To see the other types of publications on this topic, follow the link: Newspaper layout and typography.
Journal articles on the topic 'Newspaper layout and typography'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 journal articles for your research on the topic 'Newspaper layout and typography.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.
1
Schindler, Johanna, and Philipp Müller. "Design follows politics? The visualization of political orientation in newspaper page layout." Visual Communication 17, no. 2 (December 12, 2017): 141–61. http://dx.doi.org/10.1177/1470357217746812.
Full textAbstract:
This article explores how the political orientation of newspapers is reflected in their page layout. The authors compare the layouts of five German national quality newspapers exemplarily and exploratively in a combination of quantitative and qualitative analyses. Dimensions of comparison are typography, size, colouration, quantity and arrangement of elements. Results show systematic differences between the page layouts of left-wing and right-wing newspapers. These differences are reflected in the contrast of traditional and contemporary styles and also in the use of ideologically charged typography and colours. In addition, the size of headlines seems to be dependent on political extremity. Graphic design seems to work as an ideological symbol system with different layout styles quite consistently representing partisan positions. If media users could come to learn and recognize such visual patterns, layout could function as a visual frame for political messages.
2
Sa-Ah, Miss Aminah. "Pola Reka Bentuk Surat Kabar Thailand dan Surat Kabar Indonesia." Communicatus: Jurnal Ilmu komunikasi 3, no. 2 (December 8, 2019): 1–24. http://dx.doi.org/10.15575/cjik.v3i2.6518.
Full textAbstract:
Newspaper forms are the process of organizing and decorating the front page. The two design elements consist of appearance and layout, both of which have functions to decorate, beautify and arrange the front page so that it is interesting. Thairath and Tribun Jabar newspapers in arranging the front page of the newspaper using graphic design elements to make it interesting. This research uses the descriptive qualitative method. The purpose of this research is to get a picture of the second form of newspaper, namely the color, typography, and layout format. The results showed that the application of the design of print media of the Thairath newspaper and the West Java Tribune so that it would not be rigid and attract attention. The color that dominates the Thairath newspaper is green, while the Tribun Jabar newspaper is blue. The typography used in each section on the second page of the newspaper is carried out consistently in accordance with the visual hierarchy. The layout format arrangement has an impact on attracting newspapers to be read by readers.Reka bentuk surat kabar merupakan proses menata dan menghias halaman muka. Dua unsur reka bentuk terdiri dari perwajahan dan tata letak, kedua-duanya memiliki fungsi untuk menghias, memperindah dan menata halaman muka sehingga menarik. Surat kabar Thairath dan Tribun Jabar dalam menata halaman muka surat kabarnya menggunakan elemen desain grafis supaya menarik. Penelitian ini menggunakan meode deskriptif kualitatif. Tujuan penelitian ini adalah untuk mendapatkan gambaran tentang reka bentuk kedua surat kabar, yaitu mengenai warna, tipografi dan format layout. Hasil penelitian menunjukkan bahwa penerapan reka bentuk media cetak surat kabar Thairath dan Tribun Jabar, supaya tidak kaku dan menarik perhatian. Warna yang menjadi dominasi pada surat kabar Thairath adalah warna hijau, sementara pada surat kabar Tribun Jabar adalah warna biru. Tipografi yang digunakan pada setiap bagian pada halaman muka kedua surat kabar, dilakukan secara konsisten sesuai dengan hierarki visual. Penataan format layout berimbas pada menariknya surat kabar untuk dibaca oleh pembaca.
3
Akangbe, Clement Adeniyi. "The Form and Content of Ọbasa’s Weekly Newspaper: The Yorùbá News." Yoruba Studies Review 5, no. 1 (December 21, 2021): 1–27. http://dx.doi.org/10.32473/ysr.v5i1.130069.
Full textAbstract:
The Yorubà News, published by Obasa ̣ , co-pioneered journalism, nay publishing, in Yorùbá language in southwestern Nigeria. Based in Ìbàdan and ̀ published by Ìlarè Printers, ̣́ The Yorùbá News, a bi-lingual serial in English and Yorùbá languages, remarkably had varying contents and wide circulation covering its locale, Íbàdan significantly; the southern protectorate, particularly Yorùbá land appreciably; and the entire nation, Nigeria marginally. Published weekly, Obasa – the Editor and Proprietor – successfully edited ̣ The Yorubà News ́ for over two decades from 1924 – 1945 when he died. Adopting the Diffusion of Innovations theory, this study examines the form and content of the newspaper. The form examines the structure and layout of the newspaper while the content discusses and evaluates issues covered in the publication. The form of The Yorùbá News is discussed in the context of the print media as a periodical by taking technical cognizance of its physical features: format, design and layout, typography, columns, paper, size and production quality. Content-wise, the paper exhaustively describes the subject matters of The Yorubà News ́ by dwelling critically on the issues raised, examining in details and critiquing its recurrent subject matters notably: the news stories, editorials, cover, advertorials, news and notes, etc. The inter-dependence of form and content is also examined to bring to the fore the social, cultural, political, and economic values of the maiden Yorùbá Newspaper: The Yorùbá News.
4
Bolarinwa, Abidemi. "The Yoruba News as a Political Tool and Avenue for Cultural Revival." Yoruba Studies Review 5, no. 1 (December 21, 2021): 1–16. http://dx.doi.org/10.32473/ysr.v5i1.130070.
Full textAbstract:
The Yorubà News, published by Obasa ̣, co-pioneered journalism, nay publishing, in Yorùbá language in southwestern Nigeria. Based in Ìbàdan and ̀ published by Ìlarè Printers, ̣́ The Yorùbá News, a bi-lingual serial in English and Yorùbá languages, remarkably had varying contents and wide circulation covering its locale, Íbàdan significantly; the southern protectorate, particularly Yorùbá land appreciably; and the entire nation, Nigeria marginally. Published weekly, Obasa – the Editor and Proprietor – successfully edited ̣ The Yorubà News ́ for over two decades from 1924 – 1945 when he died. Adopting the Diffusion of Innovations theory, this study examines the form and content of the newspaper. The form examines the structure and layout of the newspaper while the content discusses and evaluates issues covered in the publication. The form of The Yorùbá News is discussed in the context of the print media as a periodical by taking technical cognizance of its physical features: format, design and layout, typography, columns, paper, size and production quality. Content-wise, the paper exhaustively describes the subject matters of The Yorubà News ́ by dwelling critically on the issues raised, examining in details and critiquing its recurrent subject matters notably: the news stories, editorials, cover, advertorials, news and notes, etc. The inter-dependence of form and content is also examined to bring to the fore the social, cultural, political, and economic values of the maiden Yorùbá Newspaper: The Yorùbá News.
5
Abreu, Giovanna Figueiredo de, and Maíra Evangelista de Sousa. "QUANDO O JORNAL SE TORNA MULTIPLATAFORMA: análise das capas de O Liberal no impresso e no digital." Aturá - Revista Pan-Amazônica de Comunicação 4, no. 1 (January 3, 2020): 80–97. http://dx.doi.org/10.20873/uft.2526-8031.2020v4n1p80.
Full textAbstract:
Este artigo tem o objetivo de analisar as características pertinentes à capa do jornal O Liberal no impresso e no digital, com foco na apresentação visual. A pesquisa de caráter exploratório combinou as seguintes técnicas qualitativas: pesquisa bibliográfica, coleta de dados e análise. A análise foi realizada tendo como base a edição do dia três de julho de 2019 dos jornais impresso e digital, com base nas seguintes categorias: nome do jornal, diagramação, editorias, manchetes, disposição das notícias, imagens estáticas e em movimento, cores, tipografia, links e publicidade. Concluiu-se que há um diálogo entre os dois produtos, embora eles demonstrem independência na apresentação visual.
PALAVRAS-CHAVE: Jornalismo impresso; Jornalismo Digital; Multiplataforma; Capas; O Liberal.
ABSTRACT
This article aims to analyze the main characteristics related to the cover of the newspaper O Liberal in its print and digital versions, focusing on visual presentation. The exploratory research combined the following qualitative techniques: bibliographic research, data collection and analysis. The analysis was conducted based on the print and digital edition of the newspaper in July 3, 2019, regarding the following categories: newspaper name, layout, editorials, headlines, news layout, still and moving images, colors, typography , links and advertising. It was concluded that there is a dialogue between the two products, although they demonstrate independence in the visual presentation.
KEYWORDS: Printed journalism; Digital journalism; Multiplataform; Covers; O Liberal.
