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Journal articles on the topic 'Novel 18th century Critical edition'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Merkulova, M. G., and S. A. Gerasimova. "Literary Experiences of Encyclopedist of 18th Century: Jean-Francois Marmontel." Nauchnyi dialog 11, no. 8 (2022): 273–93. http://dx.doi.org/10.24224/2227-1295-2022-11-8-273-293.

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The article is devoted to identifying the features of the formation of Jean-Francois Marmontel as a writer, journalist and encyclopedist who made a significant contribution to the literary education of the French society. The relevance of the research topic is due to the study of the views of the scientist that influenced the reception of established and new literary genres of the 18th century. The research methodology is based on a narrative approach in the historiographical perspective, as well as a biographical (cultural-anthropocentric) method that reveals the writer's biography as a typic

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Ricquier, Kirsten. "The early modern transmission of the ancient Greek romances: a bibliographic survey." Ancient Narrative 15 (February 14, 2019): 1. http://dx.doi.org/10.21827/5c643a2ff2600.

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This contribution offers a new, critical bibliography of translations and editions of the five extant Greek romances in the early modern era, from the beginning of printing to the eighteenth century. By consulting catalogues of libraries, digitalised copies, and secondary literature, I expand, update and correct earlier bibliographies. I identify alleged editions and include creative treatments of the texts as well as incomplete versions. As an interpretation of my survey, I give an overview of broad, changing tendencies throughout the era and filter the dispersion over Europe in a wider area

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Aqtay, Gulayhan. "A critical edition of Mordecai Qazaz's Crimean Karaim poem Adam oglu ‘Man’s son'." Acta Orientalia Academiae Scientiarum Hungaricae 73, no. 2 (2020): 291–319. http://dx.doi.org/10.1556/062.2020.00013.

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AbstractThis paper presents a critical edition of Mordecai Qazaz's poem Adam oglu 'Man's son' written in Crimean Karaim probably at the end of the 18th century. It was published in 1841 under another title by Jacob Firkovich who did not provide the name of its author. This publication has not yet been examined. It is only now that we can identify it with Adam oglu. In the present edition, the text is edited on the basis of four manuscripts and the printed edition. Attempt was made to established the basic form of the poem and discuss language features.

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Talib, Adam. "Pseudo-Ṯaʿālibī’s Book of Youths". Arabica 59, № 6 (2012): 599–649. http://dx.doi.org/10.1163/157005812x622885.

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Abstract This article presents a critical edition and study of a 17th/18th-century poetry collection that had previously been mistaken for al-Ṯaʿālibī’s lost Kitāb al-Ġilmān. It provides a codicological analysis of Berlin MS Wetzstein II 1786 in which the poetry collection is contained and also explains and corrects long-held misconceptions regarding al-Ṯaʿālibī’s connection with the text. Finally, the article situates this poetry collection in the context of Mamluk- and Ottoman-era epigram anthologies and the critical apparatus to the edition demonstrates the key features of intertextuality a

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Fauvelle-Aymar, Francois-Xavier. "Four wordlists of extinct Cape Khoekhoe from the 18th century." Studies in African Linguistics 34, no. 2 (2005): 159–78. http://dx.doi.org/10.32473/sal.v34i2.107329.

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The Khoekhoe language, a member of the Khoisan family, was widely spoken by Southern Africa pastoralists and hunters-gatherers a few centuries ago. Apart from varieties still spoken in the 20th century (such as Nama in Namibia), very little is known of the dialect spoken by the Cape Khoekhoe. This paper is a critical edition of four manuscript wordlists collected at the end of the 18th century by Robert Jacob Gordon, then commandant of the Dutch garrison at the Cape. These lists refer to several local varieties ofthe Cape Khoekhoe language, collected just before it became extinct, and display

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Vojtěšková, Jana. "Letters from the Morawetz Collection (Musicians of Czech Origin in European Centres at the Turn of the 18th and 19th Centuries)." Musicalia 13, no. 1-2 (2022): 6–45. http://dx.doi.org/10.37520/muscz.2021.001.

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The article deals with the oldest music-related documents from the Morawetz collection (most of which come from the collection of Friedrich Donebauer), which the Czech Museum of Music obtained in 2003 and 2008. Specifically, this involves letters of musicians from Bohemia who were working in German-speaking countries around the end of the 18th century and the beginning of the 19th (Jiří Antonín Benda, Leopold Koželuh, Antonín František Bečvařovský, and Jan Václav Hugo Voříšek). The study presents a critical edition of six letters and one receipt and their translations into Czech and English. O

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Nofal, Faris O. "“Druze Catechism”." Ishraq. Islamic Philosophy Journal 2, no. 1 (2024): 57–100. http://dx.doi.org/10.21146/2949-1126-2024-2-1-57-100.

