Academic literature on the topic 'No-creation'
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Journal articles on the topic "No-creation"
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Clavier, Paul. "No creation, no revelation." International Journal for Philosophy of Religion 73, no. 3 (2012): 255–68. http://dx.doi.org/10.1007/s11153-012-9377-y.
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Loft Jakobsen, Henrik, Thomas B. Harvald, and Jacob Rosenberg. "No-Trocar Laparoscopic Stoma Creation." Surgical Laparoscopy, Endoscopy & Percutaneous Techniques 16, no. 2 (2006): 104–5. http://dx.doi.org/10.1097/00129689-200604000-00011.
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Fish, John R. "Creation of a no-stitch cataract incision." Journal of Cataract & Refractive Surgery 17 (1991): 713–15. http://dx.doi.org/10.1016/s0886-3350(13)80689-x.
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Cunningham, Conor. "Lacan, Philosophy’s Difference, and Creation from No-One." American Catholic Philosophical Quarterly 78, no. 3 (2004): 445–79. http://dx.doi.org/10.5840/acpq200478327.
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Goldin, Paul R. "THE MYTH THAT CHINA HAS NO CREATION MYTH." Monumenta Serica 56, no. 1 (2008): 1–22. http://dx.doi.org/10.1179/mon.2008.56.1.001.
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Clark, Daniel Richard, and Dan Li. "There's No Place Like Home:Venture Creation by Transnational Entrepreneurs." Academy of Management Proceedings 2015, no. 1 (2015): 10014. http://dx.doi.org/10.5465/ambpp.2015.10014abstract.
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Harrison, Regina, and Barbara Bode. "No Bells to Toll: Destruction and Creation in the Andes." Modern Language Studies 22, no. 1 (1992): 117. http://dx.doi.org/10.2307/3195008.
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Gade, Daniel W., and Barbara Bode. "No Bells to Toll: Destruction and Creation in the Andes." Geographical Review 80, no. 4 (1990): 451. http://dx.doi.org/10.2307/215857.
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Pascale, Celine-Marie. "There’s No Place Like Home: The Discursive Creation of Homelessness." Cultural Studies ↔ Critical Methodologies 5, no. 2 (2005): 250–68. http://dx.doi.org/10.1177/1532708605274558.
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Schneider, F., D. Steiger, T. Ledermann, P. Fry, and S. Rist. "No-tillage farming: co-creation of innovation through network building." Land Degradation & Development 23, no. 3 (2010): 242–55. http://dx.doi.org/10.1002/ldr.1073.
Full textDissertations / Theses on the topic "No-creation"
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Frodeson, Martin, and David Gustafsson. "En studie i hur co-creation, no-creation samt co-destruction kan kopplas till kundnöjdhet : Hur påverkar direkta samt indirekta digitala marknadsföringsaktiviteter?" Thesis, Karlstads universitet, Handelshögskolan (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-84923.
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Enligt Service-dominant logic perspektivet delges en konsument ett värdeerbjudande som denne sedan agerar på. Beroende på interaktionsutfall påverkas kundnöjdheten. Kopplingen mellan interaktionsutfallen no-creation och co-destruction samt deras påverkan på kundnöjdheten är outforskad. Studien syftar till att undersöka individers upplevda kundnöjdhet av värdeerbjudanden som presenteras via direkta- samt indirekta digitala marknadsföringsaktiviteter. För studien konstruerades en modell där värdeerbjudanden via direkta (mejl) och indirekta (Facebook) digitala marknadsföringskanaler studerades. Detta för att skapa förståelse kring vilket interaktionsutfall; co-creation, no-creation eller co-destruction värdeerbjudandet resulterade i baserat på konsumenternas upplevelse samt hur kundnöjdheten påverkades. Föreliggande studie använde sig av en kvalitativ forskningsansats där tolv semistrukturerade intervjuer utfördes. Resultatet visar att vid direkta digitala marknadsföringsaktiviteter (mejl) var en lägre frekvens av värdeerbjudanden och mer information i mejlutskicken två faktorer som resulterade i co-creation med en ökad kundnöjdhet som följd. Utfallet no-creation uppkom om konsumenten hade en relation med värdeleverantören men saknade intresse vid tillfället för värdeerbjudandet, vilket resulterade i en oförändrad kundnöjdhet. Om frekvensen av värdeerbjudanden var för hög eller om värdeerbjudandena var icke-personliga uppkom utfallet co-destruction, vilket resulterade i en minskad kundnöjdhet. Vid indirekta digitala marknadsföringsaktiviteter (Facebook) visar resultatet att transparens från företagens sida gentemot konsumenten och anpassningen av värdeerbjudandet gentemot konsumentens preferenser var två faktorer som ledde till co-creation, med ökad kundnöjdhet som följd. Flertalet respondenter upplevde att de fick förväntade- eller icke intresseväckande värdeerbjudanden, vilka resulterade i no-creation, med en oförändrad kundnöjdhet som följd. Även vid indirekt digital marknadsföring ledde hög frekvens till co-destruction. Vilket även värdeerbjudanden som upplevdes göra personintrång gjorde. Dessa resulterade i minskad kundnöjdhet. Föreliggande studie styrker existerande forsknings slutsats; att co-creation leder till ökad kundnöjdhet. Vidare utökas förståelsen med en modell konstruerad av författarna för att tydliggöra det faktum att no-creation leder till en oförändrad kundnöjdhet och att co-destruction leder till en minskad kundnöjdhet. Därutöver visar studien vilka faktorer som påverkar konsumentens interaktionsutfall.<br>According to the Service-dominant logic perspective, a consumer is served a value proposition on which he or she then acts. Depending on the interaction outcome, customer satisfaction is affected. However, the link between the interaction outcomes no-creation and co-destruction and its impact on customer satisfaction is yet unexplored. This study aims to examine individuals' perceived customer satisfaction of value propositions that are presented via direct and indirect digital marketing activities. A model was constructed by the authors in which value propositions via direct (email) and indirect (Facebook) digital marketing channels were examined. To create an understanding of which interaction outcome (co-creation, no-creation, and co-destruction) different value propositions resulted in, based on consumers' experience and how this affected customer satisfaction. The study used a qualitative approach in which twelve semi-structured interviews were conducted.The results indicate that within indirect digital marketing activities (e-mail), a lower frequency of value propositions containing more information were factors that resulted in co-creation with increased customer satisfaction as a result. No-creation occurred if the consumer had a relationship with the value provider but lacked interest at the time of the value proposition, which resulted in unchanged customer satisfaction. If the frequency of value propositions was too high or the value propositions were non-personal, co-destruction occurred, which resulted in a reduction in customer satisfaction.In indirect digital marketing activities (Facebook), the results show that transparency from the company's side towards the consumer and the level of adaption of the value proposition towards the consumer's preferences led to co-creation, with increased customer satisfaction. No-creation occurred when the customers had received expected or uninteresting value propositions, resulting in unchanged customer satisfaction. Value propositions that had a high frequency or that were perceived to make personal infringement were factors that led to co-destruction, which resulted in reduced customer satisfaction.The present study supports existing research's results, that co-creation leads to increased customer satisfaction. The understanding is expanded with a model constructed by the authors which clarifies that no-creation leads to unchanged customer satisfaction and that co-destruction leads to reduced customer satisfaction. Furthermore, the study also examines which factors that affect the customer’s interaction outcome.
