Relevant bibliographies by topics / North American poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'North American poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "North American poetry"

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RAWSON, ERIC. "American Poetry and Private Real Property." Journal of American Studies 47, no. 1 (2012): 69–87. http://dx.doi.org/10.1017/s0021875812001363.

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This article examines the ways in which American poetic practice and thematics map a conception of private real property as it has developed uniquely on the North American continent. I explore how the Land Ordinance of 1790, the Preemption Act, the Homestead Act, and other land-use policies shaped a conception of the developing landscape as divisible into a vast agglomeration of private enterprises mediated primarily by the transfer of title deeds. The impact of private real property beliefs and practices, I argue, has shaped both the practice and the reception of American poetry (and other cultural products) for at least the last 150 years. I incorporate the insights of cultural geography – particularly the work of John B. Jackson, Carl Sauer, and Scott Freundschuh – to understand how the last century's building practices and the reorganization of the landscape, particularly in western metropolitan areas, find imaginative expression in poetry. Although mine is not a law-in-literature approach, I contend that modern/postmodern poetry operates in a way that depends on the very exchange values of the late capitalist property system it often critiques.
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McGrath, Eileen. "North Carolina Books." North Carolina Libraries 68, no. 1 (2011): 23. http://dx.doi.org/10.3776/ncl.v68i1.320.

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Compiled by Eileen McGrath, the following books are included: The North Carolina Gazetter: A Dictionary of Tar Heel Places and Their History; Becoming Elizabeth Lawrence: Discovered Letters of a Southern Gardener; The Southern Mind under Union Rule: The Diary of James Rumley; A Day of Blood: The 1898 Wilmington Race Riot; Kay Kyser: The Ol' Professor of Sing! America's Forgotten Superstar; Haven on the Hill: A History of North Carolina's Dorothea Dix Hospital; Middle of the Air; Lumbee Indians in the Jim Crow South: Race, Identity, and the Making of a Nation; Cow across America; Real NASCAR: White Lightning, Red Clay, and Big Bill France; 27 Views of Hillsborough: A Southern Town in Prose & Poetry; Twelve by Twelve: A One Room Cabin off the Grid and beyond the American Dream; and Down Home: Jewish Life in North Carolina.
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Regan, Stephen. "North of Boston: Models of Identity, Subjectivity and Place in the Poems of Robert Frost." Articles, no. 51 (October 31, 2008): 0. http://dx.doi.org/10.7202/019262ar.

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Abstract Although the titles of Robert Frost’s collections of poetry, including North of Boston, appear to ground his work in a precise location and a known community, the poems themselves belie any secure sense of geography and any secure sense of attachment. Many of the poems were, in fact, composed in Buckinghamshire and Gloucestershire shortly before the outbreak of the First World War, and they reveal an acute awareness of British, as well as American, literary traditions and ideals. This essay looks at how Frost created the New England of his poems, subtly establishing lines of continuity with British and American Romanticism while simultaneously harbouring profound philosophical doubts about inherited models of poetic subjectivity and imagination. The place of poetry, for Frost, is seen to be a place in which the play of mind is, itself, the most pressing subject matter.
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Dudeck, Stephan. "Dialogical Relationships and the Bear in Indigenous Poetry." Sibirica 17, no. 2 (2018): 114–20. http://dx.doi.org/10.3167/sib.2018.170208.

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The essay provides a review of a small but remarkable book on the work of two important Native American and Siberian poets, Meditations after the Bear Feast by Navarre Scott Momaday and Yuri Vella, published in 2016 by Shanti Arts in Brunswick, Maine. Their poetic dialogue revolves around the well-known role of the bear as a sociocultural keystone species in the boreal forest zone of Eurasia and North America. The essay analyzes the understanding of dialogicity as shaping the intersubjectivity of the poets emerging from human relationships with the environment. It tries to unpack the complex and prophetic bear dream in one of Vella’s poems in which he links indigenous ontologies with urgent sociopolitical problems.
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Anderson, Roger. "BAKING AND BASEBALL IN INDONESIA: REALIA IN TEACHING AMERICAN CULTURE IN INTENSIVE ENGLISH PROGRAM FOR UNIVERSITY FACULTY/STAFF." International Journal of Education 9, no. 1 (2016): 32. http://dx.doi.org/10.17509/ije.v9i1.3715.

