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Journal articles on the topic 'Nostalgia Nostalgia Nostalgia in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Leitch, Thomas. "There’s No Nostalgia Like Hollywood Nostalgia." Humanities 7, no. 4 (October 19, 2018): 101. http://dx.doi.org/10.3390/h7040101.

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This essay argues that the complexities of the nostalgic impulse in Hollywood cinema are inadequately described by Svetlana Boym’s particular description of Hollywood as “both induc[ing] nostalgia and offer[ing] a tranquilizer” and her highly influential general distinction between restorative and reflective nostalgia. Instead, it contends that Hollywood departs in important ways from the models of both the restorative nostalgia established by the heritage cinema and Great Britain and the reflective nostalgia commonly found in American literature. Using a wide range of examples from American cinema, American literature, and American culture, it considers the reasons why nostalgia occupies a different place and seeks different kinds of expressions in American culture than it does in other national cultures, examines the leading Hollywood genres in which restorative nostalgia appears and the distinctive ways those genres inflect it, and concludes by urging a closer analysis of the more complex, multi-laminated nostalgia Hollywood films offer as an alternative to Boym’s highly influential categorical dichotomy.

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Grubnic, Tanja. "Nosthetics: Instagram poetry and the convergence of digital media and literature." Australasian Journal of Popular Culture 9, no. 2 (September 1, 2020): 145–63. http://dx.doi.org/10.1386/ajpc_00024_1.

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This article considers the proliferation of nostalgic aesthetics in Instagram poetry (‘instapoetry’). Though often overlooked, the relationship between the platform and the poetry itself is a vibrant entry point into debates about the handwritten, analogue and vintage styles of instapoetry. Connecting modernist and postmodernist arguments about nostalgia, this article provides a critical and conceptual lens with which to analyse the visual aspects of nostalgic aesthetics – referred to as ‘nosthetics’ – characteristic of instapoetry, investigating how and why the genre impersonates the pre-digital, analogue past. Combining scholarship on platforms, nostalgia and instapoetry shows how the concept of nosthetics can be used as a framework for literary and visual analysis of instapoetry. The theoretical framework proposed recommends three developments for those researching nostalgic aesthetics in instapoetry. First, greater attention should be paid to the platform. Second, engagement with scholarship on popular culture and nostalgia is needed. Finally, it is insightful to return to the notion of space at the heart of Johannes Hofer's original definition of nostalgia.

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Kazlauske, Dovile, and Justina Gineikiene. "Do you feel younger enough to choose nostalgic products? Exploring the role of age identity in nostalgic purchasing behavior." Baltic Journal of Management 12, no. 3 (July 3, 2017): 292–306. http://dx.doi.org/10.1108/bjm-08-2016-0185.

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Purpose The purpose of this paper is to empirically examine the links between consumer age identity, nostalgia and preferences for nostalgic products. Design/methodology/approach A theoretical framework is proposed based on integrating nostalgia and age identity as parts of an individual’s self-concept. Research results are obtained from the empirical study of a sample of 313 consumers in Lithuania and five interviews with experts in marketing industry. Findings Employing structural equation modeling analysis, the current study provides initial evidence that the bigger the discrepancy between one’s chronological and cognitive age, the more nostalgic products one buys. Furthermore, age identity acts as a better predictor for purchasing nostalgic products than nostalgia. Originality/value The current paper explores the impact of nostalgia and age identity on consumer purchasing behavior which is not addressed in literature before. By evaluating the role of nostalgia and age identity, the study offers a deeper understanding of consumer behavior in nostalgia contexts. Moreover, unlike in most previous studies on nostalgia and age identity, it is focused on actual rather than intended behavior. The present study is also relevant for current marketers as the findings provide additional information and recommendations for choosing appropriate marketing and communication strategies.

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4

Logan, P. M. "Nostalgia without Nostalgia." Novel: A Forum on Fiction 42, no. 1 (March 1, 2009): 141–44. http://dx.doi.org/10.1215/00295132-2008-010.

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5

Wen, Tao, Tong Qin, and Raymond R. Liu. "The impact of nostalgic emotion on brand trust and brand attachment." Asia Pacific Journal of Marketing and Logistics 31, no. 4 (September 9, 2019): 1118–37. http://dx.doi.org/10.1108/apjml-09-2018-0390.

