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1

E, Kent George. A life of Gwendolyn Brooks. Lexington, Ky: University Press of Kentucky, 1990.

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2

Helbling, Mark Irving. The Harlem renaissance: The one and the many. Westport, Conn: Greenwood Press, 1999.

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3

What is this thing called jazz?: African American musicians as artists, critics, and activists. Berkeley, Calif: University of California Press, 2002.

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4

Wintz, Cary D. Black culture and the Harlem Renaissance. Houston, Tex: Rice University Press, 1988.

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5

Wintz, Cary D. Black culture and the Harlem Renaissance. College Station: Texas A&M University Press, 1997.

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6

A spy in the enemy's country: The emergence of modern Black literature. Iowa City: University of Iowa Press, 1989.

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7

The contemporary African American novel: Its folk roots and modern literary branches. Amherst: University of Massachusetts Press, 2004.

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8

Foster, Frances Smith. Written by herself: Literary production by African American women, 1746-1892. Bloomington: Indiana University Press, 1993.

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9

Barbershops, bibles, and BET: Everyday talk and Black political thought. Princeton, N.J: Princeton University Press, 2004.

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10

Jackson, Blyden. A history of Afro-American literature. Baton Rouge: Louisiana State University Press, 1989.

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11

We are coming: The persuasive discourse of nineteenth-century Black women. Carbondale, Ill: Southern Illinois University Press, 1999.

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12

Elizabeth, Alexander, and Redmond Patricia, eds. Workings of the spirit: The poetics of Afro-American women's writing. Chicago: University of Chicago Press, 1991.

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13

Smith, Katharine Capshaw. Children's literature of the Harlem Renaissance. Bloomington, Ind: Indiana University Press, 2006.

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14

Children's literature of the Harlem Renaissance. Bloomington: Indiana University Press, 2004.

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15

Claude McKay: Rebel sojourner in the Harlem Renaissance : a biography. Baton Rouge: Louisiana State University Press, 1987.

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16

Claude McKay: Rebel sojourner in the Harlem Renaissance : a biography. New York: Schocken Books, 1990.

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17

Favor, J. Martin. Authentic Blackness: The folk in the New Negro renaissance. Durham [N.C.]: Duke University Press, 1999.

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18

Braxton, Joanne M. Wild women in the whirlwind: Afra-American culture and the contemporary literary renaissance. New Brunswick, NJ: Rutgers Univ. Pr., 1990.

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19

Signs and cities: Black literary postmodernism. Chicago: University of Chicago Press, 2003.

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20

"The changing same": Black women's literature, criticism, and theory. Bloomington, Ind: Indiana University Press, 1995.

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21

The Harlem renaissance in black and white. Cambridge, Mass: Belknap Press of Harvard University Press, 1995.

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22

Adell, Sandra. Double-consciousness/double bind: Theoretical issues in twentieth-century Black literature. Urbana: University of Illinois Press, 1994.

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23

The Black Arts Movement: Literary nationalism in the 1960s and 1970s. Chapel Hill: University of North Carolina Press, 2005.

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24

Black nationalism in American politics and thought. Cambridge, U.K: Cambridge University Press, 2001.

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25

Peculiar passages: Black women playwrights, 1875 to 2000. New York: Peter Lang, 2005.

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26

Caribbean waves: Relocating Claude McKay and Paule Marshall. Bloomington: Indiana University Press, 1999.

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27

To wake the nations: Race in the making of American literature. Cambridge, Mass: Belknap Press of Harvard University Press, 1993.

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28

Sundquist, Eric J. To wake the nations: Race in the making of American literature. Cambridge, Mass: Belknap, 1993.

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29

"Color struck" under the gaze: Ethnicity and the pathology of being in the plays of Johnson, Hurston, Childress, Hansberry, and Kennedy. Westport, Conn: Praeger, 2003.

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30

Beaulieu, Elizabeth Ann. Black women writers and the American neo-slave narrative: Femininity unfettered. Westport, Conn: Greenwood Press, 1999.

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31

English, Daylanne K. Unnatural selections: Eugenics in American modernism and the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2004.

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32

English, Daylanne K. Unnatural selections: Eugenics in American modernism and the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2004.

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33

Maxwell, William J. New Negro, old Left: African-American writing and Communism between the wars. New York: Columbia University Press, 1999.

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34

Awkward, Michael. Amerika kokujin josei shōsetsu: Koōsuru tamashii = Inspiriting influences : tradition, revision, and Afro-American women's novels. Tōkyō: Sairyūsha, 1993.

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35

Awkward, Michael. Inspiriting influences: Tradition, revision, and Afro-American women's novels. New York: Columbia University Press, 1989.

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36

Gates, Henry Louis. The signifying monkey: A theory of Afro-American literary criticism. New York: Oxford University Press, 1988.

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37

Gates, Henry Louis. The signifying monkey: A theory of African-American literary criticism. New York: Oxford University Press, 1988.

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38

Women of the Harlem renaissance. Bloomington: Indiana University Press, 1995.

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39

Turning south again: Re-thinking modernism/re-reading Booker T. Durham: Duke University Press, 2001.

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40

Black protest poetry: Polemics from the Harlem renaissance and the sixties. New York: P. Lang, 2001.

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41

The geography of Malcolm X: Black radicalism and the remaking of American space. New York, NY: Routledge, 2005.

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42

The church in the life of the black family. Valley Forge, PA: Judson Press, 1985.

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43

Gates, Henry Louis. Loose canons: Notes on the culture wars. New York: Oxford University Press, 1992.

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44

Najarian, Peter. The great American loneliness. Cambridge, Mass: Blue Crane Books, 1999.

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45

Why I hate Abercrombie & Fitch: Essays on race and sexuality. New York: New York University, 2005.

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46

Leonard, Keith D. Fettered genius: The African American bardic poet from slavery to civil rights. Charlottesville: University of Virginia Press, 2006.

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47

Risking difference: Identification, race, and community in contemporary fiction and feminism. Albany: State University of New York Press, 2004.

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48

Beecher, Stowe Harriet. La case de l'oncle Tom. Paris: Hachette Jeunesse, 1996.

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49

Edwards, Jorge. Adios, poeta--. Barcelona: Tusquets, 1990.

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50

Edwards, Jorge. Adios, poeta--. Barcelona: Tusquets, 1990.

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