Relevant bibliographies by topics / Nomadi (Musical group)

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Academic literature on the topic 'Nomadi (Musical group)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Nomadi (Musical group)"

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Amnon, Shiloah. "Music and dance of a semi nomad group of fishermen in southern Sinai." Música Oral del Sur, no. 1 (March 8, 1995): 116–18. https://doi.org/10.5281/zenodo.4621037.

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Aspectos primordiales relativos a la variedad musical y de baile de un grupo de pescadores beduinos que ha desarrollado un repertorio en el que confluyen una pluralidad de tendencias y que han desechado aspectos desarrollados en la sociedad beduína tradicional. Su repertorio se considera heterogéneo, en algunos aspectos ecléctico, variado, vital y rítmicamente rico.
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P, Sridevi. "Biographical and Cultural Evolution of Paanar." International Research Journal of Tamil 4, SPL 1 (2022): 41–45. http://dx.doi.org/10.34256/irjt22s16.

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Tamil literary tradition registers 'tinai' divisions which is "a language with in a language" comments A.K. Ramanujan as it provides infinite possibilities to create in a finite frame. Along with people in respective landscapes, there are a nomadic group of paanar who visited all five landscapes spreading the oral tradition. References about the paanar, their oral tradition and nomadic lifestyle are found in cankam literature. There are different kinds of paanar referred performers, singers, declaimers, kuttar, viraliyar, poribar and panar along with their female counterparts and characteristi
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Arjun, R., and Shreekanth Jadhav. "Labour, industry and production in megalithic period (South Indian Iron Age): Nomadic, semi settled group or settled group?" Acta Ethnographica Hungarica 59, no. 2 (2014): 417–27. http://dx.doi.org/10.1556/aethn.59.2014.2.11.

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Pratiwi, Sulistya. "Ritual, Resistance, and Rights: The Balia Healing Practice and Indigenous Policy Challenges in Palu, Indonesia." Tashwirul Afkar 43, no. 1 (2024): 91–118. https://doi.org/10.51716/ta.v43i1.627.

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Colonialism has caused environmental and social changes that harm indigenous peoples' quality of life, traditional knowledge, and health. Regional policies govern Indonesian traditional knowledge protection. This study examines how acknowledging and maintaining traditional knowledge affects indigenous populations' well-being, concentrating on the Balia ritual in Central Sulawesi's Kaili indigenous community.The Kaili people, a nomadic agricultural group, have been marginalized and discriminated against by society and government. Historical legacy of the Kaili people includes the Balia ceremony
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Dashieva, Lidiya D. "Раннефольклорные обрядовые жанры традиционной культуры хори-бурят". Монголоведение (Монгол судлал) 13, № 4 (2021): 704–12. http://dx.doi.org/10.22162/2500-1523-2021-4-704-712.

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This article continues the study of the traditional musical culture of the Eastern Khori-Buryats, based on rare archival material of the audio collection of the famous orientalist Purbo Baldanovich Baldanzhapov (1921–1991). The research was started by the author in 2014 in the article “Materials of P. B. Baldanzhapov as a source for studying the song tradition of the Khori-Buryats”. The aim of this article is to represent the early folklore genres of the ceremonial traditional music of the Eastern Khori-Buryats. In the article the methods of genre and structural-typological analysis of folklor
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Thomson, Andrew, and Amanda M. E. Thomson. "Metallica the state/Metallica the war machine: A Deleuzoguattarian analysis of the world’s biggest metal band." Metal Music Studies 8, no. 3 (2022): 381–400. http://dx.doi.org/10.1386/mms_00086_1.

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Metallica has offered a diverse catalogue of music and breadth of performance over their careers. As a band occupying an integral cultural placement as measured by both level of fame and influential import, many academic inroads have been opened to their work, career and music. These lines of inquiry, along with more general lines of inquiry into the genre of heavy metal itself, frequently position Metallica as the unofficial ambassadors of the music. However, despite the depth and breadth of research devoted to these areas, an underdeveloped opening exists when it comes to the potential paral
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Brunt, Shelley, Mike Callander, Sebastian Diaz-Gasca, Tami Gadir, Ian Rogers, and Catherine Strong. "Music as Magic." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2998.

