Relevant bibliographies by topics / Norman Rockwell

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Norman Rockwell'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Norman Rockwell"

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Schatzki, S. C. "Norman Rockwell visits a country doctor." American Journal of Roentgenology 173, no. 4 (October 1999): 984. http://dx.doi.org/10.2214/ajr.173.4.10511162.

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Graebner, William. "Norman Rockwell and American Mass Culture: The Crisis of Representation in the Great Depression." Prospects 22 (October 1997): 323–56. http://dx.doi.org/10.1017/s0361233300000156.

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By the summer of 1929, Norman Rockwell was a full-fledged success. At age thirty-five, he had been creating covers for the Saturday Evening Post for thirteen years. A generation of American youth had grown up beguiled by his illustrations for Boys' Life, St. Nicholas, and the Boy Scouts' calendar. For more than a decade, Rockwell's artistry had helped sell Adams Black Jack gum, American Mutual insurance, Sun Maid raisins, and Coca-Cola. As this commercial success modulated into social success, Rockwell, whose father had risen to middle-class respectability in the offices of a New York City textile firm, found himself living the good life in the artists' colony of suburban New Rochelle. The drab apartments and boardinghouses of his youth and adolescence had been left behind. He joined the Larchmont Yacht Club, golfed in clothes from Brooks Brothers, and hosted elaborate parties worthy of Jay Gatsby.
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Carabaño Aguado, I. "Antes de la inyección: Norman Rockwell, 1958." Pediatría Atención Primaria 14, no. 55 (September 2012): 275. http://dx.doi.org/10.4321/s1139-76322012000400017.

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Young, Gregg. "Norman Rockwell and American Attitudes Toward Technology." Journal of American Culture 13, no. 1 (March 1990): 95–103. http://dx.doi.org/10.1111/j.1542-734x.1990.1301_95.x.

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Losse, Arlyle Mansfield, and Carl H. Losse. "NORMAN ROCKWELL: A DEFINITIVE CATALOGUE. Laurie Norton Moffatt." Art Documentation: Journal of the Art Libraries Society of North America 6, no. 1 (April 1987): 47. http://dx.doi.org/10.1086/adx.6.1.27947739.

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Segal, Eric J. "Norman Rockwell and the Fashioning of American Masculinity." Art Bulletin 78, no. 4 (December 1996): 633. http://dx.doi.org/10.2307/3046212.

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Gerlach, Larry. "Norman Rockwell and Baseball: Images of the National Pastime." NINE: A Journal of Baseball History and Culture 23, no. 1 (2014): 41–63. http://dx.doi.org/10.1353/nin.2014.0036.

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WALKER, JOHN A. "NORMAN ROCKWELL: THE UNDERSIDE OF INNOCENCE BY RICHARD HALPERN." Art Book 15, no. 2 (May 2008): 54–55. http://dx.doi.org/10.1111/j.1467-8357.2008.00957.x.

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Gandhi, Jagdeep Singh. "Portrayal of a Profession: The Art of Norman Rockwell." American Journal of Medicine 127, no. 10 (October 2014): 1024–25. http://dx.doi.org/10.1016/j.amjmed.2014.06.019.

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Galvan, Margaret. "“The Lesbian Norman Rockwell”: Alison Bechdel and Queer Grassroots Networks." American Literature 90, no. 2 (June 1, 2018): 407–38. http://dx.doi.org/10.1215/00029831-4564358.

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Dissertations / Theses on the topic "Norman Rockwell"

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Hoover, Deborah D. "Norman Rockwell: The Business of Illustrating the American Dream." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1543573493216126.

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Rosa, de Souza Carolina Curassá [UNESP]. "Alcântara Machado e Norman Rockwell: a arte de descrever sociedades." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/94157.

