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Journal articles on the topic 'Nicholas's church'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Maslov, Konstantin. "In search of the lost tradition: towards a history of Church paintings in the 1840s — first half of the 1850s." St. Tikhons' University Review. Series V. Christian Art 49 (March 31, 2023): 91–120. http://dx.doi.org/10.15382/sturv202349.91-120.

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The last decade of the reign of Nicholas I (1845 - 1855) was the time when the projects of renewal of church paintings in Russia appeared. Public discussion of the problems of the tradition of the Russian art started with the publication in 1845 of a brochure "On Icon-paintings" by the Ostrog bishop Anatoly, who wasn't, however, a zealous adherent to the traditional icon-paintings, his "theory" of icon-paintings tending towards neoclassicism. In difference from the Right Reverend Anatoly's approach in his brochure, the Rev'd Grigoriy Debolsky argued for the inseparable connection between the n

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Haan, Annet den. "Patristic Translations and the Patronage of Pope Nicholas V (r. 1447–55)." Journal of the History of Ideas 86, no. 2 (2025): 325–37. https://doi.org/10.1353/jhi.2025.a959037.

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Abstract: This paper discusses humanist translations of Greek patristic texts dedicated to Pope Nicholas V. Patristic studies were particularly relevant for his pontificate, which followed the Council of Ferrara-Florence and witnessed the conquest of Constantinople by the Ottoman Turks. Nicholas’s patronage was informed by his wish to unite the eastern and the western church, make Rome the ultimate capital of the Christian world, and preserve the literary heritage of the Byzantine empire. To determine the role patristics played in his translation project, this paper situates the patristic tran

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3

Kireev, Nikolai N. "From “Logos” to 言葉 (Kotoba): a linguo‑cultural interpretation of Christian lexicon in the translations of Saint Nicholas of Japan". Богословский сборник Тамбовской духовной семинарии, № 2 (31) (7 липня 2025): 212–25. https://doi.org/10.51216/2687-072x_2025_2_212-225.

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This article is devoted to the study of linguo-cultural aspects of conveying Christian terminology in the missionary translations of Saint Nicholas of Japan. The relevance of the topic is due to the growing scholarly interest in missionary methods connected with translating liturgical and sacred texts into the language of the converted people, as well as the need to comprehend and actualize the spiritual heritage of Saint Nicholas of Japan in the context of modern missionary service. During his missionary service, which lasted more than half a century, Saint Nicholas worked in difficult condit

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Skop, Bartosz. "Organs at the church of St. Nicholas in Elbląg from the late 18th century until 1945." Masuro-⁠Warmian Bulletin 307, no. 1 (2020): 4–40. http://dx.doi.org/10.51974/kmw-134781.

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The St. Nicholas parish church in Elbląg, currently the Elbląg diocese cathedral, is a unique building in every respect. Until today, it remains the most important element of the town and reflects its turbulent history. Since its erection, the church was an important centre of liturgical music. The paper discusses the changes in the organ instruments of the largest Elbląg church after the fire of 26 April 1777 until 1945. Their story has remained largely unknown until today. It is particularly surprising that no one analysed the issue of the instrument’s history in St. Nicholas’ church ever si

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Bode, Andrey B., and Tatiana V. Zhigaltsova. "Saint Nicholas Church in the pomor settlement of Maloshuyka — the oldest tent roof temple of the octagon-on-quadrangle type. History and architecture." Vestnik MGSU, no. 12 (December 2021): 1549–58. http://dx.doi.org/10.22227/1997-0935.2021.12.1549-1558.

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Introduction. The Saint Nicholas Church in Maloshuyka, dated 1638, is notable for being one of the earliest known examples of a widely spread type of wooden temple. Despite its historical and cultural significance, this object remains largely unstudied. To better understand the development of Russian wooden church construction and set up a typology, it is necessary to consider the Saint Nicholas Church in the context of all-Russian church building traditions of the 17th century. A monument of such significance needs to have its own place in the history of Russian wooden architecture. &#x

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Mihai, Georgiana Mădălina. "The noble founders of Trifești, Roman county." Revista de istorie a Moldovei, no. 1-2(133-134) (October 2024): 170–81. http://dx.doi.org/10.58187/rim.133-134.10.

