natasha. "Effing the Ineffable." Axis Mundi 2, no. 1 (2017): 1–12. http://dx.doi.org/10.29173/axismundi67.

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   On September 30th of 2005 the Jyllands-Posten, a Danish newspaper, published twelve cartoons of the Muslim prophet Muhammad. Islamic law forbids all depictions of Muhammad because they are idolatrous, and the fact that these cartoons were perceived as disrespectful intensified the offence. Many Danish Muslims felt that these illustrations were inappropriate, even discriminatory; people staged protests and demanded apologies, and Muslim organizations condemned the Jyllands-Posten. Regardless, the cartoons – and other, even more insulting ones – quickly spread. Newspapers in

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Akuno, Lydia Adhiambo, Oloo Pamella, and Magonya Lilian. "Metaphorical Meaning of Texts Integrated in the Multimodal Political Cartoons of Corruption in The Daily Nation Newspaper." East African Scholars Journal of Education, Humanities and Literature 7, no. 02 (2024): 76–87. http://dx.doi.org/10.36349/easjehl.2024.v07i02.007.

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The language of cartoons is not as direct as the language of news reporting in that it is characterized by satirical and metaphorical pictures; and codified and connotative wordings which makes it socially appropriate and relevant to inform, educate and entertain the general public. Cartoons are used to satirize and lampoon socio-political abuses like corruption. In Kenya, corruption poses one of the greatest challenges facing the Kenyan government and reports on corruption scandals in the media are the order of the day. The present research studied the unique nature of the language of cartoon

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Mohd Radzi, Fazlina, Liza Marziana Mohammad Noh, Haslinda Abd Razak, Suraya Md Nasir, and Mohd Faizol Haini. "By-Elections After the 12th General Election: From the Glasses of an Editorial Cartoonist." International Journal of Art and Design 6, no. 2/SI (2023): 94–105. http://dx.doi.org/10.24191/ijad.v6i2/si.1135.

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Editorial cartoons often become recorders of events, especially during election season. Therefore, the main focus of this study is on the publication of editorial cartoons published through mainstream local newspapers with the theme of by-elections after the 12th Malaysian General Election. In addition to that, the researcher will also briefly trace the beginning and development of cartoons in Malaysia from the beginning of the period before independence, then the heyday of Malay cartoons in the 80s and 90s and then specifically to editorial cartoons themed by by-elections. The research and wr

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Bamigboye, Omolade, and Samuel Adebayo Omotunde. "Stylistic Foregrounding in The Socio-Political Commentary of Selected Guardian Cartoons." Journal of Language and Literature 19, no. 2 (2019): 98. http://dx.doi.org/10.24071/joll.v19i2.2134.

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<p><em>The paper investigates the role of textual foregrounding in the understanding of cartoons in The Guardian, a Nigerian daily newspaper. To achieve this aim, Bally’s stylistics of humor is used as theoretical basis. Bally’s theory claims that there is a connection between language and the thoughts and feelings of its user. It also espouses the idea that as human beings, we respond emotionally in one way or the other to how a language is crafted in a particular context and by a particular user. This is especially the case for structures that are deemed humorous. Using a purposi

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Joubert, Marina, and Herman Wasserman. "Spikey blobs with evil grins: understanding portrayals of the coronavirus in South African newspaper cartoons in relation to the public communication of science." Journal of Science Communication 19, no. 07 (2020): A08. http://dx.doi.org/10.22323/2.19070208.

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This study explores how South African newspaper cartoonists portrayed the novel coronavirus during the initial months of the COVID-19 pandemic. We show how these cartoons respond to the socio-economic and cultural contexts in the country. Our analysis of how cartoonists represent the novel coronavirus explain how they create meaning (and may influence public sentiments) using colour, morphological characteristics and anthropomorphism as visual rhetorical tools. From a total population of 497 COVID-19-related cartoons published in 15 print and online newspapers from 1 January to 31 May 2020, al

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Anderson, Robin. "Making Fun of Sport: James Fitzmaurice, Robert Ripley, and the Art of Sport Cartooning in Vancouver, 1907-1918." Journal of Sport History 37, no. 3 (2010): 365–96. http://dx.doi.org/10.5406/jsporthistory.37.3.365.

