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Journal articles on the topic 'Nineteeth century English and American drama'

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Published: 26 July 2024
Last updated: 31 July 2025

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1

Ginsburg, Shai. "The Physics of Being Jewish, or On Cats and Jews." AJS Review 35, no. 2 (2011): 357–64. http://dx.doi.org/10.1017/s0364009411000444.

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The opening scene of Joel and Ethan Coen's A Serious Man has baffled many. What does an unsettling tale of an encounter with what may or may not be a dybbuk, set in the mid-nineteenth century in a Polish shtetl, and played out entirely in Yiddish, have to do with the story of a Jewish professor of physics and his family in suburban Minnesota in the summer of 1967, related in English? Is the scene to be viewed as a warm-up of sorts before the main attraction, akin, if you will, to the short-subject films—newsreels, animated cartoons, and live-action comedies and documentaries—that movie houses
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Zhang, Saiyao, and Yu Sun. "A Study of Gender Differences in English from the Perspective of Sociolinguistics." International Journal of Languages, Literature and Linguistics 8, no. 1 (2022): 36–39. http://dx.doi.org/10.18178/ijlll.2022.8.1.319.

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As we all know, there are certain differences between female and male in physiology and psychology, but for a long time, the language characteristics and differences between female and male have been rarely known. Until the rise of the American women's Liberation Movement in the last century, linguists began to pay more attention to the differences in language between different genders. In this paper, the author selects 22 episodes of the first season of the American drama How I Met Your Mother and arranges the conversations among them. Then the author studies the language differences of femal
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Karnad, Girish. "Performance, Meaning, and the Materials of Modern Indian Theatre." New Theatre Quarterly 11, no. 44 (1995): 355–70. http://dx.doi.org/10.1017/s0266464x00009337.

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Girish Karnad is not only India's leading playwright, and a practitioner across the performing arts in all that nation's media, but the first contemporary Indian writer to have achieved a major production in a regional American theatre – Naga-Mandala, seen at the Guthrie Theatre in July 1993. The following interview was recorded on the occasion of that production, and ranges widely not only over Karnad's own work and its circumstances, but the situation and problems of the Indian theatre today, and its ambivalent relationship alike to its classical and its colonial past, and to the contemporar
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He, Chengzhou. "‘The Most Traditional and the Most Pioneering’: New Concept Kun Opera." New Theatre Quarterly 36, no. 3 (2020): 223–36. http://dx.doi.org/10.1017/s0266464x20000469.

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Featuring hybridity, transgression, and improvisation, New Concept Kun Opera refers to experimental performances by Ke Jun and other Kun Opera performers since the beginning of the twenty-first century. From telling the ancient stories to expressing the modern self, this new form marks the awakening of the performer’s subjectivity and develops a contemporary outlook by rebuilding close connections between Kun Opera and modern life. A synthetic use of intermedial resources contributes to its appeal to today’s audiences. Its experimentation succeeds in maintaining the most traditional while expl
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Kabanova, Irina V. "English and American Travel Writing of the 1930s on Soviet Russia." Literature of the Americas, no. 10 (2021): 228–65. http://dx.doi.org/10.22455/2541-7894-2021-10-228-265.

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Starting with a survey of historical and ideological reasons for the unprecedented rise of Western interest in Russia after 1917 and especially after the Great Depression, the paper focuses on the travel books widely read on both sides of the Atlantic in the 1930s. The decade saw the blooming of travel prose in the English-speaking world, as well as the peak of enthusiasm for Russia during the XXth century. The paper attempts a closer look at the travel books on Soviet Russia, usually dismissed by critics as lacking in the quality of writing, too ideological. First the model of stereotypical b
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Prentice, Catherine, and Helena Leongamornlert. "The RSC Goes Walkabout: ‘The Dillen’ in Stratford, 1983." New Theatre Quarterly 18, no. 1 (2002): 47–58. http://dx.doi.org/10.1017/s0266464x02000143.

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This article describes and analyzes Barry Kyle's production of The Dillen, a community project staged by the RSC in 1983, in which The Other Place became no more than a base from which the play, its actors, and its audiences set out into the streets, fields and river in Stratford, to re-enact the life of a working-class Stratford man, George Hewins, born around a century earlier. In addition to placing the play in its social, political, and local context, the authors raise questions about the implications of the production for the RSC and the people of Stratford today. The kernel of this artic
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Senelick, Laurence. "Stanislavsky's Second Thoughts on ‘The Seagull’." New Theatre Quarterly 20, no. 2 (2004): 127–37. http://dx.doi.org/10.1017/s0266464x0400003x.