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Our analysis focuses on the church buildings in the commune of Trifești, the church in the village of Miron Costin, dedicated to „All Saints Sunday”, founded in 1520 by Jeremiah the Witness, the „Saint Nicholas” Church in Trifești, built at the end of the 18th century by one of the wealthiest families of nobles in Moldova, the Balș family. In the 19th century, the church „St. Nicholas” was part of the village of Șofrăcești, which was founded in 1834 by the innkeeper Gheorghe Vârnav,

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Gramatchikova, Natalia. "“And it’s even better for us, let there be three, five churches!”: The St. Nicholas Churches of Mednogorsk." Urban Folklore and Anthropology VI, no. 3 (2024): 8–29. http://dx.doi.org/10.22394/2658-3895-2024-6-3-8-29.

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The article is based on field material collected in Mednogorsk (Orenburg region) in December 2021. It is dedicated to the study of the interactions between the religious and cultural landscapes of the city. A distinctive feature of industrial Mednogorsk, founded during the era of industrialization, is its “church history” of the Soviet era. An constant element of this history was the life of the parish, which since 1943 took place in a prayer house later converted into the church of St. Nicholas the Wonderworker. The decades-long existence of the so-called “old St. Nicholas Church” in the city

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Vojvodic, Dragan. "On the frescoes of the Bela crkva (white Church) of karan and the contemporary painting of Raska." Zograf, no. 31 (2006): 135–52. http://dx.doi.org/10.2298/zog0731135v.

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The results of a more careful examination of the painting in Raska from the period of the king and later, of the emperor, Stefan Dusan (1331-1355) render untenable the earlier assessments about its strikingly provincial character and negligible artistic value. The fragmentarily preserved painting of the exonarthex in Djurdjevi stupovi, in Budimlja (spring 1343 - autumn 1345), and St. Nikola in Palez near Studenica (probably the fifth decade of the 14th century), undoubtedly indicate a highly progressive style and very high artistic value. According to their pictorial features, these two monume

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Zivkovic, Milos. "Unknown and less known icons from Praskvica monastery: Works by painter Radul, Dimitrije Daskal and Maksim Tujkovic." Zograf, no. 36 (2012): 199–222. http://dx.doi.org/10.2298/zog1236199z.

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This paper deals with the attribution of several icons from the treasury of the Praskvica monastery in Pastrovici. The earliest is the icon of Great Deesis, painted in 1680 by the painter Radul, for the iconostasis of the monastery Church of the Holy Trinity. The works by his apprentice, Dimitrije of Risan - the Great Deesis, the Deesis icon, and the icon of St. Demetrius with an unknown holy woman - we repainted in 1693 and in tended for the earlier monastery church dedicated to St. Nicholas. The same painter was the author of the icon of the Mother of God with Christ and the Royal Deesis, in

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Подберёзкин, Ф. Д. "Parish Life of St. Nicholas Orthodox Church in Riga (15 — early 16th Centuries): an Attempt at Reconstruction." Палеоросия. Древняя Русь: во времени, в личностях, в идеях, no. 1(25) (April 15, 2024): 111–21. http://dx.doi.org/10.47132/2618-9674_2024_1_111.

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Предпринимается попытка реконструкции приходской жизни церкви св. Николая в Риге в XV — начале XVI веков на основе переписки полоцких епископов с городскими властями Риги, а также при помощи сравнения с аналогичной купеческой церковью «Петрова двора» ганзейских купцов в Новгороде. Историю рижского православного прихода определяли два ключевых фактора: двойная юрисдикция храма (рижский городской совет/полоцкая архиепископия) и вопрос о распределении церковных доходов между священником, русскими купцами и рижскими ратманами. Приход св. Николая был «теплым местечком» с перспективой получения неф

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Tadic, Milutin, and Aleksandar Petrovic. "Mathematical-geographical intention in orienting mediaeval churches of the Serbian monastery Gradac." Glasnik Srpskog geografskog drustva 91, no. 4 (2011): 141–58. http://dx.doi.org/10.2298/gsgd1104141t.

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The subject of the paper is an exact analysis of the orientation of the Serbian monastery churches: the Church of the Virgin Mary (13th century), St. Nicholas' Church (13th century), and an early Christian church (6th century). The paper determines the azimuth of parallel axes in churches, and then the aberrations of those axes from the equinoctial east are interpreted. Under assumption that the axes were directed towards the rising sun, it was surmised that the early Christian church's patron saint could be St. John the Baptist, that the Church of the Virgin Mary was founded on Annunciation d

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Georgieva, Miroslava. "Church Architecture in Southwestern Bulgaria in the Late 9th – Early 11th Century (Based on Archaeological Data)." Studia Ceranea 13 (December 30, 2023): 347–79. http://dx.doi.org/10.18778/2084-140x.13.42.

