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Journal articles on the topic 'Nonsense literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Tilghman, B. R. "LITERATURE, PHILOSOPHY AND NONSENSE." British Journal of Aesthetics 30, no. 3 (1990): 256–65. http://dx.doi.org/10.1093/bjaesthetics/30.3.256.

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2

Hołobut, Agata, and Władysław Chłopicki. "Editorial: Humour in nonsense literature." European Journal of Humour Research 5, no. 3 (2017): 1. http://dx.doi.org/10.7592/ejhr2017.5.3.holobut.

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3

ORTÍN, MARCEL. "JOSEP CARNER DAVANT LA NONSENSE LITERATURE." Catalan Review, no. 33 (June 2019): 19–38. http://dx.doi.org/10.3828/catr.33.2.

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4

Abhik, Ganguly. "A Reading of Tagore's 'Children's Literature' as Cultural Counter-Sites." Criterion: An International Journal in English 15, no. 4 (2024): 95–105. https://doi.org/10.5281/zenodo.13683894.

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In its very essence, nonsense literature subverts the cultural hegemonic tropes of a society. It fundamentally uses humor in caricaturing those tropes to evoke anti-establishment ethos. Rabindranath Tagore’s “<em>Khapchara” </em>(1936) dissects a multitude of issues from colonial Bengal, falling under the larger spectrum of socio-cultural themes. The marginalization of ‘nonsense literature’ as a literary space marks its existence as a heterotopia. Michel Foucault defines heterotopia as “counter-sites, a kind of effectively enacted utopia in which the real si

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5

TOBIN, JAMES. "CENTS AND NONSENSE." Yale Review 99, no. 3 (2011): 206–10. http://dx.doi.org/10.1353/tyr.2011.0032.

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6

TOBIN, JAMES. "CENTS AND NONSENSE." Yale Review 99, no. 3 (2011): 206–10. http://dx.doi.org/10.1111/j.1467-9736.2011.00733.x.

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7

Shortsleeve, Kevin. "Edward Gorey, Children's Literature, and Nonsense Verse." Children's Literature Association Quarterly 27, no. 1 (2002): 27–39. http://dx.doi.org/10.1353/chq.0.1442.

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8

McClelland, Ivy L. "Appendix: Nonsense Rhymes." Bulletin of Spanish Studies 86, no. 7-8 (2009): 31–42. http://dx.doi.org/10.1080/14753821003679064.

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9

Sundmark, Björn. "With Captain Hellsing at the Helm: Sailing the Seas of Nonsense in Sjörövarbok." Studia Scandinavica, no. 3(23) (December 13, 2019): 24–37. http://dx.doi.org/10.26881/ss.2019.23.01.

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The article analyses and sheds light on the nonsense techniques used in Lennart Hellsing’s Sjörövarbok (1965) (The Pirate Book). In this article, it is argued, furthermore, that Hellsing’s nonsense writings fit in with his role in Swedish children’s literature in the latter half of the 20th century as both a critic and a carrier of tradition. Theoretically and methodologically the study draws on the critical apparatus developed mainly by Wim Tigges. It is shown that Sjörövarbok is a prime example of nonsense literature, particularly in the use of repetition (names, verbs) and simultaneity of m

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10

Fredman, Stephen, and Alison Rieke. "The Senses of Nonsense." American Literature 65, no. 3 (1993): 589. http://dx.doi.org/10.2307/2927406.

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11

Readman, Mark. "Comforting Nonsense of Creativity." Exchanges: The Interdisciplinary Research Journal 8, no. 1 (2020): 40–56. http://dx.doi.org/10.31273/eirj.v8i1.651.

