Relevant bibliographies by topics / Nostalgia Nostalgia Nostalgia in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Nostalgia Nostalgia Nostalgia in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Nostalgia Nostalgia Nostalgia in literature"

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Leitch, Thomas. "There’s No Nostalgia Like Hollywood Nostalgia." Humanities 7, no. 4 (October 19, 2018): 101. http://dx.doi.org/10.3390/h7040101.

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This essay argues that the complexities of the nostalgic impulse in Hollywood cinema are inadequately described by Svetlana Boym’s particular description of Hollywood as “both induc[ing] nostalgia and offer[ing] a tranquilizer” and her highly influential general distinction between restorative and reflective nostalgia. Instead, it contends that Hollywood departs in important ways from the models of both the restorative nostalgia established by the heritage cinema and Great Britain and the reflective nostalgia commonly found in American literature. Using a wide range of examples from American cinema, American literature, and American culture, it considers the reasons why nostalgia occupies a different place and seeks different kinds of expressions in American culture than it does in other national cultures, examines the leading Hollywood genres in which restorative nostalgia appears and the distinctive ways those genres inflect it, and concludes by urging a closer analysis of the more complex, multi-laminated nostalgia Hollywood films offer as an alternative to Boym’s highly influential categorical dichotomy.
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Grubnic, Tanja. "Nosthetics: Instagram poetry and the convergence of digital media and literature." Australasian Journal of Popular Culture 9, no. 2 (September 1, 2020): 145–63. http://dx.doi.org/10.1386/ajpc_00024_1.

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This article considers the proliferation of nostalgic aesthetics in Instagram poetry (‘instapoetry’). Though often overlooked, the relationship between the platform and the poetry itself is a vibrant entry point into debates about the handwritten, analogue and vintage styles of instapoetry. Connecting modernist and postmodernist arguments about nostalgia, this article provides a critical and conceptual lens with which to analyse the visual aspects of nostalgic aesthetics – referred to as ‘nosthetics’ – characteristic of instapoetry, investigating how and why the genre impersonates the pre-digital, analogue past. Combining scholarship on platforms, nostalgia and instapoetry shows how the concept of nosthetics can be used as a framework for literary and visual analysis of instapoetry. The theoretical framework proposed recommends three developments for those researching nostalgic aesthetics in instapoetry. First, greater attention should be paid to the platform. Second, engagement with scholarship on popular culture and nostalgia is needed. Finally, it is insightful to return to the notion of space at the heart of Johannes Hofer's original definition of nostalgia.
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Kazlauske, Dovile, and Justina Gineikiene. "Do you feel younger enough to choose nostalgic products? Exploring the role of age identity in nostalgic purchasing behavior." Baltic Journal of Management 12, no. 3 (July 3, 2017): 292–306. http://dx.doi.org/10.1108/bjm-08-2016-0185.

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Purpose The purpose of this paper is to empirically examine the links between consumer age identity, nostalgia and preferences for nostalgic products. Design/methodology/approach A theoretical framework is proposed based on integrating nostalgia and age identity as parts of an individual’s self-concept. Research results are obtained from the empirical study of a sample of 313 consumers in Lithuania and five interviews with experts in marketing industry. Findings Employing structural equation modeling analysis, the current study provides initial evidence that the bigger the discrepancy between one’s chronological and cognitive age, the more nostalgic products one buys. Furthermore, age identity acts as a better predictor for purchasing nostalgic products than nostalgia. Originality/value The current paper explores the impact of nostalgia and age identity on consumer purchasing behavior which is not addressed in literature before. By evaluating the role of nostalgia and age identity, the study offers a deeper understanding of consumer behavior in nostalgia contexts. Moreover, unlike in most previous studies on nostalgia and age identity, it is focused on actual rather than intended behavior. The present study is also relevant for current marketers as the findings provide additional information and recommendations for choosing appropriate marketing and communication strategies.
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Logan, P. M. "Nostalgia without Nostalgia." Novel: A Forum on Fiction 42, no. 1 (March 1, 2009): 141–44. http://dx.doi.org/10.1215/00295132-2008-010.

