Relevant bibliographies by topics / Notebook shorthand

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Notebook shorthand'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Notebook shorthand"

1

Andrianova, Irina. "“Don’t Be Abashed Reading This”: Shadow of Barkov in the Texts of Dostoevsky." Неизвестный Достоевский 8, no. 1 (March 2021): 42–60. http://dx.doi.org/10.15393/j10.art.2021.5161.

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The subject of research in this article is a partially crossed out portion of a letter from Fyodor Dostoevsky to his brother Mikhail dated September 30, 1844. This letter communicates his decision to leave the military service and devote himself to professional literary work. The entry was first reproduced in the edition of Dostoevsky's correspondence prepared by A. S. Dolinin, and then in the academic Complete Works. However, this was done with distortions and without proper commentary. As a result, the entry was perceived by readers as a rude expletive, which included slang, obscene vocabulary, and insults to the guardian of the Dostoevskys, P. A. Karepin, who opposed the switch of his ward to a literary path and was in no hurry to provide him with financial assistance. Textual analysis of the record about Karepin demonstrated that the strikethrough was made twice — by Dostoevsky himself at the time of writing the letter, and almost 40 years later by his widow, who was preparing the letters for publication. Due to her shyness, A. G. Dostoevskaya could not tolerate obscene words contained in the body of the letter, and she removed them with a thick strikethrough, while encrypting their meaning using shorthand. The restoration of the complete record made it possible to determine the source of the quote, namely, the “indecent” poem “Luka Mudishchev,” written in the post-Pushkin period and attributed to Ivan Barkov, but not written by him. The fact that Dostoevsky knew this poem by 1844 narrows down the range of its dating. In the heat of his “struggle” with Karepin, who criticizes the “abstract laziness and bliss of Shakespeare's dreams,” the novice writer turns the obscene satirical language of Barkoviana against his guardian in a sharp pamphlet style. Continuing his observations on common people's speech in the Siberian Notebook and the Writer’s Diary, Dostoevsky came to a paradoxical conclusion about the combination of profanity and chastity in the Russian people. The writer’s viewpoint on this matter was not clear to his contemporaries and was ridiculed in journalism and caricature.
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Dissertations / Theses on the topic "Notebook shorthand"

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McCreedy, Jonathan. "Narrating sigla: a genetic study of Finnegans Wake." Thesis, Ulster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646852.

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Current textual studies of Finnegans Wake have identified sigla chiefly as notebook shorthand, but this thesis argues that this interpretation has enforced limitations on future research, owing to the lack of significance mere abbreviation has within literary analysis. The thesis aims to free sigla research from this restrictive critical viewpoint and overturn its present state of neglect in Joyce studies. The research studies the James Joyce Archive and uses a genetic approach. However, instead of its analytical focus being on the notebooks (where the majority of sigla are located), it contains case studies of diagrams from the chapter drafts which are designed using sigla shapes. I have shown the functions of three types of sigla: the first are 'static' (which are shown isolated and not in a relationship to any other characters, which would imply movement); the 'kinetic' status of sigla is a different actualisation of static sigla wherein they are presented in relationships with other sigla or in diagrams which imply their movement within a certain space; and finally the 'three dimensional' sigla are sigla which are brought to the status of a diagram on the basis of parallels between the siglum and meanings of the same shape in the tradition of knowledge. To analyse the narrating quality of a siglum, the minimal condition is that at least one character is in the final version of Finnegans Wake and in a draft drawing. This is the starting point wherein comparisons can be made or symmetries can be established. This process of analysis reveals plotlines and shows how sigla can move within the drawing's space. In conclusion, sigla function as elementary plot units, which develop the plot of Finnegans Wake.
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Books on the topic "Notebook shorthand"

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Efimova, S. N. Zapisnai︠a︡ knizhka pisateli︠a︡: Stenogramma zhizni = The Writer's Notebook : A Shorthand Record of Life. Moskva: Sovpadenie, 2012.

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2

Press, Booksy. Blessed Mom: Blank Steno Lined Gregg Shorthand Style Notebook. Independently Published, 2020.

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3

Publishing, ็Hipstay. Shorthand Notebook : Size 6x9 in with 120 Pages, Stenographer Steno Book, Pitman Shorthand Book, Teeline Shorthand Writing for Journalist,blogger and Reporter: Travel Journal Compact Book for Backpacker. Independently Published, 2020.

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4

Publishing, ็Hipstay. Shorthand Notebook : Size 6x9 in with 120 Pages, Stenographer Steno Book, Pitman Shorthand Book, Teeline Shorthand Writing for Journalist,blogger and Reporter: Travel Journal Compact Book for Backpacker. Independently Published, 2020.

