Relevant bibliographies by topics / Nicolás Guillén

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Nicolás Guillén'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Nicolás Guillén"

1

Zayas, Manuel. "Nicolás Guillén Landrián." Cinémas d’Amérique latine, no. 18 (December 1, 2010): 121–28. http://dx.doi.org/10.4000/cinelatino.1418.

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Zayas, Manuel. "Nicolás Guillén Landrián." Cinémas d’Amérique latine, no. 18 (December 1, 2010): 129–35. http://dx.doi.org/10.4000/cinelatino.1428.

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White, Clement. "Nuestro Nicolás Guillén." CLR James Journal 21, no. 1 (2015): 11–15. http://dx.doi.org/10.5840/clrjames2015211/23.

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López, Antonio. "Introduction: Literature and the State in Nancy Morejón." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (2021): 83–90. http://dx.doi.org/10.1215/07990537-9384272.

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This essay introduces a special section on the Afro-Cuban poet and intellectual Nancy Morejón’s 1982 book Nación y mestizaje en Nicolás Guillén (Nation and Mestizaje in Nicolás Guillén). It sets up the contributors by surveying the literary and political trajectory of Morejón’s career in the years leading up to the publication of the book, focusing in part on her silencing by the Cuban state because of earlier activities centered on Afro-Cuban rights. The essay considers the themes and arguments of Nación y mestizaje, recognizing the surfaces, depths, and fissures of its actual and apparent do
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White, Clement. "Introduction: Claiming / Acclaiming Nicolás Guillén." CLR James Journal 21, no. 1 (2015): 5–10. http://dx.doi.org/10.5840/clrjames2015211/22.

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Dixon, John. "Nicolás Guillén' World of Poetry." Translation Review 46, no. 1 (1994): 59–61. http://dx.doi.org/10.1080/07374836.1994.10523642.

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Vidal Ortega, Carlos Federico. "Las representaciones del Caribe en El gran zoo de Nicolás Guillén." ÍSTMICA. Revista de la Facultad de Filosofía y Letras 1, no. 25 (2020): 45–55. http://dx.doi.org/10.15359/istmica.25.4.

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El gran zoo (1984), del poeta cubano Nicolás Guillén, ofrece distintas representaciones sobre el Caribe. El artículo argumenta que el texto de Nicolás Guillén se inscribe dentro del movimiento literario hispanoamericano de la neovanguardia. Luego, se examinan algunas características formales del texto, tomando como ejemplo los poemas “El sueño” y “Guitarra”. Otro poema que se estudia con más detenimiento es “El tenor”, el cual parodia la división entre la alta cultura y la cultura popular. Por último, se analizan varias alusiones del poemario al contexto histórico de la Guerra Fría y la Carrer
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Firmat, Gustavo Pérez. "Motivos de soneto en Nicolás Guillén." Romance Quarterly 35, no. 4 (1988): 469–77. http://dx.doi.org/10.1080/08831157.1988.9925855.

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Cort, Aisha Z. "Nation, Race, and Performance in the Poetics of Nicolás Guillén and Nancy Morejón." Small Axe: A Caribbean Journal of Criticism 25, no. 2 (2021): 125–41. http://dx.doi.org/10.1215/07990537-9384314.

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In the context of revolutionary Cuba, discourses of identity are veiled behind discussions and performances of nation and nationality. Consideration of the paradoxical relation of blackness and the Cuban Revolution must consider the historical relation of blackness to the Cuban nation, from its inception, to independence, through the Republic and immediately prior to the Revolution. In addition, a discussion of this relation must consider the discreet comments on race made via official policies, speeches, and discourses on the subject. Using Nancy Morejón’s critical analysis in her seminal 198
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Enjuto Rangel, Cecilia. "Nicolás Guillén y la Guerra Civil española." Periphērica 2, no. 1 (2022): 129–58. http://dx.doi.org/10.5399/uo/peripherica.2.1.7.

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The poetry that emerges from the Spanish Civil War (1936-1939) develops a poetic discourse, to motivate its readers to become active historical agents and witnesses, and to politically support the Republican cause. In España: Poema en cuatro angustias y una esperanza (Spain: Poem in Four Anguishes and One Hope) the Cuban poet Nicolás Guillén (1902-1989) defends a poetics of solidarity with Republican Spain, while also acknowledging the colonial and postcolonial history that problematizes this “transatlantic” aesthetic position. Particularly in the “Angustia primera” and in the last poem “La vo
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Dissertations / Theses on the topic "Nicolás Guillén"

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Bernath, Monica. "Black Atlantic expression in the poetry of Langston Hughes and Nicolás Guillén." Thesis, Stockholms universitet, Engelska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-86911.