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Rosen, Nevin Brian. "Part I The Seven Days of Creation For Narrator and String Orchestra Part II Shostakovich's Symphony No. 5, Movement 4: A Parametric Analysis." Connect to resource online, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1253141186.
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Hueda, Marcelo Akira. "As concepções evolutivas no Vestiges of the natural history of creation (1844) de Robert Chambers e a proposta de Lamarck: um estudo comparativo." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/13427.
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Previous issue date: 2009-05-18<br>Secretaria da Educação do Estado de São Paulo<br>Published anonymously in 1844, the book Vestiges of the natural history of creation triggered one of the greatest public debates which took place in the 19th century. Its author Robert Chambers proposed the transformation of living beings and the origin of new species by natural causes. The first aim of this dissertation is to describe some evolutionary concepts presented in the book. The second one is to compare them to the final version of Lamarck s theory on the progression of animals. This dissertation contains an introduction and four chapters. Chapter 1 discusses the evolutionary precedents and the general context in which Chambers presented his views concerning the transmutation of species. It also describes his career and professional interests. Chapter 2 deals with Chambers main evolutionary ideas. Chapter 3 provides a comparison between Chambers' and Lamarck's views, showing their similarities and differences. Chapter 4 offers some final remarks on the subject. This study led to the conclusion that although several similarities between Chambers' and Lamarck's evolutionary ideas may be found in some respects, such as gradualism, progression, uniformitarism, natural laws and no interference of God in natural processes, there were also some relevant differences such as the way in which they attempted to provide a foundation for their theories. Whereas Chambers presented many arguments using the fossil records as well as some other ones related to rudimentary organs and embryology, Lamarck made scarce use of the fossil record for the foundation of his theory. Instead of this, he provided a huge mass of facts showing the existence of a progression of the great taxonomical groups of animals. The arrangement of those groups in a progressive scale, however, did not provide an empirical foundation for what had happened in time. On the other hand, Chambers presented laws different from Lamarck's. However, although he did not propose a law dealing with the increase of the complexity of the great groups or individuals as Lamarck did, this idea permeated all of Chambers' ideas on the transmutation of species<br>Publicado anonimamente em 1844, o livro Vestiges of the natural history of
creation desencadeou uma das maiores discussões públicas que ocorreram durante o
século XIX. Seu autor, Robert Chambers, defendeu a transmutação dos seres vivos e a
origem de novas espécies através de causas naturais. O primeiro objetivo desta
dissertação é descrever algumas concepções evolutivas apresentadas neste livro e o
segundo é compará-las à versão final da teoria da progressão dos animais de Lamarck.
Esta dissertação contém uma introdução e quatro capítulos. O capítulo 1 discute
os precedentes evolutivos e o contexto geral no qual Chambers apresentou suas idéias
sobre a transmutação das espécies, tratando também de sua carreira e interesses
profissionais. O capítulo 2 lida com alguns aspectos das concepções evolutivas de
Chambers. O capítulo 3 oferece uma comparação entre as concepções de Chambers e
Lamarck mostrando suas similaridades e diferenças. O capítulo 4 apresenta algumas
considerações sobre o que foi discutido nos capítulos anteriores.
Este estudo levou à conclusão de que embora possam ser detectadas diversas
semelhanças entre alguns aspectos das concepções evolutivas de Chambers e as
concepções evolutivas de Lamarck, tais como o gradualismo, a progressão, o
uniformitarismo, as leis naturais e a não intervenção divina nos processos naturais, há
também diferenças tais como o modo pelo qual eles procuraram fundamentar suas
teorias. Enquanto Chambers apresentou exemplos obtidos principalmente a partir do
registro fóssil e alguns relacionados à presença de órgãos rudimentares e à embriologia,
Lamarck fez pouco uso do registro fóssil para fundamentar sua teoria. Em vez disso,
forneceu uma grande massa de fatos mostrando a existência de uma progressão entre os
grandes grupos de animais. O arranjo desses grupos em uma escala progressiva,
entretanto, não proporcionou uma fundamentação empírica para o que ocorreu em termos
cronológicos. Por outro lado, Chambers apresentou leis diferentes das apresentadas por
Lamarck. Entretanto, apesar de não propor uma lei tratando da tendência para o aumento
de complexidade existente na natureza em relação aos grandes grupos ou indivíduos
como Lamarck, esta idéia permeou as concepções de Chambers sobre a transmutação
das espécies
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Galvão, Rosa M. Morgado. "Avaliação de desempenho com base na criação de valor: value drivers do eva®: estudo com empresas cotadas na euronext lisbon." Master's thesis, Instituto Politécnico de Setúbal. Escola Superior de Ciências Empresariais, 2017. http://hdl.handle.net/10400.26/19644.
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A avaliação de desempenho das empresas é um assunto em constante discussão. Num ambiente económico em constante mudança, torna-se um desafio adequar as medidas de desempenho financeiro das empresas.
