Relevant bibliographies by topics / Nianhua

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Nianhua'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Nianhua"

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Lufkin, Felicity. "The Cult of Happiness: Nianhua, Art and History in Rural North China. By James A. Flath. [Vancouver: University of British Columbia Press, 2004. 195 pp. $60.00. ISBN 0-7748-1034-3.]." China Quarterly 182 (June 2005): 446–47. http://dx.doi.org/10.1017/s0305741005300269.

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James Flath's The Cult of Happiness is a stimulating and accessible book that contributes to more than one area of current concern in Chinese studies. The author effectively situates his work in relation to developing debates about print culture, alternative conceptions or experiences of modernity, and the relationship of popular culture to markets and to state power. It should also appeal to readers interested more generally in modern Chinese art, history and visual culture.In this general vein, the book would be valuable simply as one of only a very few English-language works that deal with
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Flath, James. "Social Narratives in Yangliuqing Nianhua of the 1930s." Arts asiatiques 66, no. 1 (2011): 69–82. http://dx.doi.org/10.3406/arasi.2011.1753.

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Zavidovskaia, Ekaterina A. "Illustrated Editions and Popular Woodblock Prints nianhua Featuring Short Stories by Pu Songling." Oriental Studies 19, no. 4 (2020): 94–107. http://dx.doi.org/10.25205/1818-7919-2020-19-4-94-107.

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The paper studies connections between the illustrated lithographic edition of Pu Songling’s 蒲松齡 (1640–1715) “Strange Stories from a Chinese Studio with annotations, poems, and illustrations” (詳註聊齋誌異圖詠Xiangzhu liaozhai zhiyi tuyong, 1886), a collection of illustrations by Shanghai publishing house Tongwenshuju 同文書局 and several popular woodblock prints 年畫 nianhua found in Russian collections (Peter the Great Museum of Ethnography and Anthropology of the Russian Academy of Sciences, State Hermitage, Geographic Society) in order to learn how Pu Songling’s stories circulated in the society of late
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Długosz-Jasińska, Diana. "Historia i analiza treści pięciu chińskich drzeworytów noworocznych przedstawiających kobiety z dziećmi, z kolekcji Muzeum Pałacu Króla Jana III w Wilanowie, pochodzących z warsztatu Dai Lianzeng z Yangliuqing." Ogrody Nauk i Sztuk 5, no. 5 (2020): 552–61. http://dx.doi.org/10.15503/onis2015.552.561.

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Praca dotyczy sześciu drzeworytów chińskich ze zbiorów Muzeum Pałacu Króla Jana III w Wilanowie. Odbitki są przykładem chińskiej sztuki ludowej, jaką są obrazki noworoczne (nianhua), pochodzą z warsztatu Wschodzącego Słońca rodziny Dai. Artykuł prezentuje historię dzieł oraz pomieszczenia, w którym były eksponowane odbitki. Wprowadzając temat drzeworytów noworocznych, poddano szczegółowej analizie treści przedstawień odbitek.
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Hung, Chang-Tai. "Repainting China: New Year Prints (Nianhua) and Peasant Resistance in the Early Years of the People's Republic." Comparative Studies in Society and History 42, no. 4 (2000): 770–810. http://dx.doi.org/10.1017/s0010417500003315.

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On November 26, 1949, less than two months after the founding of the People's Republic of China (PRC), the Ministry of Culture issued a directive to artists and writers about the importance and possible use in a new era of New Year prints (nianhua), a simple and inexpensive Chinese folk medium used to decorate homes in celebration of the New Year.
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Zavidovskaia, Ekaterina A., Tatiana I. Vinogradova, and Dmitri I. Maiatskii. "Interpretation of the Images of Qing Judges in the Illustrated Woodblock Editions and Popular Prints Nianhua." Oriental Studies 20, no. 4 (2021): 53–67. http://dx.doi.org/10.25205/1818-7919-2021-20-4-53-67.

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The paper aims to analyze different types of illustrations of court case gong`an公案stories featuring Qing dynasty judges Shi-gong 施公 and Peng-gong 鵬公 found in the late Qing woodblock editions and popular woodblock prints nianhua年畫 in order to figure out how tales about imperial ‘fair officials’ have been reflected in book illustrations and in popular prints nianhua年畫. Popular prints from various Russian and foreign collections mostly depict episodes featuring Qing dynasty judges Shi Shilun (施世綸, dec. 1722), originally a protagonist of the novel “Criminal Cases of Judge Shi” (施公案Shigong an, pref
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Gultyaeva, Galina S. "CHINESE NATIONAL PICTURE NIANHUA – A PHENOMENON OF CULTURE OF THE XX CENTURE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 41 (2021): 127–38. http://dx.doi.org/10.17223/22220836/41/10.

