Relevant bibliographies by topics / Nineteenth-century poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Nineteenth-century poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Nineteenth-century poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Nineteenth-century poetry"

1

Baym, Nina, A. Robert Lee, Agnieszka Salska, Barton Levi St Armand, Emily Dickinson, and Thomas H. Johnson. "Nineteenth-Century American Poetry." Modern Language Review 83, no. 3 (July 1988): 694. http://dx.doi.org/10.2307/3731324.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Jones, Chris. "Anglo-Saxonism in Nineteenth-Century Poetry." Literature Compass 7, no. 5 (May 2010): 358–69. http://dx.doi.org/10.1111/j.1741-4113.2010.00704.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Thacker, Robert, and Steven Olson. "The Prairie in Nineteenth-Century American Poetry." American Literature 67, no. 2 (June 1995): 387. http://dx.doi.org/10.2307/2927798.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Szili, József. "Nation-Religion in Nineteenth-Century Hungarian Poetry." Hungarian Studies 16, no. 1 (August 2002): 3–28. http://dx.doi.org/10.1556/hstud.16.2002.1.1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gray, F. Elizabeth. "Journalism and Poetry in the Nineteenth Century." Journalism Studies 18, no. 7 (October 8, 2015): 807–25. http://dx.doi.org/10.1080/1461670x.2015.1090884.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

CHADWICK, C. "Review. Nineteenth-Century French Poetry. Bishop, Michael." French Studies 48, no. 4 (October 1, 1994): 475. http://dx.doi.org/10.1093/fs/48.4.475-a.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mason, Emma. "Introduction: Exploring Forgiveness in Nineteenth-Century Poetry." Literature Compass 11, no. 2 (February 2014): 61–73. http://dx.doi.org/10.1111/lic3.12123.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Stauffer, Andrew M. "An Image in Lava: Annotation, Sentiment, and the Traces of Nineteenth-Century Reading." PMLA/Publications of the Modern Language Association of America 134, no. 1 (January 2019): 81–98. http://dx.doi.org/10.1632/pmla.2019.134.1.81.

Full text
Abstract:
Drawing first on an annotated copy of the poetry of Felicia Hemans that my students discovered in the stacks of the University of Virginia's library, this essay goes on to examine the marks made by female readers in three nineteenth-century copies of Hemans's poetry to reveal the dynamics of sentiment in author-reader networks of Romantic and Victorian poetry. Seeing Hemans through the eyes of individual female readers surfaces a lost world in which poetry was valued as a collaborative, intimate language of the heart. Specific historical copies allow us best to apprehend this world, but, in the wake of wide-scale digitization, nineteenth-century books are simultaneously newly visible and newly at risk. This essay makes the case for retaining them and for integrating them into our accounts of nineteenth-century literary history.
APA, Harvard, Vancouver, ISO, and other styles
9

CHAUDHURI, ROSINKA. "Cutlets or Fish Curry?: Debating Indian Authenticity in Late Nineteenth-Century Bengal." Modern Asian Studies 40, no. 2 (April 18, 2006): 257–72. http://dx.doi.org/10.1017/s0026749x06001740.

Full text
Abstract:
Current discussions on the development of modern literary genres and aesthetic conventions in nineteenth-century colonial Bengal have tended, perhaps because of its relative neglect in the modern day, to ignore the seminal role of poetry in formulating the nationalist imagination. In academic discourse, the coming together of the birth of the novel, the concept of history and the idea of the nation-state under the sign of the modern has led to a collective blindness toward the forceful intervention of poetry and song in imagining the nation. Thus Dipesh Chakrabarty, in a chapter devoted to poetry in Provincializing Europe, ironically elides any mention of it at the crucial instance of the formulation of national modernity, when he takes his argument about the division between the prosaic and the poetic in Tagore further to say, without mentioning the seminal role of poetry, that: ‘The new prose of fiction—novels and short stories—was thus seen as intimately connected to questions of political modernity’. Partha Chatterjee discusses, in the introduction to The Nation and Its Fragments, the shaping of critical discourse in colonial Bengal in relation to drama, the novel, and even art, but ignores completely the fiercely contested and controversial processes by which modern Bengali poetry and literary criticism were formulated. ‘The desire to construct an aesthetic form that was modern and national’, to use his words, ‘was shown in its most exaggerated shape’ not, it is my contention, in the Bengal school of art in the 1920s as he says, but long before that in the poetry of Rangalal Banerjee, Hemchandra Bandyopadhyay, Madhusudan Dutt, and Nabinchandra Sen, and in the literary criticism and controversy surrounding their work.
APA, Harvard, Vancouver, ISO, and other styles
10