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For the first time, the reader is presented with a critical text of one of the most important doctrinal works of the Druze community, well-known as “Druze Catechism”. Based on three versions of the “Catechism” (J.G. Eichhorn’s edition, Ms. Ar. 185 from the collection of the National Library of Israel, manuscript Cod. arab. 225 from the collection of the Bavarian National Library), the publisher reconstructs the primary source with brief commentaries. The work is preceded by a short preface, revealing the textual and philosophical-religious history of the anonymous Druze work of the 18th centur

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Nahon, Peter. "Modern Judeo-Provençal as Known from Its Sole Textual Testimony: Harcanot et Barcanot (Critical Edition and Linguistic Analysis)." Journal of Jewish Languages 9, no. 2 (2021): 165–237. http://dx.doi.org/10.1163/22134638-bja10014.

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Abstract This study offers a linguistic description of the idiom of the Jews of the Comtat Venaissin (“Judeo-Provençal”) at the end of the 18th century, based on a critical edition of the only relevant document illustrating this language, a theatrical play in verse entitled Harcanot et Barcanot. The introduction provides a philological inventory of all known sources of “Judeo-Provençal.” The critical and variorum edition of the text, accompanied by linear glosses in English, is followed by a commentary comprising a glossary and analysis of all relevant linguistic features. It reveals, inter al

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9

RACHITA. "THE CRITICAL RECEPTION OF THE FRANEKER SEPTUAGINT (1709)." ANNALES UNIVERSITATIS APULENSIS. SERIES PHILOLOGICA 24, no. 1 (2023): 317–32. https://doi.org/10.5281/zenodo.15314819.

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In general, when discussing vernacular translations of the Bible from the late 18th century, one must bear in mind that they are based on mixed sources and are often dependent on local cultural traditions. The second complete translation of the Bible into Romanian, made in Blaj (1795) by the Greek Catholic Samuil Micu Klein, is no exception to this general rule, which concerns an implicit dialogue between two different traditions: that of the earlier Romanian translations, which the Romanian translator set out to perfect, and that of the Protestant and Catholic editions of the Septuagint, assu

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Tchaparian, Vicky. "Hypocricy of the Rich vs Honesty of the Poor in the English Society of the 18$^\text{th}$ Century." Armenian Folia Anglistika 16, no. 2 (22) (2020): 119–30. http://dx.doi.org/10.46991/afa/2020.16.2.119.

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During the 18th century, life was unpleasant and disturbing due to the Horrible Plague and the Great Fire that attacked England and turned the English society upside down. There was a big gap between the rich and the poor. Violence and crimes were everywhere. However, along with all the misfortunes, 18th century was also a period of elegance for England. Education flourished, and the novel genre developed impressively along with fine music and theatre performances. During these times, the rich led a luxurious life, while the poor in extreme poverty hardly preserved their miserable existence. T

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Schnürle, Joachim. "Die Überlieferungstradition von Aphorismen "vom Freund und dem Geliebten" des Ramon Llull in deutscher Sprache im 18. und 19. Jahrhundert." Zeitschrift für Katalanistik 23 (July 1, 2010): 179–200. http://dx.doi.org/10.46586/zfk.2010.179-200.

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Summary: Since the beginning of the 20th century, a new interest has arisen in the Catalan encyclopedist Ramon Llull, who lived at the turn of the 14th century. This new interest has become manifest in a new critical edition of his works and in editions of his novels and the mystical verses of the lover and the beloved that were translated into several European languages. The new academic interest also resulted in the foundation of institutes at the universities of Barcelona and Freiburg. This study aims to show that there have been German translations of the Aphorisms of the lover and the bel

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Poplavskaya, Irina A., and Maria P. Uryadova. "The problem of studying and translating multilingual texts: Shakespeare’s tragedy Hamlet from Counts Stroganoffs’ book collection in the Research Library of Tomsk University." Imagologiya i komparativistika, no. 21 (2024): 75–94. https://doi.org/10.17223/24099554/21/4.

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The article discusses the problems of translating multilingual texts on the basis of Shakespeare’s tragedy Hamlet (1828) from Grigory Stroganoff’s book collection. The authors focus on role of this edition in the formation of translation strategies and critical reception of Hamlet in German and French literature of the late 18th – first third of the 19th centuries. The engravings of the German artist Moritz Retzsch for this edition and the creation of visual “Hamlet” text are analyzed in terms of intermedial poetics. The authors emphasize Shakespeare’s influence on the formation of Shakespeare

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Czerwiński, Kamil. "Nieznane fugi z rękopisu L 1636 Biblioteki Diecezjalnej w Sandomierzu." Kwartalnik Młodych Muzykologów UJ, no. 53 (2) (September 19, 2022): 93–124. http://dx.doi.org/10.4467/23537094kmmuj.22.005.15649.