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Chinese folk painting nianhua (literal translation, “New Year’s picture”) is a kind of Chinese graphic art, which received a wide popularity in the late XIX – early XX centuries. On the eve of the New Year in China everywhere decorated interiors of living rooms with colorful pictures containing New Year’s greetings, they were pasted on windows, doors, gates. Decorative pictures had a utilitarian and cultic purpose: images of mythological characters and gods symbolized happiness, longevity, prosperity, protected from disasters and misfortunes. At the beginning of the 20th century, nianhua was p
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Vinogradova, Tatiana I., and Ekaterina A. Zavidovskaia. "Preliminary Findings about the “Okulich” Collection of Chinese Popular Prints (MAE No. 3676) in the Peter the Great Museum of Anthropology and Ethnography (The Kunstkamera)." Письменные памятники Востока 17, no. 3 (2020): 67–88. http://dx.doi.org/10.17816/wmo46853.

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There are several collections of Chinese popular woodblock prints nianhua in the fund of the Peter the Great Museum of Anthropology and Ethnography, Russian Academy of Sciences (the Kunstkamera) acquired from different collectors. The paper addresses the so-called Okulich collection (MAE No. 3676) consisting of 250 original titles, most of which possess undoubted artistic value. According to the dated sheets, the prints were produced in the last years of the 19th century, and no later than 1904. We only know that, in 1928, a man named Okulich donated these prints to the Kunstkamera. Two groups
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Wizła-Lin, Katarzyna. "Chińskie obrazki noworoczne: geneza, rozwĂłj oraz nianhua o charakterze dobrowróşbnym." Gdańskie Studia Azji Wschodniej 15 (2019): 89–103. http://dx.doi.org/10.4467/23538724gs.19.007.11181.

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Zavidovskaia, Ekaterina A., Tatiana I. Vinogradova, and Dmitry I. Maiatskii. "Interpretation of Novels and Plays about Song Dynasty Judge Bao in the Chinese Illustrated Woodblock Editions and Popular Prints nianhua." Vestnik of Saint Petersburg University. Asian and African Studies 13, no. 3 (2021): 383–99. http://dx.doi.org/10.21638/spbu13.2021.306.

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The article aims to analyze various illustrations of court case stories about Song dynasty judge Bao Zheng (包拯, also named as Bao-gong 包公, Bao Longtu 包龍圖, 999–1062), found in Qing woodblock editions of the novel and popular woodblock prints nianhua, in order to determine how tales about the famous incorruptible judge have been transformed in the visual culture of late imperial times. The authors discovered several woodblock editions of novels about Judge Bao-gong, or Bao Dragon-Design (Bao Longtu), in the St. Petersburg State University library including one illustrated edition and several non
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Dissertations / Theses on the topic "Nianhua"

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Liu, April. "Living auspiciousness : the resurgence of Mianzhu's new year picture (nianhua) industry." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42198.

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Chinese nianhua, or “New Year Pictures,” refers to a broad category of popular prints and paintings displayed during the Lunar New Year but also throughout the year to mark seasonal festivals, life cycle rituals, and popular religious practices. Despite the widespread circulation of nianhua today, the scholarly literature has largely characterized it as a thing of the past, as that which died out with the state circumscription of the woodblock printing industry during the 1950s print reforms and the ban on nianhua during the Cultural Revolution (1966-1976). Although the industry has since rebo
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Mattingly, Hayden Thomas. "Spatially nested models of habitat use by the Niangua darter, Etheostoma nianguae : a threatened Ozark stream fish /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9962545.

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Yu, Min. "Art sous contrainte : artistes, peinture et politique en République populaire de Chine (1949-1966)." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0145.

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De la fondation de la République populaire de Chine (1949) à la veille de la Révolution culturelle (1966), les artistes furent soumis à un dogme : l'art doit être au service du peuple. Cet impératif, qui fut sans cesse répété, entraîna deux assujettissements. Celui des artistes dont le statut changea radicalement : devenus travailleurs artistiques, ils furent contraints de se plier aux flux et reflux des mouvements de masse et des campagnes politiques. Celui de la création dont la mission fut de cautionner et de célébrer le nouveau régime, et d'éduquer le peuple. Cette recherche tente de déter
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Marinheiro, Richardson Correia. "A influ?ncia da estimula??o transcr?niana por corrente cont?nua nos par?metros de dano muscular induzido pelo exerc?cio." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/14617.