RESUMEN
Este artículo tiene como objetivo analizar las características relacionadas a la portada del periódico O Liberal en forma impresa y digital, con un enfoque en la presentación visual. La investigación exploratoria combinó las siguientes técnicas cualitativas: investigación bibliográfica, recopilación y análisis de datos. El análisis se realizó basada en la edición del 3 de julio de 2019 de los periódicos impresos y digitales, basados en las siguientes categorías: nombre del periódico, diagramación, editoriales, titulares, diseño de noticias, imágenes fijas y en movimiento, colores, tipografía, enlaces y publicidad. Se concluyó que existe un diálogo entre los dos productos, aunque demuestren independencia en la presentación visual.
PALABRAS CLAVE: Periodismo impreso; Periodismo digital; Multiplataforma; Portadas; O Liberal..
6
Grossman, Efrat. "INNOVATORY CONSERVATISM IN ULTRA-ORTHODOX TYPOGRAPHY IN ISRAEL." CULTURE AND ARTS IN THE MODERN WORLD, no. 23 (June 30, 2022): 164–83. http://dx.doi.org/10.31866/2410-1915.23.2022.261012.
Full textAbstract:
The purpose of the article is to explore the differences in perceptions and approaches to typographic design among the various communities that make up Haredi society. In general, the shape of the letter will be affected by the division between religious and non-religious genres, as well as by the intra-Haredi social division between “Hasidim” and “Lithuanians”, the two dominant groups that make up the Haredi society, whose lifestyles differ in several areas. The proposed article is an additional tier to previous studies and investigates the Hebrew letter and its role in the world of journalism as conveying a message in the social-educationalideological context, even without referring to what is actually written. The study reveals and deciphers the power struggles and relations that exist in the ultra-Orthodox world through the images and through the mechanisms activated through them and their results, as part of the visual culture. The research methodology is based on the integrated use of general scientific methods: analytical, systematic, historical, and comparative. Conclusions. The daily and weekly Haredi press is considered as something that “under the circumstances” is needed and yet is a major player in the Haredi visual world. The Ashkenazi Haredi press is divided into defined sectors. The newspapers of the Hassidic communities preserve a long-standing typographic, advertising, intra-community tradition, based on the design style of Jewish newspapers from early twentieth-century Europe. The newspapers of the Lithuanian communities reflect the character of the public who read them, who are more modern in their lifestyle. Even though there is strict control over the content, these newspapers reflect modernism in their typographic layout and letter style selection. The newspapers in both groups undergo strict editing in both content and form, and their respective rabbinical councils work hard to adapt them to their respective readership. The choice of letter, colour, and composition are borrowed, among other things, from the world of clothing, which has many rules, and reflects what is happening within the community. The differences between the Hasidic and Lithuanian groups are evident in their attitude to the visual elements in the various types of printing and advertising. The Haredi public are proficient readers and are aware of the subtleties of the shape and size of the letter from an early age. Therefore, the letter serves both as content and form, and its use in the visual world is varied. In addition to being a tool for content, the letter will be used for an image, a Hebrew date, gematria and to create an atmosphere of sacred or secular, depending on the typographic choice.
7
Guzewicz, Wojciech. "„WSPÓLNOTA. ABY STANOWILI JEDNO!” JAKO ORGAN PRASOWY KOŚCIOŁA ELBLĄSKIEGO W LATACH 1992–2002." Civitas et Lex 2, no. 2 (June 30, 2014): 7–17. http://dx.doi.org/10.31648/cetl.1885.
Full textAbstract:
Diocese of Elbląg is one of the few newly established in 1992 dioceses in Poland, whereimmediately after its establishment began to issued their own authority newspaper − „Community.To be one!”. Magazine appeared to until 2002. This letter played a key role in informing about thelife of the Diocese of Elblag, including its many pastoral initiatives. The article presents, amongothers, genesis, editors, publisher, publishing formula, layout and typographic journal.
8
Langonné, Joël. "L’impossible « dernier mot ». La maquette du journal : un outil partagé." Sur le journalisme, About journalism, Sobre jornalismo 3, no. 1 (April 15, 2014): 18–29. http://dx.doi.org/10.25200/slj.v3.n1.2014.127.
Full textAbstract:
La maquette du journal occupe une place particulière dans le continuum de fabrication de l’information. Elle est située à l’interface de la matérialité du journal entre la salle de rédaction et le secteur du prépresse. Les discours et les prérogatives dont elle est capable de se charger font qu’elle porte en elle un potentiel stratégique organisationnel important. La maquette du journal demeure pourtant un acteur méconnu de la sociologie des médias. Cette étude, qui se situe au carrefour de la sociologie interactionniste et de la théorie de l’acteur-réseau, propose de donner toute sa place à la maquette et à ceux qui la construisent et l’utilisent au quotidien dans le journal. Nous montrons que c’est entre deux acteurs particuliers et leurs manières différenciées d’être à ce qu’ils font que la maquette est susceptible de révéler tout son potentiel : les journalistes secrétaires de rédaction (SR) et les ouvriers typographes. Nous tentons tout d’abord de saisir pourquoi ces trois acteurs (maquette, SR et typographes) sont demeurés invisibles au sein du journal. Il s’agit donc de repenser leur place et leur rôle, de les révéler au prisme d’une grille d’observation renouvelée, agrandie. Nous sommes ensuite en mesure d’observer la manière dont ces trois acteurs peuvent interagir, peuvent s’attacher au sein du processus de fabrication de l’information. Pour cela, nous développons trois exemples issus d’un travail de terrain au sein d’un titre de presse quotidienne régionale (PQR). Il s’agit en fait de comprendre les manières dont les journalistes SR et les ouvriers typographes sont plus ou moins parvenus — selon les époques retenues, et de manière non linéaire — à se saisir de l’objet maquette, pour faire ce qui est à faire — le journal — au plus près de la manière dont ils souhaitent le faire. The newspaper layout has a special place in the continuum of news production. It is located at the interface between conception and materiality - between newsroom and pre-press area. The discourses and prerogatives for which in can be responsible confer it an important strategic organizational potential. And yet, the newspaper layout remains a little-understood element in the sociology of media. This study, which finds itself at the intersection of interactionist sociology and actor-network theory, is dedicated to the layout and those who construct it and use it daily in the newspaper. We show that it is through their differentiated roles that two agents in particular make it possible for the layout to realize its full potential: editorial secretaries (SR) and typographers. We try first to understand why these three actors (the layout, SR and typographers) have remained invisible within the newspaper. It is therefore a question of rethinking their place and role – of renewing and widening the observation matrix. We can then observe how these three actors interact at the core of the news-production process. To do this, we develop three examples from fieldwork carried out in a regional daily newspaper. In fact, it is an attempt to understand the ways in which copy-editing journalists and typographers were more or less able (depending on the eras selected; and in a non-linear way) to seize control of the layout and create what was necessary – the newspaper – as closely as possible to their vision of how it should be done. A diagramação do jornal ocupa um lugar particular no continuum da produção da informação. Ela está situada na interface da materialidade do jornal, entre a redação e o setor de pré-impressão. Os discursos e as prerrogativas sob a responsabilidade da diagramação garantem a ela um importante potencial estratégico e organizacional. Contudo, a diagramação do jornal continua sendo um ator desconhecido do ponto de vista da sociologia da mídia. Este estudo, que se situa na interseção entre a sociologia interacionista e a teoria do ator-rede, dedica-se ao estudo da diagramação e dos atores que trabalham na construção e na utilização dessa prática no cotidiano do jornal. Destacamos dois atores em particular: os copidesques (em francês: secrétaires de rédaction, SR) e os gráficos. Eles possuem maneiras distintas de ser, o que permite à diagramação revelar todo o seu potencial. Num primeiro momento, buscamos entender em que sentido os três atores (diagramação, copidesques e gráficos) permanecem invisíveis no interior do jornal. Trata-se, portanto, de repensar o seu lugar e o seu papel, de revelá-los ao prisma de uma grelha de observação renovada e ampliada. Em seguida, observamos a forma como esses três atores podem interagir, podem se agrupar em torno do processo de produção da informação. Para isso, desenvolvemos três exemplos oriundos de uma pesquisa de campo realizada no interior de um veículo da impressa regional na França. Trata-se de compreender o modo como os copidesques e os gráficos se utilizam – em momentos específicos e de uma forma não linear – do projeto gráfico para darem conta de suas obrigações – a produção do jornal –, mas buscando aproximar esse processo da forma como eles acreditam que isso deve ser feito.
9
Auji, Hala. "Marketing Views of Modernity, Evangelism and Print Specialization in the American Mission Press Catalogs (1884–1896)." Middle East Journal of Culture and Communication 11, no. 3 (November 23, 2018): 316–54. http://dx.doi.org/10.1163/18739865-01103005.