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Unknown Fugues from the Manuscript L 1636 of The Diocesan Library in Sandomierz The aim of the article is to present the content of the unknown manuscript L 1636 of The Diocesan Library in Sandomierz, with particular emphasis on the fugues contained therein. A closer acquaintance with the manuscript, dated around 1725, allowed to enrich the image of the musical culture in Poland in the first decades of the 18th century. The text is divided into three parts: 1. Description of the source; 2. Manuscript’s contents; 3. Conclusions from the analysis of the fugues from the manuscript PL-SA L 1636. T

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Rudnev, Dmitry V., and Milyausha G. Sharikhina. "“The Charter of Military, Cannon and Other Matters Relating to Military Science” of 1777–1781 as a Source on the History of Russian Lexicon of the 17<sup>th</sup> Century." Russkaia rech, no. 6 (December 6, 2024): 72–85. https://doi.org/10.31857/s0131611724060056.

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The article offers a critical analysis of some lexical facts in “The Charter of military, cannon and other matters relating to military science” — a monument of the first quarter of the 17th century, which was published in 1777–1781 by V. G. Ruban. The charter was based on a lost copy and was a selective translation of the second volume of L. Fronsperger’s military treatise “Kriegsbuch”. Linguists usually study the vocabulary of the “Charter” based on the printed edition of the 18th century, without taking into account the surviving copies of the monument and its German original. A comparison

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15

Szczepaniak, Jan. "Diecezje łucka i żytomierska w świetle schematyzmu na 1832 rok (1). Schematyzm – edycja źródła." Textus et Studia, no. 3(27) (October 8, 2021): 27–75. http://dx.doi.org/10.15633/tes.07302.

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The edition of the schematics of the Łuck and Żytomierz dioceses, which is handed over to the readers, makes it possible to get to know the condition of the Catholic Church of the Latin rite in Volhynia at the end of 1831. This year is important historical censorship for the history of the Church in Russia. The Polish uprising, known as the November uprising, which started at that time, caused tsarist repressions that significantly limited the pastoral capacity of the Church, for example by liquidating monasteries and parishes. The prepared catalog edition has been divided into three articles.

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АЙЗЕНШТАТ, М. П. "“CIVILIZATION” AND “BARBARITY” IN BRITAIN’S LITERARY PRACTICE FROM THE END OF 18th TO THE BEGINNING OF 19th CENTURY." Цивилизация и варварство, no. 11(11) (November 18, 2022): 308–22. http://dx.doi.org/10.21267/aquilo.2022.11.11.013.

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В статье автор анализирует литературную практику на основе материалов популярного либерального издания «Эдинбургского обозрения, или критического журнала». Это было издание, специально посвященное критическим обзорам книг, вышедших в Британии, Париже, Берлине и других городах мира. Их тематика охватывала широкий круг тем по политике, экономике, общественным пробле-мам и истории. Рецензии освещали либеральный взгляд на историю в контексте идей Просвещения. Авторы обзоров восприняли теоретическое осмысление исторического процесса шотландскими просветителями. Они предполага-ли, что все люди в сво

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17

Ferreira, Daniel Wanderson. "O pensamento de Sade nos limites retórico-filosóficos da época moderna." Cadernos de Ética e Filosofia Política 1, no. 26 (2015): 144–58. https://doi.org/10.11606/issn.1517-0128.v1i26p144-158.

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This article suggests an approach to Donatien de Sade’s writings from rhetorical/philosophical practices current at the end of the Modern Age. Firstly, it presents Sade’s contemporary critical tradition that helps us to understand his ideas. After that, it indicates, among concepts concerning ‘novel’ (romance) at that moment, the one which he adopted in his works. At last, it identifies traits in the heroes of Sade’s novels, considering those traits as an element of rhetorical philosophical frames.Keywords: Donatien de Sade – 18th Century – rhetorical philosophical frames.

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Ostapczuk, Jerzy. "Oryginał cyrylickich starych druków Ewangelii tetr wydanych w Poczajowie. Analiza świąt i świętych obecnych w menologionach." Slavistica Vilnensis 68, no. 1 (2023): 10–23. http://dx.doi.org/10.15388/slavviln.2022.68(1).92.

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Out of 110 early printed Cyrillic liturgical Tetraevangelia, five were issued by the printing house of the Holy Dormition Pochaiv Lavra. All of them appeared in the 2nd half of the 18th century and were intended for the use in the Uniate, i.e., Greek-Catholic, Church. A text critical study of different texts from various parts of Tetraevangelia has suggested that the Gospel edition issued in Kyiv in 1746 was used by printers in Pochaiv to prepare their first liturgical Tetraevangelion. This publication is focused on the textual analysis of menologia present in early printed Cyrillic Tetr

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Lapierre, Carli. "Putting Port Royal on the Map: Jean de Labat's Early-18th-Century Cartographic Construction of Port Royal." Acadiensis: Journal of the History of the Atlantic Region / Revue d’histoire de la region atlantique 53, no. 1 (2024): 78–104. https://doi.org/10.1353/aca.2024.a947471.