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This publication is devoted to the church architecture in Southwestern Bulgaria (now Blagoevgrad region) during the First Bulgarian Tsardom, in the period from the end of the 9th to the beginning of the 11th century. From the second half of the 9th century (specifically from 864) the territories of the region under consideration officially entered the borders of the medieval Bulgarian state, which coincided with the conversion to Christianity in Bulgaria (865). The studied region covers the valleys of the rivers of Struma (Middle Struma) and Mesta (Upper and Middle Mesta), which were part of t

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Mamonova, Svetlana Alekseevna. "Virtual reconstruction of the Church of St. Nicholas the Wonderworker (Lori region of Armenia): a study of the cultural heritage of the Russian presence in Armenia in the XIX - XX centuries." Историческая информатика, no. 2 (February 2023): 34–78. http://dx.doi.org/10.7256/2585-7797.2023.2.43508.

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In studies on the history of the Russian presence in Armenia, an important place is occupied by the question of the role of the Orthodox Church. Currently, there are several Orthodox churches in Armenia. One of the most interesting, the Church of St. Nicholas the Wonderworker in Amrakits (Lori region of Armenia) is unique in its architecture, has a century-old history, but suffered significant destruction during the large-scale Spitak earthquake in 1988. Since that time, it has actually lost its significance as a functioning temple. In 2022, survey work began in Armenia to determine the possib

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Vojvodic, Dragan. "The icon of the Theotokos from the Church of St. Nicholas (Rajko’s Church) and the question of painting workshops in medieval Prizren." Zograf, no. 40 (2016): 95–116. http://dx.doi.org/10.2298/zog1640095v.

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Based on stylistic and paleographical analysis, it can be safely concluded that the icon of the Theotokos from the Church of St. Nicholas (Rajko?s Church) in Prizren was not created in the 14th century as previously believed. It was painted in the last third of the 16th century by an icon painter close to the circle of Serbian painters formed in Pec. The suggestion of stylistic ties between this icon and the first fresco layer at the Church of the Holy Savior in Prizren and the wall paintings in the Church of St. Nicholas (the Tutic Church) is not acceptable. Furthermore, comparison of wall pa

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15

TODOROVA, ZINAIDA. "SAINT NICHOLAS CHURCH IN UNEZHMA VILLAGE: HISTORY AND ARCHITECTURE." Studia Humanitatis 21, no. 4 (2021): 14–24. http://dx.doi.org/10.15393/j12.art.2021.3784.

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The article deals with a relatively unknown monument of wooden architecture – the Saint Nicholas Church (1824) in Unezhma village of the Onega District in the Arkhangelsk Region. The monument is extremely hard to reach, and it is located in a unique natural environment. The church stands out due to its architecture; however, it is poorly studied in terms of its construction history, architectural and artistic features, and interconnections with regional traditions. The church is described together with the bell tower built in 1792 as an architectural complex existing for more than four hundred

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Ursu, Nataliia. "ILLUSORY-QUADRATURE PAINTING IN THE CHURCH OF ST. NICHOLAS, BISCOPE OF MIRA, IN KAMIANETS-PODILSKYI." Pedagogical Education: Theory and Practice 2, no. 25 (2018): 116–19. http://dx.doi.org/10.32626/2309-9763.2018-25-2.116-119.

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Ursu, Nataliia. ""ILLUSORY-QUADRATURE PAINTING IN THE CHURCH OF ST. NICHOLAS, BISCOPE OF MIRA, IN KAMIANETS-PODILSKYI"." Pedagogical Education: Theory and Practice 2, no. 25 (2018): 116–20. http://dx.doi.org/10.32626/2309-9763.2018-25-2.116-120.

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Grechko, Yu.V. "The influence of the Russian-Japanese War of 1904-1905 on the missionary ministry and theological views of St. Nicholas of Japan (according to his diaries)." Humanity space. International almanac 13, no. 4 (2024): 310–28. https://doi.org/10.24412/2226-0773-2024-13-4-310-328.

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The article discusses the theological views of St. Nicholas of Japan on the spiritual problems that manifested themselves during the Russian-Japanese war of 1904-1905, as well as the peculiarities of the functioning of the Orthodox mission in Japan during this period. Based on the diary entries of St. Nicholas, the author of the article identifies and analyzes a set of key topics related to the war. These are, first of all, the state of affairs of the mission, worship during military operations, the theme of patriotism, the attitude of St. Nicholas of Japan to war and peace, the views of St. N

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Taras, Yaroslav, and Illia Lytwynchuk. "Determining the location of Saint Nicholas Metropolitan Orthodox monastery in the village of Rașcov, Camenca district (17th century - late 18th century)." Arta 33, no. 1(AV) (2024): 14–21. https://doi.org/10.52603/arta.2024.32-1.02.

