Relevant bibliographies by topics / Nomadic subjects

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Nomadic subjects'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Nomadic subjects"

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Saro, Anneli. "Mobility and Theatre: Theatre Makers as Nomadic Subjects." Nordic Theatre Studies 27, no. 1 (May 12, 2015): 90. http://dx.doi.org/10.7146/nts.v27i1.24242.

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This article discusses the pros and cons of theatrical mobility, investigating situ- ations where theatre is breaking its traditional practices of being local and urban by becoming mobile, international and rural. The main features in this context are guest performances at home and abroad, the importation of guest directors, performers, designers et cetera, and finally, site-specific and open-air productions. The structure of the analysis is based on these features, partly derived from the historical development of theatre but partly also from the aim of contrary thinking, insisting that contrary to the widespread assumption of nomadism as something indigenous or postmodern, nomadic attitudes can also be detected in quite traditional forms of theatre making and living. While touring at home and abroad provides opportunities for theatre makers to practice nomadic life style, summer theatre creates an opportunity for spectators to experience nomadism in more local spaces. The above mentioned features are analysed in the context of Estonian theatre, drawing occasional parallels with the neighbouring country of Finland. Each section goes through three periods of Estonian theatre history; 1) the period before the Second World War when theatres belonged to societies; 2) the period between 1940 and 1991 when Estonia was a part of the Soviet Union and all theatrical activities were subject to state control; 3) the period of independence and globalization. Since each period had a different imprint on theatrical mobility, the phenomenon will be investigated in relation to the political, social and cultural contexts, using Bruno Latour’s concept of actor-network-theory as a methodological tool.
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Martínez Posada, Jorge Eliecer, Audin Aloiso Gamboa Suárez, and Alicia Ines Villa. "Nomadic ethics and thoughtful ethics." Revista Perspectivas 4, no. 2 (December 5, 2019): 64–79. http://dx.doi.org/10.22463/25909215.1973.

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Speak of the "subject" and "ethics" today must start from a different place or a non-place that understands the subject in his becoming and transformation, identifying him to recognize him, conceiving him as a subject in transit, a nomadic subject, which can be reinvented in an ethical exercise that is reflective of himself and himself, without forgetting his constant encounter with the other. This article of reflection aims to make an understanding and a journey through ethical developments, approaching a genealogy of it. Similarly, it tries to relate to the construction of subjectivity from the intimate, the public and the private, as a modes of action of the ethical in the subject and finally reflect on the transpositions of a nomadic ethic within multiple diasporas that allow a vision of modern ethics and possibility in the configuration of the subjects and their subjectivities. This reflection manages to conclude that ethics is always in gestation and reconfiguration depending on the new demands of a global system, as a form of power that encourages resistance as a way of transposing the ethical devices that shape the behavior and habits of the subjects
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Tamboukou, Maria, and Stephen Ball. "Nomadic Subjects: Young black women in Britain." Discourse: Studies in the Cultural Politics of Education 23, no. 3 (December 2002): 267–84. http://dx.doi.org/10.1080/0159630022000029777.

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Skott-Myhre, Kathleen. "NOMADIC YOUTH CARE." International Journal of Child, Youth and Family Studies 3, no. 2-3 (April 16, 2012): 300. http://dx.doi.org/10.18357/ijcyfs32-3201210872.

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It has been argued that the field of child and youth care is founded on a relationship. Generally, this relationship has been posited as being between two identifiable subjects, a worker and a child or youth. In this paper, I will argue for both a different theoretical framework and significant rethinking of the human individual as the central player in a relation of care. In recent writings on feminist thought, several authors have proposed what they have termed <em>nomadic feminism</em>. This work focuses on developing a theory of the human organism that is no longer centered in a binary with nature. What if we began to see care as an interdependent bringing together of all elements in our environment? What if we began to think consciously about the mingling of human and non-human form as platform for experimentation? What might happen if we broke down the rigid distinctions between staff and youth, neighborhood and agency, male and female, gay and straight, our racial and ethnic identities, not so much to abandon them but so as to open them to experiment, to see what bodies can do together?
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MAIOLI, FRANCESCA. "Nomadic Subjects on Canvas: Hybridity in Jenny Saville's Paintings." Women's Studies 40, no. 1 (December 30, 2010): 70–92. http://dx.doi.org/10.1080/00497878.2011.527795.

