Academic literature on the topic 'Non-tonal'

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Journal articles on the topic "Non-tonal"

1

Gussenhoven, Carlos. "Commentary: Tonal complexity in non-tonal languages." Journal of Language Evolution 1, no. 1 (2016): 62–64. http://dx.doi.org/10.1093/jole/lzv016.

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2

Percival, Maida, and Kaz Bamba. "Segmental intonation in tonal and non-tonal languages." Journal of the Acoustical Society of America 141, no. 5 (2017): 3701. http://dx.doi.org/10.1121/1.4988075.

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3

Lee, Hyunjung, and Allard Jongman. "Perception of initial stops in tonal and non-tonal Korean." Journal of the Acoustical Society of America 130, no. 4 (2011): 2572. http://dx.doi.org/10.1121/1.3655308.

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4

Chen, Si, Yunjuan He, Ratree Wayland, Yike Yang, Bei Li, and Chun Wah Yuen. "Mechanisms of tone sandhi rule application by tonal and non-tonal non-native speakers." Speech Communication 115 (December 2019): 67–77. http://dx.doi.org/10.1016/j.specom.2019.10.008.

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5

Ciocca, Valter, Alexander L. Francis, and Yanhong Zhang. "Learning of non‐native tonal contrasts with or without tonal context." Journal of the Acoustical Society of America 120, no. 5 (2006): 3175. http://dx.doi.org/10.1121/1.4787948.

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6

Popovic, Linda. "Liszt's Harmonic Polymorphism: Tonal and Non-Tonal Aspects in 'Heroide Funebre'." Music Analysis 15, no. 1 (1996): 41. http://dx.doi.org/10.2307/854169.

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7

Dean, Roger Thornton, and Marcus Thomas Pearce. "Algorithmically-generated Corpora that use Serial Compositional Principles Can Contribute to the Modeling of Sequential Pitch Structure in Non-tonal Music." Empirical Musicology Review 11, no. 1 (2016): 27. http://dx.doi.org/10.18061/emr.v11i1.4900.

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We investigate whether pitch sequences in non-tonal music can be modeled by an information-theoretic approach using algorithmically-generated melodic sequences, made according to 12-tone serial principles, as the training corpus. This is potentially useful, because symbolic corpora of non-tonal music are not readily available. A non-tonal corpus of serially-composed melodies was constructed algorithmically using classic principles of 12-tone music, including prime, inversion, retrograde and retrograde inversion transforms. A similar algorithm generated a tonal melodic corpus of tonal transform
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8

Lin, Hui-shan. "Tonal (non-)transfer in Kunming Reduplication." Journal of East Asian Linguistics 28, no. 1 (2019): 55–105. http://dx.doi.org/10.1007/s10831-019-09190-8.

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9

Li, Yang-wenyi, Xiaoting Cheng, Chenru Ding, John J. Galvin, Bing Chen, and Qian-Jie Fu. "Benefits of long-term music training for segregation of competing speech by tonal language speakers." Journal of the Acoustical Society of America 153, no. 3_supplement (2023): A330. http://dx.doi.org/10.1121/10.0019032.

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Extended experience with meaningful pitch information has been shown to benefit music perception as well as speech perception where pitch cues are important, such as segregation of competing speech and tonal language perception. Interestingly, pitch perception has been shown to be similar between non-musicians who speak a tonal language and musicians who speak a non-tonal language, both of which outperform non-musicians who speak a non-tonal language. However, it is unknown whether extensive music training can further benefit pitch perception in tonal language speakers. In this study, melodic
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10

Thompson, Avery. "Tonal language speakers experience less vocal impairment from alcohol." Scilight 2022, no. 33 (2022): 331102. http://dx.doi.org/10.1063/10.0013392.

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