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Books on the topic 'Nonverbal communication movements'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Meijer, Marco de. Emotional meaning in large body movements. Tilburg University Press, 1991.

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2

Nonconscious movements: From mystical messages to facilitated communication. Erlbaum, 1997.

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3

Martinet, Suzanne. La musique du corps. DelVal, 1990.

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4

M, Watson Elizabeth, ed. Body code: The meaning in movement. Princeton Book Co., 1987.

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5

Pease, Allan. I︠A︡zyk telodvizheniĭ: Kak chitatʹ mysli okruzhai︠u︡shchikh po ikh zhestam. ĖKSMO-Press, 2000.

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6

Pease, Allan. Body language: How to read others' thoughts by their gestures. Sheldon Press, 1992.

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7

Pease, Allan. Thuuat xét ngưxoi qua điueu buo. 4th ed. NXB Trke, 2002.

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8

Pease, Allan. Body language: How to read others' thoughts by their gestures. Pease Training International, 1999.

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9

Frances, La Barre, ed. The first year and the rest of your life: Movement, development, and psychotherapeutic change. Routledge, 2010.

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10

As others see us: Body movement and the art of successful communication. Gordon and Breach, 1994.

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11

As others see us: Body movement and the art of successful communication. Routledge, 2004.

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12

Moore, Carol-Lynne. Executives in action: A guide to balanced decision-making in management. Pitman, 1988.

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13

Bridging the silence: Nonverbal modalities in the treatment of adult survivors of childhood sexual abuse. W.W. Norton, 1994.

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14

Goldman, Ellen. As Others See Us. Taylor & Francis Inc, 2003.

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15

Bucy, Erik P., and Patrick Stewart. The Personalization of Campaigns: Nonverbal Cues in Presidential Debates. Oxford University Press, 2018. http://dx.doi.org/10.1093/acrefore/9780190228637.013.52.

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Nonverbal cues are important elements of persuasive communication whose influence in political debates are receiving renewed attention. Recent advances in political debate research have been driven by biologically grounded explanations of behavior that draw on evolutionary theory and view televised debates as contests for social dominance. The application of biobehavioral coding to televised presidential debates opens new vistas for investigating this time-honored campaign tradition by introducing a systematic and readily replicated analytical framework for documenting the unspoken signals that are a continuous feature of competitive candidate encounters. As research utilizing biobehavioral measures of presidential debates and other political communication progresses, studies are becoming increasingly characterized by the use of multiple methodologies and merging of disparate data into combined systems of coding that support predictive modeling.Key elements of nonverbal persuasion include candidate appearance, communication style and behavior, as well as gender dynamics that regulate candidate interactions. Together, the use of facial expressions, voice tone, and bodily gestures form uniquely identifiable display repertoires that candidates perform within televised debate settings. Also at play are social and political norms that govern candidate encounters. From an evaluative standpoint, the visual equivalent of a verbal gaffe is the commission of a nonverbal expectancy violation, which draws viewer attention and interferes with information intake. Through second screens, viewers are able to register their reactions to candidate behavior in real time, and merging biobehavioral and social media approaches to debate effects is showing how such activity can be used as an outcome measure to assess the efficacy of candidate nonverbal communication during televised presidential debates.Methodological approaches employed to investigate nonverbal cues in presidential debates have expanded well beyond the time-honored technique of content analysis to include lab experiments, focus groups, continuous response measurement, eye tracking, vocalic analysis, biobehavioral coding, and use of the Facial Action Coding System to document the muscle movements that comprise leader expressions. Given the tradeoffs and myriad considerations involved in analyzing nonverbal cues, critical issues in measurement and methodology must be addressed when conducting research in this evolving area. With automated coding of nonverbal behavior just around the corner, future research should be designed to take advantage of the growing number of methodological advances in this rapidly evolving area of political communication research.

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16

Petry, Melodie Kathleen. Studies in nonverbal communication applied to theatre: Power in subtlety of voice and movement. 1990.

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17

Eye Gaze In Intelligent User Interfaces Gazebased Analyses Models And Applications. Springer London Ltd, 2013.

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18

Lamb, Warren, and Elizabeth Watson. Body Code: The Meaning in Movement. Princeton Book Co Pub, 1994.

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19

Goldman, Ellen. As others see us: Body movement and the art of successful communication. Gordon & B., Switzerland, 1994.

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20

Goodman, Ellen, and Ellen Goldman. As Others See Us: Body Movement and the Art of Successful Communication. Gordon & Breach Science Pub, 1995.

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21

Goldman, Ellen. As Others See Us: Body Movement and the Art of Successful Communication. Routledge, 2003.

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22

Goldman, Ellen. As Others See Us: Body Movement and the Art of Successful Communication. Taylor & Francis Group, 2016.

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23

Kwang-soo, Sung, ред. Mom kwa momchit munhwa ŭi riŏllitʻi. Somyŏng Chʻulpʻan, 2003.

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24

Daniel, Yvonne. Contredanse and Caribbean Bodies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036538.003.0003.

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This chapter examines the varied meanings attached to social dance, with particular emphasis on contredanse-derived practices in the Caribbean islands. Drawing on fieldwork conducted in 2005–2006, it considers how Caribbean bodies dance sovereignty in front of world powers and the ways that they affirm island and regional integrity in the nonverbal communication of dance performance. After providing an overview of the historical patterns of Caribbean set dancing and the history of the Caribbean from the sixteenth to the eighteenth centuries, the chapter turns to practices such as Cuban contradanza and tumba francesa, Puerto rican contradanza and los seises, and Dominican sarandunga. It then discusses dance movement and dance categories; King and Queen pageantry that typically accompanies quadrille practices; and Queen performance. The chapter suggests that historical contredanse forms represent important values that have influenced past and present performers.

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25

"In motion"-- a choreographic thesis: An exploration of the communicative potentials of literal and nonliteral modern dance. 1987.

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26

"In motion"--a choreographic thesis: An exploration of the communicative potentials of literal and nonliteral modern dance. 1987.

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27

"In motion", a choreographic thesis: An exploration of the communicative potentials of literal and nonliteral modern dance. 1986.

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