Relevant bibliographies by topics / Northern and Southern Dynasties (China)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Northern and Southern Dynasties (China)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Northern and Southern Dynasties (China)"

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Graff, David A. "China between Empires: The Northern and Southern Dynasties." Chinese Historical Review 17, no. 1 (January 2010): 114–17. http://dx.doi.org/10.1179/tcr.2010.17.1.114.

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WANG, Mengkun. "The cultural thought of the new era is explained by the inheritance and development of strange novels in the Wei, Jin and the Southern and Northern Dynasties." Region - Educational Research and Reviews 5, no. 5 (December 29, 2023): 249. http://dx.doi.org/10.32629/rerr.v5i5.1518.

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China's strange novels have gone through several stages from the strange stories of the Wei, Jin and the Southern and Northern Dynasties inherited from ancient myths, pre-Qin books, unofficial stories, folk stories, etc. to the prosperity and development of the Wei and Jin Dynasties, the legends of the Tang Dynasty, the vernacular books of the Song and Yuan Dynasties. And then Ming and Qing novels have made the strange stories reach their peak. The inheritance and development of China's novels in Wei, Jin and the Northern and the Southern Dynasties coincided with the new policy of promoting, developing and innovating the excellent traditional culture of China. In order to meet the needs of the times, Marxism should also keep pace with the times, continue to inherit, develop, innovate and change in combination with China's national conditions. From the inheritance and development of strange novels in the Wei, Jin and the Southern and the Northern Dynasties, this article explains the similarities with the thought of cultural inheritance and development in the new era.
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Zhou, Jie. "A Study of the Faith in the Lotus Sutra in Biography of Bhikshunis." Communications in Humanities Research 16, no. 1 (November 28, 2023): 20–28. http://dx.doi.org/10.54254/2753-7064/16/20230066.

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The Lotus Sutra is a highly significant Mahayana Buddhist scripture that has been compiled and established since the first century. Then it spread to China with the propagation of Buddhism and underwent numerous translations by eminent monks. Particularly, the translation of Kumarajiva had solidified the Lotus Sutras prominent position among Buddhist scriptures. During the Eastern Jin and Northern&Southern Dynasties, the Lotus Sutra attained widespread attention and reverence. It was extensively chanted and adhered in the monastic community and secular society. Until Northern&Southern Dynasties, the number of eminent monks who studied and chanted the Lotus Sutra surged dramatically. And there were as many as 44 monks closely associated with the Lotus Sutra during the early Northern&Southern Dynasties in the Biography of Eminent Monks written by Huijiao. The practice of the Lotus Sutra was also prevalent among Bhikshunis at that time, which was clearly revealed in the Biography of Bhikshunis. The biography shows that the Bhikshunis during Six Dynasties period actively put into practice the teachings in the Lotus Sutra, such as chanting and offering of their bodies as a form of devotion. This paper, based on the Biography of Bhikshunis, investigates the relationship between Bhikshunis and the Lotus Sutra during the Six Dynasties period.
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de Crespigny, Rafe. "China between Empires: The Northern and Southern Dynasties by Mark Edward Lewis." China Review International 18, no. 3 (2011): 350–53. http://dx.doi.org/10.1353/cri.2011.0073.

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Dong, Xinlin. "The Shangjing norm of the Liao dynasty and the Dongjing mode of the Northern Song dynasty." Chinese Archaeology 20, no. 1 (November 25, 2020): 179–92. http://dx.doi.org/10.1515/char-2020-0017.

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AbstractAfter the downfall of the Tang dynasty, the Khitan-Liao empire, the Five Dynasties, and Northern Song dynasty formed the second “northern and southern dynasties” confrontation in the history of China. Also in this period, two systems appeared in the capital city planning: the “Shangjing norm” of the Liao dynasty characterized by the 日-shaped plan view and the “Dongjing mode” of the Northern Song dynasty characterized by the 回-shaped plan view. The “Shangjing norm” is the materialization of the political system of “ruling by the customs of the peoples being ruled” applied by the nomadic rulers from the northern steppes when they were managing the empire with the Han people as the majority. This seemingly reflected the ethnic discrimination of the nomadic ruling class at the beginning of the establishment of their empire. The capital designing ideas of the Jin, Yuan, and Qing dynasties were all following this norm at the beginnings of their rules. “Dongjing mode” of the Northern Song dynasty is the materialization of the “imperial sovereignty” idea emphasized by the empires founded by the Han rulers, which seems reflecting the bureaucrat system with the centralization as the characteristics. The designs of the Liao Zhongjing (Central Capital) and the Jin Zhongdu were both simulations of that of Dongjing, which showed the trends of ethnic convergence and unification. Moreover, Dadu of the Yuan dynasty and Beijing of the Ming and Qing dynasties were the symbols of the formation of the unified multiethnic empire of China.
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Sa, Shilan, and Ruining Yang. "A Brief Description of the Main Features of National Intermingling in the Northern Wei Inscriptions - The epitaph of Yu Shen'en as an Example." Communications in Humanities Research 6, no. 1 (September 14, 2023): 87–94. http://dx.doi.org/10.54254/2753-7064/6/20230116.