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Grayson, Hannah. "The movers of the text: Monénembo's nomad subjects." Bulletin of the School of Oriental and African Studies 81, no. 3 (October 2018): 513–31. http://dx.doi.org/10.1017/s0041977x18001039.

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AbstractTransnational African author Tierno Monénembo is known for his unstable narratives and travelling storytellers. In this article I will discuss two of his novels,Pelourinho(1995) andLes Coqs cubains chantent à minuit(2015). Drawing on nomadic thought, the article will argue that Monénembo's lesser-seen subjects are figures of mobiledébrouillardisewho embody and play out a collective nomadic thinking with which they mediate unstable space. Translation is indirectly addressed here as part of thatdébrouillardpractice, whereby stories, situations, and agency are mediated by these secondary characters. Monénembo translates their wily movement and flexibility into French by keeping mobility at the centre of his structural and linguistic choices. This reading will be framed in an understanding of subjectivity as always conditioned by mobility (after Braidotti), an essential lens for viewing postcolonial African subjects in the era of ongoing decolonization (Mbembe). Though written 20 years apart, the novels are remarkably similar in their depiction of space and character. Mirrored journeys westwards across the Atlantic seek to draw out the African heritage of lost relations in Latin America. Encounters with multiple, unfamiliar faces are reflected linguistically in the collision of several languages, and I will suggest that where such translingual environments are hostile for some, there is a simultaneous emergence of creativity. This happens both at character level and with the author's own negotiation of different languages and styles. Monénembo demotes protagonists and place to emphasize secondary characters who shape their own space. Drawing on the work of Rosi Braidotti, I use nomad thought to frame these figures as always mobile, savvy, and innovative. This is a positive vision of subjects as dynamic entities, ready to transform, and to translate.
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Lyubichankovskiy, Sergey V. "Imperial Acculturation on Russian’s Southeastern Frontier: An International Survey." RUDN Journal of Russian History 19, no. 3 (December 15, 2020): 727–40. http://dx.doi.org/10.22363/2312-8674-2020-19-3-727-740.

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This article reviews and summarizes the results of an international survey of experts about Imperial Acculturation Policy and the Problem of Colonialism (based on the materials from the Ural-Volga and Central Asian territories) organized in Orenburg in 2019. The questionnaire asked participants to reply with their thoughts about the characteristic features of the Russian Empires policy of "developing" the nomadic and semi-nomadic peoples of the Kazakh steppe, Bashkiria, Kalmykia on its southeastern frontier from the 18th to the early 20th centuries. Key questions included: The basic terminology (acculturation, imperial acculturation policy); The heuristic value of the acculturation model with respect to the colonial approach. Nomadic and semi-nomadic perceptions of Russian citizenship; The governments efforts to civilize its nomadic and semi-nomadic subjects; The impact of military service, public education and medical care; The role of the Russian Orthodox Church in imperial acculturation policy; The persistence of ethnic identity; General trends in acculturation. The conclusion reflects on using the acculturation model to understand the integration the southeastern nomadic periphery into the Russian Empire.
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Kim, Jungah. "Nomadic Narrative in Charlotte Brontë’s Villette." Humanities 8, no. 2 (March 28, 2019): 65. http://dx.doi.org/10.3390/h8020065.