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Stanislavsky's first production of The Seagull is well documented in English, in The Seagull Produced by Stanislavsky, edited by S. D. Balukhaty in 1952. But little is known of his exploratory work on an intended second production almost two decades later amidst the turmoil of the revolutionary period, and the rehearsal notes made by Stanislavsky's assistant Pyotr Sharov remained unpublished even in Russian until 1987. Here, Laurence Senelick provides the first English translation of these notes, contextualizing them with an account of the difficulties under which Stanislavsky and the Art Thea
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Čirić-Fazlija, Ifeta. "“Not the time for fighting but for taking care of each other”: Portrayals of the Second World War in Two Asian-American Plays." Društvene i humanističke studije (Online) 7, no. 2(19) (2022): 139–52. http://dx.doi.org/10.51558/2490-3647.2022.7.2.139.

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Most of humanity’s recorded history has been indelibly marked by armed conflicts in various places around the world, yet the scale and effect of the two world wars in the first half of the twentieth century were unprecedented. Both wars remapped the geography, politics, economies, and consciousness of prior realities, and echoed deafeningly throughout the modern works of literature of diverse nations. Anglophone literature overtly portrays wartime atrocities and human ordeals, and concurrently raises awareness of, and agitates against, the savagery of warfare. It does so through its poignant T
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Waite, Genevieve. "L’homoérotisme en autotraduction : Le cas de Sud / South de Julien Green." Dalhousie French Studies, no. 117 (March 29, 2021): 111–25. http://dx.doi.org/10.7202/1076096ar.

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As a translingual American writer, Julien Green (1900-1998) wrote a wide variety of novels, plays, short stories, and essays, as well as one of the longest recorded journals of the twentieth century. Among his bilingual texts Green published an important homoerotic play, Sud (1953), which he later translated into English as South (1959) in collaboration with his sister, Anne Green. Although the homoerotic nature of the characters of Green’s novels has been examined in certain critical texts, the evolution of this homoeroticism in Green’s self-translated play, Sud / South, has not yet been stud
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Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.

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Background. Choral work of American composers of the second half of the XX century is characterized by new qualities that have appeared because of not only musical but also non-musical factors generated by the system of cultural, historical and social conditions. Despite of a serious amount of scientific literature on the history of American music, the choral layer of American music remains partially unexplored, especially, in Ukrainian musical science, that bespeaks the science and practical novelty of the research results. The purpose of this study is to discover and to analyze the peculiari
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Editorial Collective, UnderCurrents. "Contributors." UnderCurrents: Journal of Critical Environmental Studies 18 (April 27, 2014): 60. http://dx.doi.org/10.25071/2292-4736/38554.

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Omer Aijazi is a PhD candidate in the Department of Educational Studies, University of British Columbia. His research examines place based, community led micro processes of social repair after natural disasters. His research destabilizes dominant narratives of humanitarian response and disaster recovery and offers an alternate dialogue based on structural change.Jessica Marion Barr is a Toronto artist, educator, and PhD candidate in Cultural Studies at Queen’s University. Her interdisciplinary practice includes installation, found-object assemblage, drawing, painting, collage, and poetry, focu
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Richardson, R. C., David Watson, Gary Farnell, et al. "Reviews: History and the Media, Writing Biography: Historians and Their Craft, Selected Writings: Volume 4, 1938–1940, Benjamin Now: Critical Encounters with ‘The Arcades Project’, Illustrating the Past in Early Modern England: The Representation of History in Printed Books, Shakespeare's Culture in Modern Performance, Shakespeare's Early History Plays: From Chronicle to Stage, Secret Shakespeare, Theatre and Religion: Lancastrian Shakespeare, Language and Politics in the Sixteenth-Century History Play, the Bible in English: Its History and Influence, John Selden: Measures of the Holy Commonwealth in Seventeenth-Century England, William Blake and the Impossible History of the 1790s, William Blake's Comic Vision, Rural Englands: Labouring Lives in the Nineteenth Century, Victorian Shakespeare, 2 Vols, Vol. 1, Theatre, Drama and Performance; Vol. 2, Literature and Culture, Consumerism and American Girls' Literature, 1860–1940, Twentieth-Century Writing and the British Working Class, Psychoanalysis, Psychiatry and Modernist Literature, Postcolonial Animal Tale from Kipling to Coetzee, Shakespeare and the American NationCannadineDavid (ed.), History and the Media , Palgrave Macmillan, 2004, pp. vii + 175, £19.99.AmbrosiusLloyd E. (ed.), Writing Biography: Historians and their craft , University of Nebraska Press, 2004, pp. xiii + 166, £34.50.BenjaminWalter, Selected Writings: Volume 4, 1938–1940 , trans. JephcottEdmund, ed. EilandHoward and JenningsMichael W., Harvard University Press, 2003, pp. vi + 477, £26.50McLaughlinKevin and RosenPhilip (eds), Benjamin Now: Critical Encounters with ‘The Arcades Project‘ , Duke University Press, 2003, pp. 219, £10.50.KnappJames A., Illustrating the Past in Early Modern England: The Representation of History in Printed Books , Ashgate Publishing, 2003, pp. xvi + 274, £35.JonesMaria, Shakespeare's Culture in Modern Performance , Palgrave Macmillan, 2003, pp. xii + 213, £45.Goy-BlanquetDominque, Shakespeare's Early History Plays: From Chronicle to Stage , Oxford University Press, 2003, pp. viii + 312, £63.WilsonRichard, Secret Shakespeare , Manchester University Press, 2004, pp. viii + 26, £15.99 pbDuttonRichard, FindlayAlison and WilsonRichard (eds), Theatre and Religion: Lancastrian Shakespeare , Manchester University Press, 2003, pp. xii + 267, £16.99 pb.CavanaghDermot, Language and Politics in the Sixteenth-Century History Play , Early Modern Literature in History, Palgrave, 2003, pp. x + 197, £45.DaniellDavid, The Bible in English: Its History and Influence , Yale University Press, 2003, pp. xx + 900. £29.95.BarbourReid, John Selden: Measures of the Holy Commonwealth in Seventeenth-Century England , University of Toronto Press, 2003, pp. x + 417, £42.MakdisiSaree, William Blake and the Impossible History of the 1790s , University of Chicago Press, 2003, pp. xviii + 394, $22 pbRawlinsonNick, William Blake's Comic Vision , Palgrave Macmillan, 2003, pp. xiv + 292, £42.50.ReayBarry, Rural Englands: Labouring Lives in the Nineteenth Century , Palgrave Macmillan, 2004, 25 illustrations, 7 figs., pp. x + 274, £16.99 pb.MarshallGail and PooleAdrian (eds), Victorian Shakespeare , 2 vols, Vol. 1, Theatre, Drama and Performance; Vol. 2, Literature and Culture , Palgrave Macmillan, 2003, pp. xv + 213 and pp. xiv + 228, £90.StoneleyPeter, Consumerism and American Girls' Literature, 1860–1940 , Cambridge University Press, 2003, pp. x +167, £40.KirkJohn, Twentieth-Century Writing and the British Working Class , University of Wales Press, 2003, pp. 224, £35.ValentineKylie, Psychoanalysis, Psychiatry and Modernist Literature , Palgrave Macmillan, 2003, pp. 224, £45.NymanJopi, Postcolonial Animal Tale from Kipling to Coetzee , New Delhi, Atlantic Publishers and Distributor, 2003, pp. vi + 176, Rupees 375.00SturgessKim C., Shakespeare and the American Nation , Cambridge University Press, 2004, pp. x + 234, £45." Literature & History 14, no. 2 (2005): 74–96. http://dx.doi.org/10.7227/lh.14.2.6.

