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Relevant bibliographies by topics / Ngenteg Linggih

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Academic literature on the topic 'Ngenteg Linggih'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Ngenteg Linggih"

1

Dewi, Putu Lusiana, and Anantawikrama Tungga Atmadja. "Peranan Kearifan Budaya Lokal Pada Gelahang untuk Mewujudkan Akuntabilitas Pengelolaan Keuangan Upacara Ngenteg Linggih lan Ngusaba Desa Adat Tunju." Jurnal Ilmiah Akuntansi dan Humanika 10, no. 2 (2020): 146. http://dx.doi.org/10.23887/jiah.v10i2.24838.

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This research has a purpose: (1) the source of funds for the ngenteg linggih lan ngusaba desa ritual in the Tunju village, (2) accountability of financial management of the ngenteg linggih lan ngusaba desa ritual in the Tunju village, and (3) the role of local cultural wisdom pada gelahang for realizing accountability of financial management ngenteg linggih and ngusaba desa ritual in the Tunju village. Data collection techniques are carried out by conducting observations, interviews and documentation studies. The result show that (1) the source of funds for the ngenteg linggih lan ngusaba desa

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2

Sutarman, Wayan, I. Nyoman Suparman, and Ketut Yasini. "WAYANG LEMAH DALAM UPACARA NGENTEG LINGGIH DI PURA AGUNG PURNASADHA TOLAI." Widya Genitri : Jurnal Ilmiah Pendidikan, Agama dan Kebudayaan Hindu 12, no. 1 (2021): 85–100. http://dx.doi.org/10.36417/widyagenitri.v12i2.343.

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Upacara ngenteg linggih memiliki nuansa religius magis karena terkait dengan keyakinan tentang dewa yadnya. Kekhasan inilah yang menjadikan pelaksanaan upacara ngenteg linggih harus dirangkaikan dengan pementasan wayang Lemah.Rumusan masalah dalam penelitian ini adalah: 1). Fungsi Pementasan Wayang Lemah Dalam Upacara Ngenteg Linggih?. 2). Nilai Pendidikan Agama Hindu Pada Pementasan Wayang Lemah Dalam Upacara Ngenteg Linggih? Penelitian ini memiliki tujuan yaitu: 1). mengetahui fungsi pementasan wayang lemah dalam upacara ngenteg linggih. 2). Untuk mengetahui nilai-nilai pendidikan agama hind

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3

I WAYAN RUSDIKA, I Wayan Wastawa, and I Wayan Sukabawa. "KOMUNIKASI TRANSENDENTAL NYENUK DALAM UPACARA NGENTEG LINGGIH DI PURA DESA, DESA PELAGA, KECAMATAN PETANG, KABUPATEN BADUNG." Anubhava: Jurnal Ilmu Komunikasi HIndu 2, no. 2 (2022): 293–302. http://dx.doi.org/10.25078/anubhava.v2i2.1819.

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ABSTRAK Komunikasi transendental nyenuk merupakan rangkaian dari upacara ngenteg linggih yang dilaksanakan oleh masyarakat setelah pemabngunan atau mepugaran pura, sebagaimana yang dilaksanakan oleh masyarakat Desa Adat Pelaga. Pada pelaksanaan upacara ngenteg liggih Tuhan yang bersifat abstrak dijadikan absolut melalui komunikasi transendental. Melalui upacara ngenteg linggih tersebut diharapkan agar kekuatan Tuhan membumi dan mengabadi pada bangunan suci yang telah dibangun. Salah satu rangakain dari upacara ngenteg linggih tersebut adalah prosesi nyenuk. Prosesi nyenuk dengan dialog s

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4

I, Gusti Bagus Wahyu Nugraha Putra, Nyoman Suparwa I, Wayan Simpen I, and Made Rajeg I. "Balinese Compound Words in Ngenteg Linggih Ceremony." International Journal of Social Science and Human Research 08, no. 05 (2025): 3464–70. https://doi.org/10.5281/zenodo.15486799.

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This research is focused on analyzing Balinese compound words in term of its grammatical and Semantic relationship in one of the religious ceremonies called Ngenteg Linggih. It is a kind of library research where the data were taken from a book entitled “Dudonan Karya: Mamungkah, Ngenteg Linggih, Mapadudusan Agung Manawa Ratna”. This book is used as data source since it explains the guidance and infrastructure, such as material, equipment detailly. Observation method were used in collecting the data. Descriptive qualitative method is applied in other to analyze the data found. To a

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5

Aryana, I. Made Putra, Ida Ayu Gde Wulandari, and Ni Wayan Arini. "NILAI PENDIDIKAN AGAMA HINDU DALAM ACARA NYENUK PADA KARYA NYATUR NGENTEG LINGGIH PADUDUSAN ALIT TAWUR PANCA KELUD DI MERAJAN SENTANA PASEK TOH JIWA SAMUAN." Guna Widya: Jurnal Pendidikan Hindu 11, no. 1 (2024): 86–96. http://dx.doi.org/10.25078/gw.v11i1.3671.

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This article aims to analyze the value of Hindu religious education in the implementation of the Nyenuk event held in Merajan, a resident of Pasek Toh Jiwa Samuan. How the series of works by Nyatur Ngenteg Linggih Padudusan Alit is running. What is the procession of the Nyenuk event in the work of Padudusan Alit. As well as exploring the value of Hindu religious education in the ongoing Nyenuk event. The method used to collect research data is observation, interviews and literature study. The series of works by nyatur ngenteg linggih mapadudusan alit tawur manca kelud consists of various serie

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6

Tary Puspa, Ida Ayu, and Ida Bagus Subrahmaniam Saitya. "The Function Of Ngenteg Linggih Ceremony In Pejaten Tabanan." Jurnal Penelitian Agama Hindu 5, no. 2 (2021): 73–82. http://dx.doi.org/10.37329/jpah.v5i2.1274.