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Various critics have examined Charlotte Brontë’s Villette’s missing ending as a proof of Lucy Snowe’s unreliability in leaving the narrative purposefully ambiguous to escape her possible negative ending. I, however, interpret the ending as one of the ways in which she actively and positively refuses the concept of closure, and rather, creates, what I would call, a nomadic narrative. Nomadic narrative is term I coined based on the idea of Rosi Braidotti’s nomadic theory and Georg Lukács’s The Theory of the Novel to re-imagine Lucy’s narration and narrative, not as a concealment, but as an embracement of her nomadic subjectivity and acknowledgement that she has no true end. I further argue that nomadic narrative is a narrative that fractures and recreates itself through its gaps and rewritten portions, gaining its own sense of agency. Unlike narratives that only fixate on protagonists, nomadic narrative becomes an open and posthuman space that allows the incorporation of nonhuman subjects.
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Finch, Helen. "Nomadic Ethics in Contemporary Women's Writing in German. Strange Subjects." Journal of Contemporary European Studies 21, no. 3 (September 2013): 467–69. http://dx.doi.org/10.1080/14782804.2013.823691.

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이수안. "Cafe as Hybrid Spaces and Cultural Scapes of Nomadic Subjects." Korean Journal of Cultural Sociology 10, no. 1 (May 2011): 34–66. http://dx.doi.org/10.17328/kjcs.2011.10.1.002.

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Dissertations / Theses on the topic "Nomadic subjects"

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Potts, Gina Marie Vitello. "Nomadic subjects : the writing of Virginia Woolf." Thesis, Birkbeck (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444550.

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Yates, Rebecca. "Subjektobjekt och rörelsematerial : en diffraktiv läsning av dansens blivande genom subjektet." Thesis, Stockholms konstnärliga högskola, Institutionen för danspedagogik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-546.

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The aim of this study is to understand how dance is becoming through the subject. What agents are entangled in the process of becoming, and what hierarchies are at work within my practice. I want to find out how they figurate and see if it´s possible for these hierarchies to reach positions that are more anti- essential. The study wants to assist with the understanding of this multilayer of relationships that are ongoing in the becoming of dance. The study moves in relation to posthumanist theories, with emphasis on materialists such as Rosi Braidotti and her nomadic subject. The nomadic subject is significant and fundamental to the study because it uses materialistic understandings of the world while not renouncing the subject's previously situational experience and embodied knowledge and takes special considerations to both the external and internal complexity of the subjects becoming. In posthumanist theories, or materialism, material and non-material things as well as humans and non-humans have agency. It is the relationship between different kinds of matter that creates the understanding of what is in the process of becoming. Through diffractive readings, the understanding of intra-action, and with the nomadic subject as a theoretical base, this thesis wants to make visible the different aspects and relations that are active in the becoming of dance through the subject. In addition, linked to the research topic choreography, the study wants to contribute with knowledge about the expanded field of choreography by understanding how internal and external factors contribute to how dance is becoming through the subject. The study also wants to provide and develop understandings for didactical and pedagogical contexts. My own practice is the material on which this study is based and through it I seek understanding for my questions.
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Leek, Sara Elizabeth. "Exil subjectif : language, origins and becoming nomadic in the work of Nancy Huston, Nina Bouraoui and Linda Lé." Thesis, Queen Mary, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612585.

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Viktorsson, Blom Linnéa. "“It could just as well be my body” : A posthumanist and phenomenological study of the becomings of an embodied female subject and her experiences of fitting and misfitting in relation to cosmetic body modifications." Thesis, Linköpings universitet, Tema Genus, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-107044.

