Relevant bibliographies by topics / NIME

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'NIME'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 September 2024

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Journal articles on the topic "NIME"

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Faster, Mariko, and Evar Saar. "Looma- ja linnunimetused kohanimedes ja nimeandmispõhimõtted." Eesti ja soome-ugri keeleteaduse ajakiri. Journal of Estonian and Finno-Ugric Linguistics 4, no. 1 (June 20, 2013): 145–60. http://dx.doi.org/10.12697/jeful.2013.4.1.09.

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Kõik loomulikud kohanimed on sünnihetkel nime andva väikse kogukonna jaoks motiveeritud. Artiklis on tutvustatud nimeandmispõhimõtteid – millised on kohanimede tekkemotiivide kõige tavalisemad võimalused. Kohanimedes esinevate loomanimetuste puhul saab ilmekalt näidata, kuidas nime leksikaalse koostise mõistmine üksinda ei aita veel mõista, millisest situatsioonist on kohanimi alguse saanud või miks ühel konkreetsel kohal on just seda loomanimetust sisaldav nimi. Sissejuhatavalt peatutakse kohanimede leksikaalsemantilisel ja tekkesemantilisel läbipaistvusel. Nimeandmispõhimõtteid on artiklis klassifitseeritud loomanimetuste leksikaalse kategooriaga kõige paremini kokku sobival moel: 1) sündmus; 2) looma tüüpiline esinemine kohas; 3) nimes väljenduv metafoor; 4) tüüpilise esinemise või metafoori alusel tekkinud liitsõna; 5) kohaga on seotud inimene, kelle nimi pärineb loomanimetusest; 6) olemasoleva kohanime varieerimine. Artiklis on juttu ka otsesest ja kaudsest nimeandmisest. Otsesel nimeandmisel luuakse nime ja koha vahele otsene tähendussuhe. Kaudsel nimeandmisel saab koht nime tekkivate assotsiatsioonide põhjal, mis esinevad selgelt piiritlemata kompleksina.Animal and bird names in place names and emergent naming principles. All naturally formed place names are motivated by the small naming community at the moment of their birth. The article introduces some principles of naming, offering an insight into the most common motives and patterns of place name formation. Animal names occurring in place names exemplify how understanding a name’s lexical content is not enough to understand which situation has motivated this particular place name, nor why a certain place has a name containing that particular animal name. In the introduction, the lexical-semantic and syntactic-semantic transparency of place names are discussed. The naming principles in the article have been classified to most closely fit the lexical categories of the animal names. Those naming principles are: 1) event; 2) animal’s typical occurrence at the place; 3) metaphor expressed in the name; 4) compound word based on typical occurrence or metaphor; 5) person whose name comes from an animal name and who has some connection to the place; 6) variation of the existing place name. The article also discusses direct and indirect naming. When a name is given directly, a direct semantic link is created between the name and the place. In the case of indirect naming, the naming is based on associations occurring as a clearly undefined complex.
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Shi, Qin, Yanan Wang, Jia Xu, Ziying Liu, and Chai-Yee Chin. "Fast crystal growth of amorphous nimesulide: implication of surface effects." Acta Crystallographica Section B Structural Science, Crystal Engineering and Materials 78, no. 1 (January 15, 2022): 33–39. http://dx.doi.org/10.1107/s2052520621012749.

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Understanding crystallization behaviors is of utmost importance for developing robust amorphous pharmaceutical solids. Herein, the crystal growth behaviors of amorphous anti-inflammatory drug nimesulide (NIME) are systemically investigated in the glassy and supercooled liquid state as a function of temperature. A sudden over-tenfold increase is observed in the bulk crystal growth of NIME on cooling below its glass transition temperature (T g). This fast growth behavior is known as a glass-to-crystal (GC) mode and has been reported in some molecular glasses. Fast surface crystal growth of NIME can persist up to T g + 57°C with a weak jump in its growth rates at 30–40°C. In addition, surface crystal growth and GC growth of NIME exhibit an almost identical temperature dependence, supporting the view that GC growth is indeed a surface-facilitated process. Moreover, the bubble-induced fast crystal growth of NIME is observed in the interior of its supercooled liquid with approximately the same growth kinetics as surface crystal growth. These findings are relevant for a full understanding of the surface-related crystallization behaviors and physical stability of amorphous pharmaceutical formulations.
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Johnston, Andrew. "Opportunities for Practice-Based Research in Musical Instrument Design." Leonardo 49, no. 1 (February 2016): 82–83. http://dx.doi.org/10.1162/leon_a_01121.

