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Relevant bibliographies by topics / Ngobeni K.J-History and criticism

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Journal articles

Academic literature on the topic 'Ngobeni K.J-History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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Journal articles on the topic "Ngobeni K.J-History and criticism"

1

Kramer, Lawrence. "Culture and musical hermeneutics: The Salome complex." Cambridge Opera Journal 2, no. 3 (1990): 269–94. http://dx.doi.org/10.1017/s0954586700003281.

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From Flaubert to Richard Strauss, male artists in late nineteenth-century Europe were fascinated by the figure of Salome. This fascination, indeed, amounted to a genuine craze. One representation sparked another: J.-K. Huysmans fantasised about paintings by Gustave Moreau; Oscar Wilde expanded on Huysmans; Aubrey Beardsley illustrated Wilde. Fine editions of Wilde's Salome with Beardsley's illustrations remained cult objects well into the twentieth century. In general, the Salome craze, like the science and medicine of its day, sought to legitimise new forms of control by men over the bodies a

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2

Birdsall, J. Neville. "G. D. Kilpatrick (edited by J. K. Elliott): The Principles and Practice of New Testament Textual Criticism. Collected Essays. (Bibliotheca Ephemeridum Theologicarum Lovaniensium, 96.) Pp. xxxviii + 489; frontispiece. Leuven: Leuven University Press/Peeters, 1990. Paper, B.frs. 3000." Classical Review 42, no. 2 (1992): 435–36. http://dx.doi.org/10.1017/s0009840x00284667.

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Jurgutienė, Aušra. "Some Comments on the Changes, Contradictions and Connections of Literary Theories in Lithuania." Interlitteraria 25, no. 1 (2020): 41–51. http://dx.doi.org/10.12697/il.2020.25.1.5.

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The paper presents a brief history of literary theories that have been used in Lithuania for the last century (1918–2018). Certain general patterns of development are visible in Lithuanian literary studies: movements from positivist (M. Biržiška) to anti-positivist (V. Mykolaitis-Putinas) history and from Marxist history (K. Korsakas) to postmodern New Historicism. The mid-20th century marked the first applications of modern literary theories (first in exile, later among those who stayed in occupied Lithuania). A. J. Greimas became an eminent theoretician in exile, having established a world-f

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Lawrence, Christopher. "Barbara Maria Stafford, Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine. Cambridge, Mass, and London: MIT Press, 1991. Pp. xxi + 587. ISBN 0-262-19304-3. £49.50. - K. B. Roberts and J. D. W. Tomlinson, The Fabric of the Body: European Traditions of Anatomical Illustration. Oxford: Clarendon Press, 1992. Pp. xx + 638, illus. ISBN 0-19-261198-4. £95.00." British Journal for the History of Science 26, no. 1 (1993): 95–96. http://dx.doi.org/10.1017/s0007087400030326.

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Galytska, Iuliia. "Alias in women's literature: feminist aspects in a gender context." Grani 23, no. 4 (2020): 28–35. http://dx.doi.org/10.15421/172038.

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The problem of the identity of the woman hiding her gender under a male pseudonym makes us recollect U. Eco’s arguments about the truth and the purpose of literature as well as A. F. Losev’s ideas about the name and the meaning, the theories of the feminist literary critics K. Millett, M. Ellman, T. Moi, E. Showalter, etc. who have presented "women`s writing" and "writing about women" in the feminist field. As one of the central principles of feminist criticism is that no scientific view can ever be neutral, the problem of pseudonyms occupies an important place in the contemporary gender studi

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Madhavan, Anugraha, and Sharmila Narayana. "Violation of Land as Violation of Feminine Space: An Ecofeminist Reading of Mother Forest and Mayilamma." Tattva Journal of Philosophy 12, no. 2 (2021): 13–32. http://dx.doi.org/10.12726/tjp.24.2.

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Agarwal, B. (1992). The gender and environment debate: Lessons from India. Feminist Studies, 18(1), 119-158. https:// doi.org/ 10.2307/ 3178217. Althuser, L. (1971). Ideology and ideological state apparatuses (Notes toward an investigation). Lenin and philosophy, and other essays (B.Brewster, Trans.). Monthly Review Press, 1971. Basha, C. (2017). Tribal land alienation: A sociological analysis. International Journal of Advanced Educational Research, 2(3), 78–81. http:// www.educationjournal.org/archives/2017/vol2/issue3. Berman, T. (1993). Towards an integrative ecofemi

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7

KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 86, no. 3-4 (2012): 309–407. http://dx.doi.org/10.1163/13822373-90002420.

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A World Among these Islands: Essays on Literature, Race, and National Identity in Antillean America, by Roberto Márquez (reviewed by Peter Hulme) Caribbean Reasonings: The Thought of New World, The Quest for Decolonisation, edited by Brian Meeks & Norman Girvan (reviewed by Cary Fraser) Elusive Origins: The Enlightenment in the Modern Caribbean Historical Imagination, by Paul B. Miller (reviewed by Kerstin Oloff) Caribbean Perspectives on Modernity: Returning Medusa’s Gaze, by Maria Cristina Fumagalli (reviewed by Maureen Shay) Who Abolished Slavery: Slave Revolts and Abolitionism: A Debat

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Batsak, K. Yu. "Italian opera stars of the Kharkiv stage: the 80s of the 19th – early 20th centuries." Aspects of Historical Musicology 18, no. 18 (2019): 89–119. http://dx.doi.org/10.34064/khnum2-18.06.

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Introduction. The Italian opera in Kharkiv has a long history tradition. Its beginnings date back to the 1850s, when the city became a part of the tour routes of Odesa Italian opera troupes under F. Berger’s, V. Sermattei’s direction (1850s – early 1860s), those of Taganrog – under V. Sermattei’s, Corsi’s and Co (second half of 1860s – 1876). These little provincial troupes with unequal by quality the stuff of singers, with a little choir, usually without their own orchestra, within their possibilities, introduced the popular Italian opera repertoire to the Kharkiv audience. Technical and tech

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Ahmad, Asy Syams Elya. "KRITIK SEJARAH BATIK SIDOARJO." Gorga : Jurnal Seni Rupa 10, no. 1 (2021): 137. http://dx.doi.org/10.24114/gr.v10i1.24626.

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The popular historical narrative of the batik Sidoarjo needs to be reexamined based on historical methodology so that there is no historical bias based only on oral stories of the general public. Many studies are trapped in an inaccurate understanding of local historicity. As a result, these various studies have failed to fit batik Sidoarjo into its full context, instead it has become a kind of narrative standardization on its characteristics and history. This study aims to criticize the historical construction that has been popular in relation to the basic understanding of batik Sidoarjo and

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10

Van Wissem, Paula. "O historii absolutnej klęski – krytyka religii w eseistycznej twórczości Josefa Šafaříka." Slavia Meridionalis 20 (December 31, 2020). http://dx.doi.org/10.11649/sm.2248.

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On the History of Absolute Failure: Criticism of Religion in the Essays of Josef ŠafaříkThe article presents the thought of Czech dissident and essayist Josef Šafařík (1907–1992). A characteristic feature of Šafařík’s texts is deep criticism of culture. The sharpness of this criticism is directed against technocratic civilization, although it is not only a criticism of widely understood modernity. Šafařík sees the source of mankind’s existential crisis in religion, which legitimized technological progress and eventually led to the loss of the metaphysical aspect of humanity. Although this view

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