Full textAbstract:
Abstract Taking up an analysis of the materiality of the American Mission Press (AMP) bilingual catalogs printed from 1884 to 1896 in Ottoman Beirut, in this article I identify these booklets as publications that circulated among broad networks of books, journals and newspapers during the period of the Arab nahda. By examining these catalogs in terms of the wider historical significance of their materiality, specifically their organization, layout, typography and illustrations, in this essay I show how these booklets promoted the AMP and its mission’s entangled messages in an increasingly competitive publishing industry. On the one hand, the catalogs highlighted the AMP’s ‘western’ qualifications and strove to engage local readers’ interests in ‘modern’ culture, science and technology. On the other hand, these works marketed the mission’s universalist evangelical views. Thus, in this study I show how such ephemeral publications, when studied for their dynamic content, make evident nineteenth-century Arabic print commerce at work and also illustrate early examples of nascent advertising practices.
10
Tri Widadijo, Wahju. "TIPOGRAFI KINETIK PADA JUDUL FILM PEMENANG FFI KATEGORI ANIMASI TAHUN 2013-2018." AKSA: Jurnal Desain Komunikasi Visual 3, no. 2 (June 29, 2020): 507–19. http://dx.doi.org/10.37505/aksa.v3i2.38.
Full textAbstract:
Kinetic typography is widely applied to media such as Film Title,Television Program Title, presentation media, motion graphic media,and others. Motion design elements added to the kinetic typographydesign can strengthen the character of letters, strengthen themeaning of the message, give more emphasis and intonation, andadd aesthetic value. This article explores the analysis of the use ofkinetic typography in 6 (six) research samples of the winners of theAnimation Category of Indonesia Film Festival - FFI (2013 - 2018).The study was conducted referring to the temporal typographicclassification model developed by Barbara Brownie (2007). Wherein general kinetic typography is divided into two types, namely Typein Motion and Fluid Typography. Type in Motion itself is dividedinto Scrolling Typography and Dynamic Layout. The researchmethod used is descriptive qualitative. This research was identifyingand describing the use of kinetic typography types in the film title. Asa result, 2 (two) samples have not used kinetic typography optimally(F2 and F4), 2 (two) samples use Scrolling Typography (F1 and F3),1 (one) sample uses Fluid Typography (F5), and 1 (one) sample usesDynamic Layout (F6).
11
Palmer, Tony. "The Practice of Chinese Typography: Layout." International Journal of Visual Design 12, no. 3 (2018): 19–28. http://dx.doi.org/10.18848/2325-1581/cgp/v12i03/19-28.
Full text
12
Yoon, Mi Jin. "A Study on the Correlation between Attention and Layout Components of the Book Cover in Pocket Edition." Korean Publishing Science Society 109 (December 31, 2022): 99–116. http://dx.doi.org/10.21732/skps.2022.109.99.
Full textAbstract:
This study investigated the components of the layout to be considered in order to increase readers' attention and what visual perception principle correlated with the book cover, which has the limitation of a small and limited paper. In previous studies, the top four books with high consistency between book content and cover layout were selected among the 15 coverings of the library, and an experimental survey was conducted on 100 college students majoring in design. As a result of conducting a correlation analysis between attention, layout components, and response results to the visual perception principle, Typography and Image of the cover of the document were the most influential. In particular, the visual perception principle showed that the proximity of typography and the continuity of images were highly correlated. Second, the cover of the library of steady sellers showed remarkably low attention. Based on the results of the study, it could be estimated that applying the visual perception principle to strategic designs that can enhance the attention of typography and images in book edition design would be effective, and suggestions for attempts to increase the attention of book cover through new cover designs such as steady sellers' redesign.
13
Kembaren, Yohana Agatha, Gamal Kartono, and Mesra Mesra. "ANALISIS KARYA POSTER BERDASARKAN UNITY, LAYOUT, TIPOGRAFI, DAN WARNA." Gorga : Jurnal Seni Rupa 9, no. 1 (May 30, 2020): 121. http://dx.doi.org/10.24114/gr.v9i1.18187.
Full textAbstract:
AbstrakPenelitian ini bertujuan untuk, mendeskripsikan dan menginterpretasikan hasil karya poster peserta didik kelas XII IPS SMA Negeri 1 Kabanjahe, yang ditinjau berdasarkan unity (kesatuan), layout (tata letak), tipografi, dan warna. Populasi dalam penelitian ini berjumlah 24 karya poster peserta didik dengan sampel berjumlah 3 karya (12,5% dari total populasi) dan teknik yang digunakan adalah purposive sample. Data dianalisis menggunakan metode deskriptif kualitatif dengan cara mengetahui hasil validasi yang dilakukan validator, kemudian hasil validasi dianalisis berdasarkan kategorisasi yang berkaitan dengan objek yang diteliti yang meliputi kesatuan (unity), tata letak (layout), tipografi, dan warna. Dari total 24 karya peserta didik, karya no 5 memperoleh nilai tertinggi (94) ,nilai sedang dengan kategori baik karya no 17 (89) dan no 22 kategori baik dengan nilai terendah (86,5). Sebanyak 11 karya (46%) memperoleh predikat sangat baik (A) dan sebanyak 13 karya (54%) memperoleh predikat baik (B). Berdasarkan analisis diperoleh kesimpulan hasil bahwa nilai pada aspek unity (kesatuan), didapat rerata berjumlah 89, 25, untuk layout (tata letak), dengan nilai rerata 89,41, tipografi dengan nilai rerata 88,29, dan warna dengan nilai rerata 88,95. Secara umum rerata untuk empat kategori dapat dinterpretasikan berkualitas baik. Kata Kunci: poster, kesatuan, tata letak, tipograi.AbstractThe research aims is to describe and interpret the posters work of the 12th social grade students (XII SOS 1) Public Senior High School 1 Kabanjahe (SMA Negeri 1 Kabanjahe) , which are reviewed based on unity, layout, typography, and color. The population in this study amounted to 24 poster works by students with 3 sample works (12.5% of the total population) The technique used in this research is purposive sample . Data were analyzed using qualitative descriptive methods by knowing the results of the validation conducted by the validator, then analyzing the results of the validation based on the categorization relating to the object under study which includes unity, layout, typography, and color, then the results of the validation were analyzed based on the categorization relating to the object under study which included unity, layout, typography, and color. From a total of 24 works of students, work No. 5 received the highest score (94), intermediate value which in the good category work No.17 (89) and number 22 which good category with the lowest score (86.5). The Total of 11 works (46%) received an excellent rating (A) and 13 works (54%) received a good rating (B).Based on the analysis, the conclusion of the research results shows that the value of the aspect of unity obtained an average of 89, 25, for the layout with an average value of 89.41, typography with a mean value of 88.29, and color with a mean value 88.95. In general, the results of the mean scores for the four categories can be interpreted as good quality. Keywords: poster, unity, layout, typography.
14
Setiawan, Heri, and Gamal Kartono. "Analisis Penerapan Prinsip Layout, Tipografi, Warna, dan Gambar Pada Sampul Majalah “Dinamika." Journal of Education, Humaniora and Social Sciences (JEHSS) 4, no. 1 (June 24, 2021): 321–29. http://dx.doi.org/10.34007/jehss.v4i1.660.
Full textAbstract:
This study aims to analyze and describe how the cover of the student press magazine "Dinamika" State Islamic University of North Sumatra applies magazine cover design based on the principles of layout, typography, and color selection and images. This study uses a qualitative descriptive method. The subject of this research is the student press magazine "Dinamika" UIN SU edition 29 to edition 50 with a total of 15 magazine covers using purposive sampling technique. The results of this study explain the number of magazine covers that apply the very good category layout principle as many as 5 covers (33%), 5 good (33%), 3 good enough (20%), and 2 cover (14%) less good. The application of the principles of typography in very good categories was 4 covers (27%), 6 good (40%), 1 (6%) good enough, and 4 covers (27%) not good enough. Color selection for very good categories was 7 covers (47%), good 3 (20%), good enough 4 (27%), and less good as many as 1 cover (6%). In the selection of images, there were 3 covers (20%), 6 (40%), 2 (14%) good enough, and 4 (27%) not good. Overall, the results of this study concluded that the quality of the application of the principles of layout, typography, colors, and images on the cover design of the UIN SU student press magazine "Dinamika" was categorized as quite good.
15
Suprayitno, Suprayitno. "Tinjauan Anatomi Layout Halaman Republika Epaper." Humaniora 3, no. 2 (October 31, 2012): 593. http://dx.doi.org/10.21512/humaniora.v3i2.3403.
