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1

Saul, Mahir. Viewing African cinema in the twenty-first century: Art films and the Nollywood video revolution. Ohio University Press, 2010.

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2

Tsika, Noah. African Media in an Age of Extraction. Amsterdam University Press, 2025. https://doi.org/10.5117/9789048561254.

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African Media in an Age of Extraction takes a fresh, site-specific look at the relationship between moving images and the mining of natural resources, arguing that where we “place” Nollywood and other industries has important practical and conceptual consequences. Such locations are not just spatial metaphors but also tangible geographies with material connections to extractive economies. Sites of film production are often spaces of oil prospecting, timber harvesting, and mineral extraction—natural environments continuously transformed by capital. African Media in an Age of Extraction links su
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3

Nollywood. Prestel Pub, 2009.

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4

Viewing African cinema in the twenty-first century: Art films and the Nollywood video revolution. Ohio University Press, 2010.

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5

Brown, Matthew H. Indirect Subjects. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021506.

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In Indirect Subjects, Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of ex
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6

Rossoukh, Ramyar D., and Steven C. Caton, eds. Anthropology, Film Industries, Modularity. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022190.

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From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries
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Percy, Carol. Researching World Englishes in HEL Courses. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190611040.003.0021.

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This chapter describes assignments used to teach the History of the English Language (HEL) and its contemporary counterpart the English Language in the World. In both of these courses, linguistic concepts can be linked to literary analysis, which helps students learn how to analyze code-switching and/or style-shifting in the context of a literary argument. For discovering and interpreting issues about the status and use of English around the world, students have a number of options. For example, after reading specific articles about slang generally and analyzing examples chosen in class, some
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8

Haynes, Jonathan. Nollywood: The Creation of Nigerian Film Genres. University of Chicago Press, 2016.

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9

Nollywood: The Making of a Film Empire. Columbia Global Reports, 2016.

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10

Nollywood: The making of a film empire. Columbia Global Reports, 2017.

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11

Nollywood: The Creation of Nigerian Film Genres. University of Chicago Press, 2016.

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12

Trends in Nollywood: A study of selected genres. Kraft Books Limited, 2014.

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13

Okome, Onookome, and Matthias Krings. Global Nollywood: The Transnational Dimensions of an African Video Film Industry. Indiana University Press, 2013.

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14

Global Nollywood The Transnational Dimensions Of An African Video Film Industry. Indiana University Press, 2013.

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15

Okome, Onookome, Alessandro Jedlowski, Matthias Krings, Jonathan Haynes, and Sophie Samyn. Global Nollywood: The Transnational Dimensions of an African Video Film Industry. Indiana University Press, 2013.

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16

Nigerian film culture and the idea of the nation: Nollywood and national narration. Adonis & Abbey Publishers Ltd, 2017.

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17

Nollywood: Popular culture and narratives of youth struggles in Nigeria. Carolina Academic Press, 2016.

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18

Ugor, Paul. Nollywood: Popular Culture and Narratives of Youth Struggles in Nigeria. Carolina Academic Press, 2016.

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19

Brown, Matthew H. Indirect Subjects: Nollywood's Local Address. Duke University Press, 2021.

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20

Indirect Subjects: Nollywood's Local Address. Duke University Press, 2021.

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