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The degree of study of St. Nicholas Monastery was analyzed, the empirical material was systematized, a the research methodology was developed, new sources were analyzed, the testament of Mrs. Rozanda, the protocols of general visitations of the Rașcov churches in 1726, 1731, and 1783, the reports of the Podolsk priests of the 19th century and the previous comprehensive historical and urban planning studies of Rașcov in 2016-2017 were considered. Based on various archival sources and their analysis, the authors established that St. Nicholas Monastery existed at the beginning of the 18th century

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Neskovic, Jovan. "Portals of the Church of Saint Nicholas in Bari." Zograf, no. 29 (2002): 21–34. http://dx.doi.org/10.2298/zog0329021n.

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The Church of Saint Nicolas in Bari, in southern Italy, is known as a church of great renown and importance, in view of the fact that it was built to receive the remains of Saint Nicholas, which are still kept in the church?s crypt, in the part of the building from where its construction began, at the end of the XI century. This church played a highly significant role in the creation of the specific, Romanic style of architecture in this region, so several important buildings were constructed using the basic typological and stylistic characteristics of the Church of Saint Nicholas. It was buil

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Komzolova, A. A. "Policy of the Emperor Nicholas I towards the Uniate Church and the Polish uprising 1830–1831." Orthodoxia, no. 4 (May 22, 2024): 30–51. http://dx.doi.org/10.53822/2712-9276-2024-4-30-51.

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The reign of Emperor Nicholas I began under the slogan of “continuing the reign” of Emperor Alexander I. Initially, he did not aim to alter the governmental system in the western provinces, which had been established under his predecessor. However, by the second half of the 1820s, there was a gradual departure from the previous course, particularly in the realms of educational and religious policy. The young emperor rejected any encroachments on the territorial integrity of the Russian Empire. He regarded Russia’s possession of the “Lithuanian heritage” of Empress Catherine the Great as histor

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Kulakov, V. I. "FINDS OF 2002-2003 IN USHAKOVO VILLAGE (GURYEVSKY DISTRICT, KALININGRAD REGION)." Memoirs of NovSU, no. 3 (2024): 513–22. http://dx.doi.org/10.34680/2411-7951.2024.3(54).513-522.

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This article is a publication of finds made in 2002-2003 at the destroyed Ushakovo-1 burial ground. Fragments of vessels with corded ornamentation suggest the presence of a Neolithic site or settlement here. Material from Roman times directly indicates the existence of C2 phase burial ground near the later church of St. Nicholas. Early pottery indicates the possibility of the existence of a Prussian settlement of the “late pagan” period (11th-12th centuries) here. The first wooden church, following the example of the early Order cemeteries in Alt-Wehlau and Arnau, could be accompanied by buria

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Zherdiev, Vitalii V. "Three Orthodox Temples of Lappeenranta — Art Through the Prism of History." Vestnik of Saint Petersburg University. Arts 10, no. 4 (2020): 609–36. http://dx.doi.org/10.21638/spbu15.2020.405.

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The article discusses the history of the creation of three Russian military churches in the Finnish city of Lappeenranta (Villmanstrand), representing vivid examples of stone and wooden architecture: churches of the Protection of the Virgin (The Intercession church) (1785), St. Nicholas the Thaumaturge (1904) and the Nativity of Christ (1914). A comprehensive analysis of the history of construction, architectural features and preserved decoration of the mentioned churches, which are significant for Russian Orthodox church construction abroad, is presented for the first time ever in the article

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Takahashi, John. "The Beginning of the Orthodox Church in Japan: The Long-Lasting Legacy of Saint Nicholai." Studies in World Christianity 16, no. 3 (2010): 268–85. http://dx.doi.org/10.3366/swc.2010.0104.

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Japanese Orthodox Christians faithfully preserve the legacy of St Nicholai as a great help in living the Orthodoxy Christian life today. Especially regarding evangelisation in Japan, St Nicholai's thoughts and missionary activities are studied and referred to just as the Church Fathers are referenced to find answers for theological questions. In this sense, he is considered to be a modern Church Father by Japanese Orthodox Christians. Although detailed study of his thoughts and activities is still in progress, research findings will benefit both clergy and the faithful in any church when they

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Legkikh, Victoria. "Последование святым царственным мученикам в контексте княжеской службы". Fontes Slaviae Orthodoxae 3, № 3 (2021): 101–20. http://dx.doi.org/10.31648/fso.6271.