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Jonah Lehrer’s book Imagine: How Creativity Works was discredited when it was discovered that it included fabricated quotes by Bob Dylan. It was also criticised for cherry picking the science of creativity and adding little of worth to the literature on the subject. While this may be true, I suggest that much scientific literature about creativity is already epistemologically and methodologically incoherent, and characterised by the treatment of creativity as something with stable ontic status, rather than something which is always, inevitably produced through cultural processes of interpretat

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12

Pikalova, Anna. "Linguistic peculiarities of Edward Lear’s limericks." InterConf, no. 29(139) (January 20, 2023): 95–101. http://dx.doi.org/10.51582/interconf.19-20.01.2023.009.

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This paper deals with the peculiarities of Edward Lear’s limericks. It provides the view of nonsense in the English literature. E. Lear’s principle of nonsense is considered. The main linguistics and stylistics features of the poet’s limericks have been distinguished.

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13

Höschl, Cyril. "Prediction: Nonsense or Hope?" British Journal of Psychiatry 163, S21 (1993): 46–54. http://dx.doi.org/10.1192/s0007125000292490.

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Psychiatry and psychopharmacology are no longer aiming to make a decisive breakthrough at the end of the century. Rather than seeking explanations, research workers are looking for ‘predictions’. Three main types of prediction are emerging: a tautological, a heuristic, and an irrelevant one. Few predictions found in the recent literature can be marked as ‘logical’ ones. Nevertheless, predictions play two important roles: they generate new hypotheses that can be falsified in properly designed scientific experiments; they also may serve to falsify given hypotheses. The main recent findings on pr

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14

Kidd, Stephen E. "‘NONSENSE’ IN COMIC SCHOLIA." Classical Quarterly 67, no. 2 (2017): 507–21. http://dx.doi.org/10.1017/s0009838817000477.

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In 1968 E.K. Borthwick, with a brilliant conjecture, cleared up a passage from Aristophanes’Peacethat had been considered ‘nonsense’ since antiquity. ‘Bell goldfinch’ (κώδων ἀκαλανθίς) the line seemed to be saying: a jumbled idea at best, gibberish at worst (1078). The scholium reads ad loc.: ταῦτα δὲ πάντα ἐπίτηδες ἀδιανοήτως ἔφρασεν, ‘all this is said as deliberate nonsense’, and later scholars generally follow suit (W.W. Merry, for example, in his 1900 edition ofPeacerefers to the line as ‘magnificent nonsense’). But Borthwick showed that this was not the case: ‘even nonsense expressions in

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15

Mabbs-Zeno, Carl C. "Making Sense of Nonsense." Politics and the Life Sciences 11, no. 2 (1992): 271. http://dx.doi.org/10.1017/s0730938400015306.

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Alemneh Dejene has aptly subtitled this book “A View from the Village.” Its contribution is in providing the detail borne of experience in one of the world's least forgiving economic environments. It uses extensive personal interviews with peasants to penetrate the logic of existence in rural Ethiopia without relying on emotional or superficial impressions from the interviewer. The author found the right questions to ask and presents the answers he received clearly. He modestly avoids the error of deriving the solutions to Ethiopia's problems from a limited set of observations, even though the

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16

Bannister, Don. "The nonsense of ‘Effectiveness’." DECP Debate 1, no. 89 (1999): 10–12. http://dx.doi.org/10.53841/bpsdeb.1999.1.89.10.

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I found this article byDon Bannisterwhen searching through literature on effectiveness whilst exploring current references on work with failing schools. It wasn’t what I expected to chance upon, but as a fan of Don Bannister and a constructionist in style and thinking, it was a short article that had an enormous impact upon thoughts about talking to children, parents and teachers. It would interesting to hear what readers think, ‘paying heed’, what does this mean to educational psychologists?The piece originally appeared inNew Forum, August 1980 and was reprinted inChanges1998, Vol. 16, 3 with

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17

Anderson, Emily. "‘There was a young girl of the Somme, / Who sat on a number five bomb’: The Representation of Violence in First World War Trench Newspaper Nonsense Rhymes." Literature & History 27, no. 2 (2018): 129–47. http://dx.doi.org/10.1177/0306197318792388.