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Purpose The purpose of this paper is to make up the deficiency of theoretical research in nostalgic marketing and is helpful for the original theories of brand marketing and experiential marketing to deepen further. Design/methodology/approach The paper uses the approach of the empirical study. Based on the literature review, a theoretical model of the impact of nostalgic emotion (NE) on brand trust and brand attachment is constructed and corresponding research hypotheses are proposed. Then nostalgia-themed restaurants are selected to complete a questionnaire survey, and SPSS22.0 and LISREL8.70 are used for data analysis and hypothesis testing. Findings The results of the paper show that NE consists of four dimensions in the context of China: atmosphere nostalgia, interpersonal nostalgia, family nostalgia and personal nostalgia. Among these, NE has a significant positive impact on brand trust and brand attachment; further, brand trust has a significant positive impact on brand attachment and plays a partial mediating role in the impact of NE on the latter. Research limitations/implications As the nostalgic restaurant industry is the research object, the theoretical model described here may be limited to this specific industry. The potential applicability of the theoretical model to other service industries requires further study. Practical implications The results of the paper are helpful in building a good nostalgic experience, increasing consumer trust in restaurant brands, and strengthening the connection between NE and restaurant brand reconstruction. Social implications The results of the paper on the impact of NE on brand trust and brand attachment provide a referential basis and guide for services’ companies (e.g. restaurants) to revitalize the services’ brands. Originality/value The first contribution is that NE scale is constructed for the nostalgia-themed restaurants. The second contribution is that the paper reveals the mechanism of the impact of NE on brand trust and brand attachment.

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Wulf, Tim, Nicholas D. Bowman, Diana Rieger, John A. Velez, and Johannes Breuer. "Running Head: Video Game Nostalgia and Retro Gaming." Media and Communication 6, no. 2 (June 7, 2018): 60–68. http://dx.doi.org/10.17645/mac.v6i2.1317.

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This article conceptually integrates research on the experience of nostalgia—defined as a predominantly positive, social, and past-oriented emotion—into the fold of video game research. We emphasize the role of nostalgia as an explanation for contemporary retro gaming trends, and suggest that nostalgia towards gaming events is a necessary area of research. To those ends, we broadly review existing literature on nostalgia before specifically focusing on media-induced nostalgia, and demonstrate how theoretical and empirical observations from this work can be applied to understand video game nostalgia. In particular, we argue that engaging in older gaming experiences indirectly (via memories) and even directly (via replaying or recreating experiences) elicits nostalgia, which in turn contributes to players' self-optimization and enhanced well-being. Moreover, as gamers and the medium mature together, nostalgic experiences with the medium are likely to become increasingly prevalent. The broad aim of this article is to offer future directions for research on video game nostalgia and provide a research agenda for research in this area.

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Petkanopoulou, Katerina, Tim Wildschut, and Constantine Sedikides. "Nostalgia and Biculturalism: How Host-Culture Nostalgia Fosters Bicultural Identity Integration." Journal of Cross-Cultural Psychology 52, no. 2 (February 2021): 184–91. http://dx.doi.org/10.1177/0022022120988345.

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Individuals who have been exposed to and internalized two cultures vary in the degree to which they perceive their cultural identities as compatible (bicultural identity integration; BII). An experiment tested whether nostalgia, an emotion that is prevalent among bicultural individuals, influences BII and does so via acculturation orientation toward the host culture. Participants were originally from Greece, living in other European countries. We instructed them to recall nostalgic or ordinary events either from their host country or home country. We then assessed acculturation orientation and BII. We hypothesized and found that host-nostalgia increased BII both directly and indirectly via a more positive acculturation orientation toward the host culture. The findings extend the literature on factors that facilitate BII, and showcase the potential of nostalgia to improve biculturality.

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Kennedy-Karpat, Colleen. "Adaptation and Nostalgia." Adaptation 13, no. 3 (September 10, 2020): 283–94. http://dx.doi.org/10.1093/adaptation/apaa025.

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Abstract This essay highlights the shared critical terrain of adaptation and nostalgia: how they critically juxtapose the past with the present, and how they underscore the impossibility of return while also relying on prior experience. It also explores nostalgia’s effect on personal responses to adaptations and its interaction with textual form. Drawing from various areas of literary, media, and performance studies, including film adaptations of children’s literature, Watchmen and its screen adaptations, and Disney’s live-action remakes, this essay underscores how both nostalgia and adaptation are inherently multivalent concepts, and how they each rely on perspective to generate critical meaning.

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Phau, Ian, Vanessa Quintal, Chris Marchegiani, and Sean Lee. "Looking beyond pasta and pizzas: examining personal and historical nostalgia as travel motives." International Journal of Culture, Tourism and Hospitality Research 10, no. 3 (August 1, 2016): 296–309. http://dx.doi.org/10.1108/ijcthr-07-2015-0073.

