Relevant bibliographies by topics / Notre-Dame de Reims (Cathedral)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Notre-Dame de Reims (Cathedral)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Notre-Dame de Reims (Cathedral)"

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Kirchwey, Karl W. "Mutabor: Cathedral of Notre Dame." Literary Imagination 21, no. 3 (July 11, 2019): 260–63. http://dx.doi.org/10.1093/litimag/imz027.

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Hanussek, Benjamin. "Ubisoft’s Notre-Dame." Loading 16, no. 26 (May 9, 2024): 1–15. http://dx.doi.org/10.7202/1111257ar.

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<p>In 2019, the Notre-Dame de Paris was devastated by a fire. The importance of the Notre-Dame as world heritage was underlined by the countless contributions, donations and solidarity all around the world that pledged to help to rebuild the cathedral. Among all contributions Ubisoft’s idea to offer its game Assassin's Creed: Unity for free to the public was arguably most celebrated as innovative and creative measure to secure heritage in case of its destruction. This case opens up new perspectives and roles of heritage management as also the development and distribution of video games in the twenty first century. The case of Ubisoft’s Notre-Dame is discussed in this paper under a comparative analysis to the game Never Alone and a critical inquiry towards the benefits, consequences and repercussions of the growing importance of synchronising heritage protection with video game production. Also, the perceptive aspect of connecting to heritage as player through a game and its spatial aspects will be explained under Chapman’s concept of narrative gardens.</p>
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Witcher, T. R. "Still Standing: Cathedral Notre-Dame de Paris." Civil Engineering Magazine Archive 89, no. 6 (June 2019): 44–47. http://dx.doi.org/10.1061/ciegag.0001398.

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Heyman, Jacques. "Viewpoint: The fire at Notre-Dame cathedral." Structural Engineer 97, no. 7 (July 1, 2019): 35–37. http://dx.doi.org/10.56330/ayjc9569.

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Following the recent fire at Notre-Dame de Paris, Professor Jacques Heyman discusses the construction of the cathedral and considers some of the questions that will arise in agreeing an approach to repair.
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Artemyeva, Tatyana, and Varvara Gerasenkova. "Notre-Dame de Paris through the centuries." Innovative Project 9, no. 15 (June 5, 2024): 6–10. http://dx.doi.org/10.17673/ip.2024.9.15.1.

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The article examines the significance of stylistic changes in the architecture of Notre Dame Cathedral over the course of centuries of history, the events associated with these changes, and their consideration through the prism of modern legislation on the preservation of cultural heritage.
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Fagerberg, David W. "Was the Cathedral of Notre Dame a Megachurch?" Pro Ecclesia: A Journal of Catholic and Evangelical Theology 6, no. 2 (May 1997): 141–45. http://dx.doi.org/10.1177/106385129700600203.

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Gallet, Yves. "Après l’incendie. Notre-Dame de Paris : bilan, réflexions, perspectives." Bulletin Monumental 177, no. 3 (2019): 211–18. http://dx.doi.org/10.3406/bulmo.2019.13750.

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The conflagration on 15 April 2019 was the worst catastrophe suffered by the Cathedral of Notre-Dame de Paris since its construction in the twelfth century. Because of the immense fame of the monument, the emotion shook the planet. Commentaries and rumors proliferated, sometimes to the detriment of properly verified information, and all this well before the results of the police inquest into the causes, the extent of the damage, and the state of the monument were rendered public, as well as the place of the cathedral in the history of Gothic art and the range of solutions possible for the replacement of the timberwork, etc. It has been deemed essential that for the readers of the Bulletin monumental a judicious state of the question be given concerning what was destroyed by the fire, the current state of the masonry, and the perspectives and challenges that face both those responsible for the reconstruction and scholars who will deal with the cathedral in the future.
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Lassak, Marshall. "Mathematical Lens: Cathédrale Notre-Dame de Strasbourg, Strasbourg, France." Mathematics Teacher 101, no. 2 (September 2007): 99–101. http://dx.doi.org/10.5951/mt.101.2.0099.

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Van Liefferinge, Stefaan. "The Hemicycle of Notre-Dame of Paris: Gothic Design and Geometrical Knowledge in the Twelfth Century." Journal of the Society of Architectural Historians 69, no. 4 (December 1, 2010): 490–507. http://dx.doi.org/10.1525/jsah.2010.69.4.490.

