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1

Andrzej, Gwóźdź, ed. Kino--gest, ciało, ruch: Film w perspektywie systemów komunikowania niewerbalnego. Wrocław: Wiedza o Kulturze, 1990.

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2

Acting in animation: A look at 12 films. Portsmouth, NH: Heinemann, 2005.

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3

Dobrila, Djukich de Nery, and Bruzual Raquel, eds. Semióticas audiovisuales. Maracaibo: Asociación Venezolana de Semiótica, 2005.

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4

Textual translation and live translation: The total experience of nonverbal communication in literature, theater and cinema. Philadelphia: John Benjamins, 2008.

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5

Durve, Rāṇī. Śabdeviṇa sãvādu. Ṭhāṇe (Pa.): Paramamitra Pablikeśans, 2008.

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6

Durve, Rāṇī. Śabdeviṇa sãvādu. Ṭhāṇe (Pa.): Paramamitra Pablikeśans, 2008.

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7

Beristáin, Helena, and Gerardo Ramírez Vidal. Las miradas y las voces. México, D.F: Universidad Nacional Autónoma de México, 2013.

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8

Zernik, Clélia. Les Sept Samouraïs de Akira Kurosawa: Chorégraphies. Crisnée, Belgique: Yellow Now, 2013.

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9

Pogranicza audiowizualności: Parateksty kina, telewizji i nowych mediów. Kraków: Tow. Autorów i Wydawców Prac Naukowych Universitas, 2010.

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10

1942-, Collins Joan, Downs Al, Pogue Lynda, Children's Book Centre, and National Film Board of Canada, eds. More than words: A primary teacher's handbook for using films to explore the senses in the language and visual arts. Montréal, Québec: National Film Board of Canada, 1986.

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11

Média et malentendus, cinéma et communication politique. Paris: Edilig, 1986.

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12

Communication, cinema, development: From morosity to hope. New Delhi: Manohar, 1998.

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13

An accented cinema: Exilic and diasporic filmmaking. Princeton: Princeton University Press, 2002.

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14

Cine y lenguaje: Hacia una teoría del espectador competente. Zamora, Mich: Colegio de Michoacán, 1985.

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15

Now playing: Learning communication through film. 2nd ed. New York: Oxford University Press, 2015.

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16

Garard, Darin. Now playing: Learning communication through film. 2nd ed. New York: Oxford University Press, 2014.

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17

Alexie, Tcheuyap, and Universitzat Bayreuth, eds. Cinema and social discourse in Cameroon. Bayreuth, Germany: Pia Thielmann & Eckhard Breitinger, 2005.

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18

On the highway of mass communication studies. Cresskill, NJ: Hampton Press, 2004.

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19

de, Nola Jean Paul, Gousseau Josette, Belgium. Ministère de la culture et des affaires sociales. Services de l'exécutif de la communauté française., and Università di Palermo. Cattedra di lingua francese., eds. La communication cinematographique reflets du livre belge: Actes du colloque de Palerme 1-4 mars, 1989. Paris: Didier-Erudition, 1993.

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20

Ferry, Jane. Food in film: A culinary performance of communication. New York, NY: Routledge, 2003.

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21

Statistical approach to the aesthetic communication of a narrative film: With special reference to the film 'Charulata'. Kolkata: Bitorka, 2005.

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22

Stephanie, Dennison, Lim Song Hwee 1965-, and World Cinemas: Identity, Politics, Culture (2002 : University of Leeds), eds. Remapping world cinema: Identity, culture and politics in film. London: Wallflower Press, 2006.

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23

Cine y políticas en Argentina: Continuidades y discontinuidades en 25 años de democracia. Ciudad Autónoma de Buenos Aires: Biblioteca Nacional, 2008.

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24

Coco, Fusco, Bailey Cameron 1963-, and Exit Art (Gallery : New York, N.Y.), eds. The Hybrid state films. New York: Exit Art, 1991.

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25

Ru yan xian ni: Ying shi chuan bo yu she hui yi shi de shuang xiang jian gou. Beijing Shi: Zhongguo wen lian chu ban she, 2015.