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Abstract This study looks at the emergence of newspaper sport cartooning in the early twentieth century through a comparison of the parochial images of Vancouver British Columbia cartoonist James Fitzmaurice and the syndicated American sports cartoons of Robert Ripley. The study examines the working lives of the best known American sport cartoonists and then focuses on the work of Vancouver Province staff cartoonist James B. Fitzmaurice during the prewar period and how these images grew out of local experience. With the arrival of the syndicated sports cartoons of New York City cartoonist Robe

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Saito, Hayato, and Wen-yu Chiang. "Political cartoons portraying the Musha Uprising in Taiwan under Japanese rule." Metaphor and the Social World 10, no. 1 (2020): 76–99. http://dx.doi.org/10.1075/msw.19009.sai.

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Abstract This study analyzes five political cartoons published in the Taiwan Nichinichi Shinpo (Taiwan Daily Newspaper) depicting the Musha Uprising, an indigenous rebellion against Japanese colonial rule that occurred in Taiwan in 1930. The study has produced two important findings and theoretical implications. First, two of the political cartoons deployed The Great Chain of Being multimodal metaphor, and the artist’s conceptual blending of Japanese kabuki stories with the Musha Uprising dramatically portrayed the colonizers as humans and the colonized as animals. We analyze the social and hi

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Khanduri, Ritu Gairola. "Gandhi and the Satyagraha of Newspaper Cartoons." Visual Anthropology Review 29, no. 1 (2013): 1–15. http://dx.doi.org/10.1111/var.12000.

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Bello, Semiu Musa. "The dilemma of newspaper cartoonists: perspectives from Nigerian practitioners." Indonesian Journal of Communication Studies 14, no. 2 (2022): 75. http://dx.doi.org/10.31315/ijcs.v14i2.5345.

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Cartooning in journalism practice is, by nature and as demonstrated in many parts of the world, an intelligent journalistic endeavour undertaken by cartoonists or cartoon journalists to put those in power to accountability and responsibility. It is a special genre of journalism profession to disseminate information graphically and illustratively to members of the public. Cartoonists strategically use cartoons and their journalistic drawings to portray social evils, corrupt practices, criticise policies and programmes of government, actions of various corporate bodies, religious organisations a

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Andima, Liicka, and Rewai Makamani. "A Semiological Analysis of Dudley's Political Cartoons in the Namibian Newspaper." International Journal of Semiotics and Visual Rhetoric 4, no. 2 (2020): 47–60. http://dx.doi.org/10.4018/ijsvr.2020070104.

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Political cartoons communicate powerful politically inclined renditions reflective of how cartoonists view contestable contemporary issues in society. All over the world, political cartoons that satirize governance practices are a common feature in the press. As in economies of many African states, from 2016 to 2019 the Namibian economy has generally been on the decline, thereby calling for new thinking in socio-economic and fiscal policies of the country. This qualitative study employs the connotative and denotative model of analysis from the Bathesian semiological perspective to reveal how a

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Fedosov, Egor A. "The evolution of graphics in newspaper holiday issues in the Soviet Ukraine (1953-1984)." Rusin, no. 69 (2022): 269–81. http://dx.doi.org/10.17223/18572685/69/15.

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The article focuses on the issues of the Soviet Ukrainian periodicals Pravda Ukrainy(Kyiv) and Rabochaya gazeta (Kyiv), timed to the most popular Soviet public celebrations: New Year, May Day, and October Revolution Day. The author analyses the graphics of about 180 newspapers of 1953-1984 to determine the approaches to selecting visual elements (front page drawings, caricatures, cartoons and other decorative sketches). The chronology of newspaper images and symbols clearly shows the evolution of key political categories, their relevance, diversity, and interrelation, depending on the regional

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Zellis, Kaspars, and Dmitrij Olechnovič. "Caricature in the Newspaper „Tēvija“ (1941–1945). Some Questions of Source Criticism." Genocidas ir rezistencija 2, no. 18 (2025): 50–63. https://doi.org/10.61903/gr.2005.202.