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Purpose This paper aims to examine how nostalgia influences travel attitudes and intentions of tourist destination among travellers with Italian heritage. Perceived travel risks as a moderating role between the relationships between personal and historical nostalgia and travel attitudes are also examined. Design/methodology/approach A self-administered mail survey was used, targeting Australians of Italian heritage, to investigate the influence of nostalgia on attitudes and intentions to visit Italy as a tourist destination. A total of 218 usable responses were used for analysis. Exploratory factor analysis was utilised to assess the dimensionality of the constructs, and regression analysis was used to test the hypothesised relationships in the research model. Findings On analysis of the data collected through a mail survey, results showed that only personal nostalgia was found to exert a positive influence upon travel attitudes which in turn was positively related to travel intention toward Italy. Perceived travel risk factors did not moderate the relationship between personal nostalgia and travel attitudes. However, a negative relationship was found between perceived travel risk and travel intentions towards Italy. Practical implications The findings provide further validity to the personal and historical nostalgia scales as a means of understanding motivations to visit a tourist destination. Such findings are significant in adding destination managers and policymakers in developing marketing executions and policies that seek to capitalise on the nostalgic sentiments of the target segments. This study further contributes to the literature on perceived travel risks by highlighting its moderating effect on nostalgic motivations and travel attitudes. Originality/value This study aimed to enrich the theoretical base of the tourism discipline by reviewing the significance of personal and historical nostalgia as travel motives and their impact upon a tourist’s travel attitudes and intentions. It also examines the moderating role of perceived travel risks in an empirical model. Further, the current study is the first of its kind to empirically examine personal and historical nostalgia within a leisure travel context.

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10

Barr, Lindsey R. "‘Waving through a window’: Nostalgia and prosthetic memory in Dear Evan Hansen." Studies in Musical Theatre 14, no. 3 (December 1, 2020): 313–20. http://dx.doi.org/10.1386/smt_00044_1.

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Dear Evan Hansen, a popular Broadway musical whose narrative centres on connectivity and the protagonist’s social anxiety, offers a disruptive potential to the otherwise standard nostalgic leanings of the contemporary American musical. Operating dramaturgically, nostalgia offers the audience an opportunity to recall an idealized past that imbues the musical they are witnessing with their own positive affect. Dear Evan Hansen’s use of prosthetic memory disrupts the nostalgic tradition of the contemporary musical. Using dramaturgical analysis to identify the narrative operation of nostalgia and prosthetic memory, this article situates the disruptive potential of Dear Evan Hansen as an intervention into the American musical theatre canon writ large.

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Ochonicky, Adam. "Nostalgia and Retcons: The Many Returns, Homecomings, and Revisions of the Halloween Franchise (1978–2018)." Adaptation 13, no. 3 (April 21, 2020): 334–57. http://dx.doi.org/10.1093/adaptation/apaa006.

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Abstract In recent decades, the steady remaking of individual films and rebooting of film franchises evince the cultural and commercial appeals of reimagining established titles. This article analyzes how the related practice of retroactive continuity (retcon) functions as a nostalgic intervention within a franchise’s broad mythology and ongoing narrative. Nostalgia is a longing to return to a desired space or time from which one is separated, and the retcon is an attempt to bind the past and present within a particular franchise’s story world. As such, retconning is an act of nostalgia in at least two ways. First, retconning may be used to nostalgically restore a franchise to a lost, idealized state. Second, a retcon may alter a franchise’s overarching narrative while still preserving selected story elements from earlier instalments; in this case, the retcon creates new audience understandings of the franchise and invites a nostalgic revisiting of previous films. To examine nostalgia and retcons, this article uses the first eleven films of the Halloween series (1978–2018) as a collective case study, as the franchise is distinguished by frequent retcons. Further, the original Halloween (1978) has evolved into a lost ‘home’ to which filmmakers and audiences alike nostalgically seek to return. Overall, this article exposes how nostalgia manifests on the levels of narrative, aesthetics, theme, and marketing across the Halloween series. While illuminating these dynamics within the Halloween franchise, the article argues that, in ways that are related to and discrete from remakes and reboots, the retcon is a nostalgic practice.

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Savu, Laura, Mircea Cărtărescu, and Julian Semilian. "Nostalgia." World Literature Today 80, no. 4 (2006): 64. http://dx.doi.org/10.2307/40159149.

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13

ARTHUR, JAMES. "NOSTALGIA." Yale Review 106, no. 4 (October 2018): 152–53. http://dx.doi.org/10.1111/yrev.13425.

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ARTHUR, JAMES. "NOSTALGIA." Yale Review 106, no. 4 (2018): 152–53. http://dx.doi.org/10.1353/tyr.2018.0004.

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Kostyra, Karolina. "Okna pamięci – filmowy krajobraz nostalgiczny." Annales Universitatis Paedagogicae Cracoviensis | Studia de Cultura 9, no. 4 (July 3, 2018): 53–61. http://dx.doi.org/10.24917/20837275.9.4.5.