Full textAbstract:
Communities are increasingly familiar with Internet technology became one of the reasons for the rapid growth of digital newspaper in Indonesia. The ability of the media presents news in brief, fast, accessible and inexpensive form the basis of high growth of consumer interest in digital newspaper / electronic. Technological developments, triggering changes to the newspaper that had shaped the physical print later developed in digital form. In principle, newspaper print and digital newspapers contain messages or the same news, namely providing information to readers about the actual and weighted, as well as other light information that is entertainment. Review the anatomy of the digital newspaper layout is a study to trace and explore what and how the anatomy of a newspaper page layout, at least to provide information and understanding of the anatomy of the layouts in outline. Process layout in the digital version is no different from print media, which distinguishes its output only. In the process to any design layout of a medium, a designer is still expected to possess and master the basic principles such as layout hierarchy, emphasis, balance, and unity.
16
Sharudin, Sharul Azim. "Evaluation in Order to Produce a Successful Advertisement in Educational Learning in Malaysia." International Journal for Innovation Education and Research 2, no. 5 (May 31, 2014): 7–12. http://dx.doi.org/10.31686/ijier.vol2.iss5.179.
Full textAbstract:
Times now, most educators only emphasized the theory in producing a display ad. Whereas for the successful display advertising, an individual needs to know in a variety of media to produce a layout, typography and use the ad in terms of formalistic concept used. Therefore this study is made to the layout of experts and the public in assessing a successful ad served on community.
17
Santos, Maria Eduarda Sousa, and Vânia Soares Barbosa. "Multimodal meanings." Revista da Anpoll 55 (April 30, 2024): e1826. http://dx.doi.org/10.18309/ranpoll.v55.1826.
Full textAbstract:
Visual compositions have been present in Western society since the beginning of civilization. They evolved due to technological advances and are nowadays more visual than ever with the use of images, colors, layout, and typography. The latter has gained the attention of theorists such as van Leeuwen (2006), Serafini and Clausen (2012) and Silva and Barbosa (2020). Its potential may be seen in picturebooks – a literary and multimodal material widely used in educational contexts (Serafini, 2014). Therefore, this research investigated the semiotic potential of typography in contemporary picturebooks in order to understand the possible meanings of its organization. Five picturebooks from the website Vooks were selected and three parts – the cover, pages of narration, and pages of mental and verbal processes – were analyzed. Then, their typography was described based on the categories proposed by van Leeuwen (2006) and Serafini and Clausen (2012). The results showed that typography has the potential of visually defining which participant is speaking as well as establishing relations with the meaning of the word. For example, the typography of “jumped” was organized as if the letters were jumping themselves. Thus, the emphasis on aspects such as weight, size, and framing may make readers aware that typography can express meanings that go beyond the verbal text.
18
Risvantry, Ucha, and Fuad Erdansyah. "Analisis Desain Brosur Pendidikan pada Sekolah Dasar Islam Terpadu Al – Munadi Medan." Journal of Education, Humaniora and Social Sciences (JEHSS) 3, no. 1 (August 8, 2020): 153–60. http://dx.doi.org/10.34007/jehss.v3i1.242.
Full textAbstract:
This study aims to analyze the design of the SDIT AL - Munadi Medan brochure for the period 2014 - 2019 by knowing the color, layout and typography of the brochure. The research method uses descriptive qualitative by collecting various information about the brochure design of SDIT AL - Munadi Medan for the period of 2014 - 2019. The population in this study is the design of brochures for the period 2014 - 2019 amounting to 6 brochures at SDIT AL - Munadi Medan. The sample in this study used saturated sampling in which the entire population was sampled, in order to obtain data regarding the analysis of the design brochure SDIT AL - Munadi Medan. After collecting data through observation research instruments, interviews and documentation, the results of the study show the results of the SDIT AL - Munadi Medan brochure design for the period 2014 - 2019 from the color of the brochure, brochure layout, and brochure typography.
19
Yogananti, Auria Farantika, Noor Hasyim, and Ali Muqoddas. "Efficiency Perubahan Desain Layout pada Website Responsif Surat Kabar di Indonesia terhadap Pengguna (Studi Kasus : Website Kompas, JPNN, dan Republika)." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 5, no. 01 (February 28, 2019): 83–101. http://dx.doi.org/10.33633/andharupa.v5i01.1987.
Full textAbstract:
AbstrakPerkembangan teknologi membuat website yang dahulu hanya dapat diakses melalui Personal Computer (PC) saat ini dapat diakses dari berbagai perangkat (devices) seperti tablet dan mobile phone. Sama halnya dengan website, surat kabar juga mengalami perkembangan, mulai dari surat kabar cetak, elektronik dan website (online). Website surat kabar yang dapat diakses melalui berbagai perangkat memiliki layout yang dapat berubah mengikuti luas monitor dari perangkat yang digunakan. Saat berinteraksi dengan website, pengguna bersentuhan langsung dengan antarmuka. Pengguna dapat menemui kesulitan dan kegunaan pada saat menggunakannya. Ketergunaan inilah yang sering disebut pula dengan usability. Dalam usability, efficiency merupakan salah satu komponen yang digunakan untuk mengukur kecepatan pengguna saat menjumpai sebuah konten, dalam hal ini adalah konten saat desain layout yang berubah akibat adanya perubahan perangkat. Pada penelitian ini, dilakukan Analisa ANOVA untuk mengetahui signifikansi efficiency pengguna saat mengakses website surat kabar dengan perangkat yang berbeda. Objek penelitian adalah website surat kabar nasional di Indonesia. Hasil yang didapatkan dari beberapa tahapan yang dilakukan untuk mengukur efficiency adalah pengguna membutuhkan waktu yang lama saat mengakses website surat kabar dalam perangkat yang berbeda sehingga perubahan layout pada perangkat yang berbeda secara signifikan mempengaruhi pengguna saat mengakses website surat kabar. Kata Kunci: ANOVA, efficiency, layout, surat kabar, website responsif AbstractThe development of technology makes website which only can be accessed through Personal Computer (PC) currently can be accessed from various devices such as tablet and mobile phone. Same as the website, the newspaper also through developments, starting from printing newspaper, electronic newspaper, and website (online) newspaper. Online newspaper can be access through various devices and having layout which can be transformed to monitor area of devices. The change of layout on online newspapers causing website user interface design and content changed. Interacting with website, user directly contact with user interface. User also can found difficulties and convenience when used it. Those kinds of difficulties and conveniences called usability. In usability, efficiency was component used to measure user speed when encounter a content. Regarding this case was content when layout changed due the changed of devices. ANOVA analysis will be conducted to find the significance of user efficiency when accessing online newspaper on different devices. The object of this research is online newspaper of Indonesia national newspaper. The result obtained that user experienced a long time when accessed online website on different devices so that the change of layout on different devices significantly affected user when accessing online newspaper.Keywords: ANOVA, efficiency, layout, online newspaper, responsive website
20
ALNEAIMI, NORA AHMED L. "MULTI-THEORETICAL EXPLICATION OF EXPERIMENTAL TYPOGRAPHY: THE CONTEXT OF 21ST CENTURY LITERARY TEXTS." Cognizance Journal of Multidisciplinary Studies 4, no. 6 (June 30, 2024): 467–601. http://dx.doi.org/10.47760/cognizance.2024.v04i06.029.
Full textAbstract:
This study is a multi-theoretical explication of selected 21st-century literary texts with a focus on determining how literary pieces with experimental typography can be analyzed which places emphasis on a literary primer that can be produced from the textual analysis, interpretation, and explication of the texts analyzed. This research study examines the significance of experimental typography in selected literary texts, specifically focusing on Tahereh Mafi’s Shatter Me Novel, Austin Kleon’s Newspaper Blackout, and shape poetry. The findings revealed that authors employ various types of experimental typography to convey additional layers of meaning in their works. The analysis of Tahereh Mafi's novel "Shatter Me" identifies the use of strikethrough, the management of space, and the unconventional use of mechanics as experimental typography techniques. In blackout poetry, the interaction between visual and textual elements through the use of semiotics plays a vital role in conveying the intended message. Shape poetry, on the other hand, integrates language, design, and visual representation to create a cohesive composition, offering a unique and visually engaging reading experience. Based on the findings, it is concluded that writers utilize multiple modalities manifested in experimental typography, embedding symbolism in literature. Readers must recognize these modalities and analyze their impact on literary elements to develop accurate interpretations. The study recommends further exploration of 21st-century literary analysis, emphasizing works incorporating experimental typography and innovative forms of literary expression. It suggests making a primer on experimental typography available to literature students to enhance their understanding of typography's expressive potential. Additionally, the study proposes exploring other modalities employed by modern writers and testing the primer's usability in schools to optimize its impact on students' learning experiences and curriculum enhancement. This research contributes to the understanding and appreciation of experimental typography in contemporary literature.
21
Ravelli, Louise J., and Sue Starfield. "Typography and disciplinary identity in academic writing." Information Design Journal 16, no. 2 (August 4, 2008): 133–47. http://dx.doi.org/10.1075/idj.16.2.06rav.
