Relevant bibliographies by topics / Norwegian Dramatists

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Academic literature on the topic 'Norwegian Dramatists'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Norwegian Dramatists"

1

Csúr, Gábor Attila. "Henrik Hajdus (1890–1969) Rolle I Udbredelsen Af Det 19. Og 20. Århundredes Danske Litteratur I Ungarn." Folia Scandinavica Posnaniensia 23, no. 1 (2017): 46–59. http://dx.doi.org/10.1515/fsp-2017-0006.

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Abstract The Hungarian literary translator Henrik Hajdu (1890–1969) was one of the most extraordinary persons in the history of translating Scandinavian literature into Hungarian. Aside his activity as a translator from Norwegian and Swedish, Hajdu was also an important promoter of Danish authors of the 19th and 20th century. He held lectures on Nordic culture and literature, wrote reviews in prominent Hungarian journals and maintained regular contact to many of the Scandinavian publishers, writers, dramatists and poets. He translated novels by Henrik Pontoppidan, Martin Andersen Nexø and Sigr
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2

Gjesdal, Kristin. "Imagining Hedda Gabler: Munch and Ibsen on Art and Modern Life." Text Matters, no. 7 (October 16, 2017): 71–86. http://dx.doi.org/10.1515/texmat-2017-0004.

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Among Edvard Munch’s many portraits of Henrik Ibsen, the famous Norwegian dramatist and Munch’s senior by a generation, one stands out. Large in scope and with a characteristic pallet of roughly hewed gray blue, green and yellow, the sketch is given the title Geniuses. Munch’s sketch shows Ibsen, who had died a few years earlier, in the company of Socrates and Nietzsche. The picture was a working sketch for a painting commissioned by the University. While Munch, in the end, chose a different motif for his commission, it is nonetheless significant that he found it appropriate to portrait the No
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3

Eriksson, Stig A., and Tor-Helge Allern. "Educational drama in Norway: From cultural expression to curriculum element." Applied Theatre Research 10, no. 2 (2022): 155–68. http://dx.doi.org/10.1386/atr_00068_1.

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The article is conceived as a survey exploration of significant historic developmental stages of the Norwegian educational drama field. The article first engages in an historical consideration of educational dramatics from traces of performed education in old Norse culture, via school drama organized by the church in the Middle Ages, to a decline of drama and theatre after Pietism in the eighteenth century, with a succeeding narrower view of knowledge and teaching in the following century and scarce information about drama as education. The focus then turns to deliberation of educational refor
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4

Capelotti, P. J., and Susan Barr. "Oppegård kirke, Oppegård, Norway: fixing the location where Roald Amundsen revealed his ‘minor diversion’." Polar Record 50, no. 2 (2013): 222–24. http://dx.doi.org/10.1017/s0032247413000181.

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ABSTRACTAfter learning in the first week of September 1909 that the North Pole had been claimed, the career and prospects of the Norwegian explorer Roald Amundsen hung in the balance. Scheduled to lead an exploration of the north polar basin, Amundsen suddenly found himself without adequate funding or a clear objective. His self-described ‘coup’ to turn southwards and reach for the South Pole was perhaps the most dramatic and best-kept secret in the history of polar exploration. Amundsen shared his decision only with a very select few, including his brother and manager, Leon Amundsen, a scene
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5

Eriksen, Roy. "Kroppslighet og jomfrukur i Hans E. Kincks tragedie Den sidste Gjest (1910)." Nordlit 15, no. 1 (2011): 55. http://dx.doi.org/10.7557/13.1805.

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In his play on Pietro Aretino (1492-1556), the Norwegian dramatist and novelist Hans E. Kinck (1865-1926) focuses on his character's relationship to the body and use of young women, in particular the young girl, Perina. A writer of great repute among his contemporaries Aretino is today known for his letters, plays, scandalous dialogues and pornographic sonnets in which grotesque images of the body are frequent. Kinck turns the Italian letterato both into a tragic victim of his own drives and a ruthless victimizer, although he in the process must avoid many aspects of Aretino's writing and char
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6

Chan, Sumie. "Gender and Literature – Is Gender Gendered? Female Protagonists in Macbeth (1606), Thelma and Louise (1991) and A Doll’s House (1879) – Three Different Genres of Literature across Centuries." International Journal of Languages, Literature and Linguistics 7, no. 4 (2021): 189–92. http://dx.doi.org/10.18178/ijlll.2021.7.4.310.