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DOI 10.24917/20837275.9.4.5W artykule przedstawiam trzy strategie, za pomocą których konstruowany jest krajobraz filmu nostalgicznego. Za jego cechę konstytutywną uznaję obecność zabiegu zapośredniczenia między tym, co obecne, a tym, co utracone. Wyprowadzając z literatury przedmiotu poświęconej nostalgii odmienne teoretyzacje tego zjawiska, zauważam, że w filmie nostalgiczna estetyzacja realizuje się nader często za pośrednictwem funkcji okna. W oparciu o wybrane przykłady filmu nostalgicznego, wyróżniam trzy sposoby, w jakich funkcja ta się przejawia. Nazywam je metaforycznie oknem–gablotą muzealną, oknem–zakurzoną szybę i oknem–portalem.Memory windows – a nostalgia film landscapeIn my article I present three strategies, in which landscape of nostalgia film is constructed. The main characteristic of this kind of landscape is mechanism of mediation between subject and object of loss. Starting from theories of nostalgia, I notice that aesthetics of nostalgia film is often produced by window figure. By referring to chosen examples of nostalgia film, I distinguish three main strategies, in which window figure is used as mediator between the present and the past. I metaphorically call them window–museum case, dusty windowpane and window–portal.

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Khoshghadam, Leila, Elika Kordrostami, and Yuping Liu-Thompkins. "Experiencing nostalgia through the lens of life satisfaction." European Journal of Marketing 53, no. 3 (April 4, 2019): 524–44. http://dx.doi.org/10.1108/ejm-10-2017-0806.

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PurposeThis paper aims to examine the role of life satisfaction in consumers’ reaction to nostalgic music in an advertisement in terms of attitude toward the brand and purchase intention. It suggests that life satisfaction forms the lens through which individuals interpret and reconstruct past emotional experiences evoked by nostalgia. It further investigates the role of product category involvement in the interplay between life satisfaction and nostalgic music.Design/methodology/approachTwo experiments were conducted. The first study featured a 2 (nostalgic vs non-nostalgic music) × 2 (high vs low involvement) between-subjects design and tested the research hypotheses with 208 consumers. The second study featured two involvement conditions (high vs low) and explored the underlying process behind the hypotheses. Linear regression was used to analyze the data in both studies.FindingsFor the low involvement product category, nostalgic music was more effective than non-nostalgic music for consumers with high life satisfaction, whereas non-nostalgic music was more effective for consumers with low life satisfaction levels. For the high involvement product category, life satisfaction did not moderate consumers’ reaction to nostalgic music.Research limitations/implicationsThis research suggests that past experiences evoked through nostalgic music are not static but are subject to bias and interpretation depending on an individual’s current mindset. Hence, the eventual effect of nostalgia is determined by how past events are reconstrued based on the individual’s current state.Practical implicationsThis paper warns against the blind use of nostalgic appeals in advertising, points to the need to consider the audience’s state of mind, and suggests an opportunity to leverage life satisfaction influencers in designing effective advertising campaigns.Social implicationsThe findings have strong implications for public policymakers. The results are crucial as policymakers often use public service announcement (PSA) to change the attitude of the public toward some phenomena. Knowing the current state of life satisfaction in society, they can increase the efficiency of public service announcements by including a nostalgic song in them.Originality/valueTo the best of the authors’ knowledge, this research is the first one in the marketing literature that looks at the efficiency of nostalgic songs in advertisements. The authors tested the conceptual framework by using two studies and offered novel implications to both marketers and scholars.

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Lincoln Geraghty. "Nostalgia TV." Science Fiction Studies 40, no. 2 (2013): 385. http://dx.doi.org/10.5621/sciefictstud.40.2.0385.

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AUSTIN, NORMAN. "HOMERIC NOSTALGIA." Yale Review 98, no. 2 (April 2010): 37–64. http://dx.doi.org/10.1111/j.1467-9736.2010.00598.x.

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AUSTIN, NORMAN. "HOMERIC NOSTALGIA." Yale Review 98, no. 2 (2010): 37–64. http://dx.doi.org/10.1353/tyr.2010.0033.

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Stevenson, Randall. "‘Vision Isolated in Eternity’: Nostalgia Catches the Train." Humanities 7, no. 4 (September 30, 2018): 95. http://dx.doi.org/10.3390/h7040095.