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The Hemicycle of Notre-Dame of Paris: Gothic Design and Geometrical Knowledge in the Twelfth Century analyzes how the layout of four plinths in the hemicycle of Notre-Dame of Paris reflects the state of mathematical knowledge at the time of the first construction phases of the cathedral in the early 1160s. During the first half of the twelfth century, building enterprise was paired with intellectual activity in Paris, where architects experimented with a new building style——Gothic——and scholars explained geometry in treatises. Stefaan Van Liefferinge reconstructs the mathematics used by the Gothic builders at Notre-Dame, notes its resemblance to the geometry of the Parisian scholars, and suggests that this similarity points to either the exchange of knowledge or a common origin.
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Arnould, Jacques. "Cathedral Builders: Remembering Notre Dame and St. Thomas Aquinas." Theology and Science 17, no. 3 (July 3, 2019): 291. http://dx.doi.org/10.1080/14746700.2019.1632504.

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Dissertations / Theses on the topic "Notre-Dame de Reims (Cathedral)"

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Moeller, Sarah. "The Faces of Reims: An Investigation into the Meaning of the Corbel Head of the Cathedral of Notre Dame at Reims." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1210888738.

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Thesis (M.A.)--University of Cincinnati, 2008.
Advisor: Kristi Nelson (Advisor), Diane Mankin (Committee Member), Lowanne Jones (Committee Member). Title from electronic thesis title page (viewed Feb. 8, 2009). Includes abstract. Includes bibliographical references.
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Dujon-Attali, Ben Mayer Caroline. "Notre-Dame de Reims, de Laon et de Paris : étude comparée de la restauration de l'architecture et de la statuaire de 1789 à 1914." Thesis, Reims, 2015. http://www.theses.fr/2015REIML001.

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Dans une démarche scientifique liant la tradition et l'innovation, cette recherche s'inscrit dans la continuité historique, tout d'abord celle de l'histoire culturelle, du patrimoine, initiée par les premiers travaux portant sur les politiques patrimoniales et les administrations responsables: le Conseil supérieur des Beaux-arts et la thèse de Marie-Claude Genet-Delacroix, l'institution des musées et la patrimonialisation étudiées par Dominique Poulot, puis dans la continuité de l'histoire générale de la restauration, avec les travaux de Jean-Michel Léniaud portant sur le service des Edifices diocésains et des cathédrales, et l'ouvrage de Françoise Bercé traitant des Monuments historiques; et l'innovation en abordant dans ces travaux la question de la restauration à l'œuvre dans une étude comparée des trois chantiers des cathédrales gothiques Notre-Dame de Reims, Notre-Dame de Laon et Notre-Dame de Paris de 1789 à 1914. Au carrefour entre de l'histoire religieuse, de l'histoire de l'art et de l'histoire politique, cette thèse porte sur la restauration monumentale en tant que concept politique, administratif, technique et esthétique, appliqué à tous les monuments anciens, dont les cathédrales gothiques : mais du concept à sa réalisation concrète s'interposent nombre d'actions, de professionnels (maîtres d'œuvres et maîtres d'ouvrages) et interviennent nombre d'obstacles et de facteurs qui en diversifient l'application et la mise en œuvre. Cette étude est une analyse comparée des conditions, des programmes, des modalités et des techniques déployés au XIXe siècle dans les chantiers de ces trois cathédrales
The scientific approach conducting the present piece of research combines both tradition and innovation; historical continuity on one hand – first of heritage and cultural history – initiated by the first studies on heritage policies and responsible administrations: the “Conseil supérieur des Beaux-arts” and Marie-Claude Genet-Delacroix's thesis, the early museums and the associated heritage effect studied by Dominique Poulot, then continuity of a general history of restoration and the Jean-Michel Léniaud's papers on the “service des Edifices diocésains” and cathedrals, and Françoise Bercé's book on the “Monuments historiques”; innovation on the other hand by focusing here on the question of restoration at work in a comparative study of three gothic cathedrals work sites – Our Lady of Rheims, Our Lady of Laon and Our Lady of Paris – from 1789 to 1914. Intersecting religious history, art history and political history, this research deals with monumental restoration as a political, administrative, technical and aesthetical concept and its application to every ancient monument including gothic cathedrals: but from a concept to its tangible realisation lie numerous actions and professionals (contractors and owners) as well as numerous hindrances and factors that diversify its application and implementation. This study is a comparative analysis of the conditions, programs, modes and technics employed during the 19th century on the three restoration sites
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Caillet, Josiane. "Typologie des contreforts gothiques : la place de Notre-Dame de Reims /." [Montréal] : Université de Montréal, 2001. http://wwwlib.umi.com/cr/umontreal/fullcit?pNQ71112.