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This paper considers the relationship between design, practice and research in the area of New Interfaces for Musical Expression (NIME). The author argues that NIME practitioner-researchers should embrace the instability and dynamism inherent in digital musical interactions in order to explore and document the evolving processes of musical expression.
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Hayes, Lauren, and Adnan Marquez-Borbon. "Addressing NIME's Prevailing Sociotechnical, Political, and Epistemological Exigencies." Computer Music Journal 44, no. 2-3 (2020): 24–38. http://dx.doi.org/10.1162/comj_a_00562.

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Abstract Nearly two decades after its inception as a workshop at the Association for Computing Machinery Conference on Human Factors in Computing Systems, New Interfaces for Musical Expression (NIME) exists as an established international conference significantly distinct from its precursor. Although this origin story is often noted, the implications of NIME's history as emerging from a field predominantly dealing with human–computer interaction (HCI) have rarely been discussed. In this paper we highlight many of the recent—and some not so recent—challenges that have been brought upon the NIME community as it attempts to maintain and expand its identity as a platform for multidisciplinary research into HCI, interface design, and electronic and computer music. We discuss the relationship between the market demands of the neoliberal university—which have underpinned academia's drive for innovation—and the quantification and economization of research performance that have facilitated certain disciplinary and social frictions to emerge within NIME-related research and practice. Drawing on work that engages with feminist theory and cultural studies, we suggest that critical reflection and, moreover, mediation is necessary to address burgeoning concerns that have been raised within the NIME discourse in relation to methodological approaches, “equity, diversity, and inclusion,” “accessibility,” and the fostering of “rigorous” interdisciplinary research.
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Gurevich, Michael. "Diversity in NIME Research Practices." Leonardo 49, no. 1 (February 2016): 80–81. http://dx.doi.org/10.1162/leon_a_01120.

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This article advocates for a dialogue about research traditions and paradigms within the community around New Interfaces for Musical Expression (NIME). Although the research community collectively values interdisciplinarity, the author argues that we have not done enough to acknowledge and account for the inevitable epistemological differences that emerge with disciplinary diversity. Over time, NIME has seen a rise in the proportion of technical reporting and a concomitant decline in practice-based research, which historically played a more central role. Exploration and explication of the values, assumptions, and expectations that circumscribe legitimacy in practice-based research are needed in order to maintain and advocate for its relevance.
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Schedel, Margaret, Sonya Yuditskaya, and Susan E. Green. "New Interfaces for Musical Expression (NIME) Conference." Computer Music Journal 43, no. 2-3 (June 2020): 159–66. http://dx.doi.org/10.1162/comj_r_00528.

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Keegan, Sarah, Jeremy H. Rose, Zohra Khan, and Francois-Xavier Liebel. "Low frequency of pre-treatment and post-treatment haematological abnormalities in dogs with non-infectious meningoencephalitis treated with cytosine arabinoside and prednisolone." Veterinary Record Open 6, no. 1 (February 2019): e000315. http://dx.doi.org/10.1136/vetreco-2018-000315.

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BackgroundCytosine arabinoside (CA) and prednisolone are drugs commonly used together in the management of canine non-infectious meningoencephalitis (NIME). The aim of this study was to report the haematological findings before and after CA and prednisolone treatment and identify any adverse haematological events in this clinical setting, following the veterinary cooperative oncology group established common terminology criteria for recording adverse events following administration of chemotherapy or biological antineoplastic therapy.ResultsWhile 48 patients with a presumptive diagnosis of NIME had pretreatment haematology results, only 12 patients met the inclusion criteria of also having post-treatment haematology results available for review after being treated with prednisolone and CA at a standard dose (200 mg/m2) in a single referral hospital in the UK. Forty-nine post-treatment haematology results were available for these 12 patients.ConclusionsFour adverse haematological events were identified in four patients. None of these events were convincingly attributable to CA administration.
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Dahl, Luke. "Designing New Musical Interfaces as Research: What’s the Problem?" Leonardo 49, no. 1 (February 2016): 76–77. http://dx.doi.org/10.1162/leon_a_01118.

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Practice-based research in NIME is rooted in the practices of design and musical performance. Perspectives from HCI on the relationship between design and research, examining the role of questions or design problems in research, and considering the wickedness of the task help us frame and understand our work.
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Gillian, Nicholas, and Sarah Nicolls. "Kinect-ed Piano." Leonardo 48, no. 3 (June 2015): 294–95. http://dx.doi.org/10.1162/leon_a_01016.

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The authors describe a gesturally controlled improvisation system for an experimental pianist, developed over several laboratory sessions and used during a performance at the 2011 conference on New Interfaces for Musical Expression (NIME). They discuss the architecture and performative advantages and limitations of the system, and reflect on the lessons learned throughout its development.
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Marchandin, H., L. Dubreuil, C. Teyssier, H. Jean-Pierre, J. Campos, and E. Jumas-Bilak. "nimE Gene in a Metronidazole-Susceptible Veillonella sp. Strain." Antimicrobial Agents and Chemotherapy 48, no. 8 (August 2004): 3207–8. http://dx.doi.org/10.1128/aac.48.8.3207-3208.2004.