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Wen, Tao, Tong Qin, and Raymond R. Liu. "The impact of nostalgic emotion on brand trust and brand attachment." Asia Pacific Journal of Marketing and Logistics 31, no. 4 (September 9, 2019): 1118–37. http://dx.doi.org/10.1108/apjml-09-2018-0390.

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Purpose The purpose of this paper is to make up the deficiency of theoretical research in nostalgic marketing and is helpful for the original theories of brand marketing and experiential marketing to deepen further. Design/methodology/approach The paper uses the approach of the empirical study. Based on the literature review, a theoretical model of the impact of nostalgic emotion (NE) on brand trust and brand attachment is constructed and corresponding research hypotheses are proposed. Then nostalgia-themed restaurants are selected to complete a questionnaire survey, and SPSS22.0 and LISREL8.70 are used for data analysis and hypothesis testing. Findings The results of the paper show that NE consists of four dimensions in the context of China: atmosphere nostalgia, interpersonal nostalgia, family nostalgia and personal nostalgia. Among these, NE has a significant positive impact on brand trust and brand attachment; further, brand trust has a significant positive impact on brand attachment and plays a partial mediating role in the impact of NE on the latter. Research limitations/implications As the nostalgic restaurant industry is the research object, the theoretical model described here may be limited to this specific industry. The potential applicability of the theoretical model to other service industries requires further study. Practical implications The results of the paper are helpful in building a good nostalgic experience, increasing consumer trust in restaurant brands, and strengthening the connection between NE and restaurant brand reconstruction. Social implications The results of the paper on the impact of NE on brand trust and brand attachment provide a referential basis and guide for services’ companies (e.g. restaurants) to revitalize the services’ brands. Originality/value The first contribution is that NE scale is constructed for the nostalgia-themed restaurants. The second contribution is that the paper reveals the mechanism of the impact of NE on brand trust and brand attachment.
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Wulf, Tim, Nicholas D. Bowman, Diana Rieger, John A. Velez, and Johannes Breuer. "Running Head: Video Game Nostalgia and Retro Gaming." Media and Communication 6, no. 2 (June 7, 2018): 60–68. http://dx.doi.org/10.17645/mac.v6i2.1317.

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This article conceptually integrates research on the experience of nostalgia—defined as a predominantly positive, social, and past-oriented emotion—into the fold of video game research. We emphasize the role of nostalgia as an explanation for contemporary retro gaming trends, and suggest that nostalgia towards gaming events is a necessary area of research. To those ends, we broadly review existing literature on nostalgia before specifically focusing on media-induced nostalgia, and demonstrate how theoretical and empirical observations from this work can be applied to understand video game nostalgia. In particular, we argue that engaging in older gaming experiences indirectly (via memories) and even directly (via replaying or recreating experiences) elicits nostalgia, which in turn contributes to players' self-optimization and enhanced well-being. Moreover, as gamers and the medium mature together, nostalgic experiences with the medium are likely to become increasingly prevalent. The broad aim of this article is to offer future directions for research on video game nostalgia and provide a research agenda for research in this area.
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Petkanopoulou, Katerina, Tim Wildschut, and Constantine Sedikides. "Nostalgia and Biculturalism: How Host-Culture Nostalgia Fosters Bicultural Identity Integration." Journal of Cross-Cultural Psychology 52, no. 2 (February 2021): 184–91. http://dx.doi.org/10.1177/0022022120988345.

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Individuals who have been exposed to and internalized two cultures vary in the degree to which they perceive their cultural identities as compatible (bicultural identity integration; BII). An experiment tested whether nostalgia, an emotion that is prevalent among bicultural individuals, influences BII and does so via acculturation orientation toward the host culture. Participants were originally from Greece, living in other European countries. We instructed them to recall nostalgic or ordinary events either from their host country or home country. We then assessed acculturation orientation and BII. We hypothesized and found that host-nostalgia increased BII both directly and indirectly via a more positive acculturation orientation toward the host culture. The findings extend the literature on factors that facilitate BII, and showcase the potential of nostalgia to improve biculturality.
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Kennedy-Karpat, Colleen. "Adaptation and Nostalgia." Adaptation 13, no. 3 (September 10, 2020): 283–94. http://dx.doi.org/10.1093/adaptation/apaa025.