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Made available in DSpace on 2014-06-11T19:26:54Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-08-03Bitstream added on 2014-06-13T18:30:51Z : No. of bitstreams: 1 souza_ccr_me_sjrp.pdf: 1040702 bytes, checksum: a573de64b7a05adb9b394d110a516835 (MD5)
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Antônio de Alcântara Machado e Norman Rockwell são figuras representativas da produção artística das sociedades em que viveram. Machado engajou-se no modernismo brasileiro e inovou a narrativa do conto. Já Rockwell representou a cultura norte-americana por quase todo o século XX, sem utilizar, contudo, formas tão inovadoras como fez Alcântara. Esta dissertação de mestrado pretende analisar a existência de relações formais e temáticas entre os autores, ainda que haja poucas ligações artísticas, sociais ou econômicas entre eles. Valendo-se da teoria da intermidialidade e das funções da linguagem de Jakobson, busca-se estruturar um quadro comparativo e aumentar as possibilidades de leituras relativas a cultura e literatura expostas em parte da obra de Alcântara Machado e da de Norman Rockwell
Antônio de Alcântara Machado and Norman Rockwell were representative figures when we think about Brazilian and American artistic production. Machado was engaged in the Brazilian modernism and innovated the narrative structure of short-stories. Rockwell, on the other hand, represented the American culture on his canvases for almost the entire twentieth century, without using, however, the same innovative way of production as Alcântara did. This dissertation aims to analyze the existence of formal and thematic links between those artists, even with few artistic, social or economic connection between them. Drawing on the theories about Intermidiality and Jakobson’s functions of language, our intent is to structure a comparative panel and to increase the possibilities of readings related to culture and literature exhibited in the artistic production by Alcântara Machado and Normal Rockwell
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Rosa, de Souza Carolina Curassá. "Alcântara Machado e Norman Rockwell : a arte de descrever sociedades /." São José do Rio Preto : [s.n.], 2012. http://hdl.handle.net/11449/94157.

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Orientador: Álvaro Luiz Hattnher
Banca: Maria de Lurdes Ortiz Gandini Baldan
Banca: Diana Junkes Martha Toneto
Resumo: Antônio de Alcântara Machado e Norman Rockwell são figuras representativas da produção artística das sociedades em que viveram. Machado engajou-se no modernismo brasileiro e inovou a narrativa do conto. Já Rockwell representou a cultura norte-americana por quase todo o século XX, sem utilizar, contudo, formas tão inovadoras como fez Alcântara. Esta dissertação de mestrado pretende analisar a existência de relações formais e temáticas entre os autores, ainda que haja poucas ligações artísticas, sociais ou econômicas entre eles. Valendo-se da teoria da intermidialidade e das funções da linguagem de Jakobson, busca-se estruturar um quadro comparativo e aumentar as possibilidades de leituras relativas a cultura e literatura expostas em parte da obra de Alcântara Machado e da de Norman Rockwell
Abstract: Antônio de Alcântara Machado and Norman Rockwell were representative figures when we think about Brazilian and American artistic production. Machado was engaged in the Brazilian modernism and innovated the narrative structure of short-stories. Rockwell, on the other hand, represented the American culture on his canvases for almost the entire twentieth century, without using, however, the same innovative way of production as Alcântara did. This dissertation aims to analyze the existence of formal and thematic links between those artists, even with few artistic, social or economic connection between them. Drawing on the theories about Intermidiality and Jakobson's functions of language, our intent is to structure a comparative panel and to increase the possibilities of readings related to culture and literature exhibited in the artistic production by Alcântara Machado and Normal Rockwell
Mestre
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KLEOPFER, KIRSTIE L. "NORMAN ROCKWELL'S CIVIL RIGHTS PAINTINGS OF THE 1960s." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1179431918.

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Halling, Shelly Stock. "Propaganda Powers Social Reform: The Visual Rhetoric of Lewis Hine, Dorothea Lange, and Norman Rockwell." DigitalCommons@USU, 2015. https://digitalcommons.usu.edu/etd/4253.