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Dissertations / Theses on the topic "NIME"

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Boeira, Alex Perozzo. "O princ?pio da igualdade no direito previdenci?rio brasileiro : uma proposta de distribui??o equ?nime das presta??es previdenci?rias em fun??o do g?nero." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2012. http://tede2.pucrs.br/tede2/handle/tede/4180.

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Made available in DSpace on 2015-04-14T14:33:51Z (GMT). No. of bitstreams: 1 437993.pdf: 58370 bytes, checksum: 2d318bbae75d57b9dd1c25b84f068af5 (MD5) Previous issue date: 2012-03-20
O princ?pio da igualdade, norma fundamental do Estado Social Democr?tico brasileiro, assume especial relevo quando se analisa o modelo de distribui??o de benef?cios previdenci?rios em fun??o do g?nero. A realiza??o do direito ? previd?ncia social, direito fundamental de segunda dimens?o, deve orientar-se pela isonomia no acesso aos bens jur?dicos, com vistas ? maior concretiza??o poss?vel. A m?xima j? h? muito preconizada de tratar igualmente os iguais e, em consequ?ncia, desigualmente os desiguais exige, na perspectiva material do aludido postulado, que se afira a adequa??o do modelo atual de concess?o de benef?cios previdenci?rios afetados pelo g?nero. As esp?cies previdenci?rias em quest?o - aposentadoria por tempo de contribui??o e aposentadoria por idade - diferenciam homens e mulheres para a sua frui??o, demandando, em s?ntese, trinta e cinco anos de tempo de contribui??o para homens e trinta para mulheres, ou sessenta e cinco anos de idade para homens e sessenta anos para mulheres. Nesse desiderato anal?tico, diversos fatores hist?rico-sociol?gicos e jur?dicos (quer sob o vi?s doutrin?rio, jurisprudencial ou puramente normativo) devem ser sopesados, examinando as mudan?as de paradigma em rela??o ? participa??o e ? integra??o da mulher ?s mais diversas fun??es sociais e conduzindo a um cen?rio de composi??o da igualdade previdenci?ria. As vari?veis demonstram, em ?ltima an?lise, a impropriedade do quadro atual e a consequente disparidade na outorga das aposentadorias a homens e mulheres, segurados do regime geral de previd?ncia social. O crit?rio orientador de qualquer modifica??o no sistema deve convergir para a origem comum do direito envolvido e assumir como norte a raz?o de ser dos direitos fundamentais: a pessoa como valor fundamental, independentemente de sexo ou g?nero. Considerando, ent?o, a experi?ncia da legisla??o anterior a 1991, a possibilidade de recrudescimento das exig?ncias legais, a representatividade econ?mica, a participa??o dessas duas esp?cies de benef?cios no contexto do regime geral de previd?ncia, bem como todas as demais condicionantes que atuam sobre esse direito (? aposentadoria) em forma??o, algumas altera??es normativas podem ser propostas. As sugest?es principiam com a redu??o da idade ou do tempo de contribui??o para homens, perpassam pela majora??o desses requisitos para mulheres e mesclam redu??o para homens com majora??o para mulheres at? o termo m?dio. Prosseguem tamb?m com a formula??o de tabelas de transi??o para a minora??o dos impactos ?s popula??es atingidas, contemplando ainda a eleva??o dos atuais limites de idade e de tempo de contribui??o e facultando, ao final, a aplica??o das novas regras apenas para novos segurados.
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Comajuncosas, Josep M. "Assessing creativity in computer music ensembles: a computational approach." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/359392.

