Relevant bibliographies by topics / Nishda Kitarô

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Academic literature on the topic 'Nishda Kitarô'

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Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Nishda Kitarô"

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Jacinto Zavala, Agustin. "Temas aristotélicos en La determinación autoperceptiva de la Nada (1932), de Nishida Kitarô." EDUCAÇÃO E FILOSOFIA 33, no. 69 (December 30, 2020): 1139–87. http://dx.doi.org/10.14393/revedfil.v33n69a2019-56384.

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Temas aristotélicos en La determinación autoperceptiva de la Nada (1932), de Nishida Kitarô Resumen: El texto que ahora presento es un examen del diálogo continuado de Nishida con Aristóteles según lo podemos ver en el volumen VI de las Obras completas de Nishida Kitarô. El resultado nos permite ver la especial atención que en 1932 Nishida presta a cinco temas básicos que se desarrollan en 16 puntos de la siguiente manera: la expresión (1-3), la autopercepción (4-7), la base del conocimiento (8-11), los universales (12-14) y dos importantes aspectos de la intuición (15-16). En este sentido, los contenidos del diálogo nishidiano con Aristóteles en el volumen VI de las Obras completas de Nishida Kitarô, nos remiten al tema del conocimiento. Palabras clave: Aristóteles. Nishida. Diálogo. Autopercepción. Conocimiento. Universal. Some aspects of Nishida’s dialogue with Aristotle Abstract: My present text is a study of the continuous dialogue of Nishida with Aristotle as can be seen in volume VI of his Complete Works. As a result, we can see the special attention that in 1932 Nishida gave to five basic themes. I have presented their content under sixteen headings as follows, expression (1-3), self-perception (4-7), the basis of knowledge (8-11), universals (12-14), and two important aspects of intuition (15-16).As a result, we can see that the contents of Nishida’s dialogue with Aristotle in volume VI of his Complete Works, primarily touches on the theme of knowledge. Keywords: Aristotle. Nishida. Dialogue. Self perception. Knowledge. Universal. Temas aristotélicos em A determinação autoperceptiva do nada (1932), de Nishida Kitarô Resumo: O texto que apresento agora é um exame do diálogo contínuo de Nishida com Aristóteles, como podemos ver no Volume VI das Obras Completas de Nishida Kitarô. O resultado nos permite ver a atenção especial que em 1932 Nishida presta a cinco temas básicos que são desenvolvidos em 16 pontos da seguinte forma: expressão (1-3), autopercepção (4-7), base de conhecimento (8). -11), os universais (12-14) e dois aspectos importantes da intuição (15-16). Nesse sentido, o conteúdo do diálogo nishidiano com Aristóteles, no volume VI das obras completas de Nishida Kitarô, remete-nos à questão do conhecimento. Palavras-chave: Aristótles. Nishida. Diálogo. Autopercepção. Conhecimento.Universal. Data de registro: 29/07/2020 Data de aceito: 21/10/2020
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Yusa, Michiko, Nishitani Keiji, Yamamoto Seisaku, and James W. Heisig. "Nishida Kitaro." Monumenta Nipponica 46, no. 4 (1991): 572. http://dx.doi.org/10.2307/2385204.

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LaFleur, William R., Nishitani Keiji, Yamamoto Seisaku, James W. Heisig, and Takeuchi Yoshitomo. "Nishida Kitaro." Journal of Japanese Studies 19, no. 1 (1993): 258. http://dx.doi.org/10.2307/132894.

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Abe, Masao, and Lydia Brüll. "Kitaro Nishida Bibliography." International Philosophical Quarterly 28, no. 4 (1988): 373–81. http://dx.doi.org/10.5840/ipq198828430.

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Wirth, Jason M. "Kitarō Nishida in der Philosophie des 20. Jahrhunderts: Mit Texten Nishidas in deutscher Übersetzung." Comparative and Continental Philosophy 9, no. 2 (May 4, 2017): 195–97. http://dx.doi.org/10.1080/17570638.2017.1343707.