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Abstract This essay highlights the shared critical terrain of adaptation and nostalgia: how they critically juxtapose the past with the present, and how they underscore the impossibility of return while also relying on prior experience. It also explores nostalgia’s effect on personal responses to adaptations and its interaction with textual form. Drawing from various areas of literary, media, and performance studies, including film adaptations of children’s literature, Watchmen and its screen adaptations, and Disney’s live-action remakes, this essay underscores how both nostalgia and adaptation are inherently multivalent concepts, and how they each rely on perspective to generate critical meaning.
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Phau, Ian, Vanessa Quintal, Chris Marchegiani, and Sean Lee. "Looking beyond pasta and pizzas: examining personal and historical nostalgia as travel motives." International Journal of Culture, Tourism and Hospitality Research 10, no. 3 (August 1, 2016): 296–309. http://dx.doi.org/10.1108/ijcthr-07-2015-0073.

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Purpose This paper aims to examine how nostalgia influences travel attitudes and intentions of tourist destination among travellers with Italian heritage. Perceived travel risks as a moderating role between the relationships between personal and historical nostalgia and travel attitudes are also examined. Design/methodology/approach A self-administered mail survey was used, targeting Australians of Italian heritage, to investigate the influence of nostalgia on attitudes and intentions to visit Italy as a tourist destination. A total of 218 usable responses were used for analysis. Exploratory factor analysis was utilised to assess the dimensionality of the constructs, and regression analysis was used to test the hypothesised relationships in the research model. Findings On analysis of the data collected through a mail survey, results showed that only personal nostalgia was found to exert a positive influence upon travel attitudes which in turn was positively related to travel intention toward Italy. Perceived travel risk factors did not moderate the relationship between personal nostalgia and travel attitudes. However, a negative relationship was found between perceived travel risk and travel intentions towards Italy. Practical implications The findings provide further validity to the personal and historical nostalgia scales as a means of understanding motivations to visit a tourist destination. Such findings are significant in adding destination managers and policymakers in developing marketing executions and policies that seek to capitalise on the nostalgic sentiments of the target segments. This study further contributes to the literature on perceived travel risks by highlighting its moderating effect on nostalgic motivations and travel attitudes. Originality/value This study aimed to enrich the theoretical base of the tourism discipline by reviewing the significance of personal and historical nostalgia as travel motives and their impact upon a tourist’s travel attitudes and intentions. It also examines the moderating role of perceived travel risks in an empirical model. Further, the current study is the first of its kind to empirically examine personal and historical nostalgia within a leisure travel context.
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Barr, Lindsey R. "‘Waving through a window’: Nostalgia and prosthetic memory in Dear Evan Hansen." Studies in Musical Theatre 14, no. 3 (December 1, 2020): 313–20. http://dx.doi.org/10.1386/smt_00044_1.

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Dear Evan Hansen, a popular Broadway musical whose narrative centres on connectivity and the protagonist’s social anxiety, offers a disruptive potential to the otherwise standard nostalgic leanings of the contemporary American musical. Operating dramaturgically, nostalgia offers the audience an opportunity to recall an idealized past that imbues the musical they are witnessing with their own positive affect. Dear Evan Hansen’s use of prosthetic memory disrupts the nostalgic tradition of the contemporary musical. Using dramaturgical analysis to identify the narrative operation of nostalgia and prosthetic memory, this article situates the disruptive potential of Dear Evan Hansen as an intervention into the American musical theatre canon writ large.
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Dissertations / Theses on the topic "Nostalgia Nostalgia Nostalgia in literature"

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Ross, Simon David. "Nostalgia in postmodern science fiction film." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472741.

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Frawley, Oona. "Irish pastoral : nostalgia and twentieth-century Irish literature /." Dublin : Irish academic press, 2005. http://catalogue.bnf.fr/ark:/12148/cb400138598.

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Miranda, Lenir de. "Nostos : a nostalgia de todos nós." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2003. http://hdl.handle.net/10183/12130.

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Sob o título de NOSTOS – A NOSTALGIA DE TODOS NÓS, esta dissertação é uma reflexão poética que se desenvolve na dualidade entre literatura e artes plásticas. Estende-se, todo o trabalho, na passagem de uma semântica literária, para um semântica visual, evidenciando-se uma cumplicidade entre palavras e imagens. Assim é manifestada uma visão de mundos, expressados a partir de Ulisses, de James Joyce, precisamente sobre sua Terceira Parte (Nostos), Episódio 17-Ítaca. Projeções visuais, através de pinturas e livros de artista, vêm emanadas do pensamento em torno de Nostos, ou seja, a vontade de regressar e identificar-se com um lugar do próprio Eu, dado pela obra de arte. Nesta reflexão há o descobrir onde se espelhar, como um regresso a si mesmo, possibilitada pela obra que se dispõe também ao olhar do Outro. Há o regressar pelo percurso da obra, intermediada pelo olhar do Outro. Desenvolvendo a conexão fundada pela palavra joyceana e instaurando, a partir dela, um signo visual. O texto, nesta dissertação, refere-se à dialética estabelecida no processo da formação da obra, manifestada na sua poiética.
This text, whose title is “Nostos - The Nostalgia we all have”, is a poetic reflexion upon the duality between literature and visual arts. The whole work reflects upon this passage between literary and visual semantics, revealing the intimacy between words and images. A vision of worlds is thus expressed, taking as starting point James Joyce’s “Ullysses”, especially its 3rd part (Nostos), and its 17th episode (Ithaca) Visual projections, through the artist’s paintings and books, are emanations of nostos, ie, the longing for return and identification with the locus of the self, given by the work of art. In this reflection dwells the finding out of a place to replicate, as if through a looking-glass, as if it were a return to the self, made possible through the work which presents itself to the Other´s gaze. There is a return through the itinerary of the work, mediated by the Other’s gaze, building upon the connection established by Joyce’s words and construing, upon it, a visual sign. The text, in this work, refers to the dialectics established in the process of formation of the work, made visible trough its poiesis.
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Ara?jo, Francisco Magno Silva de. "O Ateneu e a nostalgia na forma." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16200.

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Made available in DSpace on 2014-12-17T15:06:52Z (GMT). No. of bitstreams: 1 FranciscoMSA_DISSERT.pdf: 1003537 bytes, checksum: b8ce002ce1c22594454d46863041567e (MD5) Previous issue date: 2011-05-25
Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
The actual study proposes Raul d‟?vila Pomp?ia‟s O Ateneu (1888) among the most significant works in Brazilian Literature panorama, according to the perspective of verbal materiality of the Romanesque genre under a form nostalgia sign that, in its turn, ascends to the archaic origin poetry of fable. Along with large rereading of pertinent bibliography, it is gone here toward narrator Sergio‟s cr?nica de saudades on pursuit of showing it, firstly, as poetic language allegory updated in the novel technique; secondly, as radical metalanguage that still renders problematic several aspects of modern fictional prose
O presente estudo prop?e O Ateneu (1888) de Raul d‟?vila Pomp?ia dentre as obras mais significativas no panorama da Literatura Brasileira, segundo a perspectiva de materialidade verbal do g?nero romanesco sob o signo de uma nostalgia da forma que, por sua vez, remonta ? poesia da origem arcaica da f?bula. A par de ampla releitura da bibliografia pertinente, envereda-se aqui pela cr?nica de saudades do narrador S?rgio em busca de mostr?-la, primeiro, como alegoria da linguagem po?tica atualizada na t?cnica do romance; segundo, como metalinguagem radical que ainda problematiza v?rios aspectos da moderna prosa de fic??o
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Turner, Kerry Lynn. "Pagan Nostalgia and Anti-Clerical Hostility in Medieval Irish Literature." Youngstown State University / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1008344167.

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Hay, Rebecca Cecilia. "Nostalgia: Movement and Stasis in Contemporary American Poetry." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3475.