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<p>In this reflection, the author reports on his experience teaching English through American culture to Indonesian university educators during three week intensive programs in Indonesia. The author implemented culturally meaningful activities based upon the use of realia, or objects that connect language and on-the-ground reality of native speakers for the foreign language learner. Baseball, baking, the card game Uno, and poetry proved to be successful vehicles for learning. Additionally, emailing between the class and the author’s contacts in North America provided participants with “case studies” of real Americans/native speakers of English. Such interactions with actual Americans may provide a useful contrast/compliment to the stereotypical images of Americans disseminated by mass media. Lastly, while the teaching of English and American culture overseas may be controversial to some, this reflection argues that the careful selection of pedagogies can facilitate mutually enriching exchanges. Insights into appropriate realia, subsequent activities, and teaching considerations in Indonesia may be gleaned from this reflection by pedagogues and practitioners alike. </p>
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JORDAN, AMY. "“All Your Ages at the Mercy of My Loves”: Rewriting History in John Berryman's Homage to Mistress Bradstreet." Journal of American Studies 48, no. 4 (2014): 999–1018. http://dx.doi.org/10.1017/s0021875814000632.

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Since its 1953 publication, John Berryman's Homage to Mistress Bradstreet has incited debate. The text's dialogue with the first published poet of colonial North America has been described as a factual study, a redaction of adultery and a veiled critique of modern society. It is seldom noted, however, that Berryman's strategy of “modulat[ing]” his voice into Anne Bradstreet's raises key questions regarding his reappropriation of her life and writing. Does Homage's conscious ventriloquism problematize its status as a “historical” poem? And how might this revised understanding illuminate the work's relation to America's origins? This paper proposes a more multifaceted context for Homage's composition than has hitherto been recognized. Through mapping the poem's rewriting of history, I demonstrate it to be the product of both national and literary anxieties: if voicing Bradstreet enables Berryman to interrogate the American Dream's legacy, her canonical status casts scrutiny upon the contemporary poet's role in an age of sociopolitical tensions. Foregrounding Berryman's public self-positioning in Homage invites a reassessment of his engagements with society that liberates his oeuvre from “confessional” designations. As a result, it opens the way for readings that might situate Homage and The Dream Songs within the wider tradition of American epic poetry.
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Heryford, Ryan. "Recomposing Ecopoetics: North American Poetry of the Self-Conscious Anthropocene. By Lynn Keller." ISLE: Interdisciplinary Studies in Literature and Environment 27, no. 2 (2020): 419–21. http://dx.doi.org/10.1093/isle/isaa027.

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Meredith, Howard, and Joseph Bruchac. "Returning the Gift: Poetry and Prose from the First North American Native Writers' Festival." World Literature Today 69, no. 2 (1995): 410. http://dx.doi.org/10.2307/40151310.

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Dominguez, Patricia Buck, and Joe A. Hewitt. "A Public Good: Documenting the American South and Slave Narratives." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 8, no. 2 (2007): 106–24. http://dx.doi.org/10.5860/rbm.8.2.285.

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Documenting the American South (DAS) is an electronic publishing program of the University of North Carolina Library that provides public access to primary source materials related to Southern history, literature, and culture from the colonial period through the first decades of the twentieth century.1 It includes mainly nineteenth- and early twentieth-century published texts, with large numbers of autobiographies, biographies, essays, travel accounts, poetry, diaries, letters, and memoirs. It also offers a few titles published in the seventeenth and eighteenth centuries, and some manuscripts, images, and audio files. DAS currently includes ten thematic collections.2 The American South has a unique cultural . . .
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Zhukov, Vladislav, and Anastasia Smirnova. "Cognitive technologies in cluster of identification of irrational images of Romanticism and symbolism." E3S Web of Conferences 244 (2021): 05037. http://dx.doi.org/10.1051/e3sconf/202124405037.

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The main goal of the project is to use cognitive technologies to create an author’s, metaphorical, temporal system model of images of modern jewelry using the linguo-combinatorial method in the implementation of retro styles - locally stable structures of the design landscape represented by the cultural code of the irrational eidos of poetry and prose of North American symbolism and romanticism of the mid-19th century..
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Dissertations / Theses on the topic "North American poetry"

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Rickey, Russell P. "Referentially speaking, generating meaning(s) in contemporary North American poetry." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23476.pdf.

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Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North America. I first trace the poetic reception of Sappho and Catullus in the oeuvres of the four authors separately. I define and evaluate the role of the respective appropriations within each author’s work and poetics. I then contextualise the four case studies within the Italian and North American literary histories. Finally, through the new outlook afforded by the comparative angle of this thesis, I uncover some of the hidden threads connecting the different types of classical lyricism transnationally. The thesis shows that the course of classical lyricism takes two opposite aesthetic directions in Italy and in North America. Moreover, despite the two aesthetic trajectories diverging, I demonstrate that the four poets’ appropriations of Sappho and Catullus share certain topical characteristics. Three out of four types of classical lyricism are defined by a preference for Sappho’s and Catullus’ lyrics which deal with marriage rituals and defloration, patterns of death and rebirth, and solar myths. They stand out as the epiphenomena of the poets’ interest in the anthropological foundations of the lyric, which is grounded in a philosophical function associated with poetry as a quest for knowledge. I therefore ultimately propose that ‘classical lyricism’ may be considered as an independent historical and interpretative category of the classical legacy.
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Miranda, Deborah A. ""In my subversive country" : searching for American Indian women's love poetry and erotics /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/9358.