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In 1981 Tsar Nicholas II and his family were canonized as a martyr by the Russian church abroad. In 2000, they were also canonized by the Russian church (Moscow Patriarchate) as passion bearers. Tsar Nicholas II was the last Royal saint for Russia somehow closing the circle of holy Russian princes, since the first of them SS. Boris and Gleb were also canonized as passion bearers. There are a lot of hymnography devoted to Royal Martyrs but in the article only 3 “official” services are taken in account. In the article it is made an attempt to see this service in the context of Russian princely s

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Pejic, Svetlana. "Spolia from the Church of St. Nicholas in Nikoljac." Zograf, no. 36 (2012): 13–20. http://dx.doi.org/10.2298/zog1236013p.

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Two, so far unknown, spolia with carved interlace ornaments, built into the wall of the Church of St. Nicholas in Nikoljac are analyzed. These spolia are a part of the collection of fragments discovered earlier in the Church of St. Peter in Bijelo Polje. A comparative analysis was performed on a multitude of pre-Romanic material, in order to determine the time when they were made and whether they originated from any specific circle of stonemasons, and also to identify the initial position of the fragments in the liturgical church furniture for which they had been carved.

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RĂDULESCU, Vlad, Mihaela Carmen MELINTE, and Florian RĂDULESCU. "USE OF GEOELECTRICAL METHODS IN ARCHEOLOGICAL STUDIES. CASE STUDY: THE SAINT NICHOLAS CHURCH OF DENSUŞ." Geo-Eco-Marina No 13/2007 (December 31, 2007): 101–9. https://doi.org/10.5281/zenodo.57351.

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Abstract. Geophysical electrical methods are used in identifying underground structures as well as in other domains (geology, geo-engineering, speleology, archeology, etc.). The paper presents the principle of geophysical electrical methods, along with the way they are applied in identifying archeological sites located at various depths. The selected case study is the Saint Nicholas Church from the Densuş locality, one of the oldest and the most important religious cult places in Romania, a symbol of our people’s spirituality. The age of this church is contradictory and generated long de

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Zakharova, Anna Vladimirovna, та Elena Sergeevna Dyatlova. "On the builders and painters active in Prilep, North Macedonia, in the late 13th сentury". Studia Slavica et Balcanica Petropolitana, № 2 (28) (2020): 46–72. http://dx.doi.org/10.21638/spbu19.2020.204.

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The research was prepared with the financial support of Russian Science Foundation, grant no. 20-18-00294, at the Research Institute for Theory and History of Architecture and Town Planning, branch of the Central Research and Project Institute of the Construction Ministry of Russia (Moscow). The paper analyses the particularities of architecture and murals in the churches of St. Demetrius and St. Nicholas in Prilep, North Macedonia. Both churches were built and painted in several phases, which generated various views on their attribution and dating in the scholarly literature. The authors argu

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Willink, David. "Re St Nicholas, Leicester." Ecclesiastical Law Journal 26, no. 3 (2024): 347–48. http://dx.doi.org/10.1017/s0956618x24000413.

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The church has a growing reputation as a safe place for LGBTQIA+ people of faith. In September 2022 it received a gift of an altar frontal in the form of the Progress Pride flag, which had been removed following a complaint from outside the diocese; the present petition was for a faculty to authorise its introduction.

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Bremer, Thomas. "Review of Nicholas E. Denysenko. The Orthodox Church in Ukraine: A Century of Separation." East/West: Journal of Ukrainian Studies 7, no. 1 (2020): 279–81. http://dx.doi.org/10.21226/ewjus582.

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Ryndina, Anna V. "The Semantic and Artistic Evolution of Images of Nicholas the Wonderworker. Russia and the West." Scientific and analytical journal Burganov House. The space of culture 18, no. 6 (2022): 10–36. http://dx.doi.org/10.36340/2071-6818-2022-18-6-10-36.

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In the article, devoted to the research of the image of St. Nicholas the Wonderworker, the author focuses on new trends in the study of ancient Russian art and, above all, in the study of architectural monuments, "minor forms" of liturgical purpose and plastics. The author especially emphasises that at the present stage, the issue of content, the connection of form formation with the structure of symbolic thinking within the cultural space of the era is actively brought to the fore. In this regard, the work of Pavel Florensky, The Church Ritual as a Synthesis of the Arts, is perceived as a pro

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Gorbyk, Olena, Galyna Shevtsova, Tetyana Kashchenko, Volodymyr Starchuk, Oleksandra Yezhova, and Yaroslav Starchuk. "Kyiv St. Nicholas Roman Catholic Church: Problems of Restoration And Post-War Renovation of A Unique Monument of the Neo-Gothic Style." International Journal of Conservation Science 15, SI (2024): 305–20. http://dx.doi.org/10.36868/ijcs.2024.si.23.