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Introduction Music scholarship across genres is often concerned with music's metaphysical and ephemeral effects on individuals, communities, and society. These scholarly framings constitute a concept that we refer to here as “the magic of music”. Using this framing, this article addresses the ways that the magic is undermined by a range of worldly, non-magical realities, using the case study of the COVID-19 pandemic lockdowns and their devastating effects on the previously thriving live music industry in Naarm/Melbourne, Australia. The magic of music includes such aspects as the intangible sou
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Caines, Rebecca, Rachelle Viader Knowles, and Judy Anderson. "QR Codes and Traditional Beadwork: Augmented Communities Improvising Together." M/C Journal 16, no. 6 (2013). http://dx.doi.org/10.5204/mcj.734.

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Images 1-6: Photographs by Rachelle Viader Knowles (2012)This article discusses the cross-cultural, augmented artwork Parallel Worlds, Intersecting Moments (2012) by Rachelle Viader Knowles and Judy Anderson, that premiered at the First Nations University of Canada Gallery in Regina, on 2 March 2012, as part of a group exhibition entitled Critical Faculties. The work consists of two elements: wall pieces with black and white Quick Response (QR) codes created using traditional beading and framed within red Stroud cloth; and a series of videos, accessible via scanning the beaded QR codes. The vi
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Kabir, Nahid. "Why I Call Australia ‘Home’?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2700.

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 Introduction I am a transmigrant who has moved back and forth between the West and the Rest. I was born and raised in a Muslim family in a predominantly Muslim country, Bangladesh, but I spent several years of my childhood in Pakistan. After my marriage, I lived in the United States for a year and a half, the Middle East for 5 years, Australia for three years, back to the Middle East for another 5 years, then, finally, in Australia for the last 12 years. I speak Bengali (my mother tongue), Urdu (which I learnt in Pakistan), a bit of Arabic (learnt in the Middle East); but
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Books on the topic "Nomadi (Musical group)"

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1959-, Bellati Anna Caterina, Acerboni Giovanni 1962-, Frigerio Enrico 1953-, and Ganelli Giuseppe 1967-, eds. Per sempre Nomadi: Canzoni sulla strada. C. Lombardi, 1993.

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Pirìto, Fausto. In viaggio con i Nomadi: Sette anni "on the road". Giunti, 2000.

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Carletti, Davide. I Nomadi: Il suono delle idee, 1963-1993. Arcana, 1993.

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Carletti, Davide. I Nomadi: Il suono delle idee, 1963-1993. Arcana, 1993.

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critic), Morandi Andrea (Film, ed. Io vagabondo: 50 anni di vita con i Nomadi. Arcana, 2013.

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1963-, Rettani Marco, ed. Questi sono i Nomadi e io sono Beppe Carletti. Mondadori, 2018.

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Accardo, Antonio. Nomadi: Coi piedi a terra e gli occhi al cielo. Zona, 2003.

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Carletti, Davide. I Nomadi: Il suono delle idee, 1963-1993. Arcana, 1993.

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Carletti, Davide. I Nomadi: Il suono delle idee, 1963-1993. Arcana, 1993.

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Nomadi 1965-2005: Canzoni senza patria e senza tempo. Editori riuniti, 2005.

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Book chapters on the topic "Nomadi (Musical group)"

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Dirks, Rita. "Freedom to Know Me: The Conflict between Identity and Mennonite Culture in Miriam Toews’ A Complicated Kindness." In Narratives Crossing Borders: The Dynamics of Cultural Interaction. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbj.b.

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In Miriam Toews’s A Complicated Kindness (2004; Giller Prize finalist; winner of Canada's Governor General's Award) Nomi Nickel, a sixteen-year-old Mennonite girl from southern Manitoba, Canada, tells the story of her short life before her excommunication from the closed community of the fictional East Village. East Village is based on a real town in southern Manitoba called Steinbach (where Toews was born), where Mennonite culture remains segregated from the rest of the world to protect its distinctive Anabaptist Protestantism and to keep its language, Mennonite Low German or Plattdeutsch, a
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