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Thèse (Ph. D.)--Université de Montréal, 2002.
"Thèse présentée à la faculté des études supérieures en vue de l'obtention du grade de philosophiae doctor (Ph. D.) en aménagement." Version électronique également disponible sur Internet.
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Long, Courtney S. "Mariology and monumental sculpture on the west façade of Notre-Dame Cathedral, Paris /." Connect to online version, 2007. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2007/223.pdf.

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Sawkins, Annemarie. "Architecture, politics and the rebuilding of the cathedral of Notre-Dame at Senlis, 1504-1560." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0017/NQ44575.pdf.

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Tryoen, Lucie. "L'écrit au chapitre de Notre-Dame de Paris au XIIIe siècle." Thesis, université Paris-Saclay, 2020. http://www.theses.fr/2020UPASV006.

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Le chapitre de Notre-Dame de Paris, malgré sa centralité dans l’espace parisien, est resté absent de la récente relecture historiographique des sources médiévales. Convoquant les méthodes de l’archéologie textuelle et les problématiques de l’histoire des pratiques de l’écrit, cette thèse explore les rapports du chapitre à la documentation qu’il produit et conserve, à l’époque de cette révolution quantitative et qualitative qu’est le XIIIe siècle.Revenant sur l’apparition de la chancellerie capitulaire, elle étudie l’évolution de sa production et de son fonctionnement entre XIIe et XIIIe siècles et analyse les rapports qu’elle entretient avec les nouveaux bureaux d’écriture qui se mettent en place à la cathédrale autour de 1210 : les officialités.L’histoire de l’écrit capitulaire étudiée dans cette thèse est également celle de sa conservation sur le long terme, depuis les coffres et les cartulaires du XIIIe siècle jusqu’à la confiscation des archives au moment de la Révolution française.L’étude des pratiques de l’écrit permet plus largement de réfléchir aux problématiques sociales et politiques d’affirmation institutionnelle et d’appropriation du territoire spécifiques à un long XIIIe siècle
Despite its centrality in the Parisian area, the chapter of Notre-Dame de Paris has remained absent from the recent historiographical focus on medieval sources. Convoking the methods of textual archaeology and the problems of the history of writing practices, this thesis explores the chapter's relationship to the documentation it produces and preserves at the time of the quantitative and qualitative revolution of the 13th century. Revisiting the emergence of the chapter chancery, it studies the evolution of its production and functioning between the 12th and the 13th centuries and it analyses the relationship it has with the new writing offices that are set up in the cathedral around 1210: the officialities.The history of chapter writing studied in this thesis is also that of its long-term preservation, from the chests and cartularies of the 13th century to the confiscation of the archives during the French Revolution.The study of writing practices makes it possible to reflect more broadly on the social and political stakes of institutional affirmation and appropriation of the territory specific to a long 13th century
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Cosgrove, Colleen Anne. "Multi-levelled imagery in the tympanium of the Porte-de-Ste-Anne at Notre-Dame in Paris." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25370.