Chapman, Alison. "INTERNATIONALISING THE SONNET: TORU DUTT'S “SONNET – BAUGMAREE”." Victorian Literature and Culture 42, no. 3 (June 6, 2014): 595–608. http://dx.doi.org/10.1017/s1060150314000163.

Full text
Abstract:
“When the history of theliterature of our country comes to be written, there is sure to be a page in it dedicated to this fragile exotic blossom of song” (Dutt xxvii). This sentence is Edmund Gosse's famous final flourish to his memoir of Toru Dutt, which introduced her posthumous volumeAncient Ballads and Legends of Hindustan, published in 1882, five years after her death from tuberculosis at the age of twenty-one. But what would Dutt's page look like in the history of “our country,” by which Gosse means of course England? This question is a tricky one, because placing a late nineteenth-century Bengali who was a Europhile, a Christian convert, and an English-language woman poet within a British Victorian tradition is a simplistic, if not a problematic appropriation of a colonial subject into the centre of the British Empire. Where Dutt belongs has long preoccupied critics who try to recuperate her poetry for an Indian national poetic tradition, or for a transnational, cosmopolitan poetics. The issue of placing Dutt allows us also to press questions about the conception of Victorian poetry studies, its geographical, cultural, and national boundaries, not just in the nineteenth-century creation of a canon but in our current conception of the symbolic map of Victorian poetry. But, while recent critics have celebrated her poetry's embrace of global poetry as a challenge to the parochialism of national literary boundaries, Dutt's original English-language poetry also suggests an uneven, uncomfortable hybridity, and a wry, ironic interplay between distance and proximity that unfolds through her use of poetic form. This essay investigates what it means to “make something” of Toru Dutt, in the nineteenth century and in the twenty-first century, what is at stake for Victorian poetry studies in privileging Dutt and her multi-lingual writing, and whether her celebrated transnationalism might not also include a discomfort with hybridity that reveals itself through the relation between space and literary form in her poetry.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Nineteenth-century poetry"

1

Maxwell, Catherine. "Looking and perception in nineteenth century poetry." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:8f4ff9be-6c07-4060-b777-6a7402d024c7.

Full text
Abstract:
The thesis examines a series of nineteenth century poets whose poems are concerned with complex relations of looking and perception, and concentrates on Shelley and the poets he influenced: Browning, Rossetti, Swinburne, and Hardy. It focusses on poems dealing with the visual arts and aesthetic modes of perception, and concludes with a study of Walter Pater - an unrecognised follower of Shelley - and his notions of artistic character. An emphasis on the way face and bodily form are scrutinised, in poems concerning painting, sculpture and portraiture, leads to the hypothesis that the way the poet pictures essence or character through corporeal form is correlative to the essence or character of his own poetry. The particular spatial relations and visual representations of the poetry provide an index to specific patterns of reading. At the heart of this examination is a Shelleyan conception of the "unsculptured image", the characterising force and pre-given perspective of a poet's poem, which has a primary shaping effect on his language and representations, and continues to exert itself in the poem's reading. As this "image" is an imaginative rather than purely linguistic force, the analyses of selected poems avoid reduction to considerations of language and rhetoric alone, seeking rather to engage with the question of what constitutes a writer's own essence or particularity and what gives a strong poem its compulsive power. The thesis draws on the work of the French literary critic Maurice Blanchot to inform its ideas of poetic space and depth, and to produce an understanding of the poetic text very different from that given by a classical reading; and so alter the way one perceives the poem as literary object. In addition to this, certain nineteenth century and earlier aesthetic writings, and the prose works of the poets themselves, establish the critical basis of the arguments advanced. The thesis also endeavours to follow through the arguments of traditional scholarship in order to provide critique on distinctions or departures made. Chapter I examines Shelley's 'On the Medusa of Leonardo da Vinci in the Florentine Gallery'; Chapter II deals with portraiture in Browning's 'My Last Duchess' and Rossetti's The Portrait'; Chapter III turns to the sculpture of the hermaphrodite in Swinburne's early lyric 'Hermaphroditus'; Chapter IV looks at Thomas Hardy's poems about sketches and shades; Chapter V is an epilogue in which the work of Walter Pater draws together the ideas developed in the rest of the thesis.
APA, Harvard, Vancouver, ISO, and other styles
2