Full textAbstract:
This paper examines the potential significance of typographic variation in the front pages of a corpus of Humanities and Social Sciences doctoral theses. Some account is taken of the linguistic content of these pages, but the primary focus is on typographic resources such as font choice, salience, and layout. It is found that there is a strong association between the nature of the typographic choices and the disciplinary orientation. Specifically, the more marked semiotic resources are likely to be associated with theses which are oriented towards the “New Humanities”, that is, adopting a more subjective approach to research.
22
Hermanto, Yon Ade Lose, Nabisah Binti Ibrahim, Joni Agung Sudarmanto, Fariza Wahyu Arizal, and Novian Wahyu Firmansyah. "Atomic Design System for Typography Layout in Student Poster Design." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 9, no. 03 (September 26, 2023): 310–25. http://dx.doi.org/10.33633/andharupa.v9i03.7634.
Full textAbstract:
AbstrakPenelitian ini bertujuan untuk menerapkan atomic design system pada proses perancangan desain poster komunikasi visual. Banyak cara menciptakan produk desain untuk kebutuhan tertentu. Urgensi penelitian ini adalah karena selama ini banyak desainer terutama mahasiswa, yang bingung dengan proses desain poster. Banyak metode desain yang tidak semuanya sesuai dengan penciptaan desain poster. Maka, atomic design ayatem merupakan alternatif metode yang dapat digunakan untuk membuat desain poster. Desain poster tersebut memiliki dua tujuan yang penting, yaitu menyampaikan pesan atau informasi dengan baik dan benar pada masyarakat, dan menampilkan informasi tersebut dengan artistik dan estetik. Atomic Design System dapat membantu desainer dalam membuat desain dengan tujuan-tujuan tersebut. Disamping langkah yang sistematis, system ini juga membuat elemen desain dan elemen informasi yang akan disajikan teridentifikasi dengan lengkap. Metode atomic memiliki langkah-langkah sebagai berikut: atomic element, molekul element, organisme desain, menyiapkan halaman, serta merancang template desain . proses dari atomic design system ini menghasilkan elemen desain yang tertata, alur baca yang baik, serta template design yang dapat diterapkan pada desain lain. Studi kasus perancangan poster PIMNAS merupakan studi yang tepat karena poster PIMNAS menampilkan banyak informasi dan data serta harus disajikan dengan runtut dan jelas. Hasil dari penerapan Atomic Design System adalah final design poster PIMNAS dengan legibility dan readability yang baik. Kata Kunci: atomic design, desain poster, sistem tata letak, tipografi AbstractThis study aims to apply the atomic design system to the poster design process of visual communication design. There are many ways to create and design products for specific needs. This research is urgent because many designers, especially students, are confused about the poster design process. Many design methods are not all appropriate for creating poster designs. So, the atomic design system is an alternative method that can be used to make poster designs. These poster designs have two important goals: conveying messages or information properly and correctly to the public and presenting the information artistically and aesthetically. Atomic Design System can assist designers in making designs with these goals. In addition to systematic steps, this system also makes design elements and information elements be presented wholly identified. The atomic method has the following steps: Atomic elements, Molecular elements, design organisms, prepare pages, and design templates. This atomic design system produces well-organized design elements, good reading flow, and design templates that can be applied to other designs. The PIMNAS poster design case study is the proper study because the PIMNAS poster displays a lot of information and data and must be presented coherently and clearly. The result of implementing the Atomic Design System is the final PIMNAS poster design with good legibility and readability. Keywords: atomic design, layout system, poster design, typography
23
Vandendaele, Astrid. "Designing the news: A practitioner perspective on the production values in newspaper sub-editing." Journalism 21, no. 11 (November 26, 2017): 1655–75. http://dx.doi.org/10.1177/1464884917743389.
Full textAbstract:
This article zooms in on the daily practices of newspaper production journalists. In three semi-structured interviews with sub-editors employed by a Belgian newspaper, I test the practical application of the ‘production values’ I formulated, that is, guidelines that help them ensure accuracy, readability, appeal and credibility of their newspaper. By not only ‘member checking’ previous findings with sub-editors but also including the layout designers’ input on their collaborative process, I re(de)fine my original set of production values. My data suggest that in this particular newsroom the layout designer’s voice can be heard louder than ever. By ‘designing’ the news, sub-editors and layout designers add all-important journalistic value to their publications.
24
Siburian, Sarah Agatha, Daulat Saragi, and Syahruddin Harahap. "TINJAUAN TATA LETAK (LAYOUT) POSTER ANTI NARKOBA BADAN NARKOTIKA NASIONAL PROVINSI SUMATERA UTARA." Gorga : Jurnal Seni Rupa 9, no. 1 (January 17, 2020): 01. http://dx.doi.org/10.24114/gr.v9i1.16538.
Full textAbstract:
AbstrakPoster merupakan media komunikasi hasil dari desain grafis, yang bertujuan menyampaikan informasi pada konsumen hingga mempengaruhi pembaca. Kesatuan elmen dalam poster mempengaruhi hasil desain. Penelitian ini bertujuan untuk mengetahui sejauhmana penerapan elemen-elemen seperti tipografi, warna, layout, kesesuaian gambar/visual yang terdapat pada poster anti narkoba Badan Narkotika Nasional yang ditujukan kepada remaja dan pelajar tahun 2018. Sampel pada penelitian ini ialah seluruh sampel dari populasi yaitu 3 dari 3 poster. Teknik pengambilan sampel dengan sampel jenuh, merupakan teknik pengambilan seluruh anggota populasi. Adapun analisis data yang digunakan dalam penelitian ini adalah deskriptif kualitatif. Hasil temuan penelitian ini menunjukkan bahwa secara keseluruhan desain poster sudah baik dalam penempatan layout pada warna, tipografi, dan gambar. Pemilihan jenis huruf berkaitan dengan tingkat kemudahan untuk dibaca dan ukuran huruf yang digunakan berkaitan pula dengan keterbacaan teks poster. Jenis huruf yang digunakan pada poster disesuaikan dengan tema. Warna yang digunakan dapat memberikan penekanan pada poster sehingga menimbulkan kontras dan alur baca yang tepat. Pemilihan layout yang tepat menonjolkan pusat perhatian/fokus. Kesatuan penerapan keseimbangan simetris, asimetris, memusat dan menyebar. Keselarasan antara tema dengan gambar juga mendukung desain poster. Dalam pemilihan gambar, gambar yang digunakan dapat mengkomunikasikan informasi atau tujuan dari pesan yang ingin disampaikan.Kata Kunci: poster, layout, tipografi, warna.AbstractPoster is a communication media resulting from graphic design, which invites information in consumers to make it easier for readers. The unity of elements in the poster influences the design results. This study discusses how to apply elements such as typography, color, layout, image / visual suitability needed on the National Narcotics Agency anti-drug poster intended for adolescents and students in 2018. The sample of this study is a sample 3 of 3 posters. The sampling technique is saturated sample, with the technique of taking all members. The data analysis used in this research is descriptive qualitative. The findings of this study indicate that poster design is good in laying out layouts on colors, typography, and images. Font selection poster with level read to read and poster letters used. The type of font used on the poster is adjusted to the theme. The colors used can provide contrast to the poster so as to facilitate contrast and proper reading flow. Choosing the right layout choose the center of attention / focus. The unity of application of symmetrical, asymmetrical, centered and diffuse balance. The alignment between the theme and the picture also supports the poster design. In image selection, the image used can communicate information or the purpose of the message to be conveyed. Keywords: poster, layout, typography, color.
25
Bateman, John, Thomas Kamps, Jörg Kleinz, and Klaus Reichenberger. "Towards Constructive Text, Diagram, and Layout Generation for Information Presentation." Computational Linguistics 27, no. 3 (September 2001): 409–49. http://dx.doi.org/10.1162/089120101317066131.
Full textAbstract:
Combining elements appropriately within a coherent page layout is a well-recognized and crucial aspect of sophisticated information presentation. The precise function and nature of layout has not, however, been sufficiently addressed within computational approaches; attention is often restricted to relatively local issues of typography and text-formatting, leaving broader issues of layout unaddressed. In this paper we focus on the selection and function of layout in pages that appropriately combine textual and graphical representation styles to yield coherent presentation designs. We demonstrate that layout offers a rich resource for achieving presentational coherence, alongside more traditional resources such as text-formatting and the text-internal marking of discourse connections. We also introduce an integrated approach to layout, text, and diagram generation. Our approach is developed on the basis of a preliminary empirical investigation of professionally produced layouts, followed by implementation within a prototype information system in the area of art history.
26
Kholik, Abdul. "PENERAPAN REKA BENTUK PADA HALAMAN MUKA SURAT KABAR." Communicology: Jurnal Ilmu Komunikasi 6, no. 2 (February 20, 2019): 35–54. http://dx.doi.org/10.21009/communicology.0602.03.