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The nonsense rhymes that were almost ubiquitous in First World War trench newspapers (periodicals produced by servicemen while on active service) present vivid, humorous, and arresting representations of violence. This article draws attention to servicemen’s widespread use of limericks and parodic nursery rhymes to depict soldiers being, variously, shot, shelled, and bayoneted, and establishes the hitherto unrecognised representational significance of these poems. Those portrayals of the First World War most frequently celebrated for their truthfulness and emotiveness tend to be both solemn an

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18

Dwan, David. "Important Nonsense: Yeats and Symbolism." New Literary History 50, no. 2 (2019): 219–43. http://dx.doi.org/10.1353/nlh.2019.0013.

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19

Sant, Ann Jessie Van, and Lance Bertelsen. "The Nonsense Club: Literature and Popular Culture, 1749-1764." Modern Language Review 84, no. 4 (1989): 931. http://dx.doi.org/10.2307/3731183.

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20

Epstein, William H., and Lance Bertelsen. "The Nonsense Club: Literature and Popular Culture, 1749-1764." Eighteenth-Century Studies 21, no. 3 (1988): 392. http://dx.doi.org/10.2307/2738700.

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21

Sartore, Edoardo. "Was Moore Talking Nonsense?" Grazer Philosophische Studien 100, no. 3 (2023): 277–301. http://dx.doi.org/10.1163/18756735-00000198.

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Abstract This article examines Wittgenstein’s criticism of Moore’s use of “know”, as he developed it in On Certainty. Arguing against much of the literature, the author claims that, by Wittgenstein’s own lights, Moore was not talking nonsense. He does so by showing, first, that the standard reading is based on the idea that hinge propositions are non-epistemic, and second, that Wittgenstein’s alleged adoption of the non-epistemic view is not adequately supported by the textual evidence. The author argues that claims to the contrary depend on an undue conflation, on the part of interpreters, of

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22

Rao, Vamshi K., Christine J. DiDonato, and Paul D. Larsen. "Friedreich’s Ataxia: Clinical Presentation of a Compound Heterozygote Child with a Rare Nonsense Mutation and Comparison with Previously Published Cases." Case Reports in Neurological Medicine 2018 (August 9, 2018): 1–5. http://dx.doi.org/10.1155/2018/8587203.

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Friedreich’s ataxia is a neurodegenerative disorder associated with a GAA trinucleotide repeat expansion in intron 1 of the frataxin (FXN) gene. It is the most common autosomal recessive cerebellar ataxia, with a mean age of onset at 16 years. Nearly 95-98% of patients are homozygous for a 90-1300 GAA repeat expansion with only 2-5% demonstrating compound heterozygosity. Compound heterozygous individuals have a repeat expansion in one allele and a point mutation/deletion/insertion in the other. Compound heterozygosity and point mutations are very rare causes of Friedreich’s ataxia and nonsense

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23

Okrent, John. "from "My Heart and the Nonsense"." Missouri Review 47, no. 1 (2024): 61–68. http://dx.doi.org/10.1353/mis.2024.a923740.

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24

Heyman, Michael. "Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale." European Journal of Humour Research 5, no. 3 (2017): 56. http://dx.doi.org/10.7592/ejhr2017.5.3.heyman.

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Past studies of American nonsense literature have tended to lump it together with the British, for many good reasons. This article, however, distinguishes American nonsense, not just from the British, but from any other tradition, by way of its folk origins and cultural context. One of the least-recognized writers of nonsense is Carl Sandburg, who is famous for his iconic American poetry, but his Rootabaga Stories (1922-30) are some of the best and most distinctive representatives of the genre. Sandburg’s nonsense short stories are lyrical and strange, but their value lies also in their distin

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25

Hołobut, Agata. "Obrazy niepowagi: O tłumaczeniu poezji nonsensu na przykładzie wiersza The Akond of Swat Edwarda Leara." Przekładaniec, no. 40 (2020): 205–39. http://dx.doi.org/10.4467/16891864pc.20.010.13173.