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Nostalgia for steam trains in the late twentieth and twenty-first centuries offers a further example of the varying responses to railways evident ever since their first development in the nineteenth century. Several of these responses contributed to, and illustrate, the changing roles of temporality, memory and nostalgia in the literature of the modern period. In particular, though modernist literature is often critical of the contribution railways and their timetabling made to the mechanisation of the modern age, the writers concerned also develop affirmatively the new possibilities of momentary, memorable vision which rapid travel offered to the imagination. The development of this kind of vision in modernist writing allows certain forms of intense memory to be recognized as historically specific, though also, as always, shaped by nostalgia’s idiosyncratic, personal aspects.

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Tedesco-Barlocco, Brunella. "It’s (Not) All Good, Man: Better Call Saul and the Nostalgic Reconstruction of an Ever-Longing Character." Adaptation 13, no. 3 (April 9, 2020): 358–77. http://dx.doi.org/10.1093/adaptation/apaa009.

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Abstract Constantly faced with the lives they cannot lead, Saul Goodman’s alter-egos in Better Call Saul, Jimmy and Gene, are defined by a longing, a nostalgic desire for past identities displayed as recursive through the different periods of his life. Nonetheless, character construction is not the only locus of nostalgia within the universe of Better Call Saul: its condition as an audiovisual multiplicity (being a spin-off and a prequel) entails a nostalgia of its own towards the narrative and aesthetic devices of the Breaking Bad series, from which it stems. Thus, through character and narrative analysis, this essay will ascertain the resources behind Better Call Saul’s configuration as a series that establishes a dialogue with memories of diegetic and televisual pasts.

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Jinhua, Dai, and Judy T. H. Chen. "Imagined Nostalgia." boundary 2 24, no. 3 (1997): 143. http://dx.doi.org/10.2307/303710.

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de Medeiros, P. "No Nostalgia." Luso-Brazilian Review 48, no. 2 (December 1, 2011): 195–201. http://dx.doi.org/10.1353/lbr.2011.0047.

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Gineikienė, Justina. "Consumer Nostalgia Literature Review and an Alternative Measurement Perspective." Organizations and Markets in Emerging Economies 4, no. 2 (December 31, 2013): 112–49. http://dx.doi.org/10.15388/omee.2013.4.2.14252.

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During the last two decades consumer nostalgia literature has experienced the growing amount of research, nonetheless, the nomological network in the area is still poorly established and fundamental questions of generalizability and measurement of nostalgia effects remain unanswered. This paper represents an attempt to comprehensively assess extant research in consumer nostalgia field, distinguish developments in the literature by summarizing the main findings of previous research and establishing theoretical trends. The analysis reveals that a number of demographic, social and psychological nostalgia antecedents, moderators and outcomes remain at the propositions level or lack the accumulated empirical quantitative support and validation from other studies. Therefore, specific recommendations regarding the development of nostalgia nomological network are provided to aid the continued theoretical and methodological improvements in the area. Since 1991 research in nostalgia has assumed that the correct measurement approach is a reflective one. This paper offers an alternative perspective for viewing and operationalizing nostalgia construct as a formative construct. Guidelines are summarized that aim to assist researchers with decision rules on whether to employ formative or reflective nostalgia measurement for future research. One of the main contributions of this study is to show the need for researchers to explicitly justify their choice of reflective or formative measurement models by supporting it with theoretical arguments and empirical evidence.

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Chrostowska, S. D. "Consumed by Nostalgia?" SubStance 39, no. 2 (January 1, 2010): 52–70. http://dx.doi.org/10.1353/sub.0.0085.

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Zubyk, Andriy. "Problems and prospects of development of diaspora tourism in Ukraine." Visnyk of the Lviv University. Series Geography, no. 42 (October 15, 2013): 128–35. http://dx.doi.org/10.30970/vgg.2013.42.1818.

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The problems and prospects of development of diaspora tourism as a perspective kind for Ukraine were analyzed. On the basis of literature the concepts of nostalgia and diaspora tourism were specified. Classification of places where resources are suitable for use in the diaspora tourism was made. Attention was focused on the intangible cultural heritage as important resource diaspora tourism, representing the cultural achievements of the country’s spiritual and artistic fields. Two categories of diaspora tourists and three kinds of nostalgic tourism were distinguished. Key words: nostalgic tourism, diaspora, diaspora tourism, intangible cultural heritage, types of diaspora tourism.

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Melnikova, Irina. "Nostalgia, Adaptation, and (Textual) Identity: Luca Guadagnino’s ‘Desire Trilogy’." Adaptation 13, no. 3 (March 20, 2020): 378–96. http://dx.doi.org/10.1093/adaptation/apaa003.