Full textAbstract:
ABSTRACT
Every newspaper has its own characteristics on the visual aspect or design of newspaper. This is evident from the differences in each media appearance of dimension (make-up) and layout on the main page newspaper. The characteristics of design certainly are based on different forms of media, readers segmentation, and content of message presented. The purpose of this research is to analyze the policy of Inilah Koran Daily Newspaper and Pikiran Rakyat Daily Newspaper in applying design on front page of a newspaper. The rationale of this research comes from The Hierarchy of Influence Theory by Pamela J Shoemaker and Stephen D Reese. The method used in this research was a descriptive-comparative with qualitative approach. The result obtained from this research is the application of design policy on front page Inilah Koran newspaper uses the functional layout format and oriented visual journalism, while design policy implementation on front page Pikiran Rakyat newspaper uses layout combination and influenced by the results of the audience analysis performed routinely.
Keywords: Design, Newspapers, Hierarchy of Influence Theory, Comparative
ABSTRAK
Setiap surat kabar memiliki karakteristik tersendiri pada aspek visual atau desain surat kabar. Ini terlihat dari perbedaan dimensinya masing-masing media yaitu tampilan (make-up) dan tata letak di halaman utama koran. Karakteristik desain tentu didasarkan pada berbagai bentuk media, segmentasi pembaca, dan konten pesan yang disajikan. Tujuan dari penelitian ini adalah untuk menganalisis kebijakan Surat Kabar Harian Inilah Koran dan Surat Kabar Harian Pikiran Rakyat dalam menerapkan desain di halaman depan sebuah surat kabar. Rasional dari penelitian ini berasal dari The Hierarchy of Influence Theory oleh Pamela J Shoemaker dan Stephen D Reese. Metode yang digunakan dalam penelitian ini adalah deskriptif-komparatif dengan pendekatan kualitatif. Hasil yang diperoleh dari penelitian ini adalah penerapan kebijakan desain pada halaman depan koran Koran Berikut ini menggunakan format layout fungsional dan jurnalisme visual yang berorientasi, sedangkan implementasi kebijakan desain pada halaman depan koran Pikiran Rakyat menggunakan kombinasi layout dan dipengaruhi oleh hasil analisis audiens. dilakukan secara rutin.
Kata kunci: Desain, Surat Kabar, Teori Hierarki Pengaruh, Komparatif
27
Gonzalez, J., I. Rojas, H. Pomares, M. Salmeron, and J. J. Merelo. "Web newspaper layout optimization using simulated annealing." IEEE Transactions on Systems, Man and Cybernetics, Part B (Cybernetics) 32, no. 5 (October 2002): 686–91. http://dx.doi.org/10.1109/tsmcb.2002.1033189.
Full text
28
Mitchell, Phillip E., and Hong Yan. "Newspaper layout analysis incorporating connected component separation." Image and Vision Computing 22, no. 4 (April 2004): 307–17. http://dx.doi.org/10.1016/j.imavis.2003.11.001.
Full text
29
Kurnianto, Arik. "Analisis Layout Surat Kabar berdasarkan Prinsip-Prinsip Desain melalui Metode Estetika Birkhoff." Humaniora 4, no. 2 (October 31, 2013): 986. http://dx.doi.org/10.21512/humaniora.v4i2.3540.
Full textAbstract:
This study has primary focus to analyze the aesthetic layout of a newspaper with a mathematical approach, which refers to some methods of Birkhoff’s aesthetic measurement developed by David Ngo Chek Ling, et.al. Ngo developed a method of measuring the aesthetic layout that can be used for various design purposes, especially for a computer interface design. Measurement method that he developed refers to the principles of design aesthetics, such as: the principle of balance, the principle of sequence, the principle of unity, and the principle of equilibrium. Birkhoff aesthetic measurement method was used as final analysis to determine the value of aesthetic layout. In this study, some national and local media were selected as samples to determine and assess the aesthetic layout. Based on data analysis, Birkhoff aesthetic measurement method can be applied to measure the aesthetic value of the newspaper layout mathematically.
30
Waldeck, Mila. "Typography and nationalism: The past and modernism under Nazi rule." Journal of Visual Political Communication 6, no. 1 (June 1, 2020): 37–80. http://dx.doi.org/10.1386/jvpc_00003_1.
Full textAbstract:
In 1941, the Nazi regime revoked the long-established convention of typesetting German texts in Fraktur styles.1 This study examines the significance of the messages conveyed by letterforms in Nazi propaganda and the extent to which the regime put into practice its professed typographic policies. Taking into account different audiences and channels, it focuses on books by the Ahnenerbe institute controlled by Heinrich Himmler, the women’s magazine NS-Frauen-Warte and the newspaper Völkischer Beobachter. Fraktur styles seem to have functioned as the main letterforms of the blood and soil ideology, but another strand of Nazi typography departed from Fraktur and probably translated the importance of the Oera Linda book and the Codex Aesinas in the image of a supposedly ‘Aryan’ past. Meanwhile, the Nazi propaganda incorporated forms and norms that it appropriated from modernist typography, a topic implicitly raised in the dispute between Max Bill and Jan Tschichold in 1946. Typography functioned as an instrument for exclusion, racial discrimination and gender stereotyping and to mark the boundaries of the ‘Aryan’ community, challenging the notion of print-language as intrinsically inclusive expressed in Benedict Anderson’s Imagined Communities.
31
Zhu, Tiejun, and Yujin Yang. "Research on mobile learning platform interface design based on college students’ visual attention characteristics." PLOS ONE 18, no. 7 (July 7, 2023): e0283778. http://dx.doi.org/10.1371/journal.pone.0283778.
Full textAbstract:
To explore the visual experience characteristics and influencing factors of college students’ visual attention intervention in the interface of mobile learning platform by using eye-tracking technology, and to summarize and summarize the visual experience pattern of platform interface design and its design inspiration. Methods: Using the head-mounted eye-tracking technology, 28 images from 6 groups of typical elements in the interface layout of CGTN learning platform were selected as the test samples, and the eye-movement indexes of the subjects browsing the interface were recorded. Results: There were significant differences in the attention time, number of times of attention, visual attention rate and visual recall rate of different areas and topics of the interface (P < 0. 001). Conclusion: In the platform interface design, the analysis of the factors influencing visual attention can be found that people’s attention and visual experience is mainly influenced by color, text, and typography, and secondary areas and layout also play an important role in visual communication. The color and text areas in the interface design, as well as the innovative design of typography can effectively enhance the visual attention of college students and better communicate the information of the platform.
32
Monica, Monica. "Pengaruh Warna, Tipografi, dan Layout pada Desain Situs." Humaniora 1, no. 2 (October 31, 2010): 459. http://dx.doi.org/10.21512/humaniora.v1i2.2887.
Full textAbstract:
Virtual world is now a mainstay many people promote themselves, goods, or their organizations. What is displayed in the virtual world associated with the role of a design is an interesting site and invites visitors to read and understand the message that the site owners want to convey. The design that attract not only in terms of its contents are complete but also in terms of appearance. This article describes a good selection of colors for a site, the application of typography for ease in reading the contents of site visitors, and a layout processing in accordance with the principles of design to design a site with well-ordered.
33
Grossman, Efrat. "Script and Creating a Religious Identity: The Typography of the Talmud." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 227–42. http://dx.doi.org/10.31866/2410-1915.24.2023.287701.