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The Northern Wei was a powerful and unified dynasty in the history of the Wei, Jin and North-South dynasties and a representative multi-national dynasty in ancient China. Its abundant and well-preserved inscriptions have provided an important reference for future generations to study the history of the Northern Wei; national integration, as one of the remarkable trends in the development of China's history, was also fully reflected in the Northern Wei period. Based on the documents of the Northern Wei inscriptions, this paper draws on the research results of Wang Zhongluo 's History of the Northern and Southern Dynasties of the Wei-Jin Dynasty and other previous works, and uses the interdisciplinary research methods of history and ethnography to sort out and summaries the main features of the intermingling of nationalities during the Northern Wei period, such as the joint development of multi-national fusions and the spread and recognition of the concept of 'great unity'.
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Bian, Xiang Yang, and Aijuan Cao. "A Study on the Origin and Evolution of Shape and Structure of ‘Gui-Yi’ in Ancient China." Asian Social Science 14, no. 8 (July 27, 2018): 145. http://dx.doi.org/10.5539/ass.v14n8p145.

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Most of the existing studies on Gui-Yi, which is a kind of ancient women’s dress of China, are barely about the interpretation of Xian (ie. a long ribbon made of silk) and Shao (ie. a hanging fabric of cloth, shaped like a swallow tail, tied to the waist) of Gui-Yi, on whose origin, development and evolution of the shape and structure there are few discussions. Based upon summarizing the literature, this paper points out that Gui-Yi in Han Dynasty was originated from a relic of San-di (ie. three kinds of ceremonial dress worn by queens in The Rites of Zhou Dynasty-a classical book in ancient China on the bureaucratic establishment system of Zhou Dynasty and the system of states in Warring States Period). In the paper, Gui-Yi is divided into two kinds according to images in archaeological studies, namely, the ‘Gui-Yi in one-piece system’ (‘one-piece system’ is Chinese robe) and ‘Gui-Yi in separate system’ (‘separate system’ is a kind of suit that consists of blouses and skirts). The former was popular in Han Dynasty, and the latter was popular in Wei &Jin Southern and Northern Dynasties. The change of the shape and structure of Gui-Yi conforms to the historical trend that the ‘Gui-Yi in one-piece system’ entered a recession in the late Eastern Han Dynasty and the ‘Gui-Yi in separate system’ became a popular mainstream in Wei &Jin Southern and Northern Dynasties. In addition, the paper points out female images wearing Gui-Yi in Gu Kaizhi's paintings influenced the expression of Gui-Yi image of Wei & Jin Southern and Northern Dynasties, and Gui-Yi were gradually brought into immortal statues during painters’ artistic processing of that time.
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Huang, Zimeng. "Examining the Successful Dissemination Buddhism along the SilkRoad into China Against the Political Backdrop ofthe Southern and Northern Dynasties." Communications in Humanities Research 6, no. 1 (September 14, 2023): 72–78. http://dx.doi.org/10.54254/2753-7064/6/20230088.