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St. Nicholas Roman Catholic Church is one of the main centers of the Roman Catholic community of Ukraine, an architectural monument of national significance, a neo-Gothic building of the beginning of the 20th century, unique for Kyiv, built in the innovative for that time material of reinforced concrete and experimental structures. As a result of problematic soils, design miscalculations, destructive to the structures of the building city transport communications (vibrations from subway traffic), a catastrophic fire in the building in 2021, deterioration of the stability of the building as a r

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Suica, Marko, and Branka Knezevic. "The inscription on the fresco “St. Nicholas takes basil from the house of Emir” in the church of St. Nicholas in Ramaca as a historical source." Zograf, no. 42 (2018): 107–17. http://dx.doi.org/10.2298/zog1842107s.

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This paper explores the contents and historical context of the Cyrillic inscription written in old Serbian language with some Turkish words on the fresco ?St. Nicholas takes Basil from the house of Emir? from the Church of St. Nicholas in Ramaca. Based on an analysis of the historical circumstances and events that took place at the end of the fourteenth and the beginning of the fifteenth century on the Balkan Peninsula and especially in the Lazarevic Principality, it is assumed that the presence of Turkish words in the mentioned inscription implies the influences of Islamic heterodox dervishes

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Chuvilkina, Iuliia Viktorovna. "The history of the Church of St. Nicholas the Wonderworker in the village of Batyushkovo, Dmitrovsky district (XVII-XIX centuries)." Genesis: исторические исследования, no. 6 (June 2024): 84–96. http://dx.doi.org/10.25136/2409-868x.2024.6.43449.

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This article provides historical information about the architectural monument characteristic of the Moscow patrimonial (Posadsky) architecture – the Church of St. Nicholas the Wonderworker in the village of Batyushkovo, Dmitrovsky district. The author has studied and systematized data on the owners, construction and repair of the church since the XVII century, collected data on local clergy. The research is based on materials from the archive of the Dmitrov Kremlin State Museum-Reserve, the archive of the Shchusev State Museum of Architecture, the archive of the New Jerusalem State Historical

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Dunster, Ruth. ""The End of the Church? Conversations with the Work of David Jasper" edited by Bridget Nichols and Nicholas Taylor." Theology in Scotland 31, no. 1 (2024): 65–69. http://dx.doi.org/10.15664/tis.v31i1.2758.

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Mazurov, Alexey B., and Alexander V. Rodionov. "On the Origin of the Zaraysk Gospel." Bibliotekovedenie [Russian Journal of Library Science] 70, no. 2 (2021): 193–204. http://dx.doi.org/10.25281/0869-608x-2021-70-2-193-204.

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The article considers theoretical development of the problem of the origin and provenance in the 15th — the first quarter of the 19th century of the famous Old Russian book monument — the Zaraysk Gospel. Although it has repeatedly attracted the attention of archaeographers, textologists, paleographers, linguists and art historians, this article is the first experience of studying these issues. Created in 1401 in Moscow, the Gospel, which is parchment manuscript, was purchased in 1825 by K.F. Kalaidovich for Count N.P. Rumyantsev from the Zaraysk merchant K.I. Averin, that determined its name b

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Korneluk, Paulina. "The former St. Nicholas Church in Zamość as a Russian “lieu de mémoire”." Quart, no. 2(64) (June 1, 2022): 122–43. http://dx.doi.org/10.19195/quart.2022.2.94072.

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This article aims to show the history of the Orthodox church in Zamosc based on the concept of sites of memory developed by Pierre Nora. Zamosc’s church is one of the most important yet enigmatic buildings in the town. It was built for the town’s Greek and Ruthenian communities and for a good number of years was the mainstay of Orthodoxy in the region. At the beginning of the 18th c., it was taken over by the Basilian Order, and in its interiors the statutes of the Synod of Zamosc were signed, which significantly led to the unification of the Latin Church and the Uniate Orthodox Church and the

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HAYES, DAWN MARIE. "The Cult of St Nicholas of Myra in Norman Bari, c. 1071–c. 1111." Journal of Ecclesiastical History 67, no. 3 (2016): 492–512. http://dx.doi.org/10.1017/s0022046915003371.