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Made available in DSpace on 2014-12-17T14:44:17Z (GMT). No. of bitstreams: 1 RichardsonCM_DISSERT.pdf: 3220294 bytes, checksum: 4681ed76872df1d1bcbb161a02eed855 (MD5) Previous issue date: 2013-07-22<br>A estimula??o transcraniana por corrente cont?nua (ETCC) ? uma t?cnica n?o invasiva que apresenta caracter?sticas anti-fadigante e analg?sica. Com o objetivo de testar seus efeitos sobre a diminui??o da for?a e do aparecimento da dor muscular de in?cio tardio (DMIT), apresentados ap?s um evento de dano muscular induzido pelo exerc?cio (DMIE), foi utilizado um estudo cl?nico de car?ter experime
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"New wine in old bottles?: modernity in late Qing and early Republican North China nianhua (New Year pictures)." 2012. http://library.cuhk.edu.hk/record=b5549155.

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本文主要研究十九世紀末二十世紀初的一種傳統民間藝術--年畫。這短短的幾十年見證了在中國發生的一系列翻天覆地的社會政治變化：清政府的垮臺，外國勢力的入侵，以及西方先進技術與思想的引入；這些變化我們都可以在這一時期的年畫中找到。本文的地點範圍主要集中于天津楊柳青，另外其他中國北方的年畫產地的年畫，如武強、楊家埠，以及江蘇的桃花塢等，也會在文章因行文需要而被提到。總的來說，本文分為三個大部份，也就是年畫的生產、內容和消費。我認為這些新內容之所以在年畫中出現主要有三個原因：首先，西方先進印刷技術和新的繪畫風格的引入讓年畫內容的轉變有了可能性；其次一些維新人士創辦的畫報和報刊也對年畫的發展產生了影響；最後便是民初時期民國政府採取的對年畫的干涉。本文將這些在年畫中出現的新的主題進行了詳細的探討。一方面，我們可以發現反帝和其他愛國的內容被放入年畫，以此激發百姓的愛國情緒。與傳統年畫主要關注家庭這一點不同的是，改良年畫的重心放在了保衛國家這個更高的主題上。另一方面，在這類年畫中，婦女不再被認為是男人的附屬品，它們鼓勵婦女實現經濟和人格上的獨立，並且有必要的話，也可以成為士兵，加入到保家衛國的行列中。最後一方面，西方先進事物的引入，如鐘錶、自行車、火車和飛機等，為大眾引領了一種新的物質文化，也在不知不覺中改變中百姓的日常生活習慣。作為結論，我提出改良年畫是大眾文化和精英文化互動產生的結果。它們大多數
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Tsai, Show-Ching, and 蔡秀卿. "Image, Narrative and Aesthetics:A Cross-cultural Study on Song nianzhu guicheng in Late Ming." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/45959041390335383131.

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博士<br>輔仁大學<br>跨文化研究所比較文學博士班<br>103<br>Song nianzhu guicheng, the first prayers of the rosary translated into Chinese with pictures and the first catechism, was published in Nanjing in 1619. This book can be attributed to Ming Jesuit Joao da Rocha (1566-1623). It came out under many difficult circumstances such as religious persecution, and the so-called Chinese Rites Controversy. However, it is different from other texts with its unique genre which brings together a prayer text, icon art, and a text of spiritual contemplation. It has been claimed to be one of the primary sources of the Western
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Chen, Chih-feng, and 陳志峰. "A Study of the Exegetical Method Yinsheng Qiuyi as used byWang Niansun and Wang Yinzhi." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/95217266638303206418.

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碩士<br>國立臺灣大學<br>中國文學研究所<br>95<br>The aim of this study is to examine the exegetical method of yinsheng qiuyi (因聲求義) used by Wang Niansun and Wang Yinzhi throughout history. Questions that will be discussed include the interpretation of classics, the development of yinsheng qiuyi in Chinese philology, Wang Niansun and Wang Yinzhi’s discussion of the relationship between sound and meaning, their interpretations of classics, and how they were viewed by scholars of later generations. To begin with, I will briefly introduce the significance of Wang Niansun and Wang Yinzhi’s exegetics and their met
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"從王念孫的《廣雅疏證》看他的聲訓理論及其實踐". 1989. http://library.cuhk.edu.hk/record=b5887247.