Holmgren, Michele J. "Native muses and national poetry, nineteenth-century Irish-Canadian poets." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq28493.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Taher-Kermani, Reza. "The Persian 'presence' in nineteenth-century English poetry." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658568.

Full text
Abstract:
This thesis examines the 'presence' of Persia' in nineteenth-century English poetry. The focus is not on translations of Persian poetry as such, but on the ways in which knowledge of Persia, derived from a variety of sources including classical and biblical texts, history, and travel-writing, entered into English poetry in the period. Such knowledge may shape the structure of a poem, or Its verbal texture, and may do so at different levels of intensity and significance. This complex phenomenon cannot fully be covered by the term 'influence'; the term 'presence' encompasses a variety of . literary engagements including translation, imitation, interpretation, representation, conscious allusion, and indirect borrowing. The methodology of the thesis is neither that of conventional literary history, in which questions of influence and intertextuality are of primary concern, nor of cultural history, in which literature is seen as part of a broader analysis of the history of ideas. While recognising the importance of recent cross-cultural theories, notably Edward Said's Orientalism, it does not follow ,any theoretical model in its analysis of the poetic adaptation and appropriation of Persian stories, themes, and tropes. The poems themselves, whether considered in categories or as individual works, are the object of attention; particular emphasis is laid on elements that might be less 'visible' to English readers who lack knowledge of Persian literature in its original forms. The aim is to define the nature, and degree, of 'Persian-ness' in nineteenth-century English poetry. The term itself has multiple and shifting associations, but one strong connecting thread may be discerned in the poems discussed: the persistence, through a period in which British encounters with 'modem' Persia were increasing in the areas of diplomacy and trade, and in which knowledge of the country's history, language, and culture was becoming more exact and more detailed, of a fantasised 'Persia', or Persian 'imaginary', compounded of ancient and in some cases mythic elements. Structurally the thesis moves from context to text, and from general to specific: it begins with the provision of necessary contextual information about Anglo-Persian contacts before the nineteenth century, moves on to survey and classify the 'Persian tendency' in poetry of the period, and then offers case-studies of three central works: Matthew Arnold's Sohrab and Rustum (1853), Edward FitzGerald's Rubaiyat ofOmar Khayyam (1859), and Robert Browning's Ferishtah's Fancies (1884).
APA, Harvard, Vancouver, ISO, and other styles
4

Macpherson, F. G. A. "Poetry and political commitment in late nineteenth-century England." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1324548/.

Full text
Abstract:
The ‘committed’ writer as envisaged by Jean-Paul Sartre was one who used the medium of prose to incite the reader to effect change in the world; according to Sartre, poetry, with its tendency to treat language as an end in itself, could not be committed in this sense. There were, however, numerous poets in late nineteenth-century England who believed otherwise, writing verse intended to advance particular political causes. This thesis examines several of them, concentrating on writers who were committed to varieties of left-wing radicalism, and predominantly inspired by the aesthetics of the Romantic tradition. The Introduction sets out the historical and theoretical context of the thesis, with reference to the twentieth-century arguments of Sartre, Adorno and Bourdieu, which can be traced back to earlier debates on aestheticism. Chapter 1 looks at A.C. Swinburne’s engagement with the Italian republican cause in the poems published as Songs before Sunrise (1871), which exhibit his tendency towards idealised abstraction. Chapter 2 considers William Morris, a pivotal figure in the nascent socialist movement of the 1880s, whose background in writing medievalist narrative verse both shaped and limited his series of Chants for Socialists (1885) and the sequence The Pilgrims of Hope (1885-6). Chapter 3 looks at Edward Carpenter, a socialist writer and campaigner who wrote the long utopian poem Towards Democracy (1883-1904), inspired by Walt Whitman’s vision of homosexual comradeship. Chapter 4 surveys various ‘minor’ versifiers and commentators active in the same socialist milieu as Morris and Carpenter, including those who contributed to the songbook Chants of Labour (1888). Finally, Chapter 5 considers younger fin-de-siècle poets who diverged from the socialists either on grounds of aesthetic philosophy (e.g. Wilde) or political ideology (e.g. Kipling). A brief Afterword reflects on the seemingly diminished prospects for political verse in the twenty-first century.
APA, Harvard, Vancouver, ISO, and other styles
5