A criação de valor é apontada por vários autores como uma das mais simples e melhor forma de medir o real valor da empresa, sendo que existe criação de valor quando a empresa gera rendibilidade superior ao custo de oportunidade do capital total investido.
O EVA® é um indicador de criação de valor em consonância com a nova teoria financeira, em que o valor de uma empresa corresponde à diferença entre o lucro operacional e o custo do capital total investido.
A gestão baseada na criação de valor tem ganho repercussão nos meios empresarial e académico. Para uma gestão adequada da criação de valor torna-se importante analisar os seus fatores determinantes, ou seja, os value drivers.
O presente estudo tem como objetivo identificar quais são os principais value drivers da criação de valor nas empresas não financeiras cotadas na Euronext Lisbon, medida pelo EVA® (economic value added).
A população do estudo são as empresas cotadas na Euronext Lisbon e a amostra as empresas não financeiras. Foi analisado o período compreendido entre 2011 e 2016.
Os dados foram obtidos através da análise dos relatórios e contas consolidados das empresas da amostra e a análise dos dados foi efetuada através de técnicas de análise estatística multivariada e de dependência, com recurso ao software de análise estatística SPSS (Statistical package for social sciences).
Para a amostra em estudo, as variáveis consideradas mais relevantes para a criação de valor, medida pelo EVA®, foram a rendibilidade operacional do volume de negócios, a rotação do capital investido e o custo do capital próprio, tendo sido identificadas como estatisticamente significativas por todas as técnicas de análise estatística utilizadas.<br>Companies performance evaluation is constantly subject to discussion. In an ever-changing economic environment, it is a challenge to adjust companies financial performance measures.
Value creation is considered by several authors as one of the simplest and best way of measuring the real value of a company. Value creation occurs when the company generates profitability higher than the opportunity cost of the total invested capital.
EVA® is an indicator of value creation in line with the modern financial theory, where the value of a company corresponds to the difference between operating profit and the cost of total capital invested.
Value-based management has gained repercussion in both business and academia. For a proper management of value creation it becomes important to analyze its determinants factors, that is, the value drivers.
The present study aims to identify the main value drivers of value creation in non-financial companies listed on Euronext Lisbon measured by EVA® (economic value added).
The study’s population are companies listed on Euronext Lisbon and the sample are the non-financial companies. It was analyzed the period from 2011 to 2016.
The data was obtained through the analysis of the companies consolidated financial statements, included in the sample and it´s analysis was performed with multivariate and dependence statistical analysis techniques, by using statistical analysis software SPSS (Statistical package for social sciences).
For the studyed sample, the variables considered most relevant to value creation, measured by EVA®, were the operating profit margin, capital invested turnover and the cost of equity. They were identified as statistically significant by all of the statistical analysis techniques used in the study.<br>Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de
Mestre em Contabilidade e Finanaças
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Santos, Bárbara Tavares dos. "Poéticas da encenação : tessituras de experiências cênicas em abordagem feminina sobre a docência da encenação no ensino superior /." São Paulo, 2019. http://hdl.handle.net/11449/190987.
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Orientador: Alexandre Luiz Mate<br>Resumo: Esta pesquisa trata de uma investigação sobre o campo da docência da encenação no ensino superior exercida por mulheres, tomando como referência fundante a experiência pessoal, permanentemente vivida de modo social e coletivo. Os objetivos do estudo foram os de(re)experienciar e discutir, de modo crítico, práticas cênico-pedagógicas da pesquisadora, mapear princípios, metodologias, expedientes de criação, cotejar e defender a noção de poética da encenação, bem como estabelecer diálogos temporais com quatro outras docentes de teatro e com estudantes egressos da Licenciatura em Teatro da UFT. Nesse sentido, este estudo, reflete e problematiza o papel de professores(as)-encenadores(as) na contemporaneidade e o ensino e a aprendizagem da encenação. Para tanto, a pesquisa tomou como referência interlocutores do Teatro, da Filosofia, da História e da Educação, principalmente Constantin Stanislavski, Vsevolod Meyerhold, Bertolt Brecht, Ariane Mnouchkine, Ingrid Dormien Koudela, Walter Benjamin, Henri Bergson, John Dewey, António Nóvoa entre outros. O dados analisados foram coletados a partir de diários de bordo da pesquisadora, matérias de jornais, relatos de experiências cênicas, avaliações de aulas e entrevistas semiestruturadas. Assim, à guisa de poéticas da encenação – constituídas coletivamente por meio da artesania, da experiência, dos entrecruzamentos e das deambulações – vislumbram-se caminhos para as criações cênicas e para a reflexão de aspectos metodológicos e epistêmicos... (Resumo completo, clicar acesso eletrônico abaixo)<br>Abstract: This research investigates the field of staging teaching in higher education performed by women, taking as basic reference the personal experience, permanently lived in a social and collective way. The objectives of the study aimed at critically re-experience and discuss the researcher's scenic-pedagogical practices, map principles, methodologies, creation expedients, collate and defend the notion of poeticsof staging, as well as to establish dialogues with four other dramateachers and students from the Theater/Drama undergraduate program at theUniversidade Federal do Tocantins, in Brazil.Thus, this study reflects and problematizes the role of drama staging teachers in contemporary times and the teaching and learning processes. To this end, this research took as reference interlocutors of drama, Philosophy, History and Education, especially Constantin Stanislavski, Vsevolod Meyerhold, Bertolt Brecht, Ariane Mnouchkine, Ingrid Dormien Koudela, Walter Benjamin, Henri Bergson, and John Dewey. The data analyzed were collected from the researcher's logbooks, newspaper articles, experience reports, class evaluations and semi-structured interviews with fellow drama teachers. The results shows the poetics of staging –collectively constituted through craftsmanship, within the experience of multidisciplinary intersections – are envisioned for scenic and staging creations and for the reflection on methodological and epistemic aspects of the process of teaching and learning of staging in... (Complete abstract click electronic access below)<br>Doutor
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Lessa, Neto Antonio Thomaz Pacheco. "Fluxos de conhecimento em subsidiárias de corporações multinacionais: uma survey de empresas no Brasil." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/1089.
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Previous issue date: 2013-11-05<br>Knowledge flows, especially in subsidiaries of multinational corporations, now have an increasing importance in organizations and therefore the discussion of research in the field.