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陳雄根.<br>手稿本, 複本據稿本影印, 並分訂兩册.<br>Thesis (M.A.)--香港中文大學硏究院中國語文學部, 1989.<br>Shou gao ben, fu ben ju gao ben ying yin, bing fen ding liang ce.<br>Includes bibliographical references (leaves 1251-1328).<br>Chen Xionggen.<br>Thesis (M.A.)--Xianggang Zhong wen da xue yan jiu yuan Zhongguo yu wen xue bu, 1989.<br>論文提要 --- p.1<br>目錄 --- p.23<br>序言 --- p.44<br>凡例 --- p.47<br>（第一冊）<br>Chapter 第一章 --- 《廣雅疏證》成書的背景 --- p.1<br>Chapter 第一節 --- 引言 --- p.1<br>Chapter 第二節 --- 王氏生平和著述 --- p.6<br>Chapter 第三節 --- 王氏的學術淵源及《廣雅疏證》成書經過 --- p.20<br>第一章注釋 --- p.59<br>Chapter 第二章 --- 王氏的古音學與聲訓理論 --- p.85<br>Chap
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SANYANG, FATOUMATA, and 方圖蔓. "EFFECT OF MICRO-FINANCE IN EMPOWERING RURAL WOMEN IN THE GAMBIA: Case Study on Micro finance in Nianija and Kudan District in The Gambia, focusing on women beneficiaries of the SDF loans." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/cf4kgu.

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碩士<br>國立交通大學<br>企業管理碩士學程<br>102<br>Micro finance is a relatively new term, but as a concept it is well established. Its origin can be traced back to 1976, when Muhammad Yunus set up the Grameen Bank, as experiment, on the outskirts of Chittagong University campus in the village of Jobra, Bangladesh. Since the first Micro credit Summit in Washington in February 1997, micro credit has blossomed and captured the attention of the development world and beyond. That attention is fully justified because micro credit has proven to be one of the most effective instruments in reaching the very poor. Mi
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"從《廣雅疏證》看王念孫的《方言》學". 2002. http://library.cuhk.edu.hk/record=b5891037.

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張錦少.<br>"2002年9月"<br>論文 (哲學碩士)--香港中文大學, 2002.<br>參考文獻 (leaves 257-265)<br>附中英文摘要.<br>"2002 nian 9 yue"<br>Zhang Jinshao.<br>Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002.<br>Can kao wen xian (leaves 257-265)<br>Fu Zhong Ying wen zhai yao.<br>Chapter 第一章 --- 引言 --- p.頁1<br>Chapter 第一節 --- 王念孫和《廣雅疏證》 --- p.頁1-2<br>Chapter 第二節 --- 王念孫治《方言》的情況 --- p.頁2-3<br>Chapter 第三節 --- 硏究動機和方法 --- p.頁4-5<br>Chapter 第四節 --- 本文內容 --- p.頁5-6<br>Chapter 第二章 --- 王念孫《方言》校本硏究 --- p.頁7<br>Chapter 第一節 --- 王念孫硏究《方言》的情況 --- p.頁7<br>Chapter 第二節 --- 《方言》校本介紹 --- p.頁 8-15<br>Chapter 第三節 --- 《方言》校本和《廣雅
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Books on the topic "Nianhua"

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Zhongguo jing dian nian hua: Zhongguo jingdian nianhua. Henan wen yi chu ban she, 2010.

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Santajuliana, Celso. Niantla. J. Mortiz, 1991.

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Nian jun.: Nianjun. Shanghai ren min chu ban she, 2007.

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Nianghua yu tai yang di er zi. Guizhou ren min chu ban she, 1987.

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Condra, Ed. Ari nianga ta God. Bible League, 1992.

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Wang Niansun, Wang Yinzhi nian pu. Guangling shu she, 2006.

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Shi Nianhai quan ji: Shinianhai quanji. Ren min chu ban she, 2013.

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Hermes, Patricia. Werka Rozterka i nowa niania. Wilga, 2015.

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Hernes, Patricia. Werka Rozterka i kempingowa niania. Wilga, 2015.

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Liang Shiyi nian pu: LiangShiyi nianpu. Guangdong ren min chu ban she, 2014.

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Book chapters on the topic "Nianhua"

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Rayns, Tony. "Credits." In In the Mood for Love [Huayang Nianhua]. British Film Institute, 2015. http://dx.doi.org/10.5040/9781838713799.0004.

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Rayns, Tony. "Valse triste." In In the Mood for Love [Huayang Nianhua]. British Film Institute, 2015. http://dx.doi.org/10.5040/9781838713799.ch-001.

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Rayns, Tony. "Secret Origins." In In the Mood for Love [Huayang Nianhua]. British Film Institute, 2015. http://dx.doi.org/10.5040/9781838713799.ch-002.

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Rayns, Tony. "Oblique Strategies." In In the Mood for Love [Huayang Nianhua]. British Film Institute, 2015. http://dx.doi.org/10.5040/9781838713799.ch-003.