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The Dewa Yajña Ceremony is a ceremony addressed to Ida Sang Hyang Widhi with all of His manifestations as a form of devotion because He has created the universe and everything in it. This gratitude was manifested by the people of Pejaten Village by holding a ceremony to instill the Creator to rest in the sacred temple building. The Ngenteg Linggih ceremony has functions such as religious, ethics, aesthetics, and social. Each of these functions is related to one another which of course will play a role in the ceremony. Such as a religious function in which the ceremony provides a basis for beli

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7

Sudarsana, I. Ketut, and Ni Kadek Lia Candrawati. "Makna Pendidikan Agama Hindu dalam Pementasan Wayang Lemah Pada Karya Ngenteg Linggih Merajan Pratisentana Dalem Tarukan." Purwadita : Jurnal Agama dan Budaya 7, no. 2 (2023): 101. http://dx.doi.org/10.55115/purwadita.v7i2.3262.

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The procession of staging lemah puppet has many components which are symbols of Hinduism and have the educational value that can be used as a guide for Hindus. This study aims to determine the performance of lemah puppet in the Karya Ngenteg Linggih Merajan Pratisentana Dalem Tarukan, Denpasar Pakraman Village, from the perspective of Hindu religious education. This type of research is qualitative research with field research and library research. The informant determination technique used was purposive sampling. The data sources used are primary and secondary data sources. Data collection tec

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8

Pranajaya, I. Kadek. "Signifikansi Nilai Simbol Budaya Dan Nilai Religi Pada Pemugaran Arsitektur Warisan di Pura Kentel Gumi Kabupaten Klungkung." Jurnal Penelitian Agama Hindu 6, no. 4 (2022): 238–54. http://dx.doi.org/10.37329/jpah.v6i4.1909.

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Kentel Gumi Temple is one of the oldest temples in Bali which has its own uniqueness because there are many archaeological objects stored in the temple area. Not many people know about the unique process of Kentel Gumi Temple and the process of restoring the temple compared to other temples in Bali. This research was conducted with a qualitative exploration method to examine the significance of the values of cultural symbols and religious values in the process of restoring the cultural heritage architecture at the Kentel Gumi Temple. In addition, to explore the activities of preserving arc

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9

Sudarsani, Ni Putu Panca, I. Made Suweta, and Ni Luh Gede Hadriani. "NYUNGSUNG DEWA HYANG DI DESA ADAT KAYUPUTIH KECAMATAN BANJAR KABUPATEN BULELENG (PERSPEKTIF NILAI PENDIDIKAN AGAMA HINDU)." Genta Hredaya: Media Informasi Ilmiah Jurusan Brahma Widya STAHN Mpu Kuturan Singaraja 7, no. 1 (2023): 106. http://dx.doi.org/10.55115/gentahredaya.v7i1.2794.

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Nyungsung Dewa Hyang di Desa Adat Kayuputih merupakan upacara Pitra Yadnya dan Dewa Yadnya ditujukan kepada roh suci leluhur yang sudah menjadi Dewa Hyang. Dewa Hyang ini berasal dari anggota keluarga orang lain atau bukan berasal dari satu garis keturunan yang dahulunya meninggal karena menjadi korban pembunuhan. Penelitian ini bertujuan untuk mengetahui: (1) Faktor-faktor yang melatarbelakangi munculnya pelaksanaan Nyungsung Dewa Hyang, (2) Sistem ritual pada pelaksanaan Nyungsung Dewa Hyang, dan (3) Nilai-nilai pendidikan agama Hindu yang terkandung dalam pelaksanaan Nyungsung Dewa Hyang di

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10

Usadhi, Nyoman Triyana. "FUNGSI TARI BARIS POLENG KETEKOK JAGO DI DESA DARMASABA KABUPATEN BADUNG." Joged 13, no. 2 (2020): 172–86. http://dx.doi.org/10.24821/joged.v13i2.3600.

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Tari Baris Poleng Katekok Jago adalah tari tradisi Bali yang berbentuk komposisi tari kelompok dengan ciri berbaris, berderet, dan berjajar. Disebut Baris Poleng Ketekok Jago karena busana dan asesori yang dipakai didominasi oleh loreng “poleng” hitam dan putih. Dalam kehidupan beragama Hindu di Bali disebutkan ada tiga jenis kain poleng yakni: saput poleng rwabhineda, saput poleng sudamala, dan saput poleng tridatu. Aplikasi busana poleng dalam Baris Poleng Katekok Jago lebih didominasi oleh penggunaan poleng rwabineda dan poleng sudhamala. Poleng rwabineda berbentuk strip melintang sebagai h

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Books on the topic "Ngenteg Linggih"

1

Wikarman, I. Nyoman Singgin. Mlaspas dan ngenteg linggih: Maksud dan tujuannya. Paramita, 1999.

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2

Arwati, Ni Made Sri. Upacara mamungkah, mupuk padagingan, ngenteg linggih, dan mapadudusan alit pada dadia, paibon, panti, dan marajan gede. s.n., 2009.

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3

Wikarman, I. Nyoman Singgin. Mlaspas dan ngenteg linggih: Maksud dan tujuannya. Paramita, 1998.

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