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Relevant bibliographies by topics / Nieu-Bethesda

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Academic literature on the topic 'Nieu-Bethesda'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Nieu-Bethesda"

1

Moolman, Kobus, and Jo Ractliffe. "Nieu-Bethesda revisited." de arte 34, no. 60 (1999): 59–66. http://dx.doi.org/10.1080/00043389.1999.11761296.

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2

Kingwell, Phillida. "First Fugard Festival in Nieu Bethesda." South African Theatre Journal 23, no. 1 (2009): 241–43. http://dx.doi.org/10.1080/10137548.2009.9687913.

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3

Irvine, P. M., T. Kepe, D. T. De Wet, and N. P. Hamunime. "Whose Mecca? Divergent experiences of post-productivism and tourism in Nieu Bethesda, South Africa." South African Geographical Journal 98, no. 2 (2015): 386–401. http://dx.doi.org/10.1080/03736245.2015.1052843.

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4

Willemse, Hein. "Aantekeninge by drie klein geskiedenisse." Tydskrif vir Letterkunde 47, no. 2 (2017): 150–65. http://dx.doi.org/10.17159/tl.v47i2.3093.

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The reviewer identifies three disparate texts, Koos Malgas Sculptor of the Owl House (Julia Malgas and Jeni Couzyn, 2008), The Black Countess (R. E. van der Ross, 2008) and Die verhaal van Elandskloof (“The Story of Elandskloof”, Tobie Wiese assisted by Ricky Goedeman, 2009) as counter-discursive texts writtten against specific hegemonic practices. The first text presents a reevaluation of the contribution of Koos Malgas to the famous Outsider Art place, The Owl House in Nieu Bethesda; the second is a short biography on the black countess, Martha Grey and the third is a lay history of a Dutch

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Dissertations / Theses on the topic "Nieu-Bethesda"

1

Sandell, Janet Mary. "Persistent paternalism : an ethnography of social change in a post-apartheid village." Master's thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/22411.

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Bibliography: pages 177-190.<br>This ethnographic study of Nieu Bethesda, a village in the Eastern Cape district of South Africa, is the product of a total of five months of fieldwork. The research was conducted between 1993 and 1995, a period that spanned the first democratic elections in South Africa in 1994. The ethnography explores the effects of apartheid on life in Nieu Bethesda. It traces the dynamic interactions between social life and worldviews as these were manifested in the village. Geographically isolated, and to a large extent cut off from mainstream politics, the processes and e

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2

Shenton, Stephanie. "Sense of place, social dynamics and development : A case study of Nieu Bethesda, Eastern Cape, South Africa." Thesis, Uppsala universitet, Kulturgeografiska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-176883.

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3

Ross, Susan Imrie. "The inner image: an examination of the life of Helen Elizabeth Martins leading to her creation The Owl House and A Camel Yard as outsider art." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002227.

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The Owl House is situated in the Karoo village of Nieu Bethesda, and the person responsible for its creation, Helen Elizabeth Martins (1897-1976), is South Africa's best known Outsider artist. A number of newspaper and magazine articles, television programmes, radio interviews, play, films, short stories, theses and art works have resulted directly from her work. Interest in The Owl House continues to grow, with visitors coming from all over South Africa, and various parts of the world,to visit it. The Owl House was Helen Martins' home for most of her 78 years. During the last 30 or so years o

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4

De, Villiers Marguerite. "A visible darkness : The Owl House of Nieu Bethesda." Thesis, 2014. http://hdl.handle.net/10539/15537.

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The idea of rumours as oral history, the appeal of an apparently isolated community, and the social and economic value of small towns in present day South Africa is what attracted me to Nieu Bethesda and the Owl House. My research report is divided into three chapters: economic viability, rumour as oral history, and race relations. I look at what constitutes the Nieu Bethesda brand; how it is formulated, marketed, sold, and received, the manner in which rumours could be seen as historical sources as well as value-producing acts, and the role of race relations in determining who benefits

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5

Knight, Alexandra Mary-Rose. "Routes/roots: reimagining the owl house." Thesis, 2017. https://hdl.handle.net/10539/24456.

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A research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfillment of the requirements for the degree of Master of Arts in Film and Television, August 2017<br>Located in the town of Nieu Bethesda in the Karoo desert, the Owl House is a fascinating heritage museum that was once the home to outsider artist, Helen Martins. Much work has been created about the eccentric Helen Martins and her unusual home, and appears in the form of books, films, music and plays. The content of these works follow a similar pattern, and it is the aim of th

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Books on the topic "Nieu-Bethesda"

1

Westby-Nunn, Tony. Graaff-Reinet: An illustrated historical guide to the town including Aberdeen and Nieu-Bethesda. Elephant Head Publications, 2004.

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2

Emslie, Anne. A journey through the Owl House. Penguin Books, 1997.

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3

Fugard, Athol. The road to Mecca: Suggested by the life and work of Helen Martins of New Bethesda. Theatre Communications Group, 1985.

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4

Fugard, Athol. The road to Mecca: A drama in two acts : suggested by the life and work of Helen Martins of New Bethesda. S. French, 1985.

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5

Fugard, Athol. The road to Mecca: A play in two acts suggested by the life and work of Helen Martins of New Bethesda. Faber & Faber, 1986.

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6

Fugard, Athol. The road to Mecca. Theatre Communications Group, 1988.

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7

Fugard, Athol. The road to Mecca. Theatre Communications Group, 1991.

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8

Fugard, Athol. The road to Mecca. Theatre Communications Group, 1988.

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9

Fugard, Athol. The Road to Mecca: A Play in Two Acts Suggested by the Life and Work of Helen Martins of New Bethesda. Faber and Faber, 1985.

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10

Fugard, Athol. The Road to Mecca. La Theatre Works, 1996.

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