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Over the last decade Laptop Orchestras and Mobile Ensembles have proliferated. As a result, a large body of research has arisen on infrastructure, evaluation, design principles and compositional methodologies for Computer Music Ensembles (CME). However, little has been addressed and very little is known about the challenges and opportunities provided by CMEs for creativity in musical performance. Therefore, one of the most common issues CMEs have to deal with is the lack of a systematic approach to handle the implications of the performative paradigms they seek to explore, in terms of their creative constraints and affordances. This is the challenging goal this thesis addresses, and for attaining so it first seeks to find a common ground in the strategies developed for assessing creativity in different performative setups, for later proposing an informed pathway for performative engagement in CMEs. Our research combines an exploratory stage and an experimental stage. The exploratory stage was informed by out artistic praxis with our own CME, the Barcelona Laptop Orchestra. Through the study of the multi-user instruments developed over the past years, we identified the creative constraints and affordances provided by different performative paradigms. Informed by the findings provided by our artistic research, the experimental stage addressed the study of musical creativity through the performance analysis on specifically designed multi-user instruments. For such purpose we proposed a novel computational methodology to evaluate the creative content of a musical performance. Two experiments were conducted to incorporate our computational methodology into ecologically valid scenarios, aimed at a better understanding of the relationship between topologies of interdependence and creative outcome. For both experiments, we captured performance data from ensemble improvisations, from where the creativity metrics were then computed. As a preliminary step, we investigated the performative engagement and sharing of musical ideations in an ensemble scenario. In a further step, we computed the creativity attributes to comparatively evaluate performances under different scenarios. The findings provided quantitative evidence of the differences between musical creativity in individual, ensemble and interdependent scenarios. Additionally, the findings point out what strategies performers adopt to best keep their own musical voice in interdependence scenarios, and what novel creative behaviors may be promoted through new topologies of interdependence. Our findings shed light on the nature of performers’ creative behavior with interdependent multi-user instruments, and show that the introduced methodology can have applications in the broader context of analysis of creativity in musical performance.
Durant la darrera d`ecada les Laptop Orchestras i els Mobile Ensembles han proliferat arreu. Com a conseq¨u`encia d’aix`o, ha aparegut un volum considerable de recerca al voltant de la infraestructura, l’avaluaci´o, els principis de disseny i les metodologies composicionals per ensembles de computadors (CMEs). Tanmateix, poc coneixem dels reptes i oportunitats que els CMEs ens ofereixen respecte de la creativitat en la pr`actica musical. En conseq¨u`encia, un dels reptes que la majoria de CMEs han d’encarar ´es la manca d’una estrat`egia sistem` atica per preveure i abordar les implicacions dels paradigmes performatius a explorar, respecte de les seves limitacions i possibilitats creatives. Aquest ´es el repte que adrecem en aquesta tesi, i per assolir-lo primer tractem d’establir un denominador com´u en les estrat`egies desenvolupades per avaluar la creativitat en diversos entorns performatius, per despr´es proposar un itinerari que permeti assolir una adequada involucraci´o creativa en els CMEs. La nostra recerca ha combinat una fase explorat`oria i una d’experimental. La fase explorat`oria s’ha fonamentat en la praxi art´ıstica duta a terme en el nostre propi CME, la Barcelona Laptop Orchestra. A trav´es de l’estudi dels instruments multi-usuari desenvolupats durant els darrers anys, hem identificat les potencialitats i restriccions presents en diversos paradigmes performatius. Basats en els resultats de la nostra recerca art´ıstica, la fase experimental s’ha centrat en l’estudi de la creativitat musical a trav´es de l’an`alisi interpretatiu en instruments multiusuari desenvolupats a tal efecte. A tal fi, hem proposat una nova metodologia computacional per avaluar el contingut creatiu d’una execuci´o musical. Hem dut a terme dos experiments incorporant la nostra m`etrica en escenaris realistes, a fi de comprendre millor la relaci´o entre topologies d’interdepend`encia i resultat creatiu. Per ambd´os experiments, hem recollit informaci´o d’improvisacions en grup, d’on hem calculat les m`etriques de creativitat. Com a pas previ, hem investigat en grau d’involucraci´o i la compartici´o d’ideacions musicals en escenaris col lectius. Tot seguit, hem calculat els atributs de creativitat per comparar execucions musicals en diferents escenaris. Els resultats proporcionen una evid`encia quantitativa de la difer`encia entre la creativitat musical en escenaris d’execuci´o musical individual, en grup i interdependent. Addicionalment, ens il lustren quines estrat`egies adopten els m´usics per mantenir la seva pr`opia individualitat musical en escenaris d’interdepend`encia, i quins nous comportaments creatius podem promoure a trav´es de noves topologies d’interdepend`encia. Els resultats obtinguts aporten nova llum en la natura del comportament creatiu dels m´usics amb instruments multi-usuari interdependents, i mostren que la metodologia presentada pot tenir aplicacions en el context m´es ampli de l’an`alisi de la creativitat musical en l’execuci´o musical.
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Jonsson, Åsa, and Carl-Philip Maathz. "Nine." Thesis, Blekinge Tekniska Högskola, Sektionen för teknokultur, humaniora och samhällsbyggnad, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-1708.