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Abstract This essay focuses on the ‘desire trilogy’ by Italian director Luca Guadagnino to reveal how it embodies nostalgic longing in its discursive structure. The essay examines how the films address matters of nostalgia and adaptation, how they trace an ‘absent presence’ and refer to one another, how they configure the hypertextual, intertextual, and architextual dialogue with other texts and media and use multimodal strategies that engage in ‘nostalgic desire’ for the cultural past. The analysis pays special attention to the mediation modes of intertextual references, reconfiguring the concepts of Gérard Genette within the framework of Lars Elleström’s concept of intermediality as intermodality, based on the semiotics of Charles Sanders Peirce. The study proposes an intermodal approach to the issue of intertextuality and intermediality, exposing the ways in which the engagement of modal strategies in a transtextual dialogue is (or can be) related to the construction of (archi)textual ‘self’.

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Li, Yi. "Melancholic Nostalgia, Identity Crisis, and Adaptation in 1950s Hong Kong: Ba Jin’s Family on Screen." Adaptation 13, no. 3 (May 4, 2020): 313–33. http://dx.doi.org/10.1093/adaptation/apz029.

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Abstract The communist takeover of mainland China in 1949 created physical, cultural, and political segregation between the mainland and Hong Kong, thus fostering a sense of dislocation and alienation among filmmakers who had migrated to Hong Kong from the mainland. The aim of this study is to explore the symbiosis between nostalgia and adaptation in Hong Kong cinema within the cultural landscape of 1950s Hong Kong, when Cold War politics was operating. With a detailed analysis of the 1953 Hong Kong film adaptation of mainland writer Ba Jin’s novel Family, and a comparative reading with the mainland film version produced in 1956, this study illustrates the cultural and historical significance of nostalgia in the development of Hong Kong cinema. This article further argues that nostalgic sentiment was expressed effectively through adaptations, while simultaneously improving these adaptations artistically and strengthening their political alignment with the mainland.

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Wilson, Janelle L. "Nostalgic Narratives." Narrative Inquiry 9, no. 2 (December 31, 1999): 303–25. http://dx.doi.org/10.1075/ni.9.2.06wil.

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This study is an exploration into the sociology of nostalgia. Interviews with African-Americans who grew up in the 1950s demonstrate the juxtaposition of painful recollections of segregation with pleasant nostalgia for family, community, and church during that decade. The data are interpreted by drawing upon the work of Fred Davis. It is suggested that nostalgia facilitates the continuity of identity. Other functions of nostalgia are suggested as well. It is significant to note that the nostalgia expressed by informants is for the collective—e.g., the strength of family relations, church membership, and neighborhood ties. This study addresses the nature and experience of nostalgia and discusses the role of nostalgia in the process of constructing and maintaining identity.

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Bolle, Clara. "The relation between nostalgia and vitalism in ‘Afscheid van Congo: met Jef Geeraerts terug naar de evenaar’ by Erwin Mortier." Afrika Focus 28, no. 1 (February 26, 2015): 103–8. http://dx.doi.org/10.1163/2031356x-02801007.

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This essay elaborates on my presentation on nostalgia and postcolonial literature, as presented at the 8th symposium of the Ghent Africa Platform held in autumn 2014. During this presentation I made a short analysis of how Svetlana Boym’s ideas on nostalgia, as expressed in her book Nostalgia for the Future, can be used to analyse Erwin Mortier’s memories of traveling, as noted in his book Afscheid van Congo: met Jef Geeraerts terug naar de evenaar (Goodbye to Congo: back to the equator with Jef Geeraerts). During my presentation I also introduced the relation between nostalgia and (aesthetic) vitalism. In this paper I will elaborate on the relation between nostalgia and vitalism as a phenomenon within (post)colonial literature.

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Aleksandrova, Maria Aleksandrovna. "Nostalgia for “Golden Age” in Soviet-era culture." SHS Web of Conferences 122 (2021): 02002. http://dx.doi.org/10.1051/shsconf/202112202002.

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The prerequisites for the study are the relevant trends in modern humanities that study the “era of nostalgia”, the “demand for the past” in the culture of different regions of the world (Z. Bauman, S. Boym, D. Lowenthal and others), and the interest of the global science in the processes that occur in Russian culture. The “taboo on nostalgia” (S. Boym) should be overcome in the Russian intellectual milieu (the consequence of revising the Soviet sociocultural experience) as a factor that introduces subjectivity into research. The purpose of the study is to identify the prospects for the comprehensive study of the mythologization of the Russian “Golden Age” and the functions of the neomyth in Russian culture of the 20th century; the goal is to define the specific features of the key stages in nostalgic mythmaking (from pre-Soviet to post-Soviet). The initial hypothesis: although different generations have their motives for seeking the ideal in the “Golden” 19th century, each stage can only be interpreted in the context of the single mythmaking process. Research methods are based on the interdisciplinary approach; the authors summarize research data in the field of literature, cultural history, and cultural sociology. The result of the analytical review in the study is the significant elaboration of the notions of the most important nostalgic “plot” of 20th-century Russian culture: 1) over the previous century, the neomyth of the Russian “Golden Age” is actualized almost continuously; 2) the latent stages of the neomyth have been the time of creative individuals’ personal searches, their fruits being later in demand by society; 3) a long cycle of the retrospective search for Russian culture ends with a complete change in the meaning-making social context in the post-Soviet era. In the conclusion, the prospect for scientific discussion is outlined.