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Images of Irreverence: Nonsense Poetry in Translation as Exemplified by Edward Lear’s Poem The Akond of Swat The paper deals with selected “rewritings” of Edward Lear’s nonsense poem The Akond of Swat, focusing specifically on the translators’, illustrators’, adapters’ and editors’ attitudes towards the allusive nature of the poem – the reference it makes to the historical figure of the Pashtun religious leader Abdul Ghaffūr, also known as the Akond (or Wali) of Swat or Saidū Bābā, which may be viewed as problematic from a postcolonial viewpoint. Recent translated and illustrated versions of t

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26

Doronkina, N. "STRUCTURES OF COMPOSITIONAL SPEECH FORMS IN ENGLISH-LANGUAGE NONSENSE LITERATURE." International Humanitarian University Herald. Philology 1, no. 52 (2021): 54–57. http://dx.doi.org/10.32841/2409-1154.2021.52-1.13.

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27

Lowney, J. "Langston Hughes and the "Nonsense" of Bebop." American Literature 72, no. 2 (2000): 357–85. http://dx.doi.org/10.1215/00029831-72-2-357.

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28

Matthews, J. H. "Rikki Ducornet's Non-Nonsense Almost-Fairy Tales." Symposium: A Quarterly Journal in Modern Literatures 42, no. 4 (1988): 312–28. http://dx.doi.org/10.1080/00397709.1989.10733661.

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29

Everett, Percival. "Abstraction and Nonsense: The real in fiction." Yale Review 111, no. 2 (2023): 128–37. http://dx.doi.org/10.1353/tyr.2023.a900487.

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30

Ladenson, Elisabeth. "Proustian Nonsense: A Partial Taxonomy." Paragraph 45, no. 1 (2022): 22–38. http://dx.doi.org/10.3366/para.2022.0383.

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This article presents a catalogue of some of the ways in which Proust's novel fails to make sense. The major categories of non-sense examined here are: minor inconsistencies due to the unfinished quality of the work; chronological incoherences; and inconsistent distinctions between narrator and author, with particular attention to textual entailments of the differences between the author and his semi-autobiographical narrator in terms of homosexuality, Jewishness and snobbery.

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31

Tian, Peiyu. "A Study of the Literary Nonsense in Lewis Carrolls Through the Looking-Glass and What Alice Found There." Communications in Humanities Research 2, no. 1 (2023): 404–9. http://dx.doi.org/10.54254/2753-7064/2/2022510.

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Nonsense Literature has always been an obscure viewpoint of literature studies. Through the Looking-Glass and What Alice Found There (referred to as Through the Looking-Glass hence) witnessed Lewis Carroll bring this peculiar genre into the spotlight. He designed a series of fictional characters and devised several poems on which he endowed the united characteristic of talking nonsense. This essay aims at analyzing the nonsensical discourse in Through the Looking-Glass, which includes nonsensical utterances, nonsensical poems, and illogical narrations. Starting with skepticisms from the propos

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32

Kern, Scott E., and Jordan M. Winter. "Elegance, silence and nonsense in the mutations literature for solid tumors." Cancer Biology & Therapy 5, no. 4 (2006): 349–59. http://dx.doi.org/10.4161/cbt.5.4.2551.

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33

Dutoit, Thomas. "The Philosophy of Nonsense. The Intuitions of Victorian Nonsense Literature, and: The Violence of Language (review)." L'Esprit Créateur 38, no. 4 (1998): 144–45. http://dx.doi.org/10.1353/esp.2010.0231.

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34

Edwards, Michael. "Wordsworth and the poetics of nonsense." English Academy Review 14, no. 1 (1997): 109–24. http://dx.doi.org/10.1080/10131759785310121.