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Publishing, ็Hipstay. Shorthand Notebook : Size 6x9 in with 120 Pages, Stenographer Steno Book, Pitman Shorthand Book, Teeline Shorthand Writing for Journalist,blogger and Reporter: Travel Journal Compact Book for Backpacker. Independently Published, 2020.

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Publishing, ็Hipstay. Shorthand Notebook : Size 6x9 in with 120 Pages, Stenographer Steno Book, Pitman Shorthand Book, Teeline Shorthand Writing for Journalist,blogger and Reporter: Travel Journal Compact Book for Backpacker. Independently Published, 2020.

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Publishing, ็Hipstay. Shorthand Notebook : Size 6x9 in with 120 Pages, Stenographer Steno Book, Pitman Shorthand Book, Teeline Shorthand Writing for Journalist,blogger and Reporter: Travel Journal Compact Book for Backpacker. Independently Published, 2020.

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8

Publishing, ็Hipstay. Shorthand Notebook : Size 6x9 in with 120 Pages, Stenographer Steno Book, Pitman Shorthand Book, Teeline Shorthand Writing for Journalist,blogger and Reporter: Travel Journal Compact Book for Backpacker. Independently Published, 2020.

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9

Publishing, ็Hipstay. Shorthand Notebook : Size 6x9 in with 120 Pages, Stenographer Steno Book, Pitman Shorthand Book, Teeline Shorthand Writing for Journalist,blogger and Reporter: Travel Journal Compact Book for Backpacker. Independently Published, 2020.

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10

Publishing, ็Hipstay. Shorthand Notebook : Size 6x9 in with 120 Pages, Stenographer Steno Book, Pitman Shorthand Book, Teeline Shorthand Writing for Journalist,blogger and Reporter: Travel Journal Compact Book for Backpacker. Independently Published, 2020.

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Book chapters on the topic "Notebook shorthand"

1

von Plato, Jan. "The shorthand notebooks." In Sources and Studies in the History of Mathematics and Physical Sciences, 59–168. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50876-0_3.

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2

Bowles, Hugo. "Gurney and Sons." In Dickens and the Stenographic Mind, 6–20. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198829072.003.0002.

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Dickens learned shorthand in 1828 from a manual called Brachygraphy, written by Thomas Gurney, which he memorably describes in David Copperfield as a ‘savage stenographic mystery’. This chapter contextualizes the mystery by placing Gurney shorthand in its historical context, as one of many competing alphabetical shorthand systems in the Victorian period. Section 1.1 of the chapter traces the chronological development of sixteenth, seventeenth, and eighteenth-century stenographies and contrasts the alphabetical design, structure, and contents of Brachygraphy with the phonographic system of Isaac Pitman, which came to dominate the nineteenth-century market. Section 1.2 sets out the principles of economy in speech and writing which constrained stenographers in the design of their systems. Section 1.3 examines the surviving shorthand texts that Dickens produced. It also introduces Dickens’s ‘Manchester notebook’, showing how his shorthand teaching notes sought to iron out defects in the Gurney system and provide creative alternatives.
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Igarashi, Yohei. "Scribble-Scrabble Genius." In The Connected Condition, 37–73. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503610040.003.0001.

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Although Coleridge is mostly known for being a copious talker who was impossible to transcribe, this chapter recovers Coleridge’s role as transcriber, theorist of transcription practices, and inventor of his own idiosyncratic shorthand. Considering Coleridge’s time as a parliamentary reporter, his self-reflexive notebook entries, and the history of stenography, this chapter posits that Coleridge pursued an efficient writing system to record not speech but the flow of his own silent thoughts. Also discussing today’s optical character recognition software and the shorthand effect (when letters or words uncannily become illegible shapes, and non-linguistic shapes come to look like linguistic signs), this chapter culminates in a reading of the “signs” in “The Rime of the Ancient Mariner.”
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4

Bowles, Hugo. "The devil’s handwriting." In Dickens and the Stenographic Mind, 21–47. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198829072.003.0003.

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This chapter provides a technical analysis of Brachygraphy, with a focus on the writing of shorthand. It begins with a description of Gurney’s symbols and arbitrary characters (section 2.1), drawing on Dickens’s teaching notebooks to highlight the complex memorization process involved (section 2.2). Section 2.3 explores Gurney’s bizarre rules for abbreviation and vowel reduction during the writing process, while section 2.4 describes the mental processes involved in taking down verbatim speech in Gurney shorthand and shows how, by comparison with the more economical Pitman system, the mental processing involved in writing Gurney shorthand was much more demanding on its users. Section 2.5 examines Dickens’s distinctive shorthand writing style by comparing it with that of his novice pupil Arthur Stone, while section 2.6 shows how Dickens used creative shortcuts and graphic alterations to change the Gurney system to one that was easier both to write and to teach.
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