Wootton, Sarah. "Consuming Keats : nineteenth-century re-presentations in art and literature." Thesis, University of Sheffield, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339951.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Wain, Leah Elizabeth. "Christian frameworks and critical readings in mid-nineteenth-century women's poetry." Thesis, Birkbeck (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271945.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Higson, Helen Elizabeth. "Representations of nineteenth century female domestic servants in text and image." Thesis, Birkbeck (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243568.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Blair, Kirstie. "Proved on the pulses : the heart in nineteenth century poetry, 1830-1860." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251433.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Matthews, Samantha. "Representations of the grave in nineteenth century English poetry : a selected commentary." Thesis, University College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300631.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Pappas, Robin Brooke. "Varieties of consciousness : nineteenth- and early twentieth-century poetics of "altered" states /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113022.

Full text
Abstract:
Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 263-277). Also available for download via the World Wide Web; free to University of Oregon users.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Nineteenth-century poetry"

1

Michael, Bishop. Nineteenth-century French poetry. New York: Twayne Publishers, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rutter, J. The nineteenth century. New York: Garland, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Eisner, Eric. Nineteenth-Century Poetry and Literary Celebrity. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250840.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gurney, Stephen. British poetry of the nineteenth century. New York: Twayne Publishers, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Barton, Anna. Nineteenth-Century Poetry and Liberal Thought. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-49488-7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nineteenth-century poetry and literary celebrity. New York: Palgrave Macmillan, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Olson, Steven. The prairie in nineteenth-century American poetry. Norman: University of Oklahoma Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Cronin, Richard. Colour and experience in nineteenth century poetry. Basingstoke: Macmillan, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Colour and experience in nineteenth century poetry. Basingstoke: Macmillan, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Cronin, Richard. Colour and experience in nineteenth-century poetry. Houndmills, Basingstoke, Hampshire: Macmillan Press, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Nineteenth-century poetry"

1

Fenn, Rachel, and Anna McGlynn. "Teaching nineteenth-century poetry." In Teaching Nineteenth-Century Literature, 47–73. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351066426-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Thorne, Sara. "Poetry of the nineteenth century." In Mastering, 183–240. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-21261-9_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Byrne, Sandie. "The Mid- to Late Nineteenth Century." In Poetry and Class, 259–309. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-29302-4_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Byrne, Sandie. "The Late Eighteenth to Early Nineteenth Century." In Poetry and Class, 213–57. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-29302-4_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "‘Mrs Browning's Poetry’." In Literary and Cultural Criticism from the Nineteenth Century, 189–201. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199922-27.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Shires, Linda. "hardy and nineteenth-century poetry and poetics." In Palgrave Advances in Thomas Hardy Studies, 255–78. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230519930_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Brown, Daniel. "Mathematics and Poetry in the Nineteenth Century." In The Palgrave Handbook of Literature and Mathematics, 61–80. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55478-1_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Eisner, Eric. "Introduction." In Nineteenth-Century Poetry and Literary Celebrity, 1–19. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250840_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Eisner, Eric. "Systems of Literary Lionism." In Nineteenth-Century Poetry and Literary Celebrity, 20–47. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250840_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Eisner, Eric. "Keats, Lyric and Personality." In Nineteenth-Century Poetry and Literary Celebrity, 48–67. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250840_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Nineteenth-century poetry' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography