Academic literature on the topic 'Novel about writer'

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Journal articles on the topic "Novel about writer"

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Jamal Fadhil, Dhafar, and May Stephan Rezq Allah. "A Feminist Discourse Analysis of Writer's Gender Biases about Violence Against Women." Journal of the College of languages, no. 44 (June 1, 2021): 21–45. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0021.

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The present study is concerned with the writer's ideologies towards violence against women. The study focuses on analyzing violence against women in English novel to see the extent the writers are being affected and influenced by their genders. It also focuses on showing to what extent the writer's ideologies are reflected in their works. Gender influences social groups ideologies; therefore, when a writer discusses an issue that concerns the other gender, they will be either subjective or objective depending on the degree of influence, i.e., gender has influenced their thoughts as well as beh
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Arbain, Armini. "PEMIKIRAN HAMKA DALAM NOVEL-NOVELNYA: SEBUAH KAJIAN SOSIOLOGIS." Puitika 13, no. 2 (2017): 75. http://dx.doi.org/10.25077/puitika.13.2.75--88.2017.

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In this article is discussed about the thought of Hamka contained in his novels. Hamka a man who has a multitalenta as a writer, thinker, writer, historian, and mufasir. That is, a Hamka not only as a writer but also as a thinker, writer, mufasir (interpreter of the Qur'an) and historian at the same time. The unification of the five qualities as above would be complementary to each other. Thus, when Hamka concocted a novel, her qualities as a thinker. writers, mufasir and historians will accumulate into his fictional work so that in the work of his novels there are a number of pithy thoughts.
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Dilfuza, Shodmonova. "About Yashar Kemal's Works and Their Translations." European International Journal of Philological Sciences 5, no. 6 (2025): 56–59. https://doi.org/10.55640/eijps-05-06-17.

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This article talks about the richness of the work of the famous Turkish writer Yasar Kemal, the novel "The Legend of the Mountain", which introduced the writer to world literature, and its translations into world languages, translators and publications of the work. This article provides information to young specialists and researchers about the worldwide study of the work of Yasar Kemal and the achievements of his translations.
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Хінкіладзе, Катерина Валеріївна. "ЭЛЕМЕНТЫ «РОМАНА О ПИСАТЕЛЕ» В РОМАНЕ В.П. КРЫМОВА «ФУГА»". Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 2, № 81 (2015): 203–14. https://doi.org/10.5281/zenodo.33007.

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The article deals with an element fiction novel “Fugue” by V.P. Krymov  as “a novel about a writer” who coexists with elements of other genre forms  such as the fraudulent novels, an autobiographical, a family and household, an  adventure, an utopia. The author is trying to create a character who capable of  writing reflection, the creativity suffering, a lack of inspiration and to reflect on  techniques of writing. The hero of the novel creates his own novel, which in principle of two themes in fusion is equal to the main storyline of the work.
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Ageeva, Galina M. "About Bibliocentrism of M. Yelizarov’s Novel “Librarian”." Bibliotekovedenie [Russian Journal of Library Science], no. 1 (February 10, 2010): 50–54. http://dx.doi.org/10.25281/0869-608x-2010-0-1-50-54.

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Article continues a scale and inexhaustible theme “Image of the book and libraryin fiction”. This time the attention of researchers was centred on M.Yelizarov’s postmodernist novel with the symbolic title “Librarian”. The meanings which were put by the writer in mystic and fantastic treatment of the book and library are reconstructed.The attempt of explanation of “key values” of the work from the positions of modern socio-cultural situation and development of literary and creative process was made. The author of the article comes to a conclusion that the perception of a phenomenon of book and
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Abdyramanova, A. Sh. "ABOUT NOVEL “DEHKANE” OF THE KYRGYZ WRITER SHABDANBAI ABDYRAMANOV." International Journal of Applied and Fundamental Research (Международный журнал прикладных и фундаментальных исследований) 2, no. 11 2018 (2018): 369–72. http://dx.doi.org/10.17513/mjpfi.12507.

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Knight, Lania. "Cervantes, the Journey, and What it Tells Us About Becoming a Writer." Open Cultural Studies 1, no. 1 (2017): 391–94. http://dx.doi.org/10.1515/culture-2017-0036.

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Abstract The article traces the notion of empathy in fiction writing and how Cervantes’s treatment of characters in Don Quixote initiated a tradition which is ongoing in literature even today. The path of the writer is examined as a means for understanding how a writer must develop empathy for others, beginning with quotes from writers Helene Cixous and Henry James. Next, within the current political context of global upheaval and shift following on from the election of Donald Trump as president of the U.S.A. as well as the vote for Brexit in the U.K., the article argues for the relevance of C
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Foziliya, Muazzama. "About The Repetitions In The Novel Of “Cholikushi”." American Journal of Social Science and Education Innovations 03, no. 07 (2021): 1–5. http://dx.doi.org/10.37547/tajssei/volume03issue07-01.

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In this article, dialogue is based on the rapid circulation of the replication of the interlocutors, the replies is short, but mutually known to be treated. The term replication is “add again”, the completion of a speech of one of the dialogue, the place where the replica is semical and grammatical is linked to each other. Replicta-repetitions are considered a lexical phonetical media, which is characterized by formative circulation in dialogial speech, in which re-consortation speech is repeating words, replication and repeated. The realization of the surprise is interpreted. The Turkish writ