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Foster, J. B. "The Future of Nostalgia." Modern Language Quarterly 64, no. 4 (December 1, 2003): 513–18. http://dx.doi.org/10.1215/00267929-64-4-513.

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Lim, Jessica. "Nostalgia and Radical Writing." Cambridge Quarterly 49, no. 2 (January 13, 2020): 168–74. http://dx.doi.org/10.1093/camqtly/bfaa001.

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Quayson, Ato. "The ethnography of nostalgia." Journal of Postcolonial Writing 41, no. 2 (November 2005): 131–34. http://dx.doi.org/10.1080/17449850500252102.

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Medalie, David. "THE USES OF NOSTALGIA." English Studies in Africa 53, no. 1 (May 2010): 35–44. http://dx.doi.org/10.1080/00138398.2010.488336.

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Stryer, S. "THE TROUBLE WITH NOSTALGIA." Essays in Criticism 58, no. 3 (July 1, 2008): 273–80. http://dx.doi.org/10.1093/escrit/cgn012.

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Sykhomlynov, Oleksii. "EMIGRANTS “MEMORY STORIES” OF ROMUALD WERNIK." Polish Studies of Kyiv, no. 35 (2019): 349–57. http://dx.doi.org/10.17721/psk.2019.35.349-357.

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Nostalgic discourse is an important feature of the Polish boundary and emigration literature of the twentieth century. This is a large-scale and widespread trend. She is an appeal to memories and nostalgic poetics. We can talk about a certain discourse of the past memoirism, which is understood as a norm and strategy used in the creation of text or expression-statement. The basis of creative interpretation in this case are cultural and social models, which become the norm, point of reference, the basis of the text or statement, which have certain genre features. The tragic experience of social and political events of the twentieth century: the loss of small homelands and the breakdown of ties with the broad concept of “ideological homeland”, caused the emergence of a new type of literature, full of poetics of memoirs. “Memory-nostalgia” becomes one of the main thematic and artistic components of the literature of the frontier, illustrating the emergence of nostalgic discourse, a certain norm and strategy for the creation of literary texts that have specific features and are found in poetry, prose or essay in the ethno-cultural model of literature polish-ukrainian frontier. Memoirs – this is a subjective understanding of certain historical events or biographies of a particular historical figure, carried out by the writer in an artistic form with the use of his true documents of his time, a deep correlation of his own spiritual experience with the inner world of his heroes. Nostalgia is a type of vulnerability that appears today in the literature more often than any other, and is a specific form of perception of reality and the way of world perception. Today, the “literature of exiles” often refers to the theme “lost paradise of childhood”, people are tired of their youth and the place where the artist’s socialization took place. This is the essence of the nostalgic worldview. There is awareness of the irretrievability of the past, but it does not cause negative feelings, only generates a sweet pain of memories. In this context, an interesting example of nostalgic prose is the works of Romuald Wernik, an emigrant, writer from the Polish-Ukrainian borderland, historian of art, political publicist.

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Kandiyoti, D. "Consuming Nostalgia: Nostalgia and the Marketplace in Cristina Garcia and Ana Menendez." MELUS: Multi-Ethnic Literature of the United States 31, no. 1 (March 1, 2006): 81–97. http://dx.doi.org/10.1093/melus/31.1.81.

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Jones, L. "The Future of Nostalgia." Common Knowledge 14, no. 1 (January 1, 2008): 164. http://dx.doi.org/10.1215/0961754x-2007-050.

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Schroeder, Jonathan D. S. "What Was Black Nostalgia?" American Literary History 30, no. 4 (2018): 653–76. http://dx.doi.org/10.1093/alh/ajy041.

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Dinshaw, Carolyn. "Nostalgia on my mind." postmedieval: a journal of medieval cultural studies 2, no. 2 (June 2011): 225–38. http://dx.doi.org/10.1057/pmed.2011.8.

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Lyons, John D. "The Ancients' Ironic Nostalgia." Paragraph 29, no. 1 (March 2006): 94–107. http://dx.doi.org/10.3366/prg.2006.0005.

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Lyons, John D. "The Ancients Ironic Nostalgia." Paragraph 29, no. 1 (2006): 94–107. http://dx.doi.org/10.1353/prg.2006.0005.