Full textAbstract:
Aim of the article. This article deals with the iconic typography of the Talmud page and focuses on the relationship between script and religious identity. It examines changes in design and typography in the modern editions of Steinsaltz, Artscroll, and Koren since the 1980s, and how they led to the removal of some of these editions from the yeshiva world, preventing yeshiva students from using them. Results. The Talmud is the central and most influential text in the world of Jewish law. Its study holds great spiritual significance, and many regard it as a means for self-expression and connection to the Torah’s oral tradition. During the second half of the 20th century, initiatives were taken to change the traditional layout of Judaic texts. The aim of these initiatives was to create a new “Israeli design” for Judaic texts while remaining loyal to the past. Designers sought to strike a balance between conservation and innovation in aspects such as book design, technological advances in the printing industry, accessibility regarding reading, studying, and prayer, and catering to broader target audiences. In most cases, new book formats were chosen, but at times, such changes generated strong opposition in certain Jewish sectors, resulting in those books being banned from study halls and synagogues. A case in point was Rabbi Steinsaltz’s project of redesigning the Talmud to make Talmud study more accessible for struggling learners. Rabbi Steinsaltz changed the format of the Talmud page to a more readable format, using new fonts, additional punctuation, and wider spacing between the lines. This change, however, was not accepted by the Haredi (ultra-Orthodox) and parts of the National- Religious public. Scientific novelty. Existing research deals separately with the issue of Zionist Hebrew typography and the issue of the ultra-Orthodox society. To the best of our knowledge, so far, no research has directly linked the two issues to examine the ultra-Orthodox approach to design in general and to Hebrew typography in particular. This study contributes to previous research on Hebrew typography, emphasising its role in conveying a social, educational, and ideological message, regardless of the written text’s content. Conclusions. Judaic texts that are used in the ultra-Orthodox world are visually different in design from those used in the secular and/ or National-Religious world. While the ultra-Orthodox staunchly preserve the traditional Judaic book format (albeit with minor changes), the secular world and parts of the National-Religious public welcome books that have a variety of fonts, colorful designs and pictures, decorations, and didactic explanations to aid the reader. The Talmud is a book with a distinct typography and contains a wealth of information. The layout of a Talmud page allowed for a variety of different texts to be combined in one book, making it easier to study. The fixed template, which is exactly the same in all tractates, generates a visual representation of the text so that a large amount of information can be remembered through an “eidetic memory” of images. Rabbi Adin Steinsaltz’s edition of the Talmud (Koren), which changed the traditional page layout to make the text more accessible, remained only partially faithful to the original but brought about a true revolution. For some audiences, this innovative edition represents a pinnacle of Hebrew literature, while for others, it is seen as a violation of the sacred literature and should be banned. There has always been a strong connection between the ultra-Orthodox world and Hebrew typography, and it is still present on a daily basis. The Hebrew letters are cornerstones in the design of the Holy Scriptures. However, the attitude of the ultra-Orthodox world toward modern Hebrew typography as reflected in this study, is one of ambivalence, some acceptance but mostly strong reservations.
34
Pflaeging, Jana, and Hartmut Stöckl. "Tracing The Shapes of Multimodal Rhetoric: Showing the Epistemic Powers of Visualization." Visual Communication 20, no. 3 (July 27, 2021): 397–414. http://dx.doi.org/10.1177/14703572211010370.
Full textAbstract:
This visual essay seeks to substantiate and illustrate the tenet that formal–structural elements in graphic design carry rhetorical functions. Based on a National Geographic feature article, the authors demonstrate methods for ‘measuring’ layout, colour and typography, and show the results in infographic visualizations. At the same time, the study showcases the epistemic value of these visualizations. The perspective adopted puts the double-page centre-stage.
35
Endrian, Sabri, and Hendra Afriwan. "RE-DESAIN LAYOUT BUKU DUDAYA ALAM MINANGKABAU." DEKAVE : Jurnal Desain Komunikasi Visual 10, no. 2 (February 17, 2020): 336. http://dx.doi.org/10.24036/dekave.v10i2.108167.
Full textAbstract:
Minangkabau custom is a value that governs all social life in Minangkabau. The book on natural Minangkabau culture is a reading that teaches the values of Minangkabau adat. The loss of local content in the 2013 curriculum made the community especially Minang begin to forget the values of this Minangkabau. Therefore, the writer makes a reading material for the Minangkabau natural culture book, which is a re-design of the Minangkabau natural culture book. The design is based on book theory, color, typography e 5W + 1H data analysis technique is (what, when where, who, why and how). In addition to designing the Minangkabau Natural Culture book as the main media, thisdesign has supporting media such as posters, x-banners, stickers, bookmarks, totebags, instagram feeds, and e-books.Keywords: Book, re-design, layout, natural Minangkabau culture
36
Zhu, Wenzhen, Negin Sokhandan, Guang Yang, Sujitha Martin, and Suchitra Sathyanarayana. "DocBed: A Multi-Stage OCR Solution for Documents with Complex Layouts." Proceedings of the AAAI Conference on Artificial Intelligence 36, no. 11 (June 28, 2022): 12643–49. http://dx.doi.org/10.1609/aaai.v36i11.21539.
Full textAbstract:
Digitization of newspapers is of interest for many reasons including preservation of history, accessibility and search ability, etc. While digitization of documents such as scientific articles and magazines is prevalent in literature, one of the main challenges for digitization of newspaper lies in its complex layout (e.g. articles spanning multiple columns, text interrupted by images) analysis, which is necessary to preserve human read-order. This work provides a major breakthrough in the digitization of newspapers on three fronts: first, releasing a dataset of 3000 fully-annotated, real-world newspaper images from 21 different U.S. states representing an extensive variety of complex layouts for document layout analysis; second, proposing layout segmentation as a precursor to existing optical character recognition (OCR) engines, where multiple state-of-the-art image segmentation models and several post-processing methods are explored for document layout segmentation; third, providing a thorough and structured evaluation protocol for isolated layout segmentation and end-to-end OCR.
37
Brüning, Gerrit, and Dietmar Pravida. "Dramatische ‹mise en page› in Handschrift und Druck." editio 34, no. 1 (November 1, 2020): 123–41. http://dx.doi.org/10.1515/editio-2020-0007.
Full textAbstract:
AbstractThe paper compares the typography of the first edition of Goethe’s collected writings 1787–1790 with the layout (‹mise en page›) of the manuscript copies from which the print was set. It tries to establish the textual authority of particular typographic devices for print dramas such as the indications of scenes, stage directions, and speech prefixes by tracing their relation to the manuscript setting copies and their development in subsequent volumes of the print edition, but especially for the tragedy Torquato Tasso. It turns out that print typography is sensitive to the manuscript record but shows substantial tendencies to introducing additional typographic hierarchy, thereby underlining outward form, i. e. external characteristics of classicist drama. Later editions published during Goethe’s lifetime seem to go much further in this direction. The consequences for the typographic setup in critical editions of Goethe’s dramas are discussed.
38
Devia, Nelson, and Richard Weber. "Teaching Note—Active Learning Exercise: Newspaper Page Layout." INFORMS Transactions on Education 12, no. 3 (May 2012): 153–56. http://dx.doi.org/10.1287/ited.1110.0082.
Full text
39
González, J., I. Rojas, H. Pomares, M. Salmerón, A. Prieto, and J. J. Merelo. "Optimization of web newspaper layout in real time." Computer Networks 36, no. 2-3 (July 2001): 311–21. http://dx.doi.org/10.1016/s1389-1286(01)00158-x.
Full text
40
SERDALI, B. K. "WAYS TO PUBLISH PUBLICATIONS." Iasaýı ýnıversıtetіnіń habarshysy 125, no. 3 (September 15, 2022): 316–25. http://dx.doi.org/10.47526/2022-3/2664-0686.28.
Full textAbstract:
Decades ago, people hurried to read newspapers. He was ready to count to the last penny in order to buy an interesting edition. At that time, the format and size of the newspaper were different, external beauty was not paid much attention to, it was strict, standard, gray. There were long columns and sloppy lyrics. However, the public was interested in the abundance of news on the pages of the publication. It is not easy to please the modern reader. Television, radio, computers, various CD-MD-DVD players, satellite and cable TV channels attract audiences and make periodicals uncompetitive. However, editors of newspapers and magazines tend to compete and consider different ways to meet the needs of the reader. Undoubtedly, there is room for an attractive design of the publication. The designer and layout designer of a newspaper can be compared to an architect and a builder, and the main elements of the design of a newspaper can be compared to the bricks from which a building is being built, that is, a newspaper issue. Designers and layout designers solve a complex of problems related to the plan of this construction – with the composition of numbers and bands, with the placement of materials, etc. The composition of the pages depends on the composition of the entire issue of the newspaper, which in turn is determined by the content of the published materials and their nature. In almost every newspaper, a more or less stable composition is gradually taking shape, which means the design of the pages, the main sections and headings characteristic of this publication. The article discusses some methods of layout of newspapers and magazines.
41
Asthararianty, Fanny Lesmana, and Yeremia Tulude Ambat. "Study of DI’s Way Daily Layout in Hermeneutics Viewed from its Layout Elements." Jurnal Spektrum Komunikasi 10, no. 1 (April 4, 2022): 104–9. http://dx.doi.org/10.37826/spektrum.v10i1.273.
Full textAbstract:
DI's Way is present as a new media in the world of print media. Print media originating from Surabaya, and for Surabaya residents. It looks like a magazine but is published every day, has a cover layout that is not like a magazine or newspaper. The cover design, in this case, especially the layout, has an aesthetic to determine the mass media, especially print, whether the media will sell or not. However, this daily is claimed to have many fans, both in its initial form, namely a website, to becoming a daily printed in color. This study uses a qualitative method with a hermeneutic approach to explore the impression of what the cover layout design shows that is not like a magazine or newspaper to Surabaya. The hermeneutic method is carried out by interpreting the data seen in the DI's way cover design, layout theory, and also matters related to Surabaya. This data mining is done by looking at the cover layout design in terms of the use of grids, margins, and also text and image elements. The results that can be seen are as a DI's way daily like a newspaper or newsletter that has a template for each edition with a cover layout showing the impression that the main interest of this media is to be able to tell important news to the City of Surabaya, by always using a large size for the main news photo and also for the text element (headline) but the arrangement can still be followed as a comfortable reading flow. A large portion seems to want to show the impression of the characteristics of the City of Surabaya as a city of heroes which has a great and passionate fighting spirit. Meanwhile, supporting news is placed below it according to the order of its news value, showing the impression of the vision that the City of Surabaya has in building a city that is more advanced from all aspects. In addition, grid management displays the impression of being a local mass media that is regularly reported in its media according to the identity of a daily media that has a news order position like an inverted pyramid.