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Nowadays, it is easy to take for granted the connection between Buddhism and Chinese culture. However, Buddhism was originally from India, and passed into China as a foreign religion. One particular period that Buddhism began to blend which Chinese culture appeared to be the Southern and Northern dynasties. The active nomadic activities during this period introduced both the possibility and need of Buddhism as a part of Chinese society. After this period, Buddhism truly gained momentum in Chinese history. This paper will examine Buddhisms unique means of propagation, specifically how Buddhism managed to wield both interpretive and political power as important tools. Such observations could yield insight into the dynamics of political interactions in ancient China, as well as how such a structure incorporated religions and common culture into its reign. The paper hypothesizes that Buddhisms ability to build connection with Chinese society was due to its unique power of flexibility and persuasion, which suited the political backdrop of the Southern and Northern dynasties well. This paper will discuss and seek to validate this thesis through three lenses: royal support, governance, and translation. The discussion will involve interpreting scrolls written by the ancient Chinese, to signify the contemporary political and intellectual importance of Buddhism.
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Wan, Jinbo. "Analysis of the visual language of lotus patterns in the Wei, Jin, Southern and Northern dynasties." Философия и культура, no. 10 (October 2021): 16–32. http://dx.doi.org/10.7256/2454-0757.2021.10.36882.

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Lotus is one of the traditional Chinese patterns that runs deep in the history of China. During the rule of Wei and Jin dynasties, as well as Northern and Southern dynasties (222 – 589 AD), Buddhism teaching has become widespread in China. Buddhism affected the traditional Chinese lotus patterns in terms of the used artistic means and methods of expression. Analysis is conducted on manifestation and evolution of the artistic form of the lotus pattern in Chinese culture, as well as the changes in its artistic means of expression and graphics based on the information described in the scientific literature dedicated to artefacts. The conclusion is made that the development and evolution of decorative patterns is often a result of interaction of different cultures and forms of art, rather than continuation of one or another single line. The author summarizes the common artistic form of lotus patterns of this period, as well as the basis of the visual language of lotus patterns and its development. The artistic style of this period under review remains in a relatively stable transitional stage from the perspective of formal expression.
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Li, Wen, Wei Duan, and Qu Shi. "Song Dynasty Garden Art and its Inspiration on the Modern Urban Landscape." Applied Mechanics and Materials 744-746 (March 2015): 2206–11. http://dx.doi.org/10.4028/www.scientific.net/amm.744-746.2206.

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Chinese garden art originates from Shang and Zhou Dynasties,drives to maturity in Song Dynasty nurtured by the renovation and development of Wei, Jin, Sui, Tang, Northern and Southern Dynasties. Affected by the situation of valuing literary talent above martial arts, Song Dynasty garden art made a great progress in the aspect of thinking, architecture, plants, rockery and layout of waters, the interests and artistic of paintings and poems became the most notable characteristic of gardens built in Song dynasty. Its space principle and aesthetics taste are totally different from the western gardens, which have a lot of features worthy to be learned and used in modern garden and urban designing of China.
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Dissertations / Theses on the topic "Northern and Southern Dynasties (China)"

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Sin, Kwok-wah Genious, and 冼國華. "Genteel families of the Southern Dynasties." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31685195.

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Cheung, Shin-yee, and 張倩儀. "A study of the tomb murals depicting the ascent to paradise during the Wei, Jin, Northern-and-Southern dynasties =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B38301362.

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Tseng, Chin-Yin. "The making of the Tuoba Northern Wei : constructing material cultural expressions in the Northern Wei Pingcheng Period (398-494 CE)." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:3b22b971-660c-4c0b-bdbd-ad7ea29e6c26.

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The Tuoba's success in the making of the Northern Wei as a conquest dynasty in fifth century northern China will be argued in this thesis as a result of their ability to cross between the traditions and practices of the Chinese sphere and those of the Eurasian steppe, through the construction of a "dual presence" in the Pingcheng period (398-494 CE). A negotiation of material culture in this formative phase of state-building allowed for new notions of kingship, dynastic identity, and representations of daily life to be (re)created. This was manifested separately through the application of mountain-side stone sculptures, tomb repertoires, as well as the conception of Pingcheng as a capital city. The material cultural expressions explored in this thesis reflect significant changes in the socio-cultural atmosphere at this point in history. In effect, these ritual, funerary, and commemorative discourses wove together to create new notions of "Chineseness" in fifth century northern China. In the following discussion, we will come to recognize the Tuoba’s maintenance of a "dual presence", not only as "Son of Heaven" to the conquered subjects, but also carrying over practices that befit a Khagan in the Central Asian tradition, as an act of ingenuity.
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Cheung, Shin-yee. "A study of the tomb murals depicting the ascent to paradise during the Wei, Jin, Northern-and-Southern dynasties Wei Jin Nan bei chao "sheng tian tu" yan jiu /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B38301362.