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Current Latvian historical research is characterised by a relaxed approach to the study of historical sources. One of the least researched issues in the Latvian historical sources is cartoons, which were printed in periodicals at various times. This gap can be partly filled by studying cartoons published in periodicals that were released in Latvia during the German occupation.

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Stein, Sarah Abrevaya. "Faces of Protest: Yiddish Cartoons of the 1905 Revolution." Slavic Review 61, no. 4 (2002): 732–61. http://dx.doi.org/10.2307/3090388.

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This article turns to an unexplored genre of Russian letters—the Yiddish cartoon—in order to consider how the most popular Russian Jewish newspaper of the early twentieth century participated in the Revolution of 1905-07. By exploring cartoons published in Derfraynd (St. Petersburg, 1903-1913, renamed Dos lebn February-July 1906) Sarah Abrevaya Stein reflects on how the Yiddish press reflected and shaped evolutions in Russian Jewish popular opinion: in particular, the temporary shift away from nationalist and toward opposition and socialist politics. This article also considers why the revolut

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Refaie, Elisabeth El. "Understanding visual metaphor: the example of newspaper cartoons." Visual Communication 2, no. 1 (2003): 75–95. http://dx.doi.org/10.1177/1470357203002001755.

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Rose, Flemming. "I Told Steve Bannon: “We Are Not At War With Islam.” He Disagreed." New Perspectives Quarterly 34, no. 2 (2017): 17–20. http://dx.doi.org/10.1111/npqu.12077.

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Iskandar, Iskandar. "Metafora dalam Kartun Bertema Korupsi Karya G.M. Sudharta." INVENSI 3, no. 1 (2018): 15–22. http://dx.doi.org/10.24821/invensi.v3i1.2103.

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Kartun merupakan salah satu bentuk dialektika tanda dalam kategori bahasa verbal dan nonverbal, yang membuat dirinya unik adalah karena karakternya yang menyimpang, lucu, bersifat satir atau menyindir, baik terhadap orang atau tindakannya. Sebagai salah satu bahasa politik, kartun telah menjadi instrumen pokok untuk menceritakan realitas, segala tindakan dalam kartun merupakan studi tentang tanda. Penelitian ini bertujuan untuk mengetahui metafora yang digunakan dalam kartun bertema korupsi. Metodologi penelitian yang digunakan adalah metodologi kualit

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Abdel-Raheem, Ahmed. "How to do things with images: the editor, the cartoonist, and the reader." Intercultural Pragmatics 17, no. 1 (2020): 77–108. http://dx.doi.org/10.1515/ip-2020-0004.

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AbstractDepending on context: to depict soaring prices as fires is to perform the act of complaining; to portray the perpetrator of a sex crime as a wolf is to accomplish the action of condemning; to draw the ship of state sailing toward catastrophe is simultaneously to perform the action of warning and to issue a prediction; etc. It follows that, if political cartooning is action, then having a cartoon spiked is failure to act. The discussion of silenced speech acts cannot fail to have already been noticed by other scholars. Yet, so far little attention has been paid to this phenomenon, espec

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Matiza, Vimbai Moreblessing. "Women in newspaper cartoon straps during the ‘Operation Restore Legacy’ in The News Day and The Chronicle." DANDE Journal of Social Sciences and Communication 2, no. 2 (2018): 88–105. http://dx.doi.org/10.15641/dande.v2i2.48.

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There is an existing trend of negativity in the portrayal of women through cartoons in local newspapers. This has led to the perpetuation of gender stereotypes against women aimed at demeaning and degrading the social status of women. Cartoons as works of art are expected to reflect on issues as they are happening in the societies. The two newspapers under study are The Chronicle and The News Day which are government owned and private owned respectively. The paper analyses these two newspapers in the manner in which represent women in cartoons and further interrogates circumstances surrounding

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