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Edwards, Karen L., William Zunder, William Zunder, et al. "Reviews: Courtly Letters in the Age of Henry VIII: Literary Culture and the Arts of Deceit, Religion and Culture in Renaissance England, Shakespeare's Troy: Drama, Politics, and the Translation of Empire, Shakespeare and Ireland: History, Politics, Culture, History and the English Novel: Matters of Fact from Bacon to Defoe, Inventing a Republic: The Political Culture of the English Commonwealth, Jane Austen: A Life, Print Politics: The Press and Radical Opposition in Early Nineteenth-Century England, the Romantic Reformation: Religious Politics in English Literature, 1789–1824, Nationalism and Desire in Early Historical Fiction, Remaking Queen Victoria, Disease, Desire and the Body in Victorian Women's Popular Novels, Writing Cultural History in Colonial and Postcolonial India, the Usable Past: The Imagination of History in Recent Fiction of the Americas, the Kennedy Obsession: The American Myth of JFK, the Historical Imagination: Postmodernism and the Treatment of the Past in Contemporary British FictionLererSeth, Courtly Letters in the Age of Henry VIII: Literary Culture and the Arts of Deceit , Cambridge University Press, 1997, pp. xiv + 252, £35.00.McEachernClaire and ShugerDebora (eds), Religion and Culture in Renaissance England , Cambridge University Press, 1997, pp. xii + 292, £35.00.JamesHeather, Shakespeare's Troy: Drama, Politics, and the Translation of Empire , Cambridge University Press, 1997, pp. xii + 271.BurnettMark Thornton and WrayRamona (eds), Shakespeare and Ireland: History, Politics, Culture , Macmillan, 1997, pp. xii + 264, £45.MayerRobert, History and the English Novel: Matters of Fact from Bacon to Defoe , Cambridge University Press, 1997, pp. 260, £37.50.KelseySean, Inventing a Republic: The Political Culture of the English Commonwealth , Manchester University Press, 1997, pp. 254, £29.95.TomalinClaire, Jane Austen: A Life , Penguin Books, pp. 384, £20.00.GilmartinKevin, Print Politics: The Press and Radical Opposition in Early Nineteenth-Century England , Cambridge University Press, 1996, pp. xiv + 274, £35.00.RyanRobert M., The Romantic Reformation: Religious Politics in English Literature, 1789–1824 , Cambridge University Press, 1997, pp. ix + 292, £35.DennisIan, Nationalism and Desire in Early Historical Fiction , Macmillan, 1997, pp. viii + 203, £35.HomansMargaret and MunichAdrienne (eds), Remaking Queen Victoria , Cambridge University Press, 1997, pp. xvii + 279, £40; pb. £14.95.GilbertPamela K., Disease, Desire and the Body in Victorian Women's Popular Novels , Cambridge University Press, 1997, pp. 205, £35.SchwarzHenry, Writing Cultural History in Colonial and Postcolonial India , University of Pennsylvania Press, 1997, pp. x + 199, $32.50.ZamoraLois Parkinson, The Usable Past: The Imagination of History in Recent Fiction of the Americas , Cambridge University Press, 1997, pp. xiii + 257, £37.50.HellmannJohn, The Kennedy Obsession: The American Myth of JFK , Columbia University Press, 1997, pp. xvi + 205, $34.HolmesFrederick M., The Historical Imagination: Postmodernism and the Treatment of the Past in Contemporary British Fiction , University of Victoria (E.L.S. Monograph Series), 1997, pp. 93, pb. $9.50." Literature & History 8, no. 2 (1999): 68–86. http://dx.doi.org/10.7227/lh.8.2.6.