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Spann, Britta. "Reviving Kalliope : four North American women and the epic tradition /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://hdl.handle.net/1794/10356.

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Typescript. Includes vita and abstract. Discusses the poetry of H.D., Gwendolyn Brooks, Louise Glück, and Anne Carson. Includes bibliographical references (leaves 261-267). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
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Ballard, Elizabeth Lyons. "Red-tinted landscape : the poetics of Indian removal in major American texts of the nineteenth century /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1989.

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Hussain, Nasser. "Embodiment in contemporary North American performance poetry from David Antin to Christian Bök". Thesis, University of York, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445468.

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Snapp, Lacy. "'A Dream of Completion': The Journey of American Working-Class Poetry." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3593.

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This survey follows the development of working-class poetry from Whitman to contemporary poets. It begins by considering how the need for working-class poetry emerged. Whitman’s “Song of Myself” sought to democratize poetry both my challenging previous poetic formal conventions and broadening the scope of included subjects. Williams also challenged formal expectations, but both were limited by their historical and socioeconomic position. To combat this, I include the twentieth-century poets Ignatow and Levine who began in the working class so they could speak truths that had not been published before. Ignatow includes the phrase “dream of completion” which encapsulates various feelings of the working class. This dream could include moments of temporary leisure, but also feeling completed by societal acceptance or understanding. Finally, I include the contemporary poets Laux, Addonizio, and Espada. They complicate the “dream of completion” narrative with issues surrounding gender and race, and do not seek to find resolution.
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McCrotty, Micah. "North of Ourselves: Identity and Place in Jim Wayne Miller’s Poetry." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3581.

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Jim Wayne Miller’s poetry examines how human history and topography join to create place. His work often incorporates images of land and ecology; it deliberately questions the delineation between place and self. This thesis explores how Miller presents images of water to describe the relationship between inhabitants and their location, both with the positive image of the spring and the negative image of the flood. Additionally, this thesis examines how the Brier, Miller’s most prominent persona character, grieves his separation from home and ultimately finds healing and reunification of the self through his return to the hills. In his poetry, Miller argues that an essential piece of people’s identity is linked with the land, and, through recognition of the importance of topography on the development of the self, individuals can foster a deeper sense of community through appreciation of their place.
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Conlon, Rose B. "Toward a New American Lyric: Form as Protest in Claudia Rankine." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1077.

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This thesis argues that Claudia Rankine's two American lyrics destabilize the subject-object dialectic underwriting American lyricism. First, I consider Don’t Let Me Be Lonely’s rejection of spectatorship, insofar as spectatorship objectifies the suffering of the Other. Second, I analyze Citizen’s subversion of the lyric “I”, particularly as it vocalizes the “you”-position traditionally relegated to poetic object. I suggest that both works, by returning power to the object, manifest an aesthetic disruption to the racially-based power dialectic underpinning American lyric tradition. Eventually, I propose that Rankine mobilizes the poem as a future-space for the realization of an ideal politics.
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Mateus, Andrea Martins Lameirao. "A poética multifacetada de Jerome Rothenberg." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-14012015-170016/.