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Rayns, Tony. "Miscellany." In In the Mood for Love [Huayang Nianhua]. British Film Institute, 2015. http://dx.doi.org/10.5040/9781838713799.ch-004.

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Kwok, B. C. "Wang, NianSun (1744–1832)." In Encyclopedia of Language & Linguistics. Elsevier, 2006. http://dx.doi.org/10.1016/b0-08-044854-2/02974-6.

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Goździkowska, Monika. "Niania: przewodnik po człowieczeństwie." In Od Manzoniego do Maraini. Ekranizacje literatury włoskiej. Wydawnictwo Uniwersytetu Łódzkiego, 2012. http://dx.doi.org/10.18778/7525-738-0.05.

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Galy, Laurent. "Chronologies biographiques (nianpu 年谱) (Chine)." In Encyclopédie des historiographies : Afriques, Amériques, Asies. Presses de l’Inalco, 2020. http://dx.doi.org/10.4000/books.pressesinalco.23196.

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Yü, Ying-shih. "Modern Chronological Biography and the Conception of Historical Scholarship." In Chinese History and Culture, edited by Josephine Chiu-Duke and Michael S. Duke. Columbia University Press, 2016. http://dx.doi.org/10.7312/columbia/9780231178600.003.0016.

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While comparing Chinese biographical writing with the Western tradition, this article focuses on the evolution of the chronological biography (nianpu). It further discusses how Qing dynasty evidential research (kaozheng) resulted in the chronological biography gradually assuming an independent existence, no longer being a mere appendix to collected works, but becoming an integral component of Chinese historiography.
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Wang, Qiaochu. "La traducción poética del chino clásico al español. Compensaciones lingüísticas, simbólicas y literarias en el poema “Rememorando tiempos remotos en el Acantilado Rojo” (Niannu jiao-Chibi huaigu 念奴娇·赤壁怀古) de Su Shi." In La traducción literaria en el contexto de las lenguas ibéricas. Warsaw University Press, 2020. http://dx.doi.org/10.31338/uw.9788323542766.pp.268-287.

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Conference papers on the topic "Nianhua"

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Vinogradova, Tatiana. "A HALF BOTTLE OF VINEGAR OR ZHANG THE DRAUGHTSMAN’S LITERARY OPINIONS." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.12.

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“A half bottle of vinegar” is a Chinese idiom academician Vasily Alekseev characterized the artists of Chinese popular prints nianhua. As a rule, these artisans were half-educated people without full complex of classical Confucian knowledge. These people were the conductors of ideas and images of high culture to the broad masses of consumers of folk pictures. One of them “the Draughtsman” Zhang Haoru (章浩如, 1870–?) helped V. M. Alekseev to disassemble his enormous collection of popular prints. We have at our disposal many comments belong to the Zhang Hao-ru’s brush, preserved at the Archive of
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Zavidovskaia, Ekaterina, and Dmitrii Maiatskii. "COMPARATIVE STUDY OF THE ILLUSTRATIONS OF THE NOVEL INVESTITURE OF THE GODS BASED ON WOODBLOCK EDITIONS AND POPULAR PRINTS NIANHUA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.13.

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Abstract:
The authors of this paper discuss visual material based on the plot of the Ming dynasty novel Investiture of the Gods (Fengshen yanyi, 封神演義), formed on the basis of large corpus of written historical works and Song-Yuan vernacular literature. Various illustrated woodblock and lithographic editions of the novel (published before 1911) are discussed in chronological order with focus on the special features and artistic level of their illustrations, whose content and technique are compared. Popular woodblock prints nianhua from Russian collections are examined in order to trace whether connection
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3

Wang, Tiefeng, Shiguo Xu, and Chuanqing Xia. "Hydrologic Analysis of NianChu River in Qingzang Plateau." In World Water and Environmental Resources Congress 2001. American Society of Civil Engineers, 2001. http://dx.doi.org/10.1061/40569(2001)135.

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4

Zhang Xiaoxia, Wang Xiuru, and Chen Chuanyou. "Dynamic analysis of land use change in Nianchu river basin supported by RS&GIS." In 2010 2nd International Conference on Information Science and Engineering (ICISE). IEEE, 2010. http://dx.doi.org/10.1109/icise.2010.5691904.

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5

Pan, Fuyan. "Geological Analysis of Nianfa Coal Mine Project at Shatan, Huairen city, Guizhou Province." In 2015 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Atlantis Press, 2015. http://dx.doi.org/10.2991/essaeme-15.2015.165.

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