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A remarkable amount of award-winning contemporary American poetry incorporates nostalgia as a prominent idea discussed. This poetry appears to use nostalgia as means to a greater end. In other words, nostalgia, while a dominant theme within different works, is more a way to treat concepts such as representation and memory, more so than the work being an actual commentary on nostalgia itself. Given the poetry's predominant concept, it seems poets such as Carl Dennis, Natasha Trethewey and Ted Kooser could be representative of a literary historical moment. This moment is one which comments heavily on the past's presence within the present. While each poet's writing is heavily influenced by nostalgia, I posit the theory that these poets are speaking to a greater literary historical moment found in both the literature itself as well as current trends in literary theory. It is not that these poets are writing to a specific theory, rather, their Pulitzer-prize winning poetry is rooted in a trend of yearning for the past. As overt a connection between contemporary poetry's treatment of nostalgia and nostalgia theory itself, little, if any, literary criticism has connected these two. In his essay "Theorizing Nostalgia Isn't What It Used to Be," Paul Grainge contends, "Since the late 1980s, when memory became a topic of concerted critical interest, nostalgia has been taken up in critiques of reactionary conservatism, in accounts of retro phenomena, in relation to the growing memorial tendencies in Europe and America, and as central to particular theories of postmodernism" (20). Grainge continues on to describe two forms nostalgia takes: "mood" and "mode." Similarly, Svetlana Boym suggests nostalgia as either "reflective" or "restorative" (41). This type of current scholarship addressing nostalgia seems to set up a nostalgic reading of texts as more the end game of the literature—the literature is nostalgic. However, if literature then ends as only nostalgic, there seems to be a lack of nostalgic theory's breadth. Dennis, Trethewey and Kooser all address this gap through their poetry—expanding the notion of nostalgia as being more the vehicle leading one through the landscape of memory. Suggesting nostalgia as merely reflective or restorative, as Boym and Grainge have done, seems to create a sense of nostalgia as stagnant rather than as a dynamic movement within the literature, and even the act of recollection itself. The three poets addressed in my project all suggest at some level that this residue of the past can lead one to see that perhaps experience itself delights in memory. Furthermore, nostalgia's dependence upon present memory indicates not just a longing for the past, but rather the past's presence in the present. The act of remembering serves as a type of catalyst which transforms memories to manifestations in present circumstance.
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Nel, Louis David. "Die rol van nostalgie binne die konsep van ontluistering in die werk van N.P. van Wyk Louw." Master's thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/21396.

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Bibliography: pages 166-172.
The reason for this study was to determine if there is any connection between nostalgia and the debunking effect in the work of N.P. van Wyk Louw Starting with a thorough explanation of the term nostalgia to establish any implications the word might have. They can be summarised as: A longing for a simple life without loneliness where the person will feel at home. A desire to reach a better understanding of God and the primordial as the source of all life. Nostalgia develops as a result of a interrelationship between the past, present and the future and an interrelationship between the abstract and concrete aspects of nostalgia. In short: Nostalgia is a desire to establish an Utopian existence. It was found that the secondary literature on the topic is of a limited nature. The literature relating to Van Wyk Louw concentrates mostly on Nuwe Verse and Tristia and especially on the type of language used in "Klipwerk" and the fact that the author resided in the Netherlands while writing these two books. To outline the developement of nostalgic tendencies, the theme-poem of every book was looked at and it was found that Alleenspraak, Die Halwe Kring and Gestaltes en Diere encompasses the desire aspect of nostalgia, while Nuwe Verse and Tristia have a bearing on the remembrance aspect. The study of the love-, monologue- and prophet-figures showed that the search for certainty and unity leads has a debunking effect. Innocence brings the primordial into play which was studied using the poem "Die Swart Luiperd". The study showed that it is impossible to return to origin of life. With the debunking of the abstract aspects of nostalgia, attention was given to the earthly aspects. In this regard it was also found that the human being is isolated. Lastly, the poem "Groot Ode" was looked at to see if the poet has any answer to the debunking effect of nostalgia. Here irony was suggested as an answer to the debunking effect of nostalgia and as something that would make nostalgia bearable.
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Gao, Qian. "Remembering the Cultural Revolution : history and nostalgia in the marketplace /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1421604431&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 182-204). Also available for download via the World Wide Web; free to University of Oregon users.
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Scott, Jennifer A. "You can go home agian : re-constructing nostalgia in the American imagination /." View abstract, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3250715.

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Olivier, M. "Ghosts in the machine : nostalgia and technology under the Ancien Régime /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/8290.

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Books on the topic "Nostalgia Nostalgia Nostalgia in literature"

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Aresti, Vicente de Amézaga. Nostalgia. San Sebastián [Spain]: J.A. Ascunce, 1993.