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A Poética Multifacetada de Jerome Rothenberg investiga o modo operacional da poética de Jerome Rothenberg (1931). Nascido em Nova York, em 1931, Rothenberg fez parte de uma geração intermediária entre movimentos poéticos bastante conhecidos de público e crítica: a poesia beatnik dos anos 1950 e 1960 e a language poetry do início da década de 1970. Junto com o poeta Robert Kelly, Rothenberg concebe a deep image nos anos 1960, movimento de curta duração, mas essencial para seu desenvolvimento poético. Rothenberg é conhecido principalmente por ter criado o termo etnopoesia e por seus experimentos com o que chamou tradução total, ao traduzir a poesia indígena norteamericana. A tradução total foi um método inovador de considerar a musicalidade, a presença de distorções de palavras ou palavras sem sentido, e outros mecanismos poéticos das artes verbais indígenas como parte integrante da composição. Dessa forma, o resultado da tradução deveria necessariamente contemplar todos esses aspectos. A partir de seu dito o primitivo é complexo Rothenberg passa a considerar aspectos poéticos da produção oriunda de culturas orais, ditas primitivas, como a base de seu conceito de etnopoesia. Sua busca pelo primitivo também o conecta diretamente com outros autores lidos como experimentais na poesia, de William Blake e Walt Whitman a Allen Ginsberg, passando por uma tríade modernista: Ezra Pound, William Carlos Williams e Gertrude Stein. A hipótese desta tese é demonstrar que o impulso etnopoético, aparentemente restrito ao seu trabalho como antologista e suas traduções, na realidade é mais abrangente e inclui sua própria produção poética. A etnopoesia se torna o conceito pelo qual podemos ler o seu retorno à sua ancestralidade judaica e seus poemas que tratam de temas como a vida dos judeus na Polônia dos anos 1930, a tradição mística da cabala e o Holocausto. A tese aborda também questões como inserção no meio poético, autoria, influência e originalidade<br>The Multifaceted Poetry of Jerome Rothenberg deals with the methods applied by Jerome Rothenbergs poetics. Born in New York, in 1931, Rothenberg was part of a generation in between well known poetic movements: the beatnik poetry from the 1950s e 1960s and the language poetry of the 1970s. With fellow poet Robert Kelly, Rothenberg starts the deep image in the 1960, a short-lived movement, yet an essential one for his poetic development. Rothenberg is better known for having coined the term etnopoetry and for his experimentations with what he called total translation, while working with North-American Indian poetry. Total translation was an innovative method in considering musicality, the presence of word distortions or meaningless words and other poetic mechanisms of Indian poetry as an integral part of a poem or song, so that the resultant translation would necessarily contemplate all these aspects. From the perspective of his saying primitive is complex, Rothenberg starts considering the characteristics of poetry from oral culture, or those called primitive, as the basis for his concept of an etnopoetics. His search for the primitive also connects him with authors read as experimental in poetry, from William Blake and Walt Whitman to Allen Ginsberg, passing through the modernist triad Ezra Pound, William Carlos Williams and Gertrude Stein. The hypothesis of this thesis is to show how the etnopoetic impulse, apparently restricted to his work as anthologist and translator, is, in reality, much more broad in its spectrum and includes his own poetic production. Etnopoetry then becomes the concept we can use to read his return to his Jewish ancestrality and the poems dealing with topics such as the life of Jews in Poland in the 1930s, the mystical kabbalah and the Holocaust. This thesis also shows his insertion in the poetic scene, and debates questions like authorship, influence, and originality
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Books on the topic "North American poetry"

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Agee, Chris. Poetry Ireland review: Special North American issue. Poetry Ireland, 1994.

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Galassi, Jonathan. North Street: Poems. HarperCollins Publishers, 2000.

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Ed, Sharpe J., and Taylor William ill, eds. American Indian prayers & poetry. Cherokee Publications, 1985.

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The Arcadia project: North American postmodern pastoral. Ahsahta Press, 2012.

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Asian diaspora poetry in North America. Routledge, 2008.

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Lew, Walter. Premonitions: The Kaya Anthology of New Asian North American Poetry. Kaya/Muae, 1995.

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Press, Quale, ed. North arrow. Quale Press, 2008.

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North True South Bright. Alice James Books, 2003.

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Magnetic north. Houghton Mifflin Co., 2006.

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Robert, Frost. A boy's will ; and North of Boston. Dover Publications, 1991.

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Book chapters on the topic "North American poetry"

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Nischik, Reingard M. "Modernism in the United States and Canada: The Example of Poetry and of the Short Story." In Comparative North American Studies. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137559654_3.

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Cisneros, Odile. "Concrete North America." In The Translation and Transmission of Concrete Poetry. Routledge, 2019. http://dx.doi.org/10.4324/9781315145563-11.

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Wolosky, Shira. "Genteel Rhetoric, North and South." In Poetry and Public Discourse in Nineteenth-Century America. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230113008_4.

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Díaz-Diocaretz, Myriam. "Black North-American Women Poets in the Semiotics of Culture." In Critical Theory. John Benjamins Publishing Company, 1985. http://dx.doi.org/10.1075/ct.1.06dia.

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Runchman, Alex. "“The Greatest Thing in North America”: “International Consciousness” or “The Isolation of Modern Poetry?”." In Delmore Schwartz. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137394385_2.

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"A.H.Clough, ‘Recent English Poetry’, North American Review." In Matthew Arnold. Routledge, 2005. http://dx.doi.org/10.4324/9780203977088-13.

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"Introduction: The Slow Fire." In Sappho and Catullus in Twentieth-Century Italian and North American Poetry. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350101920.0005.