The aim of this work is to analyze flows not only through transfers, but also conversions of knowledge between the three families of intangible assets (external structure, internal structure and individual competence), since, for the creation of value, the key lies in the fact that such transfers and conversions be effective (SVEIBY, 2001). Concerning the method, this dissertation presents an empirical study through a survey applied along the Brazilian subsidiaries of multinational corporations, from a theoretical construct Knowledge-based view (KBV) where makes an analysis of the assets of individual competence, internal structure and external structure, and having for its object of study brazilian companies in Brazil listed in data collection known as the best and biggest from business magazine EXAME covering the year 2012. The study indicates, for the sample data (nine respondents) removed of the universe effectively researched (140 companies and not the initial 565), that there is the maximization of value creation from knowledge flows in two directions only by knowledge transfers and conversions of Individual Competencies for External Structure, within the Internal Structure, of Internal Structure for Individual Competencies and within the External Structure<br>Os fluxos de conhecimento, de modo especial em subsidiárias de corporações multinacionais, passam a ter uma importância crescente nas organizações e por consequência nas discussões de pesquisas no campo. O objetivo deste trabalho é a análise dos fluxos, não somente através das transferências, mas também das conversões, de conhecimento entre as três famílias de ativos intangíveis (estrutura externa, estrutura interna e competência individual), uma vez que, para a criação de valor, a chave reside no fato de tais transferências e conversões serem eficazes (SVEIBY, 2001). Quanto ao método, esta dissertação apresenta um estudo empírico desenvolvido através de uma survey aplicada junto às subsidiárias brasileiras de corporações multinacionais, a partir de um construto teórico da visão baseada no conhecimento (VBC) - ou Knowledge-based View (KBV) - onde se faz uma análise dos ativos de competência individual, de estrutura interna e de estrutura externa, e tendo por objeto de estudo as empresas do Brasil listadas no levantamento de dados conhecido como Melhores e Maiores da Revista EXAME referente ao ano de 2012. O estudo indica, para a amostra dos dados (nove respondentes) retirada do universo efetivamente pesquisado (140 empresas e não as 565 iniciais), que existe a maximização de criação de valor a partir dos fluxos de conhecimento em duas direções somente pelas transferências e conversões de conhecimento de Competências Individuais para a Estrutura Externa, dentro da Estrutura Interna, da Estrutura Interna para as Competências Individuais e dentro da Estrutura Externa
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Murillo, Ribes Adolf. "Escultors del so: creació musical col·laborativa i aprenentatge informal." Doctoral thesis, Universitat Jaume I, 2014. http://hdl.handle.net/10803/667036.
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Al s. XXI l’escola necessita amb urgència transformacions en profunditat que ens
permeten adaptar-la a les necessitats que la societat en general i el nostre alumnat
en particular reclamen. A l'aula, l’educació musical respon en el moment present a
models que res tenen a veure amb les maneres de fer música que trobem fora de
l’escola.
Les noves revolucions tecnològiques aplicades al camp de la música han permès
emergir amb força altres formes de fer i de col·laborar que ofereixen una nova
cartografia de l’aprenentatge musical en totes les seues dimensions.
Per aquest motiu, aquest estudi, amb una metodologia etnogràfica, situa el focus
en les pràctiques col·laboratives en la creació musical que s’ubiquen en el context
informal i que són desenvolupades per músics sense formació musical acadèmica.
Els resultats de l’estudi ens mostren algunes de les claus que haurem de tenir en
compte a l’hora de transformar i adaptar les pràctiques musicals que habiten les
nostres aules cap a contextos més permeables entre l’escola i la societat amb
la qual conviu, afavorint i potenciant uns aprenentatges musicals més creatius i
col·laboratius.<br>Twenty first century School urgently needs profound transformations that allow
teachers to adapt the school to the needs that our students and the society in general
are claiming.
Musical education is now using models that have nothing to do with the ways of
doing music that we can find outside of the school. The new technological revolution
applied to the field of music has allowed other ways of doing music to strongly emerge
that collectively offer a new cartography of musical learning in all its dimensions.
It is for that reason that this study, through an ethnographic methodology, focuses on
the collaborative practices in music creation occurring in informal contexts and that
are developed by musicians without formal musical training.
The results of this study show some guidelines that have to be taken into account
in order to transform and to adapt the musical practices in our classrooms towards
more permeable contexts between school and society by encouraging and fostering
collaborative and creative musical learning.<br>En el s. XXI la escuela necesita con urgencia transformaciones en profundidad
que nos permitan adaptarla a las demandas que la sociedad en general y nuestro
alumnado en particular reclaman. En el aula, la educación musical responde en el
momento presente a modelos que nada tienen que ver con las maneras de hacer
música que encontramos fuera de la escuela.
Las nuevas revoluciones tecnológicas aplicadas al campo de la música han permitido
emerger con fuerza otras formas de hacer y de colaborar que ofrecen una nueva
cartografía del aprendizaje musical en todas sus dimensiones.
Por este motivo, este estudio, con una metodología etnográfica, sitúa el foco en las
prácticas colaborativas en la creación musical que se ubican en el contexto informal
y que son desarrolladas por músicos sin formación musical académica.
Los resultados del estudio nos muestran algunas de las claves que deberemos tener
en cuenta a la hora de transformar y adaptar las prácticas musicales que habitan
nuestras aulas hacia contextos más permeables entre la escuela y la sociedad
con la que convive, favoreciendo y potenciando unos aprendizajes musicales más
creativos y colaborativos.
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Muir, Christopher, and Nathalie Beauprez. "Blah blah high returns. Blah blah no risk. Blah blah blah guaranteed!’ : A study of what financial institutions base their portfolio creation on for customers and the relationship between the different financial institutions in the same line of business for this activity." Thesis, Umeå University, Umeå School of Business, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1176.