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As Paul Gilroy has argued, the Black Atlantic is a cultural and literary network that has emerged in the aftermath of the Atlantic slave trade. The concerns of the Black Atlantic are made visible in the poetry of African American Langston Hughes and Cuban Nicolás Guillén. Gilroy’s theorization of the Black Atlantic draws on W.E.B. Du Bois’s idea of ‘double consciousness’ which describes the “doubleness” that blacks can experience when belonging to two groups at the same time which have been constructed as oppositional and exclusive in a society. One of Du Bois’s main concerns is to highlight t
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Divett, Andrew Brennan. "Musical Ekphrasis in the Poetry of Nicolás Guillén, Federico García Lorca, and Langston Hughes." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955012/.

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Musical ekphrasis was occurring in the twentieth century in different centers around the world, Cuba: Andalusia, Spain; and Harlem, New York, simultaneously. The writers at the heart of this movement used poetry about music as a means to celebrate the cultures of the marginalized people in their lands, los negros, los gitanos, and African-Americans. The purpose of this study is to define musical ekphrasis and identify it in the works of Nicolás Guillén, Federico García Lorca, and Langston Hughes. Also explored are the common characteristics in ekphrastic poetry by the three poets and the c
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Vélez, Pesante Rocio. "La poesía de Nicolás Guillén y Luis Palés Matos: en defensa de la herencia negra." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/7103.

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Este trabajo de investigación explora una selección de poemas de los autores Nicolás Guillén (Cuba 1992-1989) y Luis Palés Matos (Puerto Rico 1989-1959) para demostrar como ambos contribuyeron a la discusión sobre la herencia negra en la identidad de sus respectivos países, si bien, sus obras tuvieron una diferente recepción. También nos proponemos probar que, aunque ambos han sido estudiados más como autores de la corriente negrista dentro de la poesía caribeña hispana, algunos de sus poemas pueden ser leídos desde las perspectivas del pensamiento de la Negritude. Por últi
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Tellini, Oscar Sebastian. "Zoografías críticas - Animalidad y desarrollismo en Juan José Arreola, Amparo Dávila y Nicolás Guillén (1959-1972)." Thesis, Stockholms universitet, Romanska och klassiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194107.

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Esta tesis explora las configuraciones animales en tres obras literarias publicadas en el contexto del desarrollismo latinoamericano entre fines de los 50 y comienzos de los 70 en las cuales el animal se presenta como protagonista, a saber, las prosas breves en "Bestiario" (1972) de Juan José Arreola, el cuento "Alta cocina" (1959) de Amparo Dávila y el poemario El gran zoo (1967) de Nicolás Guillén. Estudios previos han analizado la presencia del animal en la literatura latinoamericana del período identificado tanto desde la perspectiva biopolítica (Giorgi, 2014) como desde una perspectiva pr
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Oveson, Vicky. "Cuban nationalism from 1920-1935, the contextualization of Afrocuban poetic and musical themes in "Motivos de Son" by Nicolás Guillén and Amadeo Roldán." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59916.pdf.

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Kouya, Arlette-Solange. "L'Africain "Taïta Facundo" ou le drame des Noirs en Espagne et dans la société esclavagiste cubaine." Dijon, 2002. http://www.theses.fr/2002DIJOL013.

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A travers Taïta Facundo, personnage de N. Guillén, se trouve ici retracé l'itinéraire géographique, chronologique et idéologique des Noirs esclaves partis d'Afrique pour Cuba, en passant par la péninsule ibérique. Pour faire ressortir le caractère singulièrement destructeur pour les uns, infamant pour les autres, de l'esclavage des Noirs entretenu par le déplacement de populations le plus important de l'histoire, nous dressons dans les détails le portrait des esclaves des plantations cubaines, en accordant une attention particulière aux législations destinées à réglementer leur vie. Ces tragéd
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Catzaras, Marina. "Transculturation et négrisme à Cuba à travers la pensée de Fernando Ortiz et les oeuvres d'Alejo Carpentier : ¡Ecue-yamba-o!, et de Nicolás Guillén : Motivos de son, Songoro Cosongo et West Indies, Ltd." Paris 3, 1995. http://www.theses.fr/1996PA030032.