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簡漢乾. "兩晉南北朝南北文化文流的途徑及其對文學的影響 = A study of cultural exchanges of the southern and northern culture during the two Jin, and the Southern and Northern dynastics and their influence in literature." HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1370.

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Yip, Wing-hang Eric, and 葉永恆. "從洛陽伽藍記硏究北魏後期(A.D. 493-534)的政治, 社會, 經濟與佛敎." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B13192140.

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Lin, Wei. "The Buddhist Caves at Qixiashan, China (Southern Dynasties, 420-589 CE)." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1181919094.

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Eisenberg, Andrew. "Retired emperorship and the politics of succession in the northern dynasties of China: 386-581 /." Thesis, Connect to this title online; UW restricted, 1991. http://hdl.handle.net/1773/10336.

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Strange, Mark. "The construction of Zi zhi tong jian's imperial vision : Sima Guang on the Southern and Northern Dynasties." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:d9c6addc-e9a5-47f5-b199-e30ec09f961b.

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The great drama of China has been the repeated attempts to bring under single control and preserve the unity of its vast territories, so varied ethnically, socially, and geographically. Han Chinese confidence in the integrity of their own identity has been lastingly unsettled by long periods of fragmentation into regional states, and even in times of political unity the heart-searching has continued: what went wrong? What lessons could be learned for the future? The Southern and Northern Dynasties’ era (317-589 AD) was the longest period of political fragmentation in the imperial era. Its political and social confusion gave rise to differences in later accounts of it. In the eleventh century, scholar-officials intensively debated the issue of imperial rule during this period. At stake was the integrity of the Han Chinese state. On one side were historians who accorded legitimacy to the barbarian dynasties of the north; on the other were those who favoured the southern Han Chinese-ruled dynasties. By the time Song’s power base transferred south in 1127, a strong sense of a Han Chinese identity had developed and pro-Southern opinion predominated. This study approaches the Southern and Northern Dynasties’s era indirectly. It examines it through the most prominent work of eleventh-century historiography, the keystone written history of early imperial China, Sima Guang’s 司馬光 Zi zhi tong jian 資治通鑑 – the main focus of this study. That text has played a central role in shaping later understanding of imperial China’s political traditions and, as a corollary, has contributed to the formation of a Han Chinese self-identity. Yet Sima Guang’s representation of China’s past, though well-researched and written, was inevitably coloured by personal political and social experiences, and by his current commitments – by spin, in fact. This study will argue that at the heart of Sima Guang’s representation of the Southern and Northern Dynasties was a concern for the political survival of the eleventh-century state under which he served. He needed to understand and explicate the political and moral lessons of the earlier period in order to present an imperial vision that would avoid its frailties. This study therefore investigates and demonstrates the previously unexplored extent to which contemporary political concerns informed Sima Guang’s account. By developing a reading of Zi zhi tong jian as an ideological and textual construct, and more than just a simple account of the past, this study affords insights into the composition of historical writing in imperial China, as well as the complexities of the political environment that spawned it. It shows that works of historiography like Zi zhi tong jian served a more nuanced function than later scholarship suggests, and it brings into focus important questions of historical and literary authority.
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Wang, Mei-Hsiu. "Cultural identities as reflected in the literature of the Northern and Southern dynasties period (4th-6th centuries A.D.)." Thesis, University of Leeds, 2007. http://etheses.whiterose.ac.uk/364/.

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During the period of the Northern and Southern dynasties of China identity questions became serious in a society thrown into disorder by political, religious and ethnic problems. This thesis uses three books written in the sixth century to discuss how educated Chinese faced identity problems and how they dealt with them. The Buddhist monk Huijiao, dealt with the problems of sinifying a foreign religion. He constructed many different identities in addition to the Buddhist one for the monks in his book Gaoseng zhuan, (Lives of Eminent Monks), a collection of biographies of Buddhist monks, to bring Buddhism closer to Chinese tradition and more acceptable by Confucian standards. Through the identity construction he also made responses to anti-Buddhist ideas. Yang Xuanzhi's Luoyang qielan ji, (Record of the Monasteries of Luoyang), deals with the identity problems of Chinese officials serving a Xianbei regime in the north and of the short-lived capital of the Northern Wei in Luoyang. Yang reconstructed a Chinese identity for the lost capital as a true heir of Chinese tradition, as were the emperors, princes and officials who lived there. He created an identity defined not by ethnicity but by culture. Yan Zhitui's Tanshi jiaxun, (Family Instruction of the Yan Clan), is a book which tells his descendants how to construct and maintain the future identity of his own family. He drew on his own experience of recovering from repeated political catastrophes to set out an identity that would help the family to survive disordered times and maintain their status in society.
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Books on the topic "Northern and Southern Dynasties (China)"

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Lewis, Mark Edward. China between empires: The northern and southern dynasties. Cambridge, Mass: Belknap Press of Harvard University Press, 2008.