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Vår kandidatarbetstid har resulterat i nio stycken småfilmer som är till för att ge mer information om BTH och regionen för nyfikna. Fyra av dessa filmer innerhåller lite mer information om region, boende/kommunikationer, skolan och det studiesociala. Syftet med dessa fyra filmer är att blanda in BTH på olika sätt, att man sätter skolan som en röd tråd även i region och bostadsfrågorna. Vi gjorde även fyra stycken studentintervjuer, för att visa vad nuvarande studenter tycker om bostadsmöjligheterna och det studiesociala mm. Vi ville även visa att det finns folk från Kiruna i norr till Lund i Söder, som går på skolan, och att det finns många olika typer av människor som du får möjlighet att lära känna om du börjar studera här. Det blir variation och man tar till sig det som sägs på ett annat sätt, än i de mer traditionella informationsfilmerna. Sist men inte minst så gjorde vi en mässfilm som innehåller bilder och ord från de fyra informationsfilmerna, och som ska fånga upp ett intresse på kort tid. I den här mässfilmen har vi även inkluderat en showreel som visar några utav de projekt som har gjorts av studenter på BTH.
Our work with the Bachelors thesis has resulted in nine short informational movies which have as a purpose to give information about BTH ( Blekinge Institute of Technology ), and the region to interested people. Four of these movies include information on the region, living/transportation, the school and the social amenities provided for the students. We have also made four movies about different students from BTH. We want to show that there are students from Kiruna in the north to Lund in the south, and that there are many different kinds of people you can meet when you begin your time as a student here. Due to the fact that there are nine different movies there will be variation, and you will accept the information in a better way than in traditional informational movies. Last but not least, we made an event movie which does not include a speaker text but instead communicates through the clips and the music in it. In this movie there is also a showreel with different projects from students on BTH.
Detta är en reflektionsdel till en digital medieproduktion.
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Timm, Stephanie. "Everything Nice." Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p1476836.

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Groves, Jonathan. "Nice Polynomials." TopSCHOLAR®, 2004. http://digitalcommons.wku.edu/theses/526.

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We consider the problem of finding, constructing, and classifying nice polynomials. After a short history of previous results, we present a general property of nice polynomials which leads to an important modification of the concept of equivalence classes of nice polynomials. We give several important results on nice symmetric or antisymmetric polynomials with an odd number of roots, which dramatically increase the speed of a computer search for examples. We present complete solutions to the symmetric three root case, the general three root case, and the symmetric four root case. We also give the relations between the roots and critical points for the general four root case and the symmetric five, six, and seven root cases. Using the relations for the general three and four root cases, we state, without proof, the suggested pattern for the relations for the general N root case. We present several important examples antisymmetric polynomials with five distinct roots and the first known examples of nice polynomials with six distinct roots. To conclude our study, we present several open problems and new conjectures suggested by our results, examples, and computer searches.
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Miettinen, T. (Tarja). "Jääkiekkoseurojen nimet." Master's thesis, University of Oulu, 2016. http://urn.fi/URN:NBN:fi:oulu-201605051635.

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Tarkastelen pro gradu -tutkielmassani suomalaisten jääkiekkoseurojen nimiä. Aineistoni sisältää kaikki vuonna 2015 Suomen Jääkiekkoliittoon kuuluvien seurojen nimet. Niitä on yhteensä 360. Tutkin nimien rakennetta, miltä osin se on typologista tutkimusta. Tutkin myös nimenantoperusteita kieliyhteisön jäsenen näkökulmasta ja nimistön muuttumista erityisesti 1990-, 2000-luvulla ja kuluvan vuosikymmenen aikana. Tutkimukseni on siis myös vahvasti sosio-onomastista. Jääkiekkoseuran nimessä tärkeä elementti on paikantava määriteosa, joka on nykyään noin 70 %:lla nimistä. Kaksiosainen nimi on yhä yleisin, mutta nimet ovat muuttuneet myös pidemmiksi. Perusosa on yli puolella nimistä informatiivinen ja se kertoo yleensä lajin tai sen, että kyseessä on urheiluseura. Perusosan tarkoite voi olla myös muun muassa eläimennimitys, ominaisuudennimitys tai ihmisjoukko. Samalla nimellä voi olla useita nimenantoperusteita. Selvästi yleisin on informatiivisuus ja toiseksi yleisin metaforisuus. Jääkiekon erikoiskieli on hyvin kuvainnollista urheilukieltä, joten on luonnollista, että se näkyy nimistössäkin. Eläinmetaforanimet ovat säilyneet nimimuodissa jo pitkään. Jääkiekkoseurojen nimissä on myös metonyymisiä siirrännäisiä. Muut nimenantoperusteet ovat harvinaisia, mutta niitä ovat muun muassa symboli, huumori, sanaleikki, alkusointu ja loppusointu. Olen kiinnittänyt erityistä huomiota jääkiekkoseurojen nimien kieliin. Viime vuosikymmeninä seurannimet ovat muuttuneet sekakielisemmiksi. Nimissä on usein sekä suomea että englantia. Kuluvana vuosikymmenenä on annettu jopa enemmän englannin- ja sekakielisiä nimiä kuin suomenkielisiä. Nimimuodissa näyttää olevan HC eli hockey club -nimielementin sisältävät nimet. Jos uusi seurannimi on muotoa HC + paikkakunta, se vähentää metaforisuutta. Muussa tapauksessa englanninkielen lisääntyminen ei siihen merkittävästi vaikuta. Jääkiekkoseurojen nimistössä on tällä hetkellä menossa murrosvaihe. Seurat vaihtavat nimiään monesta eri syystä. Vanhat nimenosat halutaan usein säilyttää uudessa nimessä.
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Lim, Esther. "Nine Months." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/514.