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Farnell, Gary, Christopher Parker, John M. Fyler, et al. "Reviews: Cultural History, History Meets Fiction, the Masculine Self in Late Medieval England, the Tower of London in English Renaissance Drama: Icon of Opposition, Writing Lives. Biography and Textuality, Identity and Representation in Early Modem England, Women Writers and Public Debate in Seventeenth-Century Britain, Religion, Reform, and Women's Writing in Early Modem England, Work and Play on the Shakespearean Stage, Shakespeare and the Nobility: The Negotiation of Lineage., Roger L'Estrange and the Making of Restoration Culture, Shakespeare and Garrick, Prodigal Daughters: Susanna Rowson's Early American Women, Spheres of Action: Speech and Performance in Romantic Culture, Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism, the Victorians and Old Age, Shakespeare and Victorian Women., Becoming a Woman of Letters. Myths of Authorship and Facts of the Victorian Market, the Cambridge Companion to Gilbert and Sullivan, Hitler's War Poets: Literature and Politics in the Third Reich, the Importance of Feeling English: American Literature and the British Diaspora, 1750–1850, the Oprah Affect: Critical Essay s on Oprah's Book ClubAnnaGreen, Cultural History , Palgrave Macmillan, 2008, pp. viii + 163, £15.99BeverleySouthgate, History Meets Fiction , Pearson, 2009, pp. xi + 215, £14.99 pbDerekG. Neal, The Masculine Self in Late Medieval England , University of Chicago Press, 2008. pp. xii + 320. $68.00; $25.00 pb.KristenDeiter, The Tower of London in English Renaissance Drama: Icon of Opposition , Routledge, 2008, pp. xiii+259, £60KevinSharpe and ZwickerSteven N. (eds), Writing Lives. Biography and Textuality, Identity and Representation in Early Modem England , Oxford University Press, 2008, pp. xiii + 369, £55.CatharineGray, Women Writers and Public Debate in Seventeenth-Century Britain , Early Modern Cultural Studies, 1500–1700, Palgrave Macmillan, 2007, pp. x + 262, £42.50KimberlyAnne Coles, Religion, Reform, and Women's Writing in Early Modem England , Cambridge University Press, 2008, pp. vii + 250, £50.TomRutter, Work and Play on the Shakespearean Stage , Cambridge University Press, 2008, pp. x + 205. £65CatherineGrace Canino, Shakespeare and the Nobility: The Negotiation of Lineage. Cambridge University Press, 2007. pp. x + 266, £50AnneDunan-Page and LynchBeth (eds), Roger L'Estrange and the Making of Restoration Culture , Ashgate, 2008, pp. xx + 236, £55.VanessaCunningham, Shakespeare and Garrick , Cambridge University Press, 2008, pp. viii + 231, £50.MarionRust, Prodigal Daughters: Susanna Rowson's Early American Women , University of North Carolina Press, 2008, pp. x + 311, $59.95, $24.95 pb.AlexanderDick and EsterhammerAngela (eds), Spheres of Action: Speech and Performance in Romantic Culture , University of Toronto Press, 2009, pp. viii + 306, £42.RobertS. Levine, Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism , University of North Carolina Press, 2008, pp. x + 322, $59.95, $21.95 (pb).KarenChase, The Victorians and Old Age , Oxford University Press, 2009, pp. xiv + 284, £55; LooserDorothy, Women Writers and Old Age in Great Britain 1750–1850, Johns Hopkins University Press, 2008, pp. xvi + 234, £29.GailMarshall, Shakespeare and Victorian Women. Cambridge University Press, 2009. pp. x+ 207. £50.LindaH. Peterson, Becoming a Woman of Letters. Myths of Authorship and Facts of the Victorian Market , Princeton University Press, 2009, pp. xv + 289, £19.95.EdenD. and SarembaM. (eds), The Cambridge Companion to Gilbert and Sullivan , Cambridge University Press, 2009, pp. v + 274. £17.99 pb.JayBaird, Hitler's War Poets: Literature and Politics in the Third Reich , Cambridge University Press, 2008. pp. xv + 284. £47, £17.99 pb.LennardTennenhouse, The Importance of Feeling English: American Literature and the British Diaspora, 1750–1850. Princeton University Press, 2007, pp. x + 158, $35.CeciliaKonchar Farr and HarkerJaime (eds) The Oprah Affect: Critical Essay s on Oprah's Book Club , 2008, SUNY Press, pp. 336, $74.50, $24.95 pb." Literature & History 19, no. 1 (2010): 80–104. http://dx.doi.org/10.7227/lh.19.1.7.