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Tremblay, Jacynthe. "La transcendance immanente chez Nishida Kitarô et Karl Rahner." Studies in Religion/Sciences Religieuses 26, no. 2 (June 1997): 199–210. http://dx.doi.org/10.1177/000842989702600204.

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Karl Rahner (1904-1984) et Nishida Kitarô (1870-1945) ont tous deux élaboré un type de logique qui permet d'articuler conjointement les termes contradictoires. On trouve, dans la philosophie de la religion de Rahner, une «logique de l'asymptote» qui permet de penser comment la transcendance immanente de Dieu et la transcendantalité immanente de l'humain coïncident totalement tout en ne s'identifiant absolument pas. La «logique de l'auto-identité absolument contradictoire» de Nishida permet de mettre en rapport les termes contradictoires que sont l'absolu et le relatif, en préservant leur caractère contradictoire dans leur identité même. La «transcendance immanente» de Rahner et celle de Nishida sont structurellement très semblables. Elles permettent de repenser ce que visaient les concepts privatifs du dogme de Chalcédoine, à savoir que les «natures» humaine et divine de Jésus sont sans confusion, sans séparation, sans division et sans changement.
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Tremblay, Jacinthe. "Néantisation et relationalité chez NISHIDA Kitarô et WATSUJI Tetsurô." Thème 4, no. 2 (March 16, 2009): 63–82. http://dx.doi.org/10.7202/602440ar.

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RÉSUMÉ Le néant absolu (zettai mu) a suscité divers types de discours dans la philosophie japonaise contemporaine, notamment celui de la relationalité, dont traitent principalement NISHIDA Kitarô (1870-1945) et WATSUJI Tetsurô (1889-1960). Nishida met en lumière le lien intrinsèque entre le néant absolu et la relationalité en montrant que l’individuel (kobutsu) est tel uniquement par le fait de se confronter à un autre individuel, et que cette confrontation est un processus de néantisation absolue par lequel l’individuel renvoie constamment à l’autre, ce qui permet en retour une auto-affirmation absolue. Le néant absolu est également le fondement de la structure relationnelle de Watsuji, qui fait l’originalité de son éthique. L’humain (ningen), à la fois individuel et social, comporte une négation par laquelle il nie l’ensemble de l’humanité, se constituant ainsi comme individu et comme société. Tant la philosophie de Nishida que celle de Watsuji convergent vers le néant absolu et s’articulent autour de lui.
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LAVELLE, Pierre. "Nishida Kitarô, l'école de Kyôto et l'ultra-nationalisme." Revue Philosophique de Louvain 92, no. 4 (November 2, 1994): 430–58. http://dx.doi.org/10.2143/rpl.92.4.556270.

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Lavelle, Pierre. "The Political Thought of Nishida Kitaro." Monumenta Nipponica 49, no. 2 (1994): 139. http://dx.doi.org/10.2307/2385167.

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Agustín Jacinto, Z. "LEIBNIZ Y LA FILOSOFÍA DE LA RELIGIÓN EN NISHIDA KITARÔ." Kriterion: Revista de Filosofia 57, no. 133 (April 2016): 207–32. http://dx.doi.org/10.1590/0100-512x2016n13310ajz.

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ABSTRACT This paper is an analysis of the manner Nishida Kitarô (1870-1945), in the process of construction of his own philosophy of religion, enters into dialogue with Leibniz's thought concerning Pre-established Harmony. Although the philosophy of religion is an important theme and Nishida goes back to Leibniz at some points in his textual career, there are relatively few studies that touch on the relationship between these two thinkers. I study Nishida's approach under three headings. The first section concerns ten main aspects of the world of pre-established harmony. The second tries to show the manner in which such a world becomes a guide towards a philosophy of religion, placing the emphasis on three characteristically Christian aspects: a created, fallen, and Trinitarian world. The third section includes some elements such as the entrance into religion, metanoia, satori and a comparison between Christian agape and Buddhist maha-kruna. These are themes on which Nishida elaborates in his 1945 masterpiece, The Logic of Basho and a Religious Worldview.
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Dissertations / Theses on the topic "Nishda Kitarô"

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Sekoguchi, Aya. "« Le champ (basho) dans les arts traditionnels japonais » : autour de l'union corps-esprit et de la relation entre artiste et public chez Zeami." Paris, EHESS, 2007. http://www.theses.fr/2007EHES0156.