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This thesis is a phenomenological study that has been carried out via two semi-structured interviews with an -  in conventional ways of categorising - 22 years old white, heterosexual, and middleclass Swedish woman, referred to as “Andrea”. The thesis aims to explore the becomings of Andrea in connection with cosmetic body modifications and her experiences in relation to this of fitting and misfitting, which are related to the dis/ability system. The aim of this thesis has also been to situate her as an embodied female subject in an intersectional context, in addition to her own experiences, as multiple social categorizations intra-act in the creation of dis/ability. The thesis takes its point of departure in Rosi Braidotti’s theorization of nomadic subjectivity and employs her notion of subjectivity as a negotiation between desire and power, with the goal of analysing the affirmative potential of cosmetic body modifications, as well as being critical towards them and their effects. Rosemarie Garland-Thomson’s concepts of fitting/misfitting are used in order to analyse the intra-actions between body and environment as well as how cosmetic body modifications affect the fit and/or misfit of Andrea.  Sara Ahmed’s notion of orientation has been employed in relation to this, with the aim of showing how beauty, whiteness, femininity, and economic wealth are produced and sustained. In the thesis it is analysed how Andrea, in complex ways desires molarity at the same time as she actively resists “fixed” positionings of her. Andrea contributes to a deconstruction of the fixity of molar identity as her resistance disrupts the flow of expected behaviors - something which creates moments of imperceptibility. The thesis furthermore argues that Andrea uses cosmetic body modifications as an affirmative deconstruction of power in addition to it being a force that drives her towards the desired molarity.
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Del, Valle Marian. "Accompagner les processus créatifs de Monica Klingler, Barbara Manzetti et Marian del Valle (janvier 2009 - décembre 2012)." Phd thesis, Université Nice Sophia Antipolis, 2013. http://tel.archives-ouvertes.fr/tel-00966697.

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Ce projet de recherche en danse est né du désir et du besoin de questionner ma propre pratique artistique en danse contemporaine, en la mettant en perspective et en conversation avec celle de deux autres artistes chorégraphes, Monica Klingler et Barbara Manzetti. L'étude de ces (nos) pratiques, que j'ai qualifiées de "mineures" (au sens deleuzien) a été réalisée en les approchant par le "milieu", dans leur devenir, en les "accompagnant" pendant une période délimitée, celle de la durée de la thèse. Les questions qui dynamisent la recherche concernent les notions de présent et de vivant, contenues dans le terme "processus" : comment rendre compte de processus créatifs au moment même de leur surgissement? Comment se positionner pour pouvoir les décrire, les analyser? Une autre question explorée à travers différentes pratiques d'écriture, dont la thèse, est celle du rôle de l'écriture dans un projet de danse. Quelles pratiques d'écriture mettre en place pour accompagner la danse, pour la penser et pour la partager à travers le langage? L'analyse des démarches artistiques des trois artistes étudiées a été réalisée à l'aide de concepts issus de théories féministes. Elle s'appuie sur la notion de "hors de soi", du choix d'exacerber la vulnérabilité (Judith Butler) ; sur le positionnement des artistes comme des sujets non unitaires, des "sujets nomades" et en devenir (Rosi Braidotti) ; sur la mise en mouvement de formes fluides, changeantes et non réductibles à une œuvre, à l'"un" (Luce Irigaray).La recherche, considérée comme un "processus de danse", a donné forme à différents projets artistiques, Materia Viva, Figuras, Avec le masque, ainsi qu'à l'écriture de la thèse.
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Vince, Tommy. "Fluid Built: Becoming 0001 : A world where the object adapts plurally to its subjects, not the contrary." Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-148460.

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Hedenäs, Malin. ""Jag drar mig tillbaka i glappet, som också är en spricka" : Ett nomadiskt subjekt blir till i Nina Bouraouis Sauvage." Thesis, Södertörns högskola, Litteraturvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-43748.

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In this essay called I withdraw into the gap, which is also a crevice. A nomadic subject comes into being in Nina Bouraoui’s Sauvage, I investigate which aspects in the novel play an important part in relation to the protoganist Alya’s process of becoming a subject in the passage from childhood to adulthood. Through Rosi Braidotti’s theories on the nomadic becoming of a subject I investigate a becoming that is nonunitary, non-linear and constantly changing. This becoming happens in the novel between affects like fear, violence, desire and different experiences of time, and also through a non-chronological narrative and a language which can both deceive, and create the world.       My results show that becoming in Sauvage is about being aware of the outside boundaries and one’s own position in relation to those. For Alya, fear and desire work as transformative and transgressional aspects. In between her affective body and the world which tries to force its boundaries on her, she finds that in between those outside images and her inner affective response, there is a space, a gap, and in the movement between is where she becomes who she is in a process that is a constant negotiation. The subject that emerges in the end of the novel is not a unitary subject, but a nomadic one, that is constantly changing and becoming.
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Stathopoulos, Angelica. "Att bli-nomad och att tänka skillnad : En undersökning av Rosi Braidottis feminina feministiska subjektsfiguration." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-5494.