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The tympanum of the Porte-de-Ste-Anne at Notre-Dame, Paris, has aroused the interest of scholars for decades. The lack of inscription or documentation has led to the ascription of various identities to the figures depicted in company with the Theotokos. Apart from assigning it a donative or commemorative function, little light has been shed on the subject by the many extant theories. To further complicate the problem, the physical composition of the portal has only recently been deciphered. It is the consensus of current opinion that the portal, erected from the ground up, was begun as early as 1140-45. Also, the earliest sculptural components, the tympanum, upper lintel, archivolts and jamb-statues are thought to have been created for the refurbishment of the older church prior to the current building, although they may never have been used. This thesis has attempted to demonstrate the tympanum scene actually depicts the equality of regnum and sacerdotium in an accord brought about by a balance of forces, both political and theological, which produced the Ideal State. I have been concerned with an examination of the twelfth century events which could have exerted an influence on the development of the iconographical program. In so doing, I have outlined the pertinent historical background of the building itself, including a description of the portal and its sculptures, as well as a short discussion of the main theories regarding its place within the stylistic orbit of Early Gothic development. I have described the problem of the iconography which, until recently has consisted mainly of efforts to identify the figures of king, cleric and scribe, but of late has dealt with the relationship of regnum and sacerdotium. In this context the work of Adolf Katzenellenbogen on the west front of Chartres has shed light on the portal, and his relating of the tympanum scene to the ideal relationship between the two spheres was further expanded upon by Walter Cahn. He saw in the tympanum a demonstration of the status of the royal and ecclesiastical sectors of the Christian Commonwealth during this period with power vested in the Church. The opinions of Jacques Thirion who proposes very early dates and identities agree with those of Alain Erlande-Brandenberg and Cesare Gnudi who dealt with the portal after the discovery of facade fragments in Paris in 1977. The historical setting dealt with the Capetian rulers in the person of Louis VII, and the papacy in the person of Alexander III, both of whom were in power when the portal was conceived. The pope was a central figure in events that included the first compilation of Canon law by Gratian, a development as central to this thesis as it was to Cahn's. Space has been devoted to a discussion of the Decretum, to its expression of the Ideal State, and to the iconography which arose around illustrated copies of this work, particularly as it relates to the tympanum. Also explained was Gratian's connection to the Reform Party of Haimeric. An examination of some of the symbols chosen by Cahn from the composition to support his theory has determined that they may be reinterpreted. They have been expanded on or refuted in order to illustrate the flexibility of Medieval symbolism, and in order to reveal the many levels of imagery contained in this composition. While so doing, I have I believe, exposed the propagandistic nature of the surface imagery which was deliberately cultivated by the Church with full co-operation from the State in order to expound a politico-theological reality.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
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King, Rachel. "Divine Constructions: A Comparison of the Great Mosque of Cordoba and Notre-Dame-du-Chartres." Thesis, Boston College, 2007. http://hdl.handle.net/2345/504.

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Thesis advisor: Katherine Nahum
This thesis is a comparison between medieval Christian and Islamic sacred architecture, using the Great Mosque of Cordoba and the Cathedral of Notre-Dame in Chartres as examples. The paper links a formal analysis and comparison of the buildings, including their use of space, light, and decoration to an analysis and comparison of each religion's philosophy and theology. It includes a discussion of the role of Neo-Platonist philosophy on the architecture of each religion
Thesis (BA) — Boston College, 2007
Submitted to: Boston College. College of Arts and Sciences
Discipline: Fine Arts
Discipline: College Honors Program
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Lamy, Didier. "« Le principal corps ecclésiastique de la province ». le chapitre de la cathédrale de Notre Dame de Rouen du milieu du XVIIème siècle jusqu’à la Révolution." Thesis, Paris 4, 2010. http://www.theses.fr/2012PA040238.

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S’intitulant eux-mêmes et avec fierté comme étant le premier corps ecclésiastique de la province de Normandie, le chapitre et les chanoines de la cathédrale de Rouen dominent le paysage clérical local. La thèse a pour objectif de décrire cette institution, son fonctionnement et ses problèmes dans la dernière partie de l’Ancien Régime, du milieu du 17è-me siècle jusqu’à la dissolution en fin 1790.L’étude des membres du chapitre montre une nette évolution dans les modalités d’accès et les carrières entre le début de la période, alors que les prescriptions du concile de Trente peinent encore à rentrer concrètement dans les mœurs et que les chanoines peuvent tenter encore une politique autonome et la fin du 18ème siècle où ils sont définitivement des clercs modèles et au service de l’archevêque. L’étude analyse également la place du chapitre dans la société tant laïque que religieuse locale et les conflits que cela entraîne notamment à l’occasion du privilège exorbitant dit de la Saint Romain. Enfin les moyens financiers tant du chapitre en tant que corps que des chanoines font l’objet d’une étude détaillée
Canons and chapter of the cathedral of Rouen called themselves the first ecclesiastical body of the province of Normandy and in fact dominated the local clerical landscape. The aim of the study is to describe this institution, its life and its difficulties in the last period of time of the Ancien Régime, from the middle of the XVII century up to the dissolution at the end of 1790.The survey of the members of the chapter shows a true evolvement in the conditions of access and in the professional courses between the beginning of the period of the study when the stipulations of the council of Trent were enforced with difficulty and at a time where the canons still had an autonomous policy and later at the end of the XVIII century when they were definitely an exemplary clergy and worked for the archbishop. The study also analyses the position of the chapter in the local clerical and secular communities and the different conflicts, especially the one about the exorbitant prerogative of St Romain. Finally financial means of the chapter and also of the canons are studied with some details
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Harlaut, Yann. "La cathédrale de Reims : du 4 septembre 1914 au 10 juillet 1938 : idéologies, controverses et pragmatisme." Reims, 2006. http://theses.univ-reims.fr/exl-doc/GED00000349.pdf.