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Comment le champ où les individus s'insèrent est-il concrétisé dans les arts traditionnels japonais ? A partir de l'analyse de Zeami, ce travail réexamine la question à la lumière des travaux de NISHIDA Kitarô et autres auteurs, en abordant aussi des concepts tels que le kata, le ki, le ma dans les pratiques effectives comme les arts martiaux, Ia cérémonie de thé, etc. . . Le métier et l'esprit chez Zeami correspondent à la double structure du soi : le soi individuel, local, subjectal en tant que localité physique (topos), et le soi social, global, prédicatif qui se situe dans un lieu (chôra). La voie de l'art (geidô) constitue un processus où le second manifeste son importance par rapport au premier, c'est-à-dire que le soi est nié (autonégation) et absorbé dans le lieu (le non-esprit). C'est ce qui permet d'instaurer une interaction entre soi et autrui L'estime pour le champ se cristallise dans une esthétique du dépouillement qui caractérise la culture japonaise : comme le ma mis en oeuvre par la pratique respiratoire qui noue un rapport intime avec le ki. L'accès effectif à un champ plus vaste et plus profond à travers le dynamisme entre l'individuel et le social montre comment embrayer le néant promu par la pensée japonaise à l'être mis en valeur dans la pensée européenne : ce qui permettra de dépasser concrètement et véritablement l'impasse du paradigme occidental moderne sujet-objet
How is the field in which individuals fit embodied in the Japanese traditional arts ? From the analysis of Zeami, this study re-examines the issue in the light of the works of NISHIDA Kitarô and others also addressing concepts such as kata, ki, ma in effective practices such as martial arts, tea ceremony, etc. . . The art and the spirit in Zeami correspond to the dual structure of the self : the individual, local, subjectal self as a physical place (topos), and the social, global, predicate self situated in a place (chôra). The way of Art (geidô) is a process where the second indicates its importance relative to the first, that is to say that the self is denied (self-negation) and absorbed into the place (non-mind). This allows to establish an interaction between self and the other. The regard for the field crystallizes in an aesthetic of bareness that characterizes Japanese culture, as implemented by breathing practices which create an intimate relationship with the ki. Effective access to a wider and deeper field through the dynamics between the individual and the social shows how te connect the nothingness promoted by the Japanese thought with the being praised in European thought : what wil overcome concretely and effectively the impasse in the modem Western paradigm of subject and object
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Dalissier, Michel. "Nishida kitarô: une philosophie de l'unification." Paris, EPHE, 2005. http://www.theses.fr/2005EPHE4050.