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translator, Lu Kanghua, ed. Zai Han di guo de yin ying xia: Nan chao chu qi de shi ren si xiang he she hui = In the shadow of the Han : literati thought and society at the beginning of the Southern Dynasties. Shanghai Shi: Zhong xi shu ju, 2018.

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author, Duan Hailong, ed. Bei chao ke ji shi: History of science and technology in the northern dynasties. Shanghai: Shanghai ren min chu ban she, 2019.

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Danqing, Qi, ed. Wei Jin Nan Bei chao ye shi. Beijing Shi: Hai chao chu ban she, 2013.

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Yanhui, Ma. Wei Jin Nan Bei chao shi lun yan jiu: Weijin nanbeichao shilun yanjiu. Beijing Shi: Ren min chu ban she, 2017.

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editor, Gao Kai, ed. Wei Jin Nan Bei chao shi liao, zha ji ji shu ping ji: WeiJin NanBeichao shiliao zhaji ji shuping ji. Beijing Shi: Ren min chu ban she, 2019.

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Wang, Lianlong. Xin jian Bei chao mu zhi ji shi: The study on newly unearthed northern dynasties epitaphs. Beijing Shi: Zhongguo shu ji chu ban she, 2013.

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Bai, Chong. Yuanjia wen xue yan jiu: The research on the Yuanjia literature. Beijing Shi: She hui ke xue wen xian chu ban she, 2017.

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Pan, Huiqiong. Nan chao wen xue pi ping yi shi de liang ge wei du: Nanchao wenxue piping yishi de liangge weidu. Beijing Shi: Ren min chu ban she, 2017.

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Su, Xiheng. TuoBa Gui zhuan. Hulunbei'er Shi: Nei Menggu wen hua chu ban she, 2018.

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Book chapters on the topic "Northern and Southern Dynasties (China)"

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Fang, Lili. "Ceramics of Wei, Jin and Southern and Northern Dynasties." In China Academic Library, 179–225. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-9094-6_6.

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Xinhua, Chen. "Sports in the Two Jin and the Southern and Northern Dynasties." In Routledge Handbook of Sport in China, 23–34. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003204015-5.

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Chen, Li. "A Multicultural Era: Han, Wei, and the Southern and Northern Dynasties." In A History of Books in Ancient China, 47–96. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8940-9_3.

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Jian, Gong. "Evolution of the “Crescent Guard” in Chinese Swords." In Martial Culture and Historical Martial Arts in Europe and Asia, 151–82. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2037-0_5.

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AbstractIron and steel arms appeared in China during the late Warring States while guards on Han dynasty jian (double-edged sword) mainly continued Warring States designs. Single-edged ring-pommel sword (huanshoudao) which appeared during the same period did not have a guard. During the Jin dynasty, a type of V-shape sword guard appeared, which continued into the Southern and Northern dynasties. In the Tang dynasty, on the one hand, arms design continued Northern Zhou and Sui trends; at the same time, it absorbed Turkic and Sassanid influences from the west, which gave rise to a unique Tang sword aesthetic. From then on, V-shape guards started to gain popularity in China. Developments of this style were to have a major influence on sword guard designs during the Song, as well as among the Mongols and Tibetans until it finally attained the familiar form of zoomorphic guard during the Ming and Qing dynasties.
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Fu, Chonglan, and Wenming Cao. "South-Ascending and North-Descending Phenomenon in Urban Development in Northern Wei, Jin, and Southern and Northern Dynasties." In Introduction to the Urban History of China, 129–56. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8207-9_13.

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Chittick, Andrew. "The Southern and Northern Dynasties." In Routledge Handbook of Imperial Chinese History, 93–107. London; New York: Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315726878-9.

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Liu, Kai. "Wei-Jin-Northern and Southern Dynasties Civilization." In The History of Chinese Civilization, 87–101. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-7125-1_5.