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Abstract: Les cartes géographiques sont autant des images de fantaisies impériales que des sources de renseignements géographiques pratiques. Le travail de Jean de Labat, un ingénieur militaire français à Port-Royal, offre un cas d'espèce des expériences cartographiques impériales dans le nord-est de l'Amérique du Nord. Une lecture critique élargie de deux de ses cartes révèle que les réalités sur le terrain se mêlaient aux fantaisies impériales dans la construction d'une version de la vie à Port-Royal qui profitait à Labat et à d'autres fonctionnaires français. C'est pour ces raisons que le t

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Abbas JUMAAH, Saif Ali, and Intisar Rashid KHALEEL. "COUNTER-NARRATIVES IN 18TH CENTURY SELECTED FICTION: ANALYZING SATIRICAL RESPONSES AND ALTERNATIVE PERSPECTIVES." International Journal of Humanities and Educational Research 05, no. 05 (2023): 111–21. http://dx.doi.org/10.47832/2757-5403.22.7.

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This study delves into the immediate critical response to Samuel Richardson‟s 1740 novel “Pamela,” which became highly popular for portraying a maidservant embodying peak levels of moral purity. Henry Fielding stands out as a significant critic of “Pamela,” and this paper scrutinizes his counter-narratives, “Shamela” (1741) and “Joseph Andrews” (1742). Fielding, along with other critics, perceived “Pamela” as a disruption to the established norms of master-servant and upper-lower class dynamics prevalent during the 18th century. Utilizing a variety of literary techniques, Fielding compels the

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Jäger, Ralf Martin. "Notation Methods and Reference Systems: On the Phenomenon of Cultural Translation in the Eastern Mediterranean." Oriens 51, no. 1-2 (2023): 177–96. http://dx.doi.org/10.1163/18778372-12340029.

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Abstract Traditional art music in the Ottoman Empire was essentially shaped by phenomena of transculturality. It can be assumed that dynamic cultural transfer processes took place between the cultural groups involved, including Armenians, Greeks, Jews, and Arabs, in addition to Turks, and that these processes are visible today through circumstantial evidence. Each cultural group has an individual-specific music-theoretical, as well as music-historical background, so that the cultural intersection of Ottoman art music is considered from different perspectives. Using Greek sources from the 18th

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Rachuba, Andrzej. "Edycje akt sejmikowych z terenu Wielkiego Księstwa Litewskiego." Miscellanea Historico-Iuridica 21, no. 1 (2022): 347–63. http://dx.doi.org/10.15290/mhi.2022.21.01.12.

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The aim of the article is to present the current state of editing sejmiks’ records from the lands of the Grand Duchy of Lithuania from 1566 to 1794. Although the first printed edition of Lithuanian (Vilnius) sejmiks’ resolutions took place as late as the end of the 18th century, in contrast to the lands of the Polish Crown, Polish historians took little interest in them in later centuries. A relatively large number of sejmik records were published in the 19th century by Vilnius Archaeographical Commission, but one should be extremely critical of these editions, as it was clearly commissioned t

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JOVOVIĆ, Tamara. "TONI MORRISON AND THE POSTMODERN SLAVE NARRATIVE." Lingua Montenegrina 18, no. 2 (2016): 199–212. https://doi.org/10.46584/lm.v18i2.524.

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This paper interprets Toni Morrison's novel Beloved as a neo-slave narrative. This postmodern novel has its predecessor in the slave narrative of the 18th and 19the century, and in the postmodern times it proves that it is as well a necessary critical discourse for considering the complicated African-American history and the institution of slavery. Slave narratives are of the highest importance for the preservation of African-American tradition, and as such, they were often neglected and marginalized. In the paper we will also show, through the theoretical framework of the most eminent postmod

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Hernández Cardona, Ángel M., and Antonio Bravo Nieto. "Un dictamen médico del siglo XVIII. La confrontación crítica entre los doctores Thomas Exarch y Joseph Guiral sobre Pedro Zermeño." Aldaba, no. 39 (December 15, 2017): 9. http://dx.doi.org/10.5944/aldaba.39.2014.20552.