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This essay investigates the feminist philosophy of Rosi Braidotti with particular focus on the alternative feminine feminist nomadic subject that she creates. I also introduce Braidotti’s theoretical inspiration from Gilles Deleuze and Luce Irigaray. I argue that Braidotti creates an alternative figuration for feminism through synthesizeing Deleuze’s concept of ”becoming” with Irigaray’s sexual difference-theory. Braidotti highlights the importance of understanding the concept of difference differently. She also argues for the difference between subjectivity and identity, for the materialistic foundation of the subject, for the fundamental asymmetry between the sexes and for the nomadic mode of thinking. Braidottis suggests that the way out of the phallogocentric system, which she means we are encapsulated in, consist in working through the images that patriarchy has produced of women, through mimetic repetitons, in order to create new representations of women. I argue that the feminist philosophy of Braidotti is both humble and subversive which makes it an interesting and useful alternative for everyone who is interested in alternative, complex and thrilling ways of theorizing female feminist subjectivity.
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Chung, Tony Bing-yong, and 鍾炳永. "From Capitalist Patriarch to Nomadic Subject in Nabokov''s Lolita." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/92523219884087751520.

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碩士
國立中興大學
外國語文學系
88
From Capitalist Patriarch to Nomadic Subject in Nabokov’s Lolita Abstract: The publication of Lolita has been a controversial issue because it deals with a pedophiliac impelled by his sexual drive to molest a pubescent girl, Lolita. Its publication has entailed some charges against Nabokov since he writes about a pedophiliac who oppresses and exploits a female. Thus, Nabokov might be deemed as a sexist and a sexual pervert. In my view, Nabokov is by no means a sexist, but a Marxist feminist, who attempts to explore the kindred relationship between patriarchy and capitalism in Lolita. In Lolita, Nabokov creates a character Humbert whose desire triggers readers to reconsider the established but imaginary realities inherent in the capitalist society - production, heterosexuality, and sexual expenditure. By creating a comical and nomadic narrator, Nabokov employs a satirical way to disclose the problem of patriarchy and capitalism. In Bakhtin’s viewpoint, the subject of the novel should be concerned with contemporary reality and it should employ a comical way to deal with the subject. In light of this, Nabokov is an ingenious novelist who invents the comical character Humbert to explore the questions of contemporary society. The present study focuses on the relationship between capitalism and patriarchy and tries to demonstrate that Humbert serves as a nomadic subject who challenges the structure of patriarchy and capitalism as he legitimizes them.
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Côté, Richard. "La spiritualité dans le cinéma transnational. Une théologie pour le 21e siècle autour des philosophies du cinéma de Gilles Deleuze et de Stanley Cavell." Thèse, 2015. http://hdl.handle.net/1866/15960.