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This is a collection of short stories that traces a chronological movement through one family's experience of the mother's illness. Each piece in the collection is meant to be an independent, free-standing short story. Each story is different, told from distinctive points-of-view, angles, and voices. However, every story covers a span of time within the nine months of the family's experience, in the presented order, as part of a collective movement toward the core. All together, the pieces hope to reflect a mosaic of sorts--one that tells a story that cannot otherwise be told.
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Mealla, Cincuegrani Sebastián. "Designing sonic interactions for implicit physiological computing." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/393715.

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La interacción persona-ordenador (HCI) estudia la relación entre usuarios y sistemas computacionales. Sin embargo, se concentra primordialmente en el control explícito, mediante dispositivos como el teclado o el ratón. A medida que los sistemas se vuelven más complejos, esta aproximación tradicional limita interacciones más naturales e intuitivas. Sin embargo, HCI puede incorporar información implícita del usuario a través de la Fisiología Computacional, dedicada a medir cambios psicofisiológicos (afectivos, perceptivos o cognitivos) para adaptar sistemas sin control explícito del usuario. Asimismo, el sonido ofrece ventajas para representar dichos estados, ya que puede ser procesado más rápidamente que las presentaciones visuales, es fácilmente localizable, posee una resolución temporal alta, y permite presentar múltiples flujos de datos simultaneamente. Esta tesis doctoral tiene por objetivo conceptualizar, prototipar y evaluar interacciones sonoras basadas en fisiología computacional implícita, en contextos HCI. En concreto, se evaluan sus cualidades de perceptualización, el rol de la complejidad de los mappings entre información fisiológica y sonido, y sus implicancias en la creación musical.
The field of Human-Computer Interaction (HCI) is devoted to understand the interplay between people and computers. However, it is mainly based on explicit control by means of devices such as the keyboard and mouse. As systems become increasingly complex, this traditional approach constitutes a bottleneck for seamless HCI. However, HCI can incorporate implicit user information through Physiological Computing, which monitors psychophysiological states (affective, perceptive or cognitive) for adapting computer systems without explicit user control. At the output level, sound appears as an excellent medium for representing implicit states, as it can be processed faster than visual presentation, can be easily localized, it has a good temporal resolution, and account for multiple data display. In this dissertation we conceptualize, prototype and evaluate sonic interactions for implicit Physiological Computing in the context of HCI, focusing on their perceptualization quality, the role of mapping complexity, and their meaningfulness in the musical domain.
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Carbajal, Ñahuis Lisset Hilda, Mendoza Rocio Espinoza, Montero Fernando Flores, and Jara Miguel Angel Quispe. "Proyecto Nice Swim." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2017. http://hdl.handle.net/10757/623016.

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comercialización de trajes de baño, los cuales se basan en la comodidad al mejor precio, esto es considerado como su propuesta de valor. Nos centraremos en la comercialización en la ciudad de Lima, en donde se contará con un local, el cual servirá de almacen y de punto de reunión con los proveedores y socios estratégicos. Cabe mencionar que llegaremos a nuestros cliente a traves de las redes sociales, siendo nuestra principal arma y canal de ventas, Facebook
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八槇, 博史, and Hirofumi YAMAKI. "Secure NICEの運用開始（NICEの動き）." 名古屋大学情報連携基盤センター, 2007. http://hdl.handle.net/2237/9374.

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Books on the topic "NIME"

1

Jensenius, Alexander Refsum, and Michael J. Lyons, eds. A NIME Reader. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0.

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Mihkelson, Ene. Nime vaev: Romaan. Tartu: Ilmamaa, 1994.

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Sergo, Herman. Viis aastat võõra nime all. Tallinn: Eesti Raamat, 1992.

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Sergo, Herman. Viis Aastat Voora Nime All. Tallinn: Eesti Raamat, 1991.

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Daigaku Kaikaku to Media (1994 Hōsō Kyōiku Kaihatsu Sentā (Japan)). Daigaku kaikaku to media NIME'94: Hōsō Kyōiku Kaihatsu Sentā kenkyū shinpojūmu 1994. Chiba-shi: Hōsō Kyōiku Kaihatsu Sentā, 1995.