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Se presenta la edición crítica de un trabajo, de naturaleza médica, publicado en 1735, y escrito por los doctores Thomas Exarch y Joseph Guiral. En sendos dictámenes, ambos doctores exponían sus ideas sobre el paciente Pedro Zermeño, aquejado de epilepsia. El trabajo expresa las ideas y el conocimiento que se tenía de esta afección en esos años, y también nos refleja el testimonio de una época, en una ciudad como Melilla y con unos personajes que llegaron a tener una gran relevancia en el campo de la Ingeniería militar española del siglo XVIII: Juan Martín Zermeño y Pedro Zermeño.It talks abou

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Sánchez Hernández, Mª Angeles. "L'épistolier au féminin au XVIIIe siècle : Lettres d’une Péruvienne de Mme de Graffigny." Estudios Románicos 28 (December 19, 2019): 127–38. http://dx.doi.org/10.6018/er/378021.

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En este artículo presentamos un análisis de la obra de Mme de Graffigny Lettres d’une Péruvienne (1747), novela que tuvo un éxito considerable en el momento de su publicación, aunque presentaba unas tesis altamente críticas sobre la situación de la mujer en la sociedad de la Ilustración. Situaremos nuestro análisis de la obra en el contexto de la novela epistolar francesa del siglo XVIII. Destacamos los elementos que consideramos innovadores en este trabajo en relación con el género al que pertenece. In this article we present an analysis of the work of Mme de Graffigny Lettres d'une Péruvienn

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Tacón García, Antía. "Un manuscrito de La margarita del Tajo que dio nombre a Santarén, de Ángela de Acevedo." JANUS. Estudios sobre el Siglo de Oro, no. 10 (March 24, 2021): 277–95. http://dx.doi.org/10.51472/jeso20211016.

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RESUMEN: Este artículo pretende informar sobre la existencia y características de un manuscrito dieciochesco de la comedia hagiográfica La margarita del Tajo que dio nombre a Santarén, de la dramaturga barroca Ángela de Acevedo, que se conserva en el Arquivo Nacional da Torre do Tombo, en Lisboa. El documento, que incluye una noticia biográfica sobre la autora, resulta de interés porque aporta nuevos datos sobre la difusión de la comedia. Además, facilita la edición crítica de la obra, que hasta ahora se creía transmitida por un único testimonio: la fuente impresa custodiada en la Biblioteca N

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Dulova, Svetlana Alexeevna, and Tatiana Alexeevna Kuznetsova. "Gameplay in education as a factor in increasing motivation to learning material in the study course of native literature." KANT 44, no. 3 (2022): 239–44. http://dx.doi.org/10.24923/2222-243x.2022-44.44.

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The purpose of the study is to consider the theoretical aspects of gamephymification as the latest educational technology; to analyze the practical application of this technology in the lessons in native literature in the basic school in the humanitarian classes. The article notes that the phenomenon of gameplay is based on three components: instant feedback; increasing the motivation of students to the studied subject; developing the ability to analyze the artistic text. The scientific novelty consists in an attempt to introduce into the practice of studying the 18th century visual novel as a

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Burkert, Mattie, Rachel Combs, Kathleen Gekiere, Kimberly Olivar, and With Contributions From Nikki Cain. "Re-mediating The Female American: Collaboration and Situated Knowledges in the Digital Humanities Classroom." Resources for American Literary Study 45, no. 1 (2023): 31–63. http://dx.doi.org/10.5325/resoamerlitestud.45.1.0031.

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ABSTRACT The Female American, published pseudonymously in 1767, has drawn scholarly attention in recent decades as a novel that raises questions about anonymity, gender, authorship, Indigeneity, settler colonialism, and the American literary canon. Yet access to the text has remained limited, dependent on subscription databases and print scholarly editions. In 2022, as part of a graduate seminar on eighteenth-century literature, science, and colonialism, we produced the first open-access digital edition of volume 1; a subset of the class also recorded a public domain audiobook of the full nove

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Chichina, Marina O. "Comparative Analysis of Contextual Usage of the Lexemes мiръ / миръ / мир and their translations into Spanish". RUDN Journal of Language Studies, Semiotics and Semantics 15, № 1 (2024): 152–73. http://dx.doi.org/10.22363/2313-2299-2024-15-1-152-173.

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In the critical literature devoted to the L.N. Tolstoy’s novel «War and Peace», the contradictory contexts of usage of the lexemes мiръ / миръ / мир and their relation to homonymy, were repeatedly discussed. The study is a comparative analysis of the contexts of usage of the lexems мiръ/ миръ / мир in Russian in the texts of the «War and Peace» novel by L.N. Tolstoy, as well as their translation into Spanish. The author refers to two editions of the novel - in 1912, before the spelling reform of 1918, and mid-20th century, as part of the 90-volume edition of the works of L.N. Tolstoy. The aim

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Matteini, David. "Corpi sofferenti d’amore. L’Ingénu di Voltaire tra intêret e sensibilité." Diciottesimo Secolo 9 (October 7, 2024): 29–38. http://dx.doi.org/10.36253/ds-15041.