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Xuefeng, He. "Introduction." In Northern and Southern China, 1–37. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003182757-1.

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Tao, Ban. "Regional difference of elderly support patterns in China's rural areas." In Northern and Southern China, 112–33. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003182757-6.

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Hailong, Wu. "Regional difference in the change of the social status of the elders." In Northern and Southern China, 228–56. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003182757-13.

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Conference papers on the topic "Northern and Southern Dynasties (China)"

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Tong, Ling. "THE MANUSCRIPT CULTURE OF CONFUCIANISM AND BUDDHISM IN THE WEI, JIN, NORTHERN AND SOUTHERN DYNASTIES, SUI AND TANG CHINA." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.18.

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The Medieval China is a “Manuscript era”. The four divisions of Jing, Shi, Zi, Ji, and the documents of Buddhism and Taoism, all have to be considered based on this general background. For the first part of this paper, the keyword used in the comparison with “Buddhism” in the Medieval China is “Confucianism” rather than “Confucian classics”. Then, the concept and classification of Jiyi (collection of the lost parts of classics) are explained. The second part, starting from the newly published Lunyu Yi shu in Japan in 2020 and integrating with Jiang Zhou yi shulunjia yi ji and other manuscripts, is to analyze some Buddhist factors in the study of Confucianism Yi shu. The third part, from the East Asian Civilization sphere, explores the academic significance of Chinese Buddhism under the perspective of the integration of the Three teachings in the Middle Ages. Special attention will be paid to the Japanese written Guketsu getensho, and how the text form absorbed the Confucian thought will be analyzed. Through these cases, a preliminary conclusion about the relationship between the manuscript culture of Confucianism and Buddhism in the medieval China will be made.
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Zhang, Shaoduan. "Discussion on the Decorative Interest and Charm of Figure Paintings in the Wei, Jin, Southern and Northern Dynasties of China." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.041.

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Peng, Xirui. "A Brief Analysis of Honeysuckle Patterns in Wei, Jin, Southern and Northern Dynasties." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.056.

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Shao, Changzong. "Discussion on the Humanities and Artistry of Buddhist Sculptures in Wei, Jin, Southern and Northern Dynasties." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.008.

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Orbodoeva, Marina Valerievna. "Buddhism and Power in the Northern and Southern Kingdoms of China." In Международная научная конференция "Мир Центральной Азии-V", посвященная 100-летию Института монголоведения,буддологии и тибетологии Сибирского отделения Российской академии наук. Новосибирск: Сибирское отделение РАН, 2022. http://dx.doi.org/10.53954/9785604788981_523.

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Tang, Xing. "An Investigation on the Creation and Existence of Yuefu Lyric Poetry of the Xianbei Regime during the Northern and Southern Dynasties." In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.209.

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Trimming, M. S. K. "Technical Database for the Authentic Replication of Traditional Northern & Southern China Sea-Going Sailing Trading Junks." In Historic Ships 2012. RINA, 2012. http://dx.doi.org/10.3940/rina.hist.2012.12.

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Obrusanszky, D. "SURVIVAL OF THE NORTHERN XIONGNU EMPIRE IN THE 1ST CENTURY CE." In Ancient cultures of Mongolia, Southern Siberia and Northern China: Transactions of the XIth International Conference (September 8–11, 2021, Abakan). Institute for the History of Material Culture of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.31600/978-5-907298-19-4.171-175.

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Varenov, A., and M. Kudinova. "MONOGRAPHIC PUBLICATIONS OF PETROGLYPHS OF NORTHERN REGIONS OF CHINA IN THE 20TH CENTURY AND THEIR AUTHORS." In Ancient cultures of Mongolia, Southern Siberia and Northern China: Transactions of the XIth International Conference (September 8–11, 2021, Abakan). Institute for the History of Material Culture RAS, 2021. http://dx.doi.org/10.31600/978-5-907298-19-4.9-14.

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Zaika, A., and X. Bo. "ANTHROPOMORPHIC IMAGES OF NORTH CHINA (BASED ON HELANSHAN PETROGLYPHS)." In Ancient cultures of Mongolia, Southern Siberia and Northern China: Transactions of the XIth International Conference (September 8–11, 2021, Abakan). Institute for the History of Material Culture of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.31600/978-5-907298-19-4.317-322.

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