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<p>Why do people invest? People are insecure about their future welfare and aim for future guaranteed cash flows. To give ourselves a more thorough introduction to investments we decided to write our bachelor-thesis within the area of finance. This thesis will combine financial institutions and investments. It is a topic repeatedly discussed in the media and a study carried out in Sweden showed that in 2003, 80% of the population were shareholders.</p><p>When trading with stocks and shares there is risk involved that can be defined as the volatility in the cash flow of an investment. A portfolio is a collection of securities that an investor has placed capital in. In order to minimise the risk of the portfolio, the investor can diversify his or her portfolio, which involves investing in different securities in order to minimise risk. Institutional Theory will help us to see how these financial institutions interact with each other and what internal and external factors may influence their behaviour. Institutional investors; such as banks, are seen as large actors on the financial markets as they gain more and more control over the management of equities. It is necessary that intermediaries take care of their customers and inform them thoroughly about the rules of the investment game. With this as a background we felt it would be interesting to investigate the following problem.</p><p>On what basis do financial institutions create their customers’ portfolios and is the process the same across the branch as a whole?</p><p>In order to find an answer to this question; we have done a qualitative study with an overall positivistic influence. The study is based upon an analysis of the empirical material; collected through interviews with three financial institutions, grounded in theory in order to answer our specific question.</p><p>From the information gathered we understood that the first information financial institutions gather is personal information about the investors, which is needed to get a picture and an understanding about their client. We have also learned how important it is to understand risk, as it is the risk that will determine the composition of the portfolio for the investor. We could see with the help of the institutional theory that there is little space for differentiation and can therefore say that the financial institutions work in the same way in the advising of their clients and for the composition of their client’s portfolio.</p><p>Our results show that the basis for the creation of portfolios is more or less the same across the branches as a whole. The service given may differ, due to the competence and knowledge level of employees, between institutions but the end product is similar in all aspects.</p>
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Soares, Oséias do Prado. "Cocriação de valor utilizada como estratégia no desenvolvimento de inovações tecnológicas: survey no setor automotivo brasileiro." Universidade Nove de Julho, 2016. http://bibliotecadigital.uninove.br/handle/tede/1485.
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Previous issue date: 2016-02-26<br>With the competition today, companies looking for tools that can leverage your revenues and improve your performance, especially in the automotive sector which has a fierce contest for market share. Technological innovations are a way out for those companies wishing to compete in a position of equality, but to generate technological innovation need to understand tools for its development. The co-creation of value is one such tool. This work has the objective to analyze if the co-creation of value drives the development of technological innovations and influence positively the financial/economic and operational performance in the automotive industries. To complete this study research methodology adopted was a semi-structured questionnaire with confirmatory survey based on data obtained through structural equation modeling software (Smart PLS). Data analysis was conducted on the basis of quantitative and qualitative data, analyze the hypotheses developed after review of the existing literature. The results show that the use of the practices of the co-creation of value drives the development of technological innovations in the automotive industry. It was also possible to conclude that the use of the co-creation of value as a strategy in the development of technological innovations do not influence positively the financial/economic performance, and positively influence the operational performance in the automotive industries. The research contributes, as advanced at the point where the search terms found in the existing literature were conducted in different sectors of the automotive industry, and in developed countries. This research allowed view the co-creation used as strategy in the development of technological innovations in the Brazilian automotive industrial park.<br>Com a concorrência na atualidade generalizada, as empresas buscam por ferramentas que possam alavancar o seu faturamento e melhorar o seu desempenho, principalmente no setor automotivo que tem uma disputa acirrada por participação de mercado. As inovações tecnológicas são uma saída para essas empresas que desejam competir em posição de igualdade, porém para gerar inovações tecnológicas é preciso compreender ferramentas para o seu desenvolvimento. A cocriação de valor surge como uma dessas ferramentas. Este trabalho tem o objetivo analisar se a cocriação de valor impulsiona o desenvolvimento de inovações tecnológicas e influência positivamente os desempenhos financeiro/econômico e operacional nas indústrias do setor automotivo brasileiro. Para realização deste estudo a metodologia de pesquisa adotada foi uma survey confirmatória com questionário semiestruturado com base em dados obtidos por meio do software de modelagem de equações estruturais (Smart PLS). A análise dos dados foi conduzida com base em dados quantitativos e qualitativos, o que permitiu analisar as hipóteses desenvolvidas após a revisão da literatura existente. Os resultados apontam que a utilização das práticas da cocriação de valor impulsiona o desenvolvimento de inovações tecnológicas no setor automotivo Brasileiro. Também foi possível concluir que a utilização da cocriação de valor como estratégia no desenvolvimento de inovações tecnológicas não influência positivamente o desempenho financeiro/econômico, e influência positivamente o desempenho operacional nas indústrias do setor automotivo brasileiro. A pesquisa contribui, pois avançou no ponto em que as pesquisas encontradas na literatura existente foram realizadas em setores distintos do automotivo, e em países de desenvolvidos. Esta pesquisa permitiu visualizar a cocriação utilizada como estratégia no desenvolvimento de inovações tecnológicas no parque industrial automotivo Brasileiro.
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Wainer, Julio. "A entrevista no documentário." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/4670.