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In his conte philosophique L’Ingénu (1767), Voltaire engages in his philosophical battle through an original analysis of the love affair between the naïve protagonist Huron and Mademoiselle de Saint-Yves, a young Breton girl with a strict Catholic upbringing. The conflict between their desire to marry and the religious and political institutions is represented here by means of stylistic grafts belonging to the tradition of the genre of the sentimental novel, which in the middle of the 18th century was on the rise in France and the rest of Europe. Making the most recent discoveries in the medic

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RASHED, ROSHDI. "LES CONSTRUCTIONS GÉOMÉTRIQUES ENTRE GÉOMÉTRIE ET ALGÈBRE: L'ÉPÎTRE D'AB AL-JD À AL-BRN." Arabic Sciences and Philosophy 20, no. 1 (2010): 1–51. http://dx.doi.org/10.1017/s0957423909990075.

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AbstractAbū al-Jūd Muḥammad ibn al-Layth is one of the mathematicians of the 10th century who contributed most to the novel chapter on the geometric construction of the problems of solids and super-solids, and also to another chapter on solving cubic and bi-quadratic equations with the aid of conics. His works, which were significant in terms of the results they contained, are moreover important with regard to the new relations they established between algebra and geometry. Good fortune transmitted to us his correspondences with the mathematician and astronomer al-Bīrūnī. The questions they de

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Dyakonova, E. M. "An observational comic novel of manners. Review of the Russian edition of the book Footing It Along the Tōkaidō by Jippensha Ikku." Japanese Studies in Russia, no. 1 (April 11, 2023): 130–35. http://dx.doi.org/10.55105/2500-2872-2023-1-130-135.

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The article offers a critical review of the Russian edition of the comic novel Footing it Along the Tōkaidō by an outstanding writer of the Tokugawa era (1603–1868) Jippenshya Ikku. Recently published by Saint Petersburg’s Hyperion, the novel was masterfully translated from Japanese by Anastassya Y. Borkina who thoroughly studied this complex observational comedy of manners or humerous book (kokkeibon) and provided the necessary analytical apparatus, including commentaries and a preface. The narrative develops around the adventures of two characters, Yajirobei and Kitahachi, who embark on a jo

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Ermilova, Kira E. "“FRANCION’S DREAM” IN THE NOVEL BY CHARLES SOREL: ON THE PROBLEM OF NARROWING THE BOUNDARIES OF SYMBOLIC IMAGERY IN CONDITIONS OF CENSORSHIP OF THE 1620–1630." Vestnik of Kostroma State University 28, no. 4 (2023): 70–75. http://dx.doi.org/10.34216/1998-0817-2022-28-4-70-75.

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The article is devoted to the analysis of Francion’s dream from the point of view of the symbolic imagery, as well as to the problem of the existence of the novel “La Vraie Histoire comique de Francion” by Charles Sorel (1623–1633) in three editions. The events of the dream narrated by the main character are analysed, as well as the changes made to the text in the second and third editions – the removal and rearrangement of some episodes in order to adapt the text to the requirements of censorship due to the high-profile trial of the French poet and representative of the libertinage of the 17t

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Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (February 14, 2019): 35–73. https://doi.org/10.21827/5c643a8525e4b.

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The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora t

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Medynska, Olesia, and Markiian Medynskyy. "Dyskurs historyczny powieści-kroniki Wałerija Szewczuka Znikające cienie." Bibliotekarz Podlaski. Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 42, no. 1 (2019): 59–72. http://dx.doi.org/10.36770/bp.38.

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The article presents a study of the historical foundations of the chronicle novel ”The Vanishing Shadows. A Family Chronicle” by Valeriy Shevchuk. The attention is focused on the writer’s interpretation of historical events in the late 18th century. The social and ideological, discursive processes of the reproduced historical period are analyzed. An integral perception of the history of our country is presented in an inseparable connection between the past and the present. The critical moments in Ukrainian history were outlined as the background against which some urgent, vital problems of eit

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Ghirardi, José Garcez. "Important, unimportant: a critical anticipation of the assumptions of legal positivism in Alice in wonderland." Derecho PUCP 77 (November 17, 2016): 267–88. https://doi.org/10.18800/derechopucp.201602.011.

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Almost a full century separates Alice in Wonderland (1865) of Charles Lutwidge Dodgson(who will be referred by his pseudonym, Lewis Carroll) and the second, lengthier and more elaborate edition of Hans Kelsen’s Pure Theory of Law (1960; first edition published in 1934). And yet, it is possible to argue that the former anticipates and critically addresses many of the philosophical assumptions that underlie and are elemental to the argument of the latter. Both texts, with the illuminating differences that arise from their disparate genre, have as one of their key themes norms and their functioni

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Koloshuk, Nadiia. "Problems of reception and interpretation of P. Süskind's novel "Perfume" in the Ukrainian literary studies." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 15, no. 26-27 (2022): 96–108. http://dx.doi.org/10.34079/2226-3055-2022-15-26-27-96-108.