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Cette recherche part d’un double intérêt. Pour la spiritualité, dont on entend beaucoup parler dans un 21e siècle inquiet et en quête de nouveaux repères. Et pour le cinéma, ou 7e art, phénomène culturel phare des temps modernes, qui reflète abondamment les problématiques et questionnements du monde. À une époque où on observe une tendance à l’homogénéisation culturelle, résultat de la mondialisation économique, cette thèse traite du « cinéma transnational ». Elles aussi, les œuvres de ce cinéma traversent l’espace planétaire, mais tout en conservant un solide ancrage local et une singularité artistique. Ce sont en bonne partie les films que l’on retrouve dans les festivals internationaux, tels Cannes, Venise et Berlin. Le cinéma traduisant toutes les interrogations possibles du présent, plusieurs films apparaissent donc porteurs d’un questionnement à portée spirituelle. Et ce, avec des moyens non discursifs, propres à l’art cinématographique. Ils invitent aussi à la rencontre de l’autre. L’objectif de la thèse consiste à décrire comment, par l’analyse d’une douzaine de films transnationaux, on peut dégager de nouveaux concepts sur la façon avec laquelle se vit la spiritualité à notre époque, en relation avec l’autre, et pourquoi cette spiritualité s’accompagne nécessairement de considérations éthiques. Pour accomplir cette tâche, la thèse s’appuie sur les travaux de deux philosophes, Gilles Deleuze (France) et Stanley Cavell (États-Unis), qui ont marqué les études cinématographiques au cours des dernières décennies, par des approches jugées complémentaires pour cette recherche. Le premier a développé sa pensée à partir de ce qui distingue le cinéma des autres arts, et le second, à partir de l’importance du cinéma pour les spectateurs et les spectatrices. Enfin, la thèse se veut une théologie, ou pensée théologico-philosophique, indépendante d’une tradition religieuse et au diapason des réalités du 21e siècle.
This research is based upon two fields of interest. For spirituality, a concept very much to the fore in this troubled 21st century in search of fresh yardsticks. And for cinema, aka the 7th Art, a beacon on the cultural scene, with its insights in today’s issues and questionings. In this era of cultural homogenization, itself the result of economic globalization, this thesis probes “transnational cinema” for fresh answers. Transnational films cross the global space while keeping their local roots and own artistic identity. Very often one will find these works featured in the big film festivals, such as Cannes, Berlin or Venice. Focusing on today’s questionings and issues, many of these movies appear to be bearing a spiritual imprint, with non-discursive methods. They promote openness to others. The goal of this thesis is to describe, through an analysis of a dozen transnational films, how new concepts defining ways to live a spiritual life today can be found. Further the thesis will underline why this spirituality is linked with ethics. To reach that goal, the thesis relies strongly on the works of philosophers Gilles Deleuze (France) and Stanley Cavell (USA). Both have been judged to have complementary approaches for this research, and have made a strong mark on cinematographic studies in the last decades. Deleuze has developed his philosophy on what distinguishes cinema from the other arts. Cavell has focused his thoughts on the importance of cinema for its viewers. Finally, this thesis is in the form of a theology, or theologic-philosophic thought, not linked to a religious tradition and in synchronicity with its times.
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Books on the topic "Nomadic subjects"

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Nomadic subjects: Embodiment and sexual difference in contemporary feminist theory. 2nd ed. New York: Columbia University Press, 2011.

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Nomadic subjects: Embodiment and sexual difference in contemporary feminist theory. New York: Columbia University Press, 1994.

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Fast cars and bad girls: Nomadic subjects and women's road stories. New York: P. Lang, 2004.

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The "tinkers" in Irish literature: Unsettled subjects and the construction of difference. Dublin: Irish Academic Press, 2008.

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Nomadic voices: Conrad and the subject of narrative. Urbana: University of Illinois Press, 1992.

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The female fantastic: Evolution, theories and the poetics of perversion : nomadic subjects, free play of differences and different ways of generating sounds : per un progetto di traduzione del fantastico femminile italiano dal 1880 al 1990. [Pesaro]: Aras, 2009.

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Ramsay, Anne. EUROSTAT index: A detailed keyword subject index to the statistical series published by the Statistical Office of the European Communities, with notes on the series. 4th ed. Stamford, Lincs: Capital Planning Information, 1989.

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Ramsay, Anne. Eurostat index: A detailed keyword subject index to the statistical series published by the Statistical Office of the European Communities with notes on the series. 5th ed. Stamford: Capital Planning Information, 1992.

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Ramsay, Anne. Eurostat index: A detailed keyword subject index to the statistical series published by the Statistical Office of the European Communities : with notes on the series. 5th ed. Stamford: Capital Planning Information, 1992.