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Eléments indissociables de la notion de patrimoine, les monuments historiques sont porteurs de valeurs esthétiques et de messages commémoratifs qui semblent figés par le temps. Pourtant, leur identité primitive fixée dans le passé peut se trouver modifiée par les avatars de l'histoire et de son instrumentalisation idéologique. Relevant d'une mémoire sacralisée et devenue au XIXe siècle patrimoine national, la cathédrale de Reims est bombardée par l'armée allemande du 4 septembre 1914 au 17 septembre 1918. Son incendie soulève l'indignation internationale qui l'intègre au patrimoine de l'humanité. La propagande relaie cet événement médiatique et convertit la cathédrale des sacres en cathédrale martyre. Parallèlement, sont prises les premières mesures conservatoires malgré la poursuite des bombardements. La guerre achevée, les controverses relatives aux compensations financières ou artistiques et à la restauration de cet édifice symbolique se développent. Financé en partie par des donations internationales, l'architecte en chef Henri Deneux a la charge du plus important chantier de restauration d'après-guerre, conciliant la nécessaire conservation et l'esprit d'innovation. Idéologies, controverses et pragmatisme dominent, durant la Grande Guerre et l'entre-deux-guerres, l'histoire de ce monument phare de l'architecture gothique et de l'identité nationale. Cette étude renouvelle notre perception mémorielle de la cathédrale de Reims et dépasse les clivages géographiques, chronologiques, thématiques et disciplinaires de la monographie d'histoire locale
The historic buildings are carrying aesthetic values and commemorative messages which seem fixed by time. However, their primitive identity fixed in the past can be modified by the misadventures of the history. Sacrilized and become at the XIXe century national heritage, the cathedral of Rheims is bombarded by the German army of September 4, 1914 to September 17, 1918. Its fire raises the international indignation which integrates it into the inheritance of humanity. Propaganda relays this media event and converts the cathedral sacrings into cathedral martyrdom. Financed partly by international donations, the architect in chief Henri Deneux restores the most important building site of restoration of post-war period, reconciling the necessary conservation and the spirit of innovation. Ideologies, controversies and pragmatism dominate, during the war and the inter-war period, the history of this monument headlight of the Gothic architecture and the national identity. This study renews our perception of the cathedral of Rheims
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Books on the topic "Notre-Dame de Reims (Cathedral)"

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Hogrebe, Wolfram. Imi Knoebel: Fenster für die Kathedrale von Reims = Imi Knoebel : Vitraux pour la cathedrale de Reims. Köln: Wienand, 2013.

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Isidore-Justin-Séverin, Taylor. Reims: La ville des sacres. [Péronnas]: Les Editions de la Tour Gile, 1996.

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Demouy, Patrick. Notre-Dame de Reims: La cathédrale royale. Paris: Centurion, 1986.

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Demouy, Patrick. Notre-Dame de Reims: Sanctuaire de la royauté sacrée. Paris: CNRS, 2008.

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Demouy, Patrick. Notre-Dame de Reims: Sanctuaire de la monarchie sacrée. Paris: Caisse nationale des monuments historiques et des sites, 1995.

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Erlande-Brandenburg, Alain. La cathédrale de Reims: Chef-d'oeuvre du gothique. Arles: Actes sud, 2007.

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Ise, Schüssler, ed. Die Kathedrale von Reims. Stuttgart: Steiner, 1993.

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Orfila, José. Regards panoramiques sur le monde médiéval et Notre-Dame de Reims. Paris: Godefroy de Bouillon, 2016.