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The article examines the peculiarities of the Ukrainian scientific and critical reception and interpretation of P. Süskind's novel "Perfume". The relevance of the problem is that the novel by the German writer does not lose its meaning, but its perception is far from complete, and for most readers it is superficial. The work represents the "novel about an artist" genre, established by the tradition of European literature, which dates back to the end of the XⅤIII century, from the Bildungsroman genre model. The main feature of P. Süskind’s novel is intertextual saturation, thanks to which the m

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Zuloaga, Eneko, and José Alfonso Antequera. "Bizkai sartaldeko agiri judizial bat euskaraz: Zolloko galdetegia (1770)." Fontes Linguae Vasconum, no. 128 (November 27, 2019): 455–504. http://dx.doi.org/10.35462/flv128.5.

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LABURPENA Artikulu honetan Bizkai mendebaleko xviii. mendeko testu baten edizioa eta hizkuntza- azterketa aurkezten ditugu. Bilboko eskribau-etxe batean 1770ean sortutako dokumentu judiziala da, eta Zollon (Bizkaia) ezagutarazteko prestatu zuten. Testuak euskararen corpus historikoko hutsune bat betetzen du, eta interesa du bai generoari dagokionez, bai alderdi geolinguistikoari eta historikoari dagokienez. Bada, lan honetan testua sortu zen testuingurua hobeto ulertzeko azalpenak, testuaren edizio kritikoa, testuko ezaugarri linguistiko nagusien azterketa eta hizkeraren filiazio linguistikoar

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Épié, Flavie. "Collaborative Ulysse(s)." Romanic Review 116, no. 1 (2025): 121–36. https://doi.org/10.1215/00358118-11692253.

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Abstract The French translations of Joyce’s Ulysses hold a special place within the long reception of the novel, because the first translated fragments precede the publication of the original, but also because both the 1929 and the 2004 French editions of Ulysses are extremely interesting in terms of the development of, and collaboration with, Joycean scholarship. Collaborative translations by definition, both of the complete French versions of Ulysses were the result of the joined efforts of several translators, including Joyce himself, his publishers, as well as academics and experts. Studyi

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Abdurakhmanova-Pavlova, Daria V. "Reception of John Woolman's Journal in Theodore Dreiser's The Bulwark." Vestnik Tomskogo gosudarstvennogo universiteta, no. 478 (2022): 5–13. http://dx.doi.org/10.17223/15617793/478/1.

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The article discusses the reception of John Woolman's Journal (1774) in Theodore Dreiser's The Bulwark (1946). John Woolman was a prominent 18th-century Quaker minister and abolitionist, whose Journal, usually defined as a spiritual autobiography, is his most famous text. Since its first edition, The Journal has been highly acclaimed among American autobiography readers and critics. In 1939 it was reverently perused by Dreiser. Two decades earlier, in 1914-1920, the writer had produced drafts of his Quaker novel The Bulwark but had not completed this text, partly due to a certain ambivalence h

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Ojamaa, Triinu, and Maarja Hollo. "Kirjažanrist Euroopa kultuuriloos ning kirjavahetuste avaldamisest ja uurimisest Eestis." Mäetagused 86 (August 2023): 5–30. http://dx.doi.org/10.7592/mt2023.86.ojamaa_hollo.

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The article deals with the emergence, development and blooming of the letter genre in European cultural history until the middle of the 20th century. The oldest letters that have survived to our time date from the 3rd-2nd centuries BC and are written in cuneiform. The first major heyday of the literary genre was in the time of ancient Rome, when both politicians and philosophers exchanged letters, but also several writers used the letter form in their works. The so-called canon of letter writing was formed in the Middle Ages, when the art of letter writing began to be taught at the universitie

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Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (May 29, 2018): 35. http://dx.doi.org/10.21827//5c643a8525e4b.

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The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora traditi

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43

Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (May 29, 2018): 35. http://dx.doi.org/10.21827/5c643a8525e4b.

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The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora traditi

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44

Pastor Briones, Vicent. "Les edicions catalanes del Pierres de Provença: Estat de la qüestió." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 7, no. 7 (2016): 52. http://dx.doi.org/10.7203/scripta.7.8055.

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Resum: La novel·la anònima Pierres de Provença ens arriba des d’un original francès escrit a mitjan segle XV passant per algunes traduccions castellanes i catalanes que van fer-se des de principis del segle XVI. Malgrat la poca atenció que li ha dedicat la crítica literària en general, les aventures del cavaller Pierres i la gentil Magalona han comptat amb lectors de forma continuada fins al segle XIX. Aquest relat cavalleresc és un dels pocs títols que conformen el catàleg de la prosa impresa en català en l’època moderna, i és, per tant, força convenient fer una adequada catalogació de les ed

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Vilches, Patricia. "Alberto Blest Gana: 100 Years Later." Open Cultural Studies 5, no. 1 (2021): 3–15. http://dx.doi.org/10.1515/culture-2021-0003.