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La philosophie de Nishida Kitarô propose une méditation originale sur la notion d'unification (tôitsusuru), qui permet d'une part de relire sous un éclairage nouveau et singulier une certaine histoire de la philosophie occidentale, de l'autre d'apporter une réponse neuve à la problématique des rapports de l'un et du multiple, consistant à critiquer l'idée d'une unification conçue comme un processus fini d'union, ramenant le divers à l'unité. Au sein de son premier ouvrage de 1911, la Recherche sur le bien, l'unification est présentée comme une dialectique cosmique infinie de l'unité et de la différence, dont la conscience humaine reproduit dans sa soif de synthèse une expression insigne aux niveaux psychologique et épistémique. Cette théorie s'approfondit dans un second ouvrage de 1917, Intuition et réflexion dans l'éveil à soi, à la faveur d'investigations de nature épistémologique, phénoménologique, et métaphysique ; l'unité sans cesse relancée à la recherche de son fondement, risque à chaque moment de sa course unificatrice une pétrification en unité dernière, et l'unification qui l'anime une transfiguration fallacieuse en processus d'union finie. Cette théorie ne trouve pourtant sa justification philosophique la plus essentielle que dans la " logique du lieu ", selon l'esquisse qu'en propose l'auteur en 1926 dans l'essai " le lieu ". Car une unification infinie ne peut survenir que dans le lieu d'un néant absolu qui, dans sa dynamique propre, relance toujours l'unité dans cette perpétuelle construction d'elle-même. Il appartiendra à la philosophie tardive de Nishida de tirer les conséquences de cette théorie quand à la praxis et la poiesis de l'homme dans le monde
Nishida Kitaro's philosophy intends an original meditation about the notion of unification (tôitsusuru), which allows us from one part to read again, into a new and remarkable light, one history of occidental philosophy, and from the other to provide a new answer to the problem of the relations of the one and the many, which consists in criticising the idea of a unification conceived as a finite process of union, bringing back the diverse to unity. Inside his first piece of work in 1911, An Inquiry into the Good, the unification is introduced as an infinite cosmic first dialectic of unity and difference, of which the human consciousness reproduces, in its thirst for synthesis, a fundamental expression, at a psychological and epistemical level. This theory is deepened in a second work of 1917, Intuition and Reflexion in Self-Consciousness, through epistemological, phenomenological and metaphysical investigations; the unity, constinuously restarted and seeking for his foundation, incurs a risk at each moment of its unificational running, a petrification into a last unity, and the unification which animates it a fallacious transfiguration into a finite process of union. This theory through only finds its most essential philosophical justification in the “logic of place”, according to the exposition proposed by the author in 1926 into the essay “the place”. For an infinite unification can only occur in the place of an absolute nothingness, which, according to its own dynamic, always restarts the unity in this undated engineering of itself. It will belong to the late philosophy of Nishida to apply this theory as regards to the praxis and poiesis of man in the world
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Dalissier, Michel. "Anfractuosité et unification : la philosophie de Nishida Kitarô /." Genève : Droz, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9782600011884.

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Bastarache, Martin J. "Nishida Kitaro and the Question of Japanese Fascism." Thesis, Université d'Ottawa / University of Ottawa, 2011. http://hdl.handle.net/10393/20203.

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There has been considerable debate within the field of Japanese intellectual history with respect to the influence of Nishida Kitarō (1870-1945) on the ideological foundations and philosophical justification of Japanese fascism. One of the most influential Japanese thinkers of the twentieth century and widely considered to be the father of modern Japanese philosophy, his contemporary relevance is considered to be at risk should these accusations be true. As such, contemporary scholars have attempted to show how Nishida’s philosophy was decidedly anti-fascist, and that he was in fact opposed to the actions of the wartime regime. However, as this thesis will argue, by considering Nishida’s philosophy within the larger historical context of global modernity one can see that his contemporary relevance lies in just that which allows one to consider his thought as fascist, his critique of modernity. Nishida was reacting to the transforming social and cultural landscapes that had followed the modernization of Japan initiated by the Meiji Restoration (1868). As a result, he attempted to posit a transhistorical ideal of Japanese culture, embodied concretely in the Emperor that could withstand the social abstractions of modernity. However, it was ultimately his failure to grasp his own conditions of possibility in the very modernity that he was critiquing that pushed his thought increasingly to the right, helping to fuel and legitimize the emerging fascist ideology.
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Hirayama, Yō. "Nishida tetsugaku no saikōchiku sono seiritsu katei to hikaku shisō /." Kyōto-shi : Mineruva Shobō, 1997. http://catalog.hathitrust.org/api/volumes/oclc/38916114.html.

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Originally presented as the authorʼs thesis (doctoral--Tōhoku Daigaku) under title: Nishida "zenki" tetsugaku no kenkyū.
Errata slip inserted. Includes bibliographical references (p. 273-285) and indexes.
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Cunningham, Eric Paul. "Visions of a place beyong time : Nishida Kitaro's historical world and the problems of overcoming modernity /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120617.