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This article explores the cult of St Nicholas in later eleventh-century Bari, focusing on its importance to the new Norman rulers in the region as well as to their subjects. While acknowledging the influence of earlier expressions of the cult in Normandy and in Byzantine southern Italy, it argues that for numerous reasons Nicholas was, for Bari, an especially important – and appropriate – intercessor. During these years, which witnessed the translation of the saint from Myra, economic developments, church politics and the demands of the First Crusade merged to render Nicholas an ideal patron f

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Максимович, К. А. "Princeps super omnem terram. Идеология первенства Римской кафедры в переписке папы Николая I (858–867) с императором Михаилом III". Диалог со временем, № 90(90) (1 квітня 2025): 215–30. https://doi.org/10.21267/aquilo.2025.90.90.013.

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Статья посвящена обоснованию первенства Римского епископа в Церкви, возникшему в связи с неканоническим, с точки зрения папы Николая I (858–867), низложением имп. Византии Михаилом III (842–867) Константинопольского патриарха Игнатия и возведением на его место из мирян имперского секретаря Фотия. Переписка возникла в период так наз. «Фотиевoй» схизмы между Римом и Константинополем. Цель работы: проанализировать приведенные в посланиях Николая богословские, исторические и юридические аргументы в обоснование главенства Римского епископа над всеми христианскими Церквами. Рассмотренная переписка п

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Ross, Noel. "Memorial Inscriptions in St. Nicholas' Parish Church, Dundalk." Journal of the County Louth Archaeological and Historical Society 25, no. 4 (2004): 475. http://dx.doi.org/10.2307/27729951.

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Nesterenko, Andrii. "Wall painting of the 17th - 18th centuries in the church of St. Nicholas the Wonderworker in the village of Kolodne in Transcarpathia." Bulletin of Lviv National Academy of Arts, no. 53 (December 27, 2024): 77–90. https://doi.org/10.37131/2524-0943-2024-53-8.

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The wall painting of the 17th - 18th centuries in the church of St. Nicholas the Wonderworker in the village of Kolodne Tyachiv district in Transcarpathia was examined. The church is one of the oldest monuments of wooden architecture in Ukraine and Europe. The purpose of the article is to carry out a stylistic analysis of the iconographic compositions of the preserved mural, arrange and systematize the factual material, restore the iconography of the destroyed parts of the wall painting. It was established that the iconographic subjects in the wall paintings are in the stage of severe destruct

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Kisliakov, Daniel. "Nicholas Afanasiev’s Concept of Eucharistic Ecclesiology and Its Theological Impact." Journal of Ecumenical Studies 58, no. 4 (2022): 503–23. http://dx.doi.org/10.1353/ecu.2022.a914305.

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precis: A productive area of scholarship of the Russian Religious Renaissance is the reconsideration of the “two schools” dichotomy that has been broadly thought of as an explanation of its development. A better way to approach its study, however, is in a comprehensive way capturing critical details that escape the attention of crude categorizations. An aspect in which this is relevant is the development of the notion of eucharistic ecclesiology. Coined by Nicholas Afanasiev, it was an effort to reveal the eucharistic nature of unity in the church and, as such, its Christ-centeredness. In so d

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Медведев, Сергей Сергеевич. "Japanese Orthodox Church: from the Beginnings to the Present." Праксис, no. 1(3) (June 15, 2020): 210–25. http://dx.doi.org/10.31802/2658-6517-2020-1-3-210-225.

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С конца 50-х годов ХIХ в. на фоне активного сотрудничества Российской Империи с Японией Русская Церковь поставила вопрос о необходимости внешней миссии в Стране восходящего солнца. Святитель Николай Японский является объединяющим звеном двух великих держав. Наследие Святого является национальным достоянием двух народов. По мнению Святителя, «все, что делается в Японии, более чем всякое другое государство должно интересовать Россию, как непосредственную соседку её на крайнем Востоке. Оба государства молодые, полные свежих сил и надежд на долгую историческую жизнь. Притом же, оба - совершенно ра

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Ledovskikh, Natalia Petrovna. "Regional Orthodox culture: Brotherhood of Saint Nicholas of Mirliki." Общество: философия, история, культура, no. 12 (December 11, 2020): 134–39. http://dx.doi.org/10.24158/fik.2020.12.23.

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The author analyzes one of the brightest pages of the regional cultural heritage, the Brotherhood of Saint Nicholas based on archival documents and printed pre-revolutionary sources. The brotherhood was created at the end of the 19th century in Tuma, the village of Ryazan province, by the initiative of the clerics and the most active parishioners of the Holy Trinity Church. The main goal of the created organization was to attract people to the Trinity Church activities, to teach them to be socially active themselves, to solve pressing issues all together. The Brotherhood took care of low-incom

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Pechatnov, V. O. "Глава Алеутской и Аляскинской епархии епископ Николай (Зиоров) и его время". Вестник Вятского государственного университета, № 2(148) (17 жовтня 2023): 64–68. http://dx.doi.org/10.25730/vsu.7606.23.022.