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Gianfranceschi, Fausto. Elogio della nostalgia. Roma: Il minotauro, 2002.

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Angela, Rossi, and Sophocles, eds. Nostalgia di Antigone. Cantalupa (Torino): Effatà, 2010.

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Blanco, José Joaquín. Nostalgia de contemporáneos. México, D.F: Ediciones Sin Nombre, 2002.

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Nicola, Giulia Paola Di. Nostalgia di Antigone. Cantalupa (Torino): Effatà, 2010.

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Critical nostalgia & Caribbean migration. New York: Peter Lang, 2009.

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Victorian photography and literary nostalgia. Oxford: Oxford University Press, 2003.

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The future of nostalgia. New York: Basic Books, 2001.

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Austin, Linda Marilyn. Nostalgia in transition, 1780-1917. Charlottesville: University of Virginia Press, 2007.

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Costantino, Alessandro. Nostalgia: Sehnsucht : italo-albanische Gedichte. Frankfurt am Main: Haag + Herchen, 2003.

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Book chapters on the topic "Nostalgia Nostalgia Nostalgia in literature"

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Shapiro, Harvey. "The Old Nostalgia." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 320. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-108.

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Gregori, Ilina. "Cărtărescu, Mircea: Nostalgia." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_9041-1.

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Parthé, Kathleen. "Village Prose: Chauvinism, Nationalism or Nostalgia?" In New Directions in Soviet Literature, 106–21. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22331-2_7.

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Morrison, Susan Signe. "Memory and Narrative: Ruins, Nostalgia, and Ghosts." In The Literature of Waste, 55–64. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137394446_5.

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De Castro, Juan E. "The Intellectual Meridian Debate and Colonialist Nostalgia." In The Spaces of Latin American Literature, 33–47. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611788_3.

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Engles, Tim. "Denying White Male Nostalgia: Don DeLillo’s Underworld." In White Male Nostalgia in Contemporary North American Literature, 147–84. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90460-3_5.

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Engles, Tim. "Spatialized White Male Nostalgia: Carol Shields’s Happenstance." In White Male Nostalgia in Contemporary North American Literature, 109–46. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90460-3_4.

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Salmon, Laura. "Chronotopes of Affectivity in Literature. On Melancholy, Estrangement, and Reflective Nostalgia." In Biblioteca di Studi Slavistici, 11–30. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.02.

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Basing our analysis on the concepts of ‘emotion’, ‘feeling’, and ‘mood’ as defined by data from the cognitive sciences, we argue that human emotions are both universal and intrinsically linked to literary and artistic chronotopes. In her study of 'reflective' and 'restorative' nostalgia, Svetlana Boym (2001) shows that 'nostalgia' itself represents pure ambivalence that takes on a particular shape in response to the mood, thoughts, and psychological state of the author. Its ultimate expression might assume the form of either monological ideology or of paradoxical existential emotion. It is this second type of nostalgia that we can link most closely link to understandings of both 'melancholy' and 'identity' or 'self-consciousness'. Brooding and melancholic toska is shared by persons who suffer from what we might call 'existential ambivalence'; these persons are 'mercurials' in the terminology of Yuri Slezkine (2004). Within the field of Russian literature, this 'mercurial' sense of melancholy is particularly well developed.
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Engles, Tim. "Moralizing White Male Nostalgia: Richard Wright’s Savage Holiday." In White Male Nostalgia in Contemporary North American Literature, 69–107. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90460-3_3.

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Engles, Tim. "Possessive White Male Nostalgia: Louis Begley’s About Schmidt." In White Male Nostalgia in Contemporary North American Literature, 185–221. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90460-3_6.

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Conference papers on the topic "Nostalgia Nostalgia Nostalgia in literature"

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Nilsson, Magnus, Sara Johansson, and Maria Håkansson. "Nostalgia." In CHI '03 extended abstracts. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/765891.766096.

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Daigo, Momoko, and Takashi Yamaguchi. "nostalgia." In ACM SIGGRAPH 2001 video review. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/945314.945342.

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Satchell, Christine, Marcus Foth, Greg Hearn, and Ronald Schroeter. "Suburban nostalgia." In the 20th Australasian Conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1517744.1517758.