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Ramsay, Anne. EUROSTAT index: A detailed keyword subject index to the statistical series published by the Statistical Office of the European Communities, with note on the series. 3rd ed. Stamford, Lincs. [England]: Capital Planning Information, 1986.

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Book chapters on the topic "Nomadic subjects"

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Watkins, Mary, and Helene Shulman. "Non-Subjects and Nomadic Consciousness." In Toward Psychologies of Liberation, 158–75. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230227736_10.

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Villa, Paula-Irene. "Mobilität, Heterotopie, Dezentrierung. Rosi Braidotti: »Nomadic Subjects«." In Schlüsselwerke der Postcolonial Studies, 143–52. Wiesbaden: VS Verlag für Sozialwissenschaften, 2012. http://dx.doi.org/10.1007/978-3-531-93453-2_11.

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Eisenhauer, Jennifer. "12. M/othering Multiculturalism: Adoption, Diversity, and Nomadic Subjects." In Mothering a Bodied Curriculum, edited by Stephanie Springgay and Debra Freedman, 221–35. Toronto: University of Toronto Press, 2012. http://dx.doi.org/10.3138/9781442696846-014.

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"Nomadic Subjects: Feminist Postmodernism as Antirelativism." In Justice and Democracy, 345–62. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824863197-024.

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Bonasera, Carmen. "«Peregrina en mí misma»." In America: il racconto di un continente | América: el relato de un continente. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-319-9/041.

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The present essay aims at contextualising the production of Puerto Rican poet Julia de Burgos amongst migration writings, highlighting her divergence from patriarchal treintista ideology and her pan-American ideal that conciliates plurality of identities. Furthermore, the essay proves that, despite being related to difficult circumstances, the migrating identity of female Latin American subjects may acquire positive connotations when transposed into lyrical texts. For this purpose, the ecocritical analysis of a selection of texts by Julia de Burgos will show how the fluidity of the female nomadic subject is mirrored in an imagery related to nature and dominated by watery elements.
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Talbayev, Edwige Tamalet. "Traumatic Allegories." In The Transcontinental Maghreb. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823275151.003.0004.

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Taking as a starting point Ranjana Khanna’s political concept of melancholic remembrance as the choice avenue towards a more democratic Algeria, this chapter offers a critique of dominant readings of Mokeddem’s transnational framework in light of Deleuzian deterritorialization. It argues that the fluctuations of her novel N’Zid’s “post-traumatic” allegorical mode of expression (Ross Chambers) tear the seemingly clear-cut opposition between rooted and nomadic subjects. In turn, they reveal more complex forms of identity which, if they do not sacrifice the singular in the name of the collective, do not sacrifice the collective in the name of the singular. Both exceeding the nation and actively laying claim to it, this model of mobility elaborates a Mediterranean framework of social interactions intent on reclaiming and preserving the diversity of the Algerian collective in a melancholic mode. The chapter demonstrates how this empowered form of singularity navigates the meanders of collective and individual memory to undo many years of forced oblivion. A remodeling of Mokeddem’s Deleuzian desert nomadism, her Mediterranean trope emerges as a strategic transnational channel of opposition to narrow definitions of collective identity and spawns a new social compact in the wake of the Algerian Black Decade.
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Hudson, Mark James. "Language dispersals and the “Secondary Peoples’ Revolution”." In The Oxford Guide to the Transeurasian Languages, 806–14. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198804628.003.0048.

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Population growth and demic diffusion help explain the early Neolithic expansions of agriculture and Transeurasian languages in Northeast Asia. By the Bronze Age, alluvial agrarian states had come to possess considerable political and economic dominance over their subjects in the civilizational centers of Eurasia. At the same time, however, Bronze Age economies offered new opportunities for trade and secondary expansion into areas outside state control. This chapter argues that the resulting population movements—here termed the “secondary peoples’ revolution”—were of great significance in the post-Neolithic dispersals of Transeurasian languages. Four examples are briefly discussed: steppe nomadic pastoralism, Sakha horse and cattle husbandry, northeast Asian hunter-gatherers, and agriculture associated with trade/piracy networks in the Ryukyu Islands.
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"Deleuzian Concepts for Education: The Subject Undone." In Nomadic Education, 183–96. Brill | Sense, 2008. http://dx.doi.org/10.1163/9789087904135_014.