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Previous issue date: 2014-12-22<br>The objective of this research is to investigate how interviews are inserted into documentaries. To this end, a broad sampling of audiovisual shows identified in the field of documentaries (Brazilian, American and European short and feature-length documentaries; works of nonfiction identified as independent videos and Brazilian popular videos; audiovisual works produced by students) was mapped to determine how interviews are inserted into documentaries. An analysis was made of the authors‟ choices regarding the choice of sites, interview situation, cinematography, editing, and also how the interview is conducted by the interviewer, whom we see as the professional who appears most frequently in the end result. A categorization of the interviewees is proposed according to their roles in the film ( character, expert, vox-pop , etc.). This mapping highlights not only procedures that are repeated in the films, consolidating diffuse knowledge about interviews in documentaries, but also unique and singular moments that reveal an original solution or a more marked authorial vein on the part of the audiovisual author. The procedures were analyzed in the light of different trends in documentary literature, from the most normative theorists (Alan Rosenthal, Michael Rabiger) to theoretical-analytical authors (Jean-Louis Comolli, Bill Nichols). Among Brazilians, we highlight Fernão Pessoa Ramos and Jean-Claude Bernardet. Special attention focused on the work of cinematographer Eduardo Coutinho, in view of his deepening of the question of the interview in the documentary and of the diversity of available sources and process documentation (publications by Consuelo Lins and Eduardo Ohata, among others). With this research, we seek to identify how the execution and insertion of the interview characterize the uniqueness of the documentary, and how they indicate agglutinative currents and trends<br>O objetivo desta pesquisa é investigar como se dá a inserção da entrevista no documentário. A partir de uma amostragem ampla de audiovisuais identificados com o campo documental (documentários brasileiros, estadunidenses e europeus, de curta e longa metragem; trabalhos de não ficção identificados como vídeo independente e vídeo popular brasileiros; audiovisuais produzidos por alunos) foi realizado um mapeamento do modo pelo qual se dá a inserção da entrevista no documentário. Foram analisadas as opções dos autores no que se refere a: escolha dos lugares, situação da entrevista, fotografia, edição e também a condução pelo entrevistador, que entendemos ser o profissional com maior incidência no resultado final. É proposta uma categorização dos entrevistados segundo os papéis que desempenham no filme ( personagem , especialista , povo-fala , etc) . Nesse mapeamento são destacados tanto procedimentos que se repetem nos filmes, consolidando conhecimento difuso a respeito da entrevista no documentário, como também momentos únicos e singulares que evidenciam uma solução original ou um veio autoral mais demarcado por parte do autor audiovisual. Os procedimentos foram analisados à luz da literatura de documentário de diferentes tendências, desde os teóricos mais normativos (Alan Rosenthal, Michael Rabiger) até autores teórico-analíticos (Jean-Louis Comolli, Bill Nichols). Entre os brasileiros, damos destaque a Fernão Pessoa Ramos e Jean-Claude Bernardet. Foi dada especial atenção ao trabalho do cineasta Eduardo Coutinho, seja por seu aprofundamento da questão da entrevista no documentário, seja pela diversidade de fontes e documentos de processo (publicações de Consuelo Lins e de Eduardo Ohata entre outros). Com essa pesquisa, buscamos identificar como a entrevista, sua condução e inserção, ora caracterizam o documentário em sua singularidade, ora apontam para correntes e tendências aglutinadoras.
Palavras-chave: comunicação; documentário; jornalismo; entrevista; redes de criaçãoO objetivo desta pesquisa é investigar como se dá a inserção da entrevista no documentário. A partir de uma amostragem ampla de audiovisuais identificados com o campo documental (documentários brasileiros, estadunidenses e europeus, de curta e longa metragem; trabalhos de não ficção identificados como vídeo independente e vídeo popular brasileiros; audiovisuais produzidos por alunos) foi realizado um mapeamento do modo pelo qual se dá a inserção da entrevista no documentário. Foram analisadas as opções dos autores no que se refere a: escolha dos lugares, situação da entrevista, fotografia, edição e também a condução pelo entrevistador, que entendemos ser o profissional com maior incidência no resultado final. É proposta uma categorização dos entrevistados segundo os papéis que desempenham no filme ( personagem , especialista , povo-fala , etc) . Nesse mapeamento são destacados tanto procedimentos que se repetem nos filmes, consolidando conhecimento difuso a respeito da entrevista no documentário, como também momentos únicos e singulares que evidenciam uma solução original ou um veio autoral mais demarcado por parte do autor audiovisual. Os procedimentos foram analisados à luz da literatura de documentário de diferentes tendências, desde os teóricos mais normativos (Alan Rosenthal, Michael Rabiger) até autores teórico-analíticos (Jean-Louis Comolli, Bill Nichols). Entre os brasileiros, damos destaque a Fernão Pessoa Ramos e Jean-Claude Bernardet. Foi dada especial atenção ao trabalho do cineasta Eduardo Coutinho, seja por seu aprofundamento da questão da entrevista no documentário, seja pela diversidade de fontes e documentos de processo (publicações de Consuelo Lins e de Eduardo Ohata entre outros). Com essa pesquisa, buscamos identificar como a entrevista, sua condução e inserção, ora caracterizam o documentário em sua singularidade, ora apontam para correntes e tendências aglutinadoras
Books on the topic "No-creation"
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Ahearn, Luke. Awesome game creation: No programming required. 2nd ed. Charles River Media, 2002.
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Luke, Ahearn, ed. Awesome game creation: No programming required. 3rd ed. Charles River Media, 2008.
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Sugimura, Hiroya. Hyakunen no monogatari: 100 years of creation. Tochigi Kenritsu Bijutsukan, 2000.
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Tonegawa, Susumu. Sōzō e no chōsen: Tonegawa Susumu no sekai = Challenge for creation. Kyōwa Hakkō Kōgyō Kabushiki Kaisha, 1989.
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Takezawa, Tanʼichi. Ware no ashiato: Tan-ichi Takezawa: self- creation. Taiyōsha, 1992.
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Bode, Barbara. No bells to toll: Destruction and creation in the Andes. Paragon House, 1990.
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Bode, Barbara. No bells to toll: Destruction and creation in the Andes. Scribner, 1989.
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Wangerin, Walter. In the beginning there was no sky: A story of Creation. T. Nelson, 1986.
Find full textBook chapters on the topic "No-creation"
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Urbach, Nils, and Frederik Ahlemann. "No Business Without IT: IT Is the Central and Indispensable Driver of Entrepreneurial Value Creation." In Management for Professionals. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96187-3_3.
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Jarke, Juliane. "Conclusion: Co-creating Inclusive Digital Futures." In Public Administration and Information Technology. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52873-7_9.
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Abstract The first and positive conclusion—relating to the governing of co-creation and the sharing of control—is that co-creation is indeed an appropriate method to develop digital public information services that meet the needs of older users and achieve an output that is better than existing, comparable services. The second conclusion—relating to the sharing of expertise and knowledge—is that the co-creation of digital services works well with older adults, including those with little or no digital literacy skills. However, the performance and achievements of co-creation processes seem highly contingent and dependent on several factors. The third conclusion—relating to enabling change—is that not every digital public service is equally suited for co-creation. A lasting social as well as individual change can only be implemented if the resulting service does indeed respond to the needs of local stakeholders. Co-creation may become a way to improve the lack of user-centricity and user experience of digital public information services. However, there is no guarantee for its success. It is a complex multi-task and multi-stakeholder process, more demanding than traditional citizen participation. Due to the openness and complexity inherent to any co-creation process, providing strict guidelines and recommendations is not possible. However, the learning points identified in this book provide evidence on ways to co-create better, more user-centric public services with and for older adults.