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Rodin, Auguste. Auguste Rodin, Gérard Rondeau: La cathédrale de Reims. Paris: RMN-Grand palais, 2011.

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Diblik, Jean. Reims: Comment lire une cathédrale. Paris: Editions d'art et d'histoire ARHIS, 1998.

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Book chapters on the topic "Notre-Dame de Reims (Cathedral)"

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Padilha, Rafael, Fernanda A. Andaló, Luís A. M. Pereira, and Anderson Rocha. "Unraveling the Notre-Dame Cathedral Fire in Space and Time." In Crime Science and Digital Forensics, 3–19. Boca Raton: CRC Press, 2021. http://dx.doi.org/10.1201/9780429322877-2.

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Demouy, Patrick. "La cathédrale de Reims et le cloître Notre-Dame au temps de Guillaume Fillastre." In Terrarum Orbis, 25–39. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.to-eb.3.2309.

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Chovanec, Jan, and Villy Tsakona. "“The girl is on fire!”." In Pragmatics & Beyond New Series, 87–107. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/pbns.335.04cho.

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The article deals with online interactional humour in user comments on YouTube. Drawing on an extensive dataset of verbal reactions to a video discussing the (in)appropriateness of joking about the 2019 burning of the Notre Dame cathedral in Paris, the analysis traces how online commenters recontextualise the disaster and how they jointly produce humorous interaction on a sensitive topic. The analysis focuses on the emergence of joking threads, which consist of jokes shared by the commenters and additional (non-)humorous metapragmatic comments that develop the interaction in various directions. The data reveal that commenters cooperatively engage in a rich range of humour-related practices on a socially sensitive topic, which oscillate between disaster humour and religious humour.
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Chen, Xi. "A study of conservation methodology of architecture heritage—taking Notre Dame Cathedral in Paris as example." In Advances in Energy Science and Equipment Engineering II, 743–46. Taylor & Francis Group, 6000 Broken Sound Parkway NW, Suite 300, Boca Raton, FL 33487-2742: CRC Press, 2017. http://dx.doi.org/10.1201/9781315116167-143.

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Maira Vidal, R. "Geometry and construction of the severies of the vaults in the Cathedral of Notre Dame de Paris." In History of Construction Cultures, 341–48. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003173434-148.

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Kono, Toshiyuki. "Social Aspects of the Cultural Heritage and the Process of Recovery—Notre-Dame de Paris Cathedral and Shuri-jô Castle." In Post-trauma and the Recovery Governance of Cultural Heritage, 277–81. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6041-3_13.

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Kurmann, Peter. "Et angeli tui custodiant muros eius. Un cycle de statues méconnu au transept sud de Notre-Dame de Rouen: modèle ou reflet du cortège des anges de Reims?" In Culture et société médiévales, 113–24. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.csm-eb.3.385.

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"The Thirteenth-Century Foundations of Notre-Dame de Reims: New Evidence for the Construction History of the Cathedral." In Arts of the Medieval Cathedrals, 41–60. Routledge, 2016. http://dx.doi.org/10.4324/9781315262055-12.

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"The Cathedral Today." In Notre Dame Cathedral, 164–71. Penn State University Press, 2020. http://dx.doi.org/10.1515/9780271087726-015.

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"1780: Baroque Transformations." In Notre Dame Cathedral, 136–47. Penn State University Press, 2020. http://dx.doi.org/10.1515/9780271087726-013.

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Conference papers on the topic "Notre-Dame de Reims (Cathedral)"

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Phu, Hung Do. "Masonry wall preservation at saigon notre-dame cathedral." In 1ST VAN LANG INTERNATIONAL CONFERENCE ON HERITAGE AND TECHNOLOGY CONFERENCE PROCEEDING, 2021: VanLang-HeriTech, 2021. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0066546.

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Phu, Hung Do. "Roof structure preservation at Saigon Notre-Dame Cathedral." In 1ST VAN LANG INTERNATIONAL CONFERENCE ON HERITAGE AND TECHNOLOGY CONFERENCE PROCEEDING, 2021: VanLang-HeriTech, 2021. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0066563.

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Le Corvec, Véronique, Patrick Lézin, and François-Baptiste Cartiaux. "Static and Dynamic Monitoring of the Notre Dame de Paris Cathedral." In 5th Joint International Symposium on Deformation Monitoring. Valencia: Editorial de la Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/jisdm2022.2022.13866.