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Thesis (Ph. D.)--University of Oregon, 2004.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 456-480). Also available for download via the World Wide Web; free to University of Oregon users.
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Evans, Robert A. "An Aesthetic Attitude: An East - West Comparison of Bullough and Nishida." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1274279326.

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Kuroda, Akinobu. "Enjeux, possibilités et limites d'une philosophie de la vie : Kitarô Nishida au miroir de quelques philosophes français." Université Marc Bloch (Strasbourg) (1971-2008), 2003. http://www.theses.fr/2003STR20019.

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Le présent travail se propose de donner une expression précise de la philosophie de Kitarô NISHIDA (1870-1945) dans une langue philosophique française, en développant un réseau thématique constitué par ses thèses fondamentales dans une perspective claire et harmonieuse. Il s'agit de construire une étude cohérente sur le concept phénoménologique de vie, en présentant quelques élaborations originales de Nishida autour de ce concept, et cela au miroir de la phénoménologie française. Pour méthode, nous adoptons une démarche comparative consistant à interpréter et analyser la philosophie de Nishida au miroir de quelques philosophes français comme Maine de Biran, Merleau-Ponty, Michel Henry, sous différents angles, tout en suivant le fil conducteur qu'est la notion de vie, de façon à relever des points-clés autour desquels s'ouvre un espace d'interrogation ou de dialogue où la problématique de Nishida peut s'approfondir ou éventuellement se développer, au-delà même de ce qui a été envisagé par le philosophe lui-même. Il s'agit d'appréhender la logique phénoménique de la vie qui apparaît à elle-même, c'est-à-dire saisie directement en nous dans le monde où nous vivons et que nous habitons. Avec Nishida et Maine de Biran, nous nous interrogeons sur la vie intérieure éprouvée immédiatement en notre soi corporel. Avec Nishida et Merleau-Ponty, nous thématisons la vie perceptive vécue par notre corps propre qui est à la fois voyant-visible et agissant-passible. A travers la confrontation de Nishida et Henry, nous entrons dans une question décisive pour ce projet, celle de l'auto-donation de la vie, en sondant autant la profondeur que les limites de leurs questionnements sur ce qu'il y a de plus réel
The current work proposes to offer a precise expression of the philosophy of Kitarô Nishida (1870-1945) in a French philosophical language, while developing in a clear and harmonious perspective a thematic network constituted by his fundamental theses. The author has constructed a coherent study on the phenomenological concept of life, by presenting several original elaborations of Nishida around this concept, and that reflected by French phenomenology. As for methode, a comparative procedure was adopted, consisting of interpreting and analyzing Nishida's philosophy as reflected by several French philosophers such as Maine de Biran, Merleau-Ponty, and Michel Henry, under different perspectives, all the while following the main theme, which is the notion of life, in order to raise up the key points around which a space of interrogation or dialog is opened, where the problematic of Nishida can be deepened or eventually be developed beyond the range envisaged by the philosopher himself. It is a question of apprehending the phenomenal logic of life which appears to itself, that is to say directly taken in us in the world where we live. With Nishida and Maine de Biran, we examine the interior life experienced immediately in our corporeal being. With Nishida and Merleau-Ponty, we ponder the theme of the perceptive life lived by our own bodies, which is at the same time seeing-visible and acting-passible. Through a confrontation between Nishida and Henry, we enter into a decisive question for this project, that of self-donation of life, by probing the depth as well as the limits of their questioning of which is more real
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Hantke, Myriam-Sonja. "Die Poesie der All-Einheit bei Friedrich Hölderlin und Nishida Kitarō." Nordhausen Bautz, 2008. http://d-nb.info/995272468/04.

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Zetterberg, Theodor. "Döden på Tomhetens Fält : Döden, Intet och det Absoluta hos Nishitani Keiji och Nishida Kitarō." Thesis, Södertörns högskola, Filosofi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37553.