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Beltrán, María Eugenia, Yolanda Ursa, Anja Petri, et al. "Inclusive Gaming Creation by Design in Formal Learning Environments: “Girly-Girls” User Group in No One Left Behind." In Design, User Experience, and Usability: Users and Interactions. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20898-5_15.
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Costigliola, Frank. "Culture, Emotion, and the Creation of the Atlantic Identity, 1948–1952." In No End to Alliance. Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26959-4_3.
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Monin, Christophe. "The Brand Louvre: No creation of value without cultural development." In Starke Marken im Kulturbetrieb. Nomos Verlagsgesellschaft mbH & Co KG, 2007. http://dx.doi.org/10.5771/9783845200743-66.
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"No Creation Stories in Holy Scripture. Von Rad’s View on the Relation between Covenant and Creation Revisited." In Strangers and Pilgrims on Earth. BRILL, 2012. http://dx.doi.org/10.1163/9789004224421_046.
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"Nothing Is, Something Must Be: Lacan and Creation from No One." In Theology and the Political. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822386490-006.
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Leong, Daphne. "Creation of Structure." In Performing Knowledge. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190653545.003.0004.
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This chapter questions the role of the notated score in delimiting structure. Examining first the soundness of the published editions of Schoenberg’s Op. 19, No.4, and then analyzing the score and recordings by three pianists associated with Schoenberg interpretation (Edward Steuermann, Maurizio Pollini, and Mitsuko Uchida), it demonstrates how structure can be defined by the interpreter—analyst or performer. A view of interpretation as creation is set against a backdrop of a score’s affordances, including those of text or script.
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"God Has No Favourites: Ecumenism and Interreligious Dialogue The Unity of God’s Creation." In Crossroad Discourses between Christianity and Culture. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042028647_034.
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Lebens, Samuel. "Creatio ex Nihilo." In The Principles of Judaism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198843252.003.0002.
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This chapter explores the medieval debate about the nature of creation. It compares and contrasts arguments of three major schools. The first school suggests that the universe had no start, and that God’s work of creation is, accordingly, continuous and with no beginning. The second two schools suggest that the creation had a beginning but differ as to whether God created the universe out of nothing, or out of some primordial matter. Bringing these arguments into conversation with contemporary philosophy and cosmology, this chapter finds in favor of an original creation from nothing.
Conference papers on the topic "No-creation"
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Shirai, Keiichiro, Masayuki Okamoto, and Masaaki Ikehara. "Noiseless no-flash photo creation by color transform of flash image." In 2011 18th IEEE International Conference on Image Processing (ICIP 2011). IEEE, 2011. http://dx.doi.org/10.1109/icip.2011.6116451.
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Szabo, Roland, and Aurel Gontean. "The Creation Process of a Secure and Private Mobile Web Browser with no Ads and no Popups." In 2019 IEEE 25th International Symposium for Design and Technology in Electronic Packaging (SIITME). IEEE, 2019. http://dx.doi.org/10.1109/siitme47687.2019.8990701.
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Sukarja, Detania, Mahmul Siregar, and Tri Lubis. "Legal Implication of Law No.11/2020 Concerning Job Creation on Village-Owned Enterprises in Indonesia." In Proceedings of the 1st International Conference on Education, Humanities, Health and Agriculture, ICEHHA 2021, 3-4 June 2021, Ruteng, Flores, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.3-6-2021.2310830.
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Cai, Zhang-lin. "CREATION FROM THE PERSPECTIVE OF "LIVING SOUNDSCOPE"-- TAKING THE EXAMPLE OF H. GORECKI STING QUARTET NO.1." In 2nd Eurasian Conference on Educational Innovation 2019. International Institute of Knowledge Innovation and Invention Private Limited, 2019. http://dx.doi.org/10.35745/ecei2019v2.129.
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Varbanov, Dimitar. "PARTICIPATION OF THE STATE ADMINISTRATION IN THE CREATION OF LAND USE ARRAYS." In SUSTAINABLE LAND MANAGEMENT - CURRENT PRACTICES AND SOLUTIONS 2019. University publishing house "Science and Economics", University of Economics - Varna, 2021. http://dx.doi.org/10.36997/slm2019.67.
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The state is actively involved in land relations in the creation of land use arrays. It is important to meet deadlines when carrying out the whole procedure. The desired result is to reach a voluntary agreement between the users in the land use arrays. Land use includes real estate farm land for which no contracts have been concluded and no declarations have been made by the owners or these are so-called "White spots" property.
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"MHA'98. Proceedings of the 1998 International Symposium on Micromechatronics and Human Science. - Creation of New Industry - (Cat. No.98TH8388)." In MHS'98. Proceedings of the 1998 International Symposium on Micromechatronics and Human Science. IEEE, 1998. http://dx.doi.org/10.1109/mhs.1998.745741.
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Xie, Qun, and Min Luo. "Intertextuality of “Triple Present”: on the Creation of Contemporary Chinese Art Film Taking the Film “Mr. No Problem” as an Example." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.10.
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Nagai, Yuuichi, Yoshihumi Kuroki, Kazuya Abe, Hideya Takeo, and Shigeru Nawano. "Creation of new artificial calcification shadows for breast cancer and verification of effectiveness of CAD development technique that uses no actual cases." In Fourteenth International Workshop on Breast Imaging, edited by Elizabeth A. Krupinski. SPIE, 2018. http://dx.doi.org/10.1117/12.2315790.
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Miller, Robert J. "Mechanical Work Potential." In ASME Turbo Expo 2013: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/gt2013-95488.