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Abstract Blest Gana at 100 is a special edition for Open Cultural Studies. Alberto Blest Gana was a Chilean writer who wore many hats during his long life, dying in 1920 at the age of 90. One of the most prominent authors of nineteenth-century Chile and Latin America, he went to military school and later held political and diplomatic appointments, all of which caused him to travel and live abroad. In fact, nel mezzo del cammin of his life, Blest Gana transferred to Europe and eventually settled in Paris, never to return to his country of birth. His fiction and non-fiction conveyed a vast array

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Mezin, S. A. "“The Founder and Father of his Empire”: Voltaire on the Peace of Nystad and the Imperial Status of Russia." MGIMO Review of International Relations 15, no. 4 (2022): 43–59. http://dx.doi.org/10.24833/2071-8160-2022-4-85-43-59.

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The purpose of the paper is revealing the peculiarities of Voltaire’s views on the last stage of the Northern War, ended by the Treaty of Nystad, as well as presenting the specific character of the great enlightener’s evaluation of the Russian empire and its historical role. The author finds out, why Voltaire, condemning fascination with the history of wars and kings, in his two works: «The History of Charles XII» and «The History of the Russian Empire under Peter the Great» paid great attention to the Northern War and Peter I’s participation in it.The reasons of the French historian interest

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Javier, Marín López. "Cazadorcito se ha hecho el amor de Gregorio Portero (1733), o de la diáspora de un villancico granadino a Nueva España Cazadorcito se ha hecho el amor ("The Little Hunter Transmogrifies Himself into Love") by Gregorio Portero (1733): The Spread of a Granadine Christmas Carol to New Spain." Música Oral del Sur, no. 9 (December 18, 2012): 338–77. https://doi.org/10.5281/zenodo.4633271.

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Resumen: Es de sobra conocido el decisivo papel jugado por el sur peninsular en las relaciones musicales con el Nuevo Mundo y, específicamente, con Nueva España, no sólo por haber monopolizado el comercio europeo con América, sino también por la importancia y prestigio de sus centros musicales, que funcionaron como potenciales depósitos de obras de música con destino a Indias. La presente contribución tiene por objeto profundizar en el estudio de la diáspora de la música dieciochesca andaluza en Nueva España, dando a

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Рavlovich, Kristina К. "Nikitenko’s unfinished novel Leon and its allusions in An Ordinary Story by Goncharov." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 88 (2024): 217–29. https://doi.org/10.17223/19986645/88/11.

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The article studies the aesthetic system of the Russian critic and censor Aleksandr Nikitenko and its reception by the writer Ivan Goncharov, who used these aesthetic principles in An Ordinary Story (1847), the first novel of his trilogy. For the first time, the context of Nikitenko’s literary work, which has not yet become an object of research, is scientifically investigated. The identification of typological connections with literary texts of that time also actualizes the meaning of the notion of “idealized realism”.The special and versatile personality of Nikitenko, who was a lecturer at M

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Высокова, В. В., and З. С. Шунина. "English radicals, the French Revolution and Edmund Burke: polemics in The Analytical Review." Вестник Рязанского государственного университета имени С.А. Есенина, no. 2(83) (August 13, 2024): 52–61. http://dx.doi.org/10.37724/rsu.2024.83.2.005.

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В статье рассматривается идейная борьба вокруг работы Э. Бёрка «Размышления о революции во Франции» (1790) на страницах радикального издания The Analytical Review. Выявлено и проанализировано тридцать восемь откликов, опубликованных в первые три года после выхода этой работы. Установлено, что все рецензии носили ярко выраженный критический характер по отношению к идеям философа, в них восхвалялись и приветствовались революционные события во Франции. Выявлено, что это дискурсивное поле формировалось в сопоставительном ключе: преобразования государственного строя во Франции постоянно сравнивалис

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Haue, Niels. "Genfundne gravhøje i Nordjylland – Kartografiske studier." Kuml 64, no. 64 (2015): 131–63. http://dx.doi.org/10.7146/kuml.v64i64.24218.

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Rediscovered burial mounds in northern Jutland – a cartographical surveyIn 2005-07, archaeologists from the Historical Museum of Northern Jutland carried out an inspection of those burial mounds still visible and protected (scheduled) under Danish cultural heritage legislation. Scheduled burial mounds were the main focus, but new – or rather forgotten – mounds were also observed in the forests (fig. 1). These observations prompted a preliminary study of a small area, which revealed that a large number of burial mounds, hitherto unrecorded in the national archaeological database, Sites and Monu

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