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35

Ryan, Karen. "Aksenov's ptichii iazyk: Nonsense Reconsidered." Slavic and East European Journal 46, no. 1 (2002): 29. http://dx.doi.org/10.2307/3086230.

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36

Kulka, Tomas. "False Metaphors and Nonsense: Retort to Nelson Goodman." Poetics Today 13, no. 4 (1992): 809. http://dx.doi.org/10.2307/1773301.

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37

Holdstein, Deborah. "From the Editor." College Composition & Communication 58, no. 3 (2007): 321–24. http://dx.doi.org/10.58680/ccc20075909.

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38

Hołobut, Agata. "Images of Irreverence: Nonsense Poetry in Translation as Exemplified by Edward Lear’s Poem “The Akond of Swat”." Przekładaniec, Special issue 1/2022 (December 30, 2022): 144–78. http://dx.doi.org/10.4467/16891864epc.22.007.16521.

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This article discusses selected “rewritings” of Edward Lear’s nonsense poem “The Akond of Swat”, focusing specifically on the translators’, illustrators’, adapters’ and editors’ attitudes towards the allusive nature of the poem – and specifically the reference it makes to the historical figure of the Pashtun religious leader Abdul Ghaffūr, also known as the Akond (or Wali) of Swat or Saidū Bābā, which may be viewed as orientalist or parodistic from a contemporary viewpoint. Recent translated and illustrated versions of the poem inscribe it with new aesthetic and ideological values. Two Polish

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39

Iarossi, Giancarlo, Valerio Marino, Paolo Enrico Maltese, et al. "Expanding the Clinical and Genetic Spectrum of RAB28-Related Cone-Rod Dystrophy: Pathogenicity of Novel Variants in Italian Families." International Journal of Molecular Sciences 22, no. 1 (2020): 381. http://dx.doi.org/10.3390/ijms22010381.

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The small Ras-related GTPase Rab-28 is highly expressed in photoreceptor cells, where it possibly participates in membrane trafficking. To date, six alterations in the RAB28 gene have been associated with autosomal recessive cone-rod dystrophies. Confirmed variants include splicing variants, missense and nonsense mutations. Here, we present a thorough phenotypical and genotypical characterization of five individuals belonging to four Italian families, constituting the largest cohort of RAB28 patients reported in literature to date. All probands displayed similar clinical phenotype consisting o

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40

Singh, Garima. "Stylistic Analysis and Comparative Study Of Edward Lear’s “The Owl And The Pussy-Cat” And Lewis Carroll’s “Jabberwocky”." International Journal of Basic and Applied Sciences 13, no. 2 (2024): 25–31. http://dx.doi.org/10.14419/6119fn22.

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The present paper represents stylistic analysis and comparison of Edward Lear’s “The Owl and the Pussycat” and Lewis Carroll’s “Jabberwocky”. These poems, which are representative of Victorian literary nonsense, engage readers in a fanciful literary experience by subverting normal narrative expectations through the use of unique vocabulary, whimsical topics, and fun sound patterns. Lear’s “The Owl and the Pussycat” is distinguished by its fanciful storyline and endearing application of anapestic meter, which gives the poem a rhythmic, melodic feel. Lear creates a surreal universe where rationa

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41

Banerjee, Ishita. "Hybridism, Humour and Alternative Possibility: Negotiating Identity In Sukumar Ray's Literary Nonsense." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies (ISSN 2455 6564) Vol. III, Issue 2 (June 30, 2018): 102–26. https://doi.org/10.5281/zenodo.2567103.

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There has been an eternal dilemma to look for a suitable definitive analysis of the term humour in the history of cultural studies primarily because of the fact that it is so very common in the everyday usage and interactions that we assume some sort of a generalized notion regarding the various meanings and nuances of the term. Now the relationship of humour with that of a postcolonial worldview makes it all the more intrinsically problematic. This argument is often lost in the whirlpool of literary jargons leading to an enigmatic representation of the true mechanism of humour. In this paper

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42

Kérchy, Anna. "The Acoustics of Nonsense in Lewis Carroll's Alice Tales." International Research in Children's Literature 13, Supplement (2020): 175–90. http://dx.doi.org/10.3366/ircl.2020.0345.