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Society for the Welfare of Women Prisoners (Nigeria). Oke ruuru ọnye ọbula n'ọhaobodo anakuzi site n'aka ọgbakọ ndị nọ nime obodo Anambra. Enugu: SNAAP Press, 2003.

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Zilbershlag, Daṿid Ḥayim. Melekh yoshev: Nime zahav she-nishzeru be-ahavat ḳedumim ben Rabenu ḳadosh u-varukh mi-Sereṭ Ṿiz'nits le-ḥatsar ha-ḳodesh Belza ṿe-tsadiḳeha zekher tsadiḳim u-ḳedoshim le-verakhah. Ramat Ṿiz'nits Ḥefah: Barkai, 2013.

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Hollister, Geoff. Nikes Weg zum Erfolg: Die Inside-Story ; wie Nike die Kultur des Laufens schuf. Aachen: Meyer & Meyer, 2008.

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Bhallā, Harabam̆sa. Nike nike ghuṅgarū. Dillī: Ārasī Pabalisharaza, 1988.

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Bhallā, Harabam̆sa. Nike nike ghuṅgarū. Dillī: Ārasī Pabalisharaza, 1988.

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Book chapters on the topic "NIME"

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Cook, Perry. "2001: Principles for Designing Computer Music Controllers." In A NIME Reader, 1–13. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_1.

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Kapur, Ajay, Ariel J. Lazier, Philip Davidson, R. Scott Wilson, and Perry R. Cook. "2004: The Electronic Sitar Controller." In A NIME Reader, 147–63. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_10.

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O’Modhrain, Sile, and Georg Essl. "2004: PebbleBox and CrumbleBag: Tactile Interfaces for Granular Synthesis." In A NIME Reader, 165–80. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_11.

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Serafin, Stefania, and Diana Young. "2004: Toward a Generalized Friction Controller: From the Bowed String to Unusual Musical Instruments." In A NIME Reader, 181–91. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_12.

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Wang, Ge, and Perry R. Cook. "2004: On-the-Fly Programming: Using Code as an Expressive Musical Instrument." In A NIME Reader, 193–210. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_13.

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Birnbaum, David, Rebecca Fiebrink, Joseph Malloch, and Marcelo M. Wanderley. "2005: Towards a Dimension Space for Musical Devices." In A NIME Reader, 211–22. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_14.

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Overholt, Dan. "2005: The Overtone Violin." In A NIME Reader, 223–34. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_15.

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Aylward, Ryan, and Joseph A. Paradiso. "2006: Sensemble: A Wireless, Compact, Multi-user Sensor System for Interactive Dance." In A NIME Reader, 235–51. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_16.

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Gaye, Lalya, Lars Erik Holmquist, Frauke Behrendt, and Atau Tanaka. "2006: Mobile Music Technology: Report on an Emerging Community." In A NIME Reader, 253–65. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_17.

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Bevilacqua, Frederic, Fabrice Guédy, Norbert Schnell, Emmanuel Fléty, and Nicolas Leroy. "2007: Wireless Sensor Interface and Gesture-Follower for Music Pedagogy." In A NIME Reader, 267–84. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47214-0_18.

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Conference papers on the topic "NIME"

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Bevilacqua, Frederic, Sidney Fels, Alexander R. Jensenius, Michael J. Lyons, Norbert Schnell, and Atau Tanaka. "SIG NIME." In CHI '13 Extended Abstracts on Human Factors in Computing Systems. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2468356.2468822.

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Milmoe, Andrew. "NIME performance & installation." In the 7th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279847.

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Avila, Juan Pablo Martinez, João Tragtenberg, Filipe Calegario, Juan Ramos, Martin Matus Lerner, Isabela Corintha, Javier Jaimovich, et al. "Towards a Latin American NIME Research Community." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19468.

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In this workshop, we propose the first steps towards consolidating a Latin American (LATAM) New Interfaces for Musical Expression (NIME) Research Community. We aim to start a discussion and generate ideas around shortterm actionable initiatives that a LATAM NIME Research Community could explore in the near future. We will discuss various topics centered around three main areas: (1) The creation of a LATAM NIME network, (2) Exploring LATAM NIME perspectives, and (3) the Next Steps for LATAM NIME. After this activity, we will have a plenary discussion where we will share ideas for action and reflections. Lastly, we list a series of expected outcomes of the workshop, although we acknowledge that many others may emerge during the workshop. We look forward to taking the first steps towards a LATAM NIME Community and the future of this community within and beyond NIME, opening to other communities in LATAM, and stirring policy changes to support the development of our local communities.
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Martins, Luis Gustavo, and Alvaro Barbosa. "NIME Education at the School of Arts of the Portuguese Catholic University/CITAR." In 2013 Learning and Teaching in Computing and Enginering (LaTiCE). IEEE, 2013. http://dx.doi.org/10.1109/latice.2013.50.