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This paper examines the role played by death in the philosophy of Nishitani Keiji, through the nondual logic of contradictory identity developed by his teacher and founder of the Kyotoschool of philosophy, Nishida Kitarō. I explore Nishitani’s understanding of how Nothingness, nihility, through our awareness of death penetrates and nullifies existence itself, how the irreality of all being comes to the fore to make being itself unreal. The nullifying nothingness of nihility, however, is still nothingness represented as a something; it is a reified nothing, defined as the antithesis to being and thus still seen as a corollary of being itself. A truly absolute nothingness, what Nishitani calls Śūnyatā, emptiness, must be a nothingness so devoid of being as to not even be nothing; it must be absolutely nothing at all, and thus nothing else than being itself. The final chapter of my paper seeks to apply this nondual understanding of being and nothingness to the question of death itself; to understand the ontological meaning of death - the passage from being to non-being - when being and non-being have been one from the very beginning. The paper also seeks to blur the lines between what has traditionally been considered philosophy and religion, using the thinking of the Kyoto school to point to the deeper ties between the two in the borderland that is buddhist philosophy.
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Books on the topic "Nishda Kitarô"

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Mafli, Paul. Nishida Kitarôs Denkweg. München: Iudicium, 1996.

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Kitarō, Nishida. Nishida Kitarō zenshū. Tōkyō: Iwanami Shoten, 2002.

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Kitarō, Nishida. Nishida Kitarō zenshū. Tōkyō: Iwanami Shoten, 2002.

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Robert, Wilkinson. Nishida and Western Philosophy. Farnham: Ashgate Pub., 2009.

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Uesugi, Tomoyuki. Nishida Kitarō no shōgai. Kyōto-shi: Ittōen Tōeisha, 1988.

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Nishida Kitarō no sekai. Tōkyō: Keisō Shobō, 1985.

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Kitarō, Nishida. Nishida Kitarō tetsugaku ronshū. Tōkyō: Iwanami Shoten, 1987.

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Nishida Kitarō no yūutsu. Tōkyō: Iwanami Shoten, 2003.

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Kōsaka, Masaaki. Nishida Kitarō Sensei no tsuioku. Kyōto-shi: Ittōen Tōeisha, 1996.

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Nishida Kitarō: Jikaku no tetsugaku. Tōkyō: Hokuju Shuppan, 2001.

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Book chapters on the topic "Nishda Kitarô"

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Schuhmann, Karl. "Kitarô Nishida." In Edmund Husserl: Briefwechsel, 2061–63. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0745-7_132.

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Ogawa, Tadashi. "Kitarō Nishida." In Contributions to Phenomenology, 490–94. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-017-5344-9_110.

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Sakakibara, Tetsuya. "Kitarōo Nishida." In Husserl-Handbuch, 244–46. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05417-3_32.

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Cheung, Ching-yuen. "Nishida Kitarō and Phenomenology." In Tetsugaku Companion to Phenomenology and Japanese Philosophy, 41–53. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-21942-0_4.

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Susumu, Kanata. "NISHIDA Kitaro (1870–1945)." In Handbook of Phenomenological Aesthetics, 241–44. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2471-8_47.

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Ziemann, Andreas. "Kitarō Nishida: Ort (1926)." In Grundlagentexte der Medienkultur, 23–35. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-15787-6_4.

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Hirai, Atsuko. "Anglo-American Influences on Nishida Kitarō." In Japan and the World, 20–41. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-08682-5_2.

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Kim, Chae Young. "William James, Kitaro Nishida, and Religion." In Education and the Kyoto School of Philosophy, 91–107. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-4047-1_8.

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Cheung, Ching-Yuen. "Nishida Kitarō, Takahashi Satomi and the Schelerian Philosophy of Love." In The Realizations of the Self, 249–66. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94700-6_14.

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10

Inagaki, B. Ryosuke. "The concept of creation in the philosophy of Kitaro Nishida." In Asian philosophy, 291–301. Dordrecht: Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-011-2510-9_17.

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