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"Epilogue." In Sappho and Catullus in Twentieth-Century Italian and North American Poetry. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350101920.0006.

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"Notes." In Sappho and Catullus in Twentieth-Century Italian and North American Poetry. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350101920.0007.

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"List of Manuscripts." In Sappho and Catullus in Twentieth-Century Italian and North American Poetry. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350101920.0008.

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Conference papers on the topic "North American poetry"

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Ghazvininejad, Marjan, Yejin Choi, and Kevin Knight. "Neural Poetry Translation." In Proceedings of the 2018 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies, Volume 2 (Short Papers). Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/n18-2011.

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Little, Andrew S., Varun R. Kshettry, Marc Rosen, et al. "Postoperative Oral Antibiotics and Sinonasal Outcomes following Endoscopic Transsphenoidal Surgery for Pituitary Tumors (POET) Study: A Multicenter, Prospective, Randomized, Double-Blinded, Placebo-Controlled Study." In Special Virtual Symposium of the North American Skull Base Society. Georg Thieme Verlag KG, 2021. http://dx.doi.org/10.1055/s-0041-1725251.

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Reports on the topic "North American poetry"

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Karlstrom, Karl, Laura Crossey, Allyson Matthis, and Carl Bowman. Telling time at Grand Canyon National Park: 2020 update. National Park Service, 2021. http://dx.doi.org/10.36967/nrr-2285173.

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Grand Canyon National Park is all about time and timescales. Time is the currency of our daily life, of history, and of biological evolution. Grand Canyon’s beauty has inspired explorers, artists, and poets. Behind it all, Grand Canyon’s geology and sense of timelessness are among its most prominent and important resources. Grand Canyon has an exceptionally complete and well-exposed rock record of Earth’s history. It is an ideal place to gain a sense of geologic (or deep) time. A visit to the South or North rims, a hike into the canyon of any length, or a trip through the 277-mile (446-km) length of Grand Canyon are awe-inspiring experiences for many reasons, and they often motivate us to look deeper to understand how our human timescales of hundreds and thousands of years overlap with Earth’s many timescales reaching back millions and billions of years. This report summarizes how geologists tell time at Grand Canyon, and the resultant “best” numeric ages for the canyon’s strata based on recent scientific research. By best, we mean the most accurate and precise ages available, given the dating techniques used, geologic constraints, the availability of datable material, and the fossil record of Grand Canyon rock units. This paper updates a previously-published compilation of best numeric ages (Mathis and Bowman 2005a; 2005b; 2007) to incorporate recent revisions in the canyon’s stratigraphic nomenclature and additional numeric age determinations published in the scientific literature. From bottom to top, Grand Canyon’s rocks can be ordered into three “sets” (or primary packages), each with an overarching story. The Vishnu Basement Rocks were once tens of miles deep as North America’s crust formed via collisions of volcanic island chains with the pre-existing continent between 1,840 and 1,375 million years ago. The Grand Canyon Supergroup contains evidence for early single-celled life and represents basins that record the assembly and breakup of an early supercontinent between 729 and 1,255 million years ago. The Layered Paleozoic Rocks encode stories, layer by layer, of dramatic geologic changes and the evolution of animal life during the Paleozoic Era (period of ancient life) between 270 and 530 million years ago. In addition to characterizing the ages and geology of the three sets of rocks, we provide numeric ages for all the groups and formations within each set. Nine tables list the best ages along with information on each unit’s tectonic or depositional environment, and specific information explaining why revisions were made to previously published numeric ages. Photographs, line drawings, and diagrams of the different rock formations are included, as well as an extensive glossary of geologic terms to help define important scientific concepts. The three sets of rocks are separated by rock contacts called unconformities formed during long periods of erosion. This report unravels the Great Unconformity, named by John Wesley Powell 150 years ago, and shows that it is made up of several distinct erosion surfaces. The Great Nonconformity is between the Vishnu Basement Rocks and the Grand Canyon Supergroup. The Great Angular Unconformity is between the Grand Canyon Supergroup and the Layered Paleozoic Rocks. Powell’s term, the Great Unconformity, is used for contacts where the Vishnu Basement Rocks are directly overlain by the Layered Paleozoic Rocks. The time missing at these and other unconformities within the sets is also summarized in this paper—a topic that can be as interesting as the time recorded. Our goal is to provide a single up-to-date reference that summarizes the main facets of when the rocks exposed in the canyon’s walls were formed and their geologic history. This authoritative and readable summary of the age of Grand Canyon rocks will hopefully be helpful to National Park Service staff including resource managers and park interpreters at many levels of geologic understandings...
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