42
Smith, Ron F. "Black & White. Unread All over?: How Design & Color Affect Reader Judgment of Newspapers." Newspaper Research Journal 10, no. 2 (January 1989): 75–85. http://dx.doi.org/10.1177/073953298901000207.
Full textAbstract:
A study of design and color effects on newspaper credibility indicates that earlier notions that readers equate modern color and layout with lack of professionalism may be faulty. The present study finds that readers judge color and design charactistics less harshly than previously thought and that characteristics other than design considerations “color” readers' views of newspaper value.
43
Fee, Frank. "NRJ Book: Newspaper Layout & Design: A Team Approach." Newspaper Research Journal 21, no. 4 (September 2000): 113–14. http://dx.doi.org/10.1177/073953290002100408.
Full text
44
El Chidtian, Aileena Solicitor Costa Rica, and Yudha Delonix Renzina. "Analisis Tipografi pada Poster Film Horor Indonesia Tahun 2022." Jurnal Desain Komunikasi Visual Asia 8, no. 01 (January 30, 2024): 1. http://dx.doi.org/10.32815/jeskovsia.v8i01.975.
Full textAbstract:
Horror film posters are often an important medium in attracting the attention of potential audiences and depicting the essence of the film. The typography in the poster plays a crucial role in conveying the message and atmosphere of the film. In many horror movie posters, the typeface often has a spooky character to create a tense atmosphere. The size and layout of the text are also important factors. Some posters choose to expose the film title in large, bold letters to capture attention, while others choose a more substantive look with smaller text to create mystery. Color also plays an important role in horror movie poster typography. The dominance of dark colors, such as black, dark red, or purple, is generally used to create a frightening atmosphere. This research uses a descriptive qualitative method with an approach to typographic principles, namely legibility, readibility, visibility and clarity. As a result of the research and analysis, it can be concluded that, on average, Indonesian horror film typography in 2022 uses decorative fonts to create an impression of mystery and is then modified with visual effects to add a visual impression of horror. Based on the theory of typographic principles, the average Indonesian horror film poster in 2022 will still pay attention to this theory and fulfill typographic rules.
45
Finkbeiner, Rita. "Sprechakttheoretische Überlegungen zur Typographie – am Beispiel von Presseüberschriften." Zeitschrift für germanistische Linguistik 49, no. 2 (August 1, 2021): 244–91. http://dx.doi.org/10.1515/zgl-2021-2029.
Full textAbstract:
Abstract Using the example of newspaper headlines, this paper develops a speech-act theoretic approach to aspects of meaning that can be communicated through the use of typographic means. After considering, more generally, the relationship between speech act theory and writing, analogies between prosody and typography are discussed and the claim is developed that typographic means, just as prosodic means, may function as illocutionary force indicating devices. Using Gallmann’s (1985) system of graphic means, newspaper headlines are defined, more specifically, as typographic objects indicating the (meta-textual) illocution type of an announcement of the text topic. Finally, the relationship between the grammatically determined illocution of a (sentential) headline and its typographically determined meta-textual illocution is modeled, on the basis of Searle’s (1982b) account of fictional speech acts, as an interplay of „vertical“ and „horizontal“ rules. The paper closes with a discussion of the more general question whether typographic acts are speech acts.
46
Prayoga, Danang Arya. "PROSES LAY OUT KORAN DI HARIAN REPUBLIKA." Jurnal Ilmiah Publipreneur 2, no. 2 (December 30, 2014): 161–75. http://dx.doi.org/10.46961/jip.v2i2.131.
Full textAbstract:
There are many things that need to be prepared in the process of publishing daily newspapers, starting from preparation of texts, photos, illustrations, until the process of distribution. This research describes the layout process in Republika. The layout process plays an important role in the look of a newspaper. In the process layout, there are some people who are involved, namely, managing editor, editor, photo editor, and stylist layout. Based on the experience of industry practices, everyone associated with the potentially problematic atak process so that it can interfere with the smooth running of the process say. The problem will be more severe if insufficient layout styling using software related to duties and responsibilities.
47
Lee, Jung Yeop. "A Study on the Expression of Text in What Remains of <Edith Finch>." Academic Association of Global Cultural Contents 52 (August 31, 2022): 51–70. http://dx.doi.org/10.32611/jgcc.2022.8.52.51.
Full textAbstract:
Based on the analysis of dynamic typography elements and character transformation methods in the adventure game <What Remains of Edith Finch>, this thesis aims to analyze the elements that recent walking simulator games try to increase expressiveness from various angles. <What Remains of Edith Finch> is a rare example in which the use of text in the game is used as a means of expression beyond a means of conveying a referential meaning or narrative. In this game, the character text functions as various dynamic typography and also serves as a mechanism to express the inner side of the character in detail. In addition, various text objects such as letters, books, newspaper articles, posters, etc. placed in the space of the game are used to expand the scope for players to interpret the work. In addition, the text is not only used as a visual expression tool, but the episodes of short stories with various expressive features such as double narrators, intertextuality, comics-style conversion, and ludo-narrative dissonance are combined in a collage form to enhance the aesthetic perfection.
48
Thomas, Jafrā D., Ethan N. Tse, Savannah A. Longoria, Cameron N. Christopher, and Bradley J. Cardinal. "Suitability: a longitudinal study of adult-focused physical activity promotion web articles." Journal of Kinesiology & Wellness 11 (November 16, 2022): 94–106. http://dx.doi.org/10.56980/jkw.v11i.114.
Full textAbstract:
A cross-sectional design has often been used to study the quality of health-related educational materials meant for lay adults (e.g., patients, the public). The present study addressed this research limitation. We documented the proportion of online physical activity promotion (PAP) material revised within a given time period and how quality was affected, if at all. PAP web articles (N = 139) meant for lay adults, written in English, and first sampled in July 2018, were resampled in July 2020. Mean publication year at timepoint 1 was 2016.82 (±1.24). At timepoint 2 it was 2018.78 (±1.39). At both timepoints, suitability for lay use was appraised using five dimensions of the suitability assessment of materials (SAM) protocol: i.e., content, literacy demand, graphics, layout and typography, and learning stimulation/motivation. There were 61 web articles (43.9%) with indicated revision and analyzed in the present study. Articles were distributed across four organizational subgroups: commercial (n = 21), government (n = 13), professional association (n = 10), and voluntary health agency (n = 17). In the aggregate sample, two SAM dimensions significantly improved: literacy demand (e.g., more active voice) and layout & typography (e.g., formatting). Often, organizational subgroups mirrored the aggregate sample. Although the overall suitability remained within the satisfactory range across the dimensions, a moderate-to-large number of articles remained unsatisfactory at timepoint 2 within several subdomains (e.g., reading grade level, summary section). This study’s findings further evidence PAP materials are somewhat suitable and the need to study suitability subdomains in addition to overall suitability.
49
Hassan Ibrahim, Tamer Ibrahim. "Arabic Typography and Visual Identity in Online Newspaper: Case Study in the Egyptian online journalism." ACTA GRAPHICA Journal for Printing Science and Graphic Communications 28, no. 4 (February 1, 2018): 149–68. http://dx.doi.org/10.25027/agj2017.28.v28i4.147.
Full text
50
Syarif, Dede Ilham, and Dini Faisal. "PERANCANGAN KEMASAN GULO- GULO TAREH NINA PAKAN SENAYAN." DEKAVE : Jurnal Desain Komunikasi Visual 10, no. 1 (February 14, 2020): 62. http://dx.doi.org/10.24036/dekave.v10i1.108120.
Full textAbstract:
The purpose of this design is to make Gulo-Gulo Tareh Nina's packaging attractive and able to convey information to a new target audience and be able to compete in a wider market. This design uses visual communication design theory, packaging, layout, typography and color. Data collection starts with observation, interview and documentation. Furthermore, the data analysis method used is SWOT (Strength, Weakness, Opportunity, Threat). This design produces the main media packaging in the form of standup pouch. And also equipped by several supporting media such as posters, aprons, stickers, x-banners, t-shirts, tote bags, greeting cards.Keywords: Packaging, Attractive, Target Audience, Competing