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This paper considers the effect of heat transfer between fluid streams on the work output of a turbine. To correctly characterize the effect of heat transfer requires a new property, ‘mechanical work potential’, which is a measure of the maximum useful work that can be extracted from a fluid by an isentropic turbine exhausting to a fixed exit static pressure. A balance equation for the property, over a control volume, is developed. The equation shows that entropy creation through thermal mixing has no effect on turbine work. It does, however, show that a second heat transfer term, ‘thermal creation’, does alter turbine work. Thermal creation occurs in regions of the turbine where heat transfer occurs across a finite pressure difference. The term is the non-linear version of the acoustic energy creation term proposed by Lord Rayleigh in his thermo-acoustic criterion. The balance equation is then used to link local regions of thermal creation to changes in stage efficiency. The method is used to show that, in a modern high pressure turbine stage, heat transfer due to thermal mixing in the freestream causes a negligible change in efficiency and therefore can be ignored in the design process. The method is also used to show that heat transfer due to convective cooling results in ∼0.5% rise in stage efficiency. This is a significant and should be accounted for in the design process.
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Lu, Zhang. "THE INTERTEXTUALITY OF RUSSIAN LITERATURE AND RUSSIAN PAINTING IN THE 19TH CENTURY." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.21.
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The background color of Russian literature and Russian painting art in the 19th century is gloomy and heavy, and there exists text intertextuality between them, which is different from single text and single painting. Literary words and painting invisible words quote, permeate, insinuate and rewrite each other. Literature is the writing of painting, and painting is the color of literature. The main line of literature development and the main line of painting development seem to be twisted together like a rope, presenting spiral development, closely linked, complementary and inseparable.The same value orientation and aesthetic purpose have intertextuality, mutual influence, mutual interaction and mutual transformation, no matter in creation method, theme, artistic style or creation background. Direct description or sharp pen, or by the protagonist of indirect irony, using realistic and critical realism creation method, revealing the tsarist autocracy savage, dissatisfaction with the reality in protest of rebellion, as well as being bullied and oppressed pain and struggle, at the same time reflects the immortality of the Russian national literature and art achievement.
Reports on the topic "No-creation"
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Reynolds, Christian, Libby Oakden, Sarah West, Rachel Pateman, and Chris Elliott. Citizen Science and Food: A Review. Food Standards Agency, 2021. http://dx.doi.org/10.46756/sci.fsa.nao903.
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Citizen science and food is part of a new programme of work to explore how we can involve the communities we serve when building the evidence-base on which policy decisions are made. Citizen science is an approach that can provide high volumes of data with a wide geographic spread. It is relatively quick to deploy and allows access to evidence we would ordinarily have difficulty collating. This methodology has been endorsed by the European Commission for Research, Science and Innovation. There is no one size fits all definition, but citizen science projects involves engaging with communities and asking them to be part of the project, either through engaging them in data collection or through other ways of co-creation. For participants, citizen science offers learning opportunities, the satisfaction of contributing to scientific evidence and the potential to influence policy. It can also give us data which is high in volume, has wide geographical spread, is relatively quick to deploy and that we couldn’t access any other way. Projects using these methods often involve engaging with communities and asking them to be part of the project. This can be either through working with them in data collection, or through co-creation. This report demonstrates that the research community are already undertaking numerous pieces of research that align with FSA’s evidence needs. This includes examples from the UK and other global communities. Participants in such research have collected data on topics ranging from food preparation in the home to levels of chemical contaminant in foods. The findings of this report outline that citizen science could allow the FSA to target and facilitate more systematic engagement with UK and global research communities, to help address key research priorities of the FSA.
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Шпинев, Ю. С. Давид Рикардо об инвестициях. DOI CODE, 2020. http://dx.doi.org/10.18411/1311-1972-2020-00024.
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The article examines the views of one of the founders of classical economics, David Ricardo, on the issues of investment, capital and profit. The need for this study is caused by the lack of a single definition of investment in the regulatory acts of investment legislation, as well as in the scientific community. Thus, there is a problem of regulatory regulation of one of the most important concepts of the economy. Given that the concepts of investment, capital, and capital investment are primarily economic categories, it seems quite reasonable to consider the emergence and development of these concepts in the retrospect of economic theories, in order to understand the essence of the phenomenon and finally solve the issue of its legal regulation. The scientific novelty of the study is that despite a large number of works on the work of David Ricardo «The Beginnings of Political Economy and Taxation», no special work was carried out on the contribution of the great economist to the theory of investment. Conclusions. The main achievements of Ricardo in the field of capital and investment include the author's definitions of capital, free capital, the creation of a theory of comparative advantages of trade, the division of capital into fixed and circulating capital depending on strength, as well as the description of the reasons that stimulate and hinder foreign investment.
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Saha, Amrita, Jodie Thorpe, Keir Macdonald, and Kelbesa Megersa. Linking Business Environment Reform with Gender and Inclusion: A Study of Business Licensing Reform in Indonesia. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.001.
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Business environment reform (BER) targets inadequate business regulations. It is intended to remove constraints to business investment, enabling growth and job creation, and create opportunities for international business to contribute to and benefit from this growth. However, there is a lack of detailed knowledge of the impact of BER on gender and inclusion (G&I). While a review of existing literature suggests that in general, there is no direct link between BER and G&I, indirect links are likely through the influence of BER on firm performance. Outcomes will be influenced by the differential ways in which women-led firms experience the business environment when compared to their male counterparts, with disparities based on how they are treated under the law, as well as structural and sociocultural factors. The fact that in many countries, female-led firms are fewer and smaller than those of their male counterparts, and may operate in different sectors, also affects these dynamics. This research offers new insights through an in-depth analysis of the impact of the Pelayanan Terpadu Satu Pintu (PTSP) or one-stop shop business licensing reform in 2009 on firm performance in Indonesia, and how these impacts vary based on the gender of firm leadership. The results find that on average, firms benefited from improved business performance (sales), as a direct or indirect effect of this reform, as well as an increase in the number of medium and large-scale firms. Outside Jakarta (Bali, Banten, Lampung), women-led firms experienced a small but significant benefit relative to male-led firms, related to both sales and the number of medium and large-scale firms they run. In Jakarta, women-led firms continued to lag behind men and there were no significant effects on employment, and this held across province and gender. These findings are based on an analysis of the PTSP reform using data from the World Bank Enterprise Survey (WBES), a survey of small, medium and large firms (i.e. with more than four employees) which took place in Indonesia between 2009 and 2015.