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O’Donnell, S. Jonathon. "Jezebel Assemblages: Witchcraft, Queerness, Transnationality." In Passing Orders, 52–80. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289677.003.0003.

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This chapter explores demonologies of one the most ubiquitous demonic spirits in spiritual warfare literature: the Jezebel spirit. It argues that the figure of Jezebel comes to unify anxieties over the breakdown of “proper” relations between personal and national bodies, conjuring transnational, affective assemblages of religious and political forms that threaten the integrity and reproducibility of a white, cisheteropatriarchal America. It outlines the role of the Jezebel spirit as a gendered nexus uniting evangelical discourses of anti-feminism, anti-abortion, queer- and transphobia, antiblackness, and xenophobia that is enfleshed in “willful” (queer, racialized) subjects. Exploring the image of Jezebel’s witchcraft and her queer partnership with Babylon as symbolizing queer transnational and transcultural bonds “forged” between porous and nomadic non-sovereign bodies, the chapter ultimately frames Jezebel as embodying anxieties over process and flow that unsettle singular concepts of (white, settler) “sovereign man” on which sovereignty is grounded.
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Norov, Batsaikhan, and Batchimeg Usukhbayar. "Čaqar Gebši Luvsančültem’s Offering Ritual to the Fire God." In Sources of Mongolian Buddhism, 309–28. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190900694.003.0015.

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Gebši Luvsančültem (1740–1810), born in Čaqar of current Inner Mongolia, authored hundreds of texts on various subjects in Buddhism, and dedicated all his life to the development of Buddhism. In his texts, nomadic Mongolian lifestyle and culture were widely reflected and syncretized with Buddhist rituals. As he was not only a Buddhist scholar but also a famous medical practitioner, Luvsančültem documented smallpox inoculation and other newly spread infectious diseases among Mongols for the first time. Many of his works are also related to the nāga deity and devil’s wickedness, and to treatments for the unhappy spirits. One of the best examples of them is an offering ritual to the fire, which has two versions, written in Tibetan and Mongolian. Interestingly, the fire deity was described differently in these two versions. In the Mongolian version, the fire deity is appeared as a pleasant looking White Old Man whereas in the Tibetan version who is visualized as fierce imaged God with three faces and six armes. In addition, the fire offering ritual was recognized by traditional medical practitioners as one of the last, most effective, and fierce rituals for nāga spirits that are associated with diseases, when other rituals such as water rituals and sacrificial cake offerings do not show efficacy.
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Conference papers on the topic "Nomadic subjects"

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Kadavath, Gokulnath, Jino Mathew, James Griffin, David Parfitt, and Michael E. Fitzpatrick. "Magnetic Barkhausen Noise Method for Characterisation of Low Alloy Steel." In ASME 2019 Pressure Vessels & Piping Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/pvp2019-94073.

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Abstract Application of NDE techniques to operating reactor materials is useful for the determination of deviations resulting from material inhomogeneity and long-term degradation of properties from irradiation damage. A new programme, Nondestructive Evaluation System for the Inspection of Operation-Induced Material Degradation in Nuclear Power Plants (NOMAD), focuses on the non-destructive investigations of Reactor Pressure Vessel (RPV) steels in ageing reactors to better assess the integrity for lifetime management. In this study, Magnetic Barkhausen Noise (MBN) is used to characterise the effect of inhomogeneties in a Jominy end-quench test specimen subjected to differential cooling rates. The effect of material state encompassing different variables such as surface roughness, microstructure, hardness and residual stress is correlated with the MBN Root Mean Square (RMS) parameter in order to enhance the understanding of the embrittlement phenomena. These studies will contribute to the development of a tool that can monitor and quantify the extent of material degradation in operating nuclear power plants.
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