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This thesis is a study of the visual rhetoric of Lewis Hine, Dorothea Lange, and Norman Rockwell. The claim is Hine, Lange, and Rockwell’s artwork is propaganda because it is posed, contrived, and emotionally manipulative. The three artists used their propaganda art to bring awareness to the plight of exploited children, impoverished migrant workers, and racial segregation. The thesis concludes that Hine, Lange, and Rockwell were advocates for social reform, and their art instigated change for various enclaves of the American populace. The initial chapter reviews the theoretical components of propaganda, visual rhetoric, and advocacy, and explains how these overlap to create a framework to examine the photographs of Hine and Lange, and the paintings of Rockwell. Subsequent chapters delve into the individual lives, motives, and art of the artists, placing each artist in an historical context. Selected pieces of art that are exemplary of both propaganda and advocacy are chosen for close reading.
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Lynch, Sylvio III. "Morality and Aspiration: Some Conditions of Norman Rockwell's Four Freedoms." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1577554501384163.

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Segal, Eric Jefferson. "Realizing whiteness in U.S. visual culture the popular illustration of J.C. Leyendecker, Norman Rockwell, and the Saturday Evening Post, 1917-1945 /." [S.l. : s.n.], 2002. http://catalog.hathitrust.org/api/volumes/oclc/53916458.html.

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Thesis (Ph. D.)--University of California, Los Angeles, 2002.
Vita. Illustrations not reproduced. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 411-432).
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Kleopfer, Kirstie Lane. "Norman Rockwell's civil rights paintings of the 1960s." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1179431918.

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Thesis (M.A.)--University of Cincinnati, 2007.
Title from electronic thesis title page (viewed July 13, 2007). Includes abstract. Keywords: Norman Rockwell; civil rights; illustrations; African Americans. Includes bibliographical references.
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Books on the topic "Norman Rockwell"

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Norman Rockwell. San Diego, Calif: Lucent Books, 1997.

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Norman Rockwell. Leicester: Magna Books, 1989.

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Marling, Karal Ann. Norman Rockwell. New York: Harry N. Abrams in association with the National Museum of American Art, Smithsonian Institution, 1997.

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Rockwell, Norman. Norman Rockwell. New York: Crescent Books, 1989.

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1894-1978, Rockwell Norman, ed. Norman Rockwell. Edina, Minn: ABDO Pub. Co., 2006.

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Venezia, Mike. Norman Rockwell. New York: Children's Press, 2000.

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Norman Rockwell: Paintings. New York: Wings Books, 1994.

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Foster, Paul. Norman Rockwell 1894-1978. [New York]: Arts4All, 2004.

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Rockwell, Norman. A Norman Rockwell Christmas. New York: Barnes & Noble Books, 2005.

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Schorr, Collier. The essential Norman Rockwell. New York: Harry N. Abrams, 1999.

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Book chapters on the topic "Norman Rockwell"

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Frascina, Francis A. "Advertisements for Itself: The New York Times, Norman Rockwell, and the New Patriotism." In The Selling of 9/11, 75–96. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-08003-5_4.

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"Rockwell, Norman." In The Visual Dictionary of Illustration, 200. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2009. http://dx.doi.org/10.5040/9781474293754.0188.

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"Norman Rockwell (1918)." In Sojourns in Charleston, South Carolina, 1865-1947, 209–23. University of South Carolina Press, 2019. http://dx.doi.org/10.2307/j.ctv7r41v5.19.

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"Aaron Copland, Norman Rockwell, and the "Four Freedoms"." In Aaron Copland and His World, 351–78. Princeton University Press, 2005. http://dx.doi.org/10.1515/9780691186153-016.

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"Gendered Labor: Norman Rockwell's Rosie the Riveter and the discourses of wartime womanhood: Melissa Dabakis." In Gender and American History Since 1890, 191–213. Routledge, 2012. http://dx.doi.org/10.4324/9780203132906-15.

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