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Watson, David, V. G. Kiernan, Gary Farnell, et al. "Reviews: Reading the Past, Packing and Unpacking Culture: Changing Models of British Studies, Practising New Historicism, Dust, History by Numbers: An Introduction to Quantitative Approaches, Hamlet in Purgatory, Literary Circles and Cultural Communities in Renaissance England, Putting History to the Question: Power, Politics and Society in English Renaissance Drama, et al., Anna of Denmark, Queen of England, the Royal Image: Representations of Charles I, How Milton Works, a Letter to My Love: Love Poems by Women First Published in the, the Anti-Jacobin Novel: British Conservatism and the French Revolution, Nineteenth-Century British Women Writers, Memory and History in George Eliot: Transfiguring the Past, the West-Country as a Literary Invention: Putting Fiction in its Place, ‘India's Prisoner’: A Biography of Edward John Thompson, 1886–1946, Blind Memory: Visual Representations of Slavery in England and America, 1780–1865, B. L. Coombes, Diana: A Cultural History: Gender, Race, Nation and the People's Princess, the American MysterySpargoTamsin (ed.), Reading the Past , Palgrave2000, pp. xii + 200, £14.99 pb.JarrettDavid, KowalewskiTomasz and RiddenGeoff (eds), Packing and Unpacking Culture: Changing Models of British Studies , Copernicus University, Torún, 2001, pp. 270, £4.GallagherCatherine and GreenblattStephen, Practising New Historicism , University of Chicago Press, 2000, pp. ix + 249, £16.00; ChildsPeter, Modernism , Routledge, 2000, pp. xi + 226, $8.99 pb.SteedmanCarolyn, Dust , Manchester University Press, 2001, pp. xi + 195, £9.99.HudsonPat, History by Numbers: An Introduction to Quantitative Approaches , Arnold, 2000, pp. 278, £45, £14.99 pb.; MunslowAlun, The Routledge Companion to Historical Studies , Routledge, 2000, pp. 271, £47.50, £12.99 pb.GreenblattStephen, Hamlet in Purgatory , Princeton University Press, 2001, pp. xii + 322, £19.95.SummersClaude J. and PebworthTed-Larry (eds), Literary Circles and Cultural Communities in Renaissance England , University of Missouri Press, 2000, pp. xii + 243, £33.95.NeillMichael, Putting History to the Question: Power, Politics and Society in English Renaissance Drama , Columbia University Press, 2000, pp. xii + 527, £22.00; TauntonNina, 1590s Drama and Militarism: Portrayals of War in Marlowe, Chapman and Shakespeare's Henry V, Ashgate, 2001, pp. vii + 239, £42.50.MarcusLeah S. (eds), Elizabeth I: Collected Works , University of Chicago Press, 2000, pp. 632, £25.BarrollLeeds, Anna of Denmark, Queen of England , University of Pennsylvania Press, 2001, pp. 220, £28.50.CornsThomas N. (ed.), The Royal Image: Representations of Charles I , Cambridge University Press, 1999, pp. vi + 316, £40.FishStanley, How Milton Works , Harvard University Press, 2001, pp. 616, £23.95; LaresJameela, Milton and the Preaching Arts , James Clarke & Co., 2001, pp. 368, £40.00.OvertonBill (ed.), A Letter to my Love: Love Poems by Women First Published in the Barbados Gazette, 1731–37 , Rosemont Publishing, 2001, pp. 155, £27.GrenbyM. O., The Anti-Jacobin Novel: British Conservatism and the French Revolution , Cambridge University Press, 2001, pp. xiii + 271, £40.BloomAbigail Burnham (ed.), Nineteenth-Century British Women Writers , Aldwych Press, 2000, pp. x + 466, £71.50.LiHao, Memory and History in George Eliot: Transfiguring the Past , Macmillan, 2000, pp. xiv + 227, £42.50.TreziseSimon, The West-Country as a Literary Invention: Putting Fiction in its Place , University of Exeter Press, 2000, pp. xvi + 256, £42.00, £13.99 pb.LagoMary, ‘India's Prisoner‘: A Biography of Edward John Thompson, 1886–1946 , University of Missouri Press, 2001, pp. xi + 388, £33.95.WoodMarcus, Blind Memory: Visual Representations of Slavery in England and America, 1780–1865 , Manchester University Press, 2000, pp. 341, £49.95, £17.99 pb.JonesBill and WilliamsChris, B. L. Coombes , University of Wales Press, 1999, Writers of Wales, pp. 114, £5.99; JonesBill and WilliamsChris (eds), With Dust Still in His Throat: A B. L. Coombes Anthology , University of Wales Press, 1999, pp. 208, £9.99; MurphyMichael (ed.), The Collected George Garrett , Trent Editions, 1999, pp. xxix + 270, £7.99 pb.DaviesJude, Diana: A Cultural History: Gender, Race, Nation and the People's Princess , Palgrave, 2001, pp. 250, £47.50, £16.99 pb.TannerTony, The American Mystery , Cambridge University Press, 2000, pp. xxiv + 242, £35, £13.95 pb." Literature & History 12, no. 1 (2003): 72–100. http://dx.doi.org/10.7227/lh.12.1.5.