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The article is dedicated to the head of the Aleutian and Alaska diocese, Nikolai (Ziorov). He has been ignored by historians, remaining in the shadow of his famous successor – svt. Tikhon (Bellavin), the future Patriarch of Moscow and All Russia, under whom the Overseas diocese reached its highest heyday. Bishop Nicholas was an active and talented archpastor (years of service in America – 1891–1898), who, through bold and broad transformations, managed to bring the overseas diocese out of the state of decline that followed the sale of Alaska to the United States in 1867. The State Historical A

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Cvetkovski, Saso. "The royal doors from the Church of St. Nicholas in the village Prisovjani." Zbornik radova Vizantoloskog instituta, no. 44 (2007): 567–73. http://dx.doi.org/10.2298/zrvi0744567c.

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In this paper for the first time the Royal Doors from the church of St Nicholas at Prisovjani are published. According to style, the selected woodcarving motifs, and the iconography of the Annunciation these doors belong to the group of Royal Doors that are linked to Ohrid and its existing artistic workshops from the mid 16th century. Namely, the Royal Doors from the church of St. Clement in Ohrid (now housed in the National Museum in Ohrid), from the church of St. George in the Vlach district of the city, from an unidentified church in Ohrid or its surrounding (now kept in the National Museum

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Budu, Ana Maria, Raluca Cristache, Andrei Victor Sandhu, Viorica Vasilache, Mohd Mustafa Al Bakri Abdullah, and Ion Sandu. "Study of Coloured Lakes Used for the Covering of Silver Leaf in Ecclesial Art of the First Half of 19th Century." Applied Mechanics and Materials 754-755 (April 2015): 714–18. http://dx.doi.org/10.4028/www.scientific.net/amm.754-755.714.

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The wooden sculptures in orthodox churches are usually gilded with golden leaves, applied by means of different techniques (with bole or mixtion). Silver leaf was also used for economic or aesthetic purposes, usually covered with coloured lakes: red, green (for flowers, leaves and fruits) or yellow (for gold imitation). This study presents analysis realized on samples of coloured lakes taken from different cult objects. We used red and green lakes taken from the royal doors of the St. Nicholas church from Aroneanu, Iasi (1814) and from the royal doors and deacon doors from St. Archangels Churc

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Kościołek, Anna. ""Rosyjskie Wilno" Andrzeja Murawjowa." Acta Polono-Ruthenica 3, no. XXIII (2018): 45–57. http://dx.doi.org/10.31648/apr.2820.

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The article is an attempt to present the impressions of Andrey Muraviev, religious writer, theologian, poet, playwright, church and state activist, from his stay in Vilnius in 1863, on the basis of his work entitled The Russian Vilnius. It consists of six essays on Vilnius religious monuments: the Chapel of Our Lady of Ostra Brama, St. Paraskeva Orthodox church, Orthodox cathedral of Our Most Holy Lady, Orthodox church of translation of St Nicholas’ relics, Holy Trinity cathedral, Holy Spirit church and monastery complex. The author was only interested in monuments which would document the cit

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Ženarju-Rajović, Ivana. "About the iconostasis of the St. Nicholas Church in Velika Hoča." Bastina, no. 65 (2025): 257–73. https://doi.org/10.5937/bastina35-57237.

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The iconostasis from the Church of Saint Nicholas in Velika Hoča was made in 1825 and 1826, for the icon of Saint Nicholas painted by the monk and painter Longinus in 1576-77 and for the throne icons that were painted either at the time of the iconostasis' creation or were already in the church. The iconostasis was made by Petar from Debar, a Mijak master who left an inscription saying that he made it out of wood and painted it. There was an assumption that it was the famous wood-carver Petar Garka, but this cannot be confirmed based on his existing works in Macedonia, such as the iconostasis

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Utkin, I. N. "Sergius (Stragorodsky), War and Homeland: From the Holy Tsar-Martyr Nicholas II to Stalin." Orthodoxia, no. 2 (May 14, 2024): 80–127. http://dx.doi.org/10.53822/2712-9276-2024-2-80-127.

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During the First World War, Sergius (Stragorodsky) served as the Archbishop of Finland and was a member of the Holy Governing Synod. He participated in the preparation of all church acts aimed at organizing assistance to the wounded, families of soldiers called to war, and orphans. Under his leadership, the diocese conducted active social work. The prayer for victory over the enemy, approved in 1914 with the direct participation of Archbishop Sergius, was subsequently used in abbreviated form during the Great Patriotic War of 1941–1945. During the First World War, the church press actively par

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