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During the fire which took place on 15th April 2019, the Cathedral of Notre Dame de Paris underwent extensive structural damages: most of the roof was destroyed, part of the stone vaulted ceiling collapsed, and the wooden framework of the north tower was partially burned. After the fire, a list of actions was carried on in order to secure the remaining structure, prevent any further damage and start the rehabilitation. Very early on, a monitoring system was used to assist the project manager in these tasks. With the progress of site works, the monitoring system was updated to provide more insightful information. The present paper focuses on the monitoring system deployed on the towers and the stone vaulted ceiling with the objective to produce a first assessment of the current state and follow the evolution during the reconstruction phase. The monitoring campaign was carried out from December 2020 to December 2021 with two distinct sets of sensors. The first objective was to characterize the current state and identify the dynamic behavior of the structure, for that purpose 48 directional accelerometers were installed on the two towers and the two vaults lane. Acceleration measurements and analytical methods lead to the identification of the fundamental modes of these structural elements. In a second time, to follow the evolution of the vaults, 56 inclinometers were positioned on the outer side of the vaults, constituting 15 inclinometer measuring chains. Set up to transmit data continuously with a 10 min frequency, measurements allow to notify settlements or uprisings and correlate these evolutions with external factors (weather conditions or rehabilitation works).
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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en France’ (‘Note on the Destruction of Monuments in France’), ‘Guerre aux Démolisseurs!’ (‘War on the Demolishers!’) and Notre-Dame de Paris (also known as The Hunchback of Notre-Dame). Through an analysis of these four texts, the paper will attempt to understand Hugo’s convictions about the role of buildings – especially Notre-Dame de Paris – in establishing the memory of the city and the nation, and how these in turn underpinned his arguments for conservation. Whilst these texts were all written in a period before the development of key contemporary concepts in the psychology and neuroscience of memory, this paper nevertheless uses the concepts of memory, imagination and Mental Time Travel to try to understand the kind of memory work that the Cathedral performs, and that Hugo suggests it performs in his writing. By examining how Hugo’s literature augmented and engaged the reader’s memory and imagination of the past, this paper will explain how Hugo romanticised the idea that the building was a witness to history. The paper ultimately argues that Hugo positioned Notre-Dame de Paris not only as the centrepiece in his own fiction, but as a beacon of memory for Paris and France, and as such the building came to represent Paris, and indeed the nation as a whole.
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Brian, F. G. Katz, David Poirier-Quinot, and Jean-Marc Lyzwa. "La Vierge 2020: Reconstructing a Virtual Concert Performance Through Historic Auralisation of Notre-Dame Cathedral." In 2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA). IEEE, 2021. http://dx.doi.org/10.1109/i3da48870.2021.9610849.

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Padilha, Rafael, Fernanda A. Andalo, and Anderson Rocha. "Improving the Chronological Sorting of Images through Occlusion: A Study on the Notre-Dame Cathedral Fire." In ICASSP 2020 - 2020 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2020. http://dx.doi.org/10.1109/icassp40776.2020.9054120.

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Hulin, Guillaume, Christophe Besnier, Dorothée Chaoui-Derieux, Sébastien Flageul, Christophe Norgeot, Cyril Schamper, François-Xavier Simon, and Alain Tabbagh. "A geophysical survey in Notre-Dame de Paris cathedral: Revealing the buried past after the disaster." In 19th International Conference on Ground Penetrating Radar, Golden, Colorado, 12–17 June 2022. Society of Exploration Geophysicists, 2022. http://dx.doi.org/10.1190/gpr2022-062.1.

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Doroz-Turek, M., and M. Barański. "After a Great Fire. The Problem of Roof Recovery in Historic Buildings." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0544.

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<p>The great fire of the Notre Dame Cathedral in Paris pointed public interest to the conservation issues. General expectation is to reconstruct the roof as wooden structure. Final decision will be undertaken by French architectural conservation experts, who analyses a state of preservation of affected by fire the upper parts of the building. Great fires and wars caused numerous destruction of these important historic monuments. Since the XIX century we have plenty roof reconstruction completed as an iron, a steel, or a reinforced concrete structures. Modern concept of historic conservation requires an authenticity of the heritage. New roof structures to some extend creates.</p>
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