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Desmet, Christy. "Shakespeariana and Shakespeare Societies in North America, 1883-1893." Borrowers and Lenders The Journal of Shakespeare Appropriations 2, no. 2 (2023). https://doi.org/10.18274/mkmz6533.

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This essay offers a brief ethnography of North American Shakespeare Societies through the most prominent clearing house for information about such societies in the latter half of the nineteenth century: the journal Shakespeariana. Not surprisingly, Shakespeare societies almost always involved a certain degree of ritual and structure. Most of the groups listed in the journal's "Shaksperian Societies" column, like the Philadelphia Shakspere Society, seem to feature predominantly male speakers and participants, although Shakespeariana does provide information about women's Shakespeare societies.
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Williams, Graeme Henry. "Australian Artists Abroad." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1154.

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At the start of the twentieth century, many young Australian artists travelled abroad to expand their art education and to gain exposure to the modern art movements of Europe. Most of these artists were active members of artist associations such as the Victorian Artists Society or the New South Wales Society of Artists. Male artists from Victoria were generally also members of the Melbourne Savage Club, a club with a strong association with the arts.This paper investigates the dual function of the club, as a space where the artists felt “at home” in the familiar environment that the club offer
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Galstyan, Nelli. "The Theme of Preservation and Retreat of National Identity in the Novel "Daughters of Memory" By Peter Najarian." Scientific Proceedings of Vanadzor State University. Humanities and Social Sciences, July 2024, 81–88. http://dx.doi.org/10.58726/27382915-2024.1-81.

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In the article, we examined the novel “Daughters of Memory” depicting the Armenian reality by Peter Najarian, the author of many novels, short stories, and literary criticism. P. Najarian is an Armenian novelist who made a great contribution to the American prose of the 20th century. The novel “Daughters of Memory” by the Armenian-American writer Peter Najarian is one of the best works depicting the life of Armenian Diaspora. Here the writer clearly emphasizes the “laws” of the new world, moral standards, the internal drama of the Armenian with the combination of old and new life, material and
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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2715.

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 Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the d
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Bellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.22.

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Imagine this historical scene, if you will. It is 1892, and you are up in the gallery at Her Majesty’s Theatre in Sydney, taking in an English burlesque. The people around you have just found out that Alice Leamar will not be performing her famed turn in Ta-ra-ra-boom-de-ay tonight, a high-kicking Can-Canesque number, very much the dance du jour. Your fellow audience members are none too pleased about this – they are shouting, and stamping the heels of their boots so loudly the whole theatre resounds with the noise. Most people in the expensive seats below look up in the direction of the galle
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Pilter, Lauri. "Jüri Talvet maailmaluule tõlgendajana / Jüri Talvet’s Interpretations of World Poetry." Methis. Studia humaniora Estonica 14, no. 17/18 (2017). http://dx.doi.org/10.7592/methis.v14i17/18.13211.

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Teesid: Tartu Ülikooli maailmakirjanduse professori, luuletaja, kirjandusteadlase ja hispaaniakeelse kirjanduse spetsialisti Jüri Talveti tõlketegevuse viljade hulka kuulub luulet ja proosat nii sajandeid vanast Hispaania klassikast kui ka 20. sajandil või tänapäeval romaani keeltes või inglise keeles loodud teostest. Käesolev artikkel keskendub sellele, kuidas professor Talvet on tõlgendanud luule ja poeetika, kuid ka kirjandusajaloo, iseäranis barokk-kirjanduse alaseid küsimusi oma kirjandusteaduslikes esseedes. Vaadeldakse ka tema tõlketegevuse mahtu ja tõlketöö põhimõtteid. Jüri Talvet (bo
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Lavers, Katie. "Cirque du Soleil and Its Roots in Illegitimate Circus." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.882.