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This article explores how Charles Lutwidge Dodgson's fantasies about Alice's adventures in Wonderland and through the looking-glass (1865, 1871), published under the pen-name Lewis Carroll, renewed the genre of children's literature by turning the vocal play of literary nonsense into the organising principle of child-centric, non-didactic, ludic narratives. 1 It shows how his language games strategically undermine tyrannical ideological structures, whether in the form of discursive ‘regimes of truth’ (Foucault 80), the institution of monarchy, the adult–child hierarchy maintained by a pedagogy

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43

Anna Barton. "Delirious Bulldogs and Nasty Crockery: Tennyson as Nonsense Poet." Victorian Poetry 47, no. 1 (2009): 313–30. http://dx.doi.org/10.1353/vp.0.0038.

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44

SHORLEY, C. "Review. Sense, Antisense, Nonsense. Champigny, Robert." French Studies 42, no. 1 (1988): 115. http://dx.doi.org/10.1093/fs/42.1.115-a.

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45

Herrick, Dylan. "AN ACOUSTIC DESCRIPTION OF CENTRAL CATALAN VOWELS BASED ON REAL AND NONSENSE WORD DATA." Catalan Review: Volume 21, Issue 1 21, no. 1 (2007): 231–56. http://dx.doi.org/10.3828/catr.21.10.

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This paper examines the extent to which vowel height data taken from real words differs from data taken from nonsense words, and it finds no significant differences. As a result, it provides quantitative acoustic data for the seven stressed and three unstressed vowels of Standard Catalan (as uttered by female speakers). The data are drawn from three distinct phonetic contexts, i.e., /bVp/, /bVt/, and /bVk/, and the /bVp/ context consists entirely of nonsense words (the other contexts were all real words). A comparison and statistical analysis of the data for each vowel phoneme show that there

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46

de Oliveira, Cassio. "Literary Nonsense in Daniil Kharms'sIncidents." Slavonica 16, no. 2 (2010): 65–78. http://dx.doi.org/10.1179/136174210x12814458213646.

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47

Renaud, Emma. "A Precursor of Nonsense: John Taylor, the Water Poet." Cahiers Élisabéthains: A Journal of English Renaissance Studies 48, no. 1 (1995): 37–43. http://dx.doi.org/10.1177/018476789504800108.

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48

Gardner, Kevin. "“Nonsense Precipitate”: A Reading ofThe DunciadI, 123–24." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 28, no. 3-4 (2015): 166–69. http://dx.doi.org/10.1080/0895769x.2016.1166930.

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49

Merkushov, S.F. "On Differentiation of Concepts of the Sphere of Artistic Absurdity." Nizhnevartovsk Philological Bulletin, no. 2 (November 16, 2020): 28–32. https://doi.org/10.5281/zenodo.4277605.

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Concretization of the discursive space of the models “absurd in literature” and “literature of the absurd” consists in their comparison, as well as the differentiation of related concepts of the sphere of the absurd (paradoxical and absurd, irrational and absurd, etc.), since, despite their Dialogic nature, they do not coincide in certain parameters. Meanwhile, the issue of dividing terms included in the paradigm of the absurd, we touch indirectly, especially since we will not find a clear division of these related terms in the works of researchers, since the border bet

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50

Pérez Téllez, José Enrique. "Las formas del absurdo y el sinsentido en la literatura = Kinds of absurdity and nonsense in the literature." Signa: Revista de la Asociación Española de Semiótica 25 (January 1, 2016): 865. http://dx.doi.org/10.5944/signa.vol25.2016.16921.

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