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Fang, Fang, Weiliang Chen, Kun Liu, Nianfeng Liu, Shaoyang Dai, Lei Han, and Tianchu Li. "The progress of the NIM6 fountain clock in NIM." In 2017 XXXIInd General Assembly and Scientific Symposium of the International Union of Radio Science (URSI GASS). IEEE, 2017. http://dx.doi.org/10.23919/ursigass.2017.8105340.

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Kienzle, Darrell M., Nathan S. Evans, and Matthew C. Elder. "NICE." In the 9th Annual Cyber and Information Security Research Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2602087.2602104.

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Allmang, Nancy, and Jo Ann Remshard. "NIKE." In the 2004 joint ACM/IEEE conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/996350.996465.

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McDuffie, Ernest. "NICE." In the Seventh Annual Workshop. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2179298.2179311.

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Somsaman, Juck. "Nine." In SIGGRAPH Asia 2014 Computer Animation Festival. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2671032.2671060.

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Khan, Junaid Ahmed, Cedric Westphal, J. J. Garcia-Luna-Aceves, and Yacine Ghamri-Doudane. "NICE." In ICN '18: 5th ACM Conference on Information-Centric Networking. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3267955.3267965.

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Reports on the topic "NIME"

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Lim, Esther. Nine Months. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.514.

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Kukushkina, Nataliya. Map of Niue. Edited by Nikolay Komedchikov, Aleksandr Khropov, and Larisa Loginova. Entsiklopediya, December 2013. http://dx.doi.org/10.15356/dm2015-12-13-4.

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Wetzel, Karen. NICE Framework Competency Areas:. Gaithersburg, MD: National Institute of Standards and Technology, 2023. http://dx.doi.org/10.6028/nist.ir.8355.

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Drake, R. P., and Eric C. Harding. Diagnostic Testing and NIKE Experiments. Fort Belvoir, VA: Defense Technical Information Center, August 2005. http://dx.doi.org/10.21236/ada440295.

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Kukushkina, Nataliya. The Nile. Basin of the river. Edited by Nikolay Komedchikov. Entsiklopediya, January 2012. http://dx.doi.org/10.15356/dm2015-12-10-4.

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Petersen, Rodney, Danielle Santos, Matthew C. Smith, Karen A. Wetzel, and Greg Witte. Workforce Framework for Cybersecurity (NICE Framework). National Institute of Standards and Technology, November 2020. http://dx.doi.org/10.6028/nist.sp.800-181r1.

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This publication from the National Initiative for Cybersecurity Education (NICE) describes the Workforce Framework for Cybersecurity (NICE Framework), a fundamental reference for describing and sharing information about cybersecurity work. It expresses that work as Task statements and describes Knowledge and Skill statements that provide a foundation for learners including students, job seekers, and employees. The use of these statements helps students to develop skills, job seekers to demonstrate competencies, and employees to accomplish tasks. As a common, consistent lexicon that categorizes and describes cybersecurity work, the NICE Framework improves communication about how to identify, recruit, develop, and retain cybersecurity talent. The NICE Framework is a reference source from which organizations or sectors can develop additional publications or tools that meet their needs to define or provide guidance on different aspects of cybersecurity education, training, and workforce development.
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Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, August 2007. http://dx.doi.org/10.18235/0006438.

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Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured with recycled materials. Artists include Víctor Agüero Gutiérrez, Jorge Albán Dobles, Tamara Ávalos León, Paco Cervilla Cartín, Carolina Guillermet Dejuk, José Alberto Hernández Campos, Sebastián Mello Salaberry, Francisco Munguía Villalta, and Guillermo Vargas Jiménez (a.k.a. Habacuc). The exhibit was part of the IDB Cultural Center¿s 15th anniversary celebration (1992-2007).
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Akyurtlu, Alkim. A Quantum Electronics Approach to Optical Negative Index Metamaterials (NIMs): Homogeneous NIMs in the Solid State. Fort Belvoir, VA: Defense Technical Information Center, March 2012. http://dx.doi.org/10.21236/ada563721.

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Costrell, Louis, Frank R. Lenkszus, Stanley J. Rudnick, Eric Davey, John Gould, Seymour Rankowitz, William P. Sims, et al. Standard NIM Instrumentation System. Office of Scientific and Technical Information (OSTI), May 1990. http://dx.doi.org/10.2172/7120327.

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Billings, Jay Jay, and David E. Bernholdt. NiCE August 2011 Deliverable Short Letter Report. Office of Scientific and Technical Information (OSTI), August 2011. http://dx.doi.org/10.2172/1135832.

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