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La thèse se propose d'analyser le processus de conscientisation nationale cubaine durant les premières années du siècle. Comprendre l'évolution de la formation d'une conscience nationale et sa représentation dans la littérature des premières années d'avant-garde cubaine oblige à traverser la pensée du multi-scientifique cubain Fernando Ortiz, qui, par ses essais anthropologiques, évolue vers un nouveau concept de "transculturation" qui énoncera et définira les facteurs de l'ethnogenèse et de l'identité nationale cubaine. Ce concept apparait dans son livre de 1940, « Contrapunteo cubano del tab
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Ashvo-Muñoz, y. Díaz Alira. "Cielo de tambores : tradiciones Afrocubanas en Sóngoro cosongo, Motivos de son y West Indies Ltd. de N. Guillén y Viaje a la semilla de A. Carpentier /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Thiao, Yopane. "La quête de l'identité africaine à travers les oeuvres de René Depestre et Nicolas Guillen." Paris 10, 2002. http://www.theses.fr/2002PA100049.

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La quête de l'identité africaine à travers les oeuvres de René Depestre (hai͏̈tien) et Nicolas Guillen (cubain) constitue la matière de cette étude. Bien que tous deux soient partisans d'une identité multiple, nous avons tenté d'identifier leurs différences et de dégager leur unité. Négritude, négrisme, africanité, antillanité assortie de créolité et de créolisation, chacune de ces identifications est reconnue par eux. Mais comment reconnaître un Africain-Américain à identité plurielle une Afrique-Mère a qui d'aucuns font porter la responsabilité de la déportation des esclaves tout en cherchan
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Moss, Grant Daryl. "Political Poetry in the Wake of the Second Spanish Republic: Rafael Alberti, Pablo Neruda, and Nicolas Guillen." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1280872939.

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Books on the topic "Nicolás Guillén"

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Guillén, Nicolás. Nicolás Guillén: Antología poética. El Juglar, 1987.

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1902-1989, Guillén Nicolás, Martínez Morales José Luis, and Universidad Veracruzana. Instituto de Investigaciones Lingüístico-Literarias., eds. Homenaje a Nicolás Guillén. Universidad Veracruzana, Instituto de Investigaciones Lingüístico-Literarias, 2006.

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Keith, Ellis. Nicolás Guillén: Poesía e ideología. Unión de Escritores y Artistas de Cuba, 1987.

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Augier, Angel I. Nicolás Guillén: Estudio biográfico-crítico. Unión de Escritores y Artistas de Cuba, 2005.

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Guillén, Nicolás. Nicolás Guillén: A bilingual anthology. Ed. José Martí, 2003.

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1976-, Velazco Yanelis, ed. Nicolás Guillén: Las elegías elegidas. UH Editorial, 2011.

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Augier, Ángel. Acercamientos a la poesía de Nicolás Guillén. Editorial Pueblo y Educación, 2004.

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Keith, Ellis. Nicolás Guillén: A life of poetic service. Canadian Cuban Friendship Association, 1991.

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Guillén, Nicolás. Man-making words: Selected poems of Nicolás Guillén. 2nd ed. University of Massachusetts Press, 2004.

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Robert, Márquez, and McMurray David Arthur, eds. Man-making words: Selected poems of Nicolás Guillén. 2nd ed. University of Massachusetts Press, 2003.

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Book chapters on the topic "Nicolás Guillén"

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Wild, Gerhard. "Guillén, Nicolás." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3920-1.

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Fenyo, Mario D. "Nicolás Guillén." In Early Black Thinkers in the Diaspora and Their Conceptualizations of Africa. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-66417-5_7.

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Fuentes Rojo, Aurelio. "Guillén, Nicolás: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3921-1.

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Vélez Peña, Juan José. "Reartikulierung afroantillanischer Musik im poetischen Werk von Luis Palés Matos und Nicolás Guillén: Vorläufer eines interkulturell-dekolonialen Denkens." In Pluraler Humanismus. Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-20079-4_5.

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Branco, Isabel Araújo. "The Nicolás Guillén’s “poemas cosmicos”: Moon, Space and Human Travelers." In Representations of the Moon in Literature and Art. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-66104-4_5.

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"Nicolás Guillén." In Only the Road / Solo el Camino. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822373858-002.

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"Nicolás Guillén." In The Repeating Island. Duke University Press, 1996. http://dx.doi.org/10.1215/9780822382058-004.

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"Nicolás Guillén:." In Escrito en el margen. Música, literatura y pensamiento. Dykinson, 2023. http://dx.doi.org/10.2307/jj.8500808.12.

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"Nicolás Guillén." In The Whole Island. University of California Press, 2019. http://dx.doi.org/10.1525/9780520944534-003.

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"Nicolás Guillén." In Spanische und hispanoamerikanische Lyrik Bd. 3: Von José Martí bis Miguel Hernández, edited by Susanne Lange and Petra Strien. Verlag C.H.BECK oHG, 2022. http://dx.doi.org/10.17104/9783406784118-386.

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Journal articles Dissertations / Theses Books
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