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Rocha Silva, Daniel. "MIGRANTES, UTOPIA E NOSTALGIA." In CONINTER 2020. Even3, 2020. http://dx.doi.org/10.29327/coninter2020.290284.

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Arar, Raphael. "Nostalgia: A Human-Machine Transliteration." In 2018 IEEE VIS Arts Program (VISAP). IEEE, 2018. http://dx.doi.org/10.1109/visap45312.2018.9046055.

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Sindhav, Birud, Bruce A. Reinig, and Robert O. Briggs. "A Field Investigation of the Nostalgia Effect." In 2011 44th Hawaii International Conference on System Sciences (HICSS 2011). IEEE, 2011. http://dx.doi.org/10.1109/hicss.2011.9.

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Yun, Heejin, and Hyeonmin Kang. "The Local Culture Educational Values of Nostalgia." In Education 2016. Science & Engineering Research Support soCiety, 2016. http://dx.doi.org/10.14257/astl.2016.127.24.

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Henriques, Flavio. "Para Além do Sentimento: Nostalgia e Práticas de Consumo." In III Encontro Cultura e Consumo Brasil. ,: Even3, 2020. http://dx.doi.org/10.29327/iececb2020.238816.

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Tao, Xiaoli, Hongge Liang, and Huimin Zeng. "Nostalgia Instruction Enhances the Subjective Well-Being of Undergraduates." In International Conference on Logistics Engineering, Management and Computer Science (LEMCS 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/lemcs-14.2014.11.

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Gibson, Rebecca. "Using Digital Layers to Evoke Nostalgia in Hybrid Gifting." In DIS '21: Designing Interactive Systems Conference 2021. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3468002.3468230.

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Reports on the topic "Nostalgia Nostalgia Nostalgia in literature"

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Zhang, Ling, and Qiyao Xiong. Nostalgia. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8381.

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Krill, Jon. Forget Nostalgia. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5961.

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Valdez, Brenda. Natsukashii (Nostalgia in Japanese). Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-738.

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Armstead, Charity Calvin, and Ellen Carol McKinney. The Role of Nostalgia in Retro Sewing. Ames (Iowa): Iowa State University. Library, January 2019. http://dx.doi.org/10.31274/itaa.8812.

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Bourdonnec, Françoise. Identity, Nostalgia and Leisure: Technology Use in Second Homes. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.143.

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Rueda Laffond, José Carlos, and Amparo Guerra Gómez. Televisión y nostalgia. The Wonder Years y Cuéntame cómo pasó. Revista Latina de Comunicación Social, 2009. http://dx.doi.org/10.4185/rlcs-64-2009-831-396-409.

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Ngcingwana, Thuthuzelekani. Colonial Legacy, Communist Nostalgia and Failure of Democracy in Sub-Saharan Africa. Fort Belvoir, VA: Defense Technical Information Center, March 2011. http://dx.doi.org/10.21236/ada553204.

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Hellström, Anders. How anti-immigration views were articulated in Sweden during and after 2015. Malmö University, Malmö Institute for Studies of Migration, Diversity and Welfare (MIM), 2021. http://dx.doi.org/10.24834/isbn.9789178771936.

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Abstract:
The development towards the mainstreaming of extremism in European countries in the areas of immigration and integration has taken place both in policy and in discourse. The harsh policy measures that were implemented after the 2015 refugee crisis have led to a discursive shift; what is normal to say and do in the areas of immigration and integration has changed. Anti-immigration claims are today not merely articulated in the fringes of the political spectrum but more widely accepted and also, at least partly, officially sanctioned. This study investigates the anti-immigration claims, seen as (populist) appeals to the people that centre around a particular mythology of the people and that are, as such, deeply ingrained in national identity construction. The two dimensions of the populist divide are of relevance here: The horizontal dimension refers to articulated differences between "the people", who belong here, and the "non-people" (the other), who do not. The vertical dimension refers to articulated differences between the common people and the established elites. Empirically, the analysis shows how anti-immigration views embedded in processes of national myth making during and after 2015 were articulated in the socially conservative online newspaper Samtiden from 2016 to 2019. The results indicate that far-right populist discourse conveys a nostalgia for a golden age and a cohesive and homogenous collective identity, combining ideals of cultural conformism and socioeconomic fairness.
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