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26

Dong jian: Shi jue wen hua yu mei xue = (In)sight : visual culture and aesthetics. Taibei Shi: Shu lin chu ban you xian gong si, 2011.

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27

Lire l'audiovisuel: Précis d'analyse iconique. Paris: Harmattan, 2001.

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28

Proctor, Russell F. Now playing: Learning communication through film. 2nd ed. New York: Oxford University Press, 2012.

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29

Darin, Garard, and Adler, Ronald B. (Ronald Brian), 1946-, eds. Now playing: Learning communication through film. 2nd ed. New York: Oxford University Press, 2009.

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30

Gu, Guangxin. Xin Zhongguo shao shu min zu ti cai dian ying sheng chan yu chuan bo yan jiu: Research on production and communication of ethnic minority films in new China. Shanghai: Shanghai jiao tong da xue chu ban she, 2017.

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31

Anthony, Guneratne, Dissanayake Wimal, and Chakravarty Sumita S, eds. Rethinking Third Cinema. New York: Routledge, 2003.

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32

Palais de Tokyo (Museum : Paris, France), ed. Vivre dangereusement-- jusqu'au bout. Paris: Palais de Tokyo, 2011.

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33

Schulze, Brigitte. Kino im interkulturellen Kontext. Nordhausen: Traugott Bautz, 2008.

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34

Zhongguo dian ying ying xiang biao da yu kua wen hua chuan bo: Cross-cultural communication strategies of Chinese film expression. Beijing Shi: She hui ke xue wen xian chu ban she, 2018.

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35

Laura, Wright, ed. Visual difference: Postcolonial studies and intercultural cinema. New York: Peter Lang, 2010.

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36

Carl, Allison, ed. Communication in film III: Teaching communication courses using feature films. 3rd ed. Australia: Wadsworth/Thomson Learning, 2002.

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37

Kŭnyang choŭn changmyŏn ŭn ŏpta: Maŭm ŭl umjiginŭn sigak k'odŭ ŭi pimil 20. Kyŏnggi-do P'aju-si: Hyohyŏng Ch'ulp'an, 2016.

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38

(Germany), Kunstsammlung Nordrhein-Westfalen, ed. Talking pictures: Theatralität in zeitgenössischen Film- und Videoarbeiten. Düsseldorf: K21, 2007.

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39

CHR dian ying ying xiao yan jiu xiao zu, ed. Zhongguo dian ying zheng he ying xiao guan jian bao gao = The key report of China movie integrated marketing communication practice research. Beijing: Zhongguo dian ying chu ban she, 2010.

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40

Skidmore, Joey. The review as art and communication. Newcastle upon Tyne: Cambridge Scholars Pub., 2013.

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41

Postcolonial cinema studies. Abingdon, Oxon: Routledge, 2011.

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42

L, Stromgren Richard, ed. Light and shadows: A history of motion pictures. 3rd ed. Palo Alto, Calif: Mayfield Pub. Co., 1987.

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43

Choreographie des Koerpers: Interart in Pedro Almodovars Film Sprich Mit Ihr. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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44

Understanding Korean Film: A Cross-Cultural Perspective. Taylor & Francis Group, 2021.

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45

Kiaer, Jieun, and Loli Kim. Understanding Korean Film: A Cross-Cultural Perspective. Taylor & Francis Group, 2021.

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46

Kiaer, Jieun, and Loli Kim. Understanding Korean Film. Taylor & Francis Group, 2021.

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47

Kiaer, Jieun, and Loli Kim. Understanding Korean Film: A Cross-Cultural Perspective. Taylor & Francis Group, 2021.

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48

Kiaer, Jieun, and Loli Kim. Understanding Korean Film: A Cross-Cultural Perspective. Routledge, 2021.

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49

Droznin, Andrei. Physical Actor Training: What Shall I Do with the Body They Gave Me? Taylor & Francis Group, 2016.

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50

Physical Actor Training: What Shall I Do with the Body They Gave Me? Taylor & Francis Group, 2016.

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