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IntroductionCirque du Soleil, the largest live entertainment company in the world, has eight standing shows in Las Vegas alone, KÀ, Love, Mystère, Zumanity, Believe, Michael Jackson ONE, Zarkana and O. Close to 150 million spectators have seen Cirque du Soleil shows since the company’s beginnings in 1984 and it is estimated that over 15 million spectators will see a Cirque du Soleil show in 2014 (Cirque du Soleil). The Cirque du Soleil concept of circus as a form of theatre, with simple, often archetypal, narrative arcs conveyed without words, virtuoso physicality with the circus artists prese
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Stauff, Markus. "Non-Fiction Transmedia: Seriality and Forensics in Media Sport." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1372.

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At last year’s Tour de France—the three-week cycling race—the winner of one stage was disqualified for allegedly obstructing a competitor. In newspapers and on social media, cycling fans immediately started a heated debate about the decision and about the actual course of events. They uploaded photographs and videos, which they had often edited and augmented with graphics to support their interpretation of the situation or to direct attention to some neglected detail (Simpson; "Tour de France").Due to their competitive character and their audience’s partisanship, modern media sports continuous
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Piatti-Farnell, Lorna, and Erin Mercer. "Gothic: New Directions in Media and Popular Culture." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.880.

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In a field of study as well-established as the Gothic, it is surprising how much contention there is over precisely what that term refers to. Is Gothic a genre, for example, or a mode? Should it be only applicable to literary and film texts that deal with tropes of haunting and trauma set in a gloomy atmosphere, or might it meaningfully be applied to other cultural forms of production, such as music or animation? Can television shows aimed at children be considered Gothic? What about food? When is something “Gothic” and when is it “horror”? Is there even a difference? The Gothic as a phenomeno
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Vella Bonavita, Helen. "“In Everything Illegitimate”: Bastards and the National Family." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.897.

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This paper argues that illegitimacy is a concept that relates to almost all of the fundamental ways in which Western society has traditionally organised itself. Sex, family and marriage, and the power of the church and state, are all implicated in the various ways in which society reproduces itself from generation to generation. All employ the concepts of legitimacy and illegitimacy to define what is and what is not permissible. Further, the creation of the illegitimate can occur in more or less legitimate ways; for example, through acts of consent, on the one hand; and force, on the other. Th
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Chen, Jasmine Yu-Hsing. "Beyond Words." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3033.

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Introduction Despite the expansive and multimodal realm of Chinese Boys’ Love (BL) culture (also known as danmei in Chinese), audio works have been notably absent from scholarly discussions, with the focus predominantly being on novels (e.g. Bai; Zhang). This article aims to fill this gap by delving into the transformative impact of sound on narrative engagement within the Chinese BL culture. Focussing on the audio drama adaptations of Grandmaster of Demonic Cultivation (modao zushi, hereafter Grandmaster), originally a serialised Chinese BL novel, this analysis aims to unravel the meticulousl
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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d
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Blackwood, Gemma. "<em>The Serpent</em> (2021)." M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2835.

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The Netflix/BBC eight-part limited true crime series The Serpent (2021) provides a commentary on the impact of the tourist industry in South-East Asia in the 1970s. The series portrays the story of French serial killer Charles Sobhraj (played by Tahar Rahim)—a psychopathic international con artist of Vietnamese-Indian descent—who regularly targeted Western travellers, especially the long-term wanderers of the legendary “Hippie Trail” (or the “Overland”), running between eastern Europe and Asia. The series, which was filmed on location in Thailand—in Bangkok and the Thai town of Hua Hin—is set
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Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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Rayman, Jennifer. "The Politics and Practice of Voice: Representing American Sign Language on the Screen in Two Recent Television Crime Dramas." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.273.

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Introduction In this paper, I examine the practices of representing Deaf ‘voices’’ to hearing audiences in two recent US television crime dramas. More literally I look at how American Sign Language is framed and made visible on the screen through various production decisions. Drawing examples from an episode of CSI: New York that aired in December 2006 and an episode of Law and Order: Criminal Intent that aired in April 2007, I examine how the practices of filming Deaf people and the use of American Sign Language intersect with the production of a Deaf ‘voice’ on the screen. The problem of rep
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Barnes, Duncan, Danielle Fusco, and Lelia Green. "Developing a Taste for Coffee: Bangladesh, Nescafé, and Australian Student Photographers." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.471.

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IntroductionThis article is about the transformation of coffee, from having no place in the everyday lives of the people of Bangladesh, to a new position as a harbinger of liberal values and Western culture. The context is a group of Australian photojournalism students who embarked on a month-long residency in Bangladesh; the content is a Nescafé advertisement encouraging the young, middle-class Bangladesh audience to consume coffee, in a marketing campaign that promotes “my first cup.” For the Australian students, the marketing positioning of this advertising campaign transformed instant coff
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O'Boyle, Neil. "Plucky Little People on Tour: Depictions of Irish Football Fans at Euro 2016." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1246.