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Clark, Lygia, and Yve-Alain Bois. "Nostalgia of the Body." October 69 (1994): 85. http://dx.doi.org/10.2307/778990.

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Zaytoun, Constance. "Enough Already!: It's Deborah Kass's Turn to Take the Stage." TDR/The Drama Review 55, no. 3 (September 2011): 110–23. http://dx.doi.org/10.1162/dram_a_00101.

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Contemporary painter Deborah Kass appropriates the forms of post-war masters such as Andy Warhol, Jackson Pollock, and Frank Stella in her work, but her subject choices are often conscious manifestations of her nostalgic identifications with middlebrow Jewish artists and Broadway musicals. Her radical take on nostalgia draws from lyrics, idiomatic sayings, and iconic Jewish figures to promote a progressive rather than conservative agenda. Kass's performative interventions insert her feminist-Jewish-lesbian self squarely at the center of visual culture's frame and on the stage of art's history.

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HENRIQUES, FLÁVIO MEDEIROS, and MARIBEL CARVALHO SUAREZ. "Nostalgia como prática? Relendo a pesquisa sobre nostalgia no campo do Marketing." Cadernos EBAPE.BR 19, no. 3 (September 2021): 524–37. http://dx.doi.org/10.1590/1679-395120200109.

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Resumo A nostalgia é um poderoso recurso de Marketing e vem apresentando novas formas e dinâmicas no cenário contemporâneo que desafiam suas interpretações clássicas. Considerando que o próprio entendimento do fenômeno do consumo vem sendo revisto, cabe questionar se as explicações atuais sobre nostalgia explicam adequadamente o fenômeno no contexto do consumo. Assim, o objetivo deste trabalho é refletir e propor novas possibilidades de investigação do fenômeno da nostalgia no campo do Marketing a partir das Teorias da Prática. O artigo apresenta duas contribuições principais: ao revisitar a literatura sobre nostalgia no campo, organiza conceitualmente as pesquisas em duas abordagens, a sentimentalista e a cultural. Por fim, o texto também reflete sobre possibilidades de releitura da pesquisa sobre nostalgia a partir das Teorias da Prática.

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Knight, Christine. "‘If You're Not Allowed to Have Rice, What do you have with your Curry?’: Nostalgia and Tradition in Low-Carbohydrate Diet Discourse and Practice." Sociological Research Online 16, no. 2 (June 2011): 121–32. http://dx.doi.org/10.5153/sro.2342.

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Low-carbohydrate diets, notably the Atkins Diet, were particularly popular in Britain and North America in the late 1990s and early 2000s. This paper approaches the low-carbohydrate trend as one response to the twin obesity and diabetes epidemics, drawing firstly on a discourse analysis of bestselling low-carbohydrate diet books, especially The South Beach Diet ( AGATSTON 2003 ). I explore and critique nostalgia in the low-carbohydrate movement as a response to a perceived contemporary health crisis caused by modern Western food habits and lifestyle. The low-carbohydrate literature demonstrates a powerful discursive combination of nostalgia for pre-industrial Western foodways, and valorisation of ‘authentic ethnic’ (non-Western) culinary traditions. Together, these tropes construct a generalised notion of traditional diet which contrasts positively with a putative ‘modern Western diet’. The binary opposition set up between modern Western food habits and a traditional ideal leads to generalisations and factual inaccuracies, as any diet or cuisine that is not modern, and/or not Western, must be adjusted discursively to fit the low-carbohydrate model. Further, in an interview study with low-carbohydrate dieters, dieters’ descriptions of their experiences did not match the nostalgic rhetoric of popular low-carbohydrate manuals. Instead, I found that the requirement to eliminate staple carbohydrate foods severs dieters both practically and symbolically from culinary tradition, whether their own or that of an ethnic Other. I conclude that there is a disjuncture between the romantic ‘nutritional nostalgia’ ( BEARDSWORTH 2002 ) of the diet books, and dieters’ own food practices.

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Bowser. "Whose Nostalgia Is It, Anyway?" Science Fiction Studies 47, no. 2 (2020): 295. http://dx.doi.org/10.5621/sciefictstud.47.2.0295.

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Simmons, Cynthia. "Miljenko Jergović and (Yugo)nostalgia." Russian Literature 66, no. 4 (November 2009): 457–69. http://dx.doi.org/10.1016/j.ruslit.2009.11.005.

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Aciman, André. "PENSIONE EOLO, SITES OF NOSTALGIA." Yale Review 87, no. 3 (September 20, 2010): 25–37. http://dx.doi.org/10.1111/j.1467-9736.1999.tb00027.x.

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