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This paper examines how men and women have been conventionally portrayed in gender stereotypes in various genres among different cultures through centuries in world literature, with reference to the classical Shakespearean play Macbeth (1606) by the British playwright William Shakespeare, the Hollywood road movie Thelma and Louise (1991) directed by Ridley Scott and A Doll’s House (1879) written by the Norwegian dramatist Henrik Ibsen. The research will explore the common themes embodied by the notion of gender almost in all literature work in the world which include patriarchy and order, masc
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7

Helle, Lillian Jorunn. "Ibsen in Russia Revisited: The Ibsenian Legacy in the Writings of the Russian Symbolist Andrey Bely." Poljarnyj vestnik 19 (November 15, 2016). http://dx.doi.org/10.7557/6.3792.

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The intellectual atmosphere of Russian fin de siècle was characterized by a strong fascination for Norway, its nature, its culture and its literature. A good example is Henrik Ibsen who was a significant source of inspiration for Russian dramatists, writers and poets. The Russian symbolists in particular saw Ibsen as a tutelary spirit and not least the “younger” symbolist Andrey Bely regarded his works and thoughts as a prefiguration and a foreshadowing of his own. Ibsen was important to Bely through all his various stages of intellectual, artistic and spiritual seeking and in accordance with
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8

Şekerci, Ömer. "Ibsen’s Rosmersholm: Socio-Political Elements." Baltic Journal of English Language, Literature and Culture 1 (November 1, 2011). http://dx.doi.org/10.22364/bjellc.01.2011.08.

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The current study, displaying the reflection of political, ethical, psychological and social life of the times in Rosmersholm (1886), one of the middle plays of the Norwegian playwright Henrik Ibsen, aims at showing the social and political conditions in Norway in the early nineteenth century and the way how they influenced the behaviour and attitudes of people and the dramatis persona in the play. This paper also makes an effort to shed new light on the significance of Christianity on the social life of the time.
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9

Fjæstad, Kristin, and Tora Berge Naterstad. "Russlandsforskere, hva nå?" Internasjonal Politikk 80, no. 4 (2022). http://dx.doi.org/10.23865/intpol.v80.5134.

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Russlands krig mot Ukraina har enorme konsekvenser, først og fremst for Ukraina, men også for Russland og Russlands andre nabostater. Krigen har ikke bare kastet om på europeisk og norsk sikkerhets- og utenrikspolitikk, den vil ha store konsekvenser også for den norske forskningen på, og kunnskapen om, Russland. Mulighetene for forskning i Russland har blitt stadig mer begrenset over flere år, og etter februar 2022 er døren nærmest helt stengt. Samtidig er kunnskap om Russland viktig for Norge, som deler grense og forvalter kritiske ressurser i samarbeid med Russland. Slik vil det fortsette å
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10

Nyirádi, Blanka. "A „Nóra-jelenség” és az ibsenizmus szerepe a 20. századi kínai dráma fejlődésében." Távol-keleti Tanulmányok 9, no. 2017/2 (2018). http://dx.doi.org/10.38144/tkt.2017.2.4.

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The 19th-century Norwegian playwright, Henrik Ibsen had an unparalleled,posthumous impact on the development of modern Chinese drama. How isit possible that he could influence the literature of a country so remote inspace and so different in its literary traditions? History is a key factor in thisstory. Early 20th century China was at the threshold of taking radical measures in reforming its society, and she was badly in need of a supporting ideology. Ibsen was a thinker and dramatist who, by means of presenting acutesocial problems in his plays, deeply influenced the society of his age. Hedid
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Books on the topic "Norwegian Dramatists"

1

Henrik Ibsen: Life, work, and criticism. York Press, 1985.

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2

Robert, Ferguson. Henrik Ibsen: A new biography. R. Cohen, 1996.

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3

Henrik Ibsen: Mellom evne og higen. Cappelen, 1996.

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4

Henrik Ibsen: Mennesket. Aschehoug, 2006.

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5

Henrik Ibsen: Masken. Aschehoug, 2007.

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6

Ibsen: A biography. Penguin Books, 1985.

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7

Dramatists Play Service (New York, N.Y.), ed. Posterity. Dramatists Play Service, 2015.

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8

Durbach, Errol. A doll's house: Ibsen's myth of transformation. Twayne, 1991.

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9

Vyrje, Stein. Luftkrigens minnesmerker: En dramatisk beretning om luftkrigens virkelighet 1940-45 : sør i Norge. Aschehoug, 1991.

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10

Andresen, Øystein Molstad. Uredd ferd mot ukjent land: En dramatisk fortelling om den norske utvandringen til New Zealand. Genesis, 1999.

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