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I called your producer on the way here in the car because I was very excited. I found out … I did one of those genetic testing things and I found out that I'm 63 percent Irish … I had no idea. I had no idea! I thought I was Scottish and Welsh. It turns out my parents are just full of shit, I guess. But now I’m Irish and it just makes so much sense! I'm a really good drinker. I love St. Patrick's Day. Potatoes are delicious. I'm looking forward to meeting all my cousins … [to Conan O’Brien] You and I are probably related! … Now I get to say things like, “It’s in me genes! I love that Conan O’Br
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Mathur, Suchitra. "From British “Pride” to Indian “Bride”." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2631.

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&#x0D; &#x0D; &#x0D; The release in 2004 of Gurinder Chadha’s Bride and Prejudice marked yet another contribution to celluloid’s Austen mania that began in the 1990s and is still going strong. Released almost simultaneously on three different continents (in the UK, US, and India), and in two different languages (English and Hindi), Bride and Prejudice, however, is definitely not another Anglo-American period costume drama. Described by one reviewer as “East meets West”, Chadha’s film “marries a characteristically English saga [Austen’s Pride and Prejudice] with classic Bollywood format “transf
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Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of
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Haller, Beth. "Switched at Birth: A Game Changer for All Audiences." M/C Journal 20, no. 3 (2017). http://dx.doi.org/10.5204/mcj.1266.

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The American Broadcasting Company (ABC) Family Network show Switched at Birth tells two stories—one which follows the unique plot of the show, and one about the new openness of television executives toward integrating more people with a variety of visible and invisible physical embodiments, such as hearing loss, into television content. It first aired in 2011 and in 2017 aired its fifth and final season.The show focuses on two teen girls in Kansas City who find out they were switched due to a hospital error on the day of their birth and who grew up with parents who were not biologically relate
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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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&#x0D; &#x0D; &#x0D; From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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Toutant, Ligia. "Can Stage Directors Make Opera and Popular Culture ‘Equal’?" M/C Journal 11, no. 2 (2008). http://dx.doi.org/10.5204/mcj.34.

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Cultural sociologists (Bourdieu; DiMaggio, “Cultural Capital”, “Classification”; Gans; Lamont &amp; Foumier; Halle; Erickson) wrote about high culture and popular culture in an attempt to explain the growing social and economic inequalities, to find consensus on culture hierarchies, and to analyze cultural complexities. Halle states that this categorisation of culture into “high culture” and “popular culture” underlined most of the debate on culture in the last fifty years. Gans contends that both high culture and popular culture are stereotypes, public forms of culture or taste cultures, each
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Antonio, Amy Brooke. "Re-imagining the Noir Femme Fatale on the Renaissance Stage." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1039.

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IntroductionTraditionally, the femme fatale has been closely associated with a series of noir films (such as Double Indemnity [1944], The Maltese Falcon [1941], and The Big Heat [1953]) in the 1940s and 50s that necessarily betray male anxieties about independent women in the years during and following World War II. However, the anxieties and historical factors that precipitated the emergence of the noir femme fatale similarly existed in the sixteenth century and, as a result, the femme fatale can be re-imagined in a series of Elizabethan and Jacobean plays. In this context, to re-imagine is t
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Holden, Todd Joseph Miles. "The Evolution of Desire in Advertising." M/C Journal 2, no. 5 (1999). http://dx.doi.org/10.5204/mcj.1773.

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She's the dollars, she's my protection; she's a promise, in the year of election. Sister, I can't let you go; I'm like a preacher, stealing hearts at a traveling show. For love or money, money, money... Desire -- U2, "Desire" (1988) For the love of money. In the worship of things. Desire has traditionally been employed by advertising as a means of selling product. Regardless of culture, more powerful than context, desire is invoked as one of capitalism's iron-clad codes of quality. The Uses of Desire in Advertising Specifically, two variants have been most common. That in which desire is: (1)
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Mallan, Kerry Margaret, and Annette Patterson. "Present and Active: Digital Publishing in a Post-print Age." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.40.

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At one point in Victor Hugo’s novel, The Hunchback of Notre Dame, the archdeacon, Claude Frollo, looked up from a book on his table to the edifice of the gothic cathedral, visible from his canon’s cell in the cloister of Notre Dame: “Alas!” he said, “this will kill that” (146). Frollo’s lament, that the book would destroy the edifice, captures the medieval cleric’s anxiety about the way in which Gutenberg’s print technology would become the new universal means for recording and communicating humanity’s ideas and artistic expression, replacing the grand monuments of architecture, human engineer
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Beare, Alexander Hudson, and Amy Brierley-Beare. "“You Know There’s No ‘It’ Right? ‘It’ Was Just Us”." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3002.

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In Showtime’s Yellowjackets (2021-present), ‘magic’ (referred to by the characters as “It”) has an overwhelming presence. Supernatural visions, clairvoyance, and occult iconography are laden throughout each episode. However, the audience is often left uncertain if magic is, in fact, ‘real’ or conjured in the imagination of the show’s characters. Yellowjackets follows a women’s high-school soccer team (named the Yellowjackets) who survive a plane crash deep in the North American wilderness. The show explores the team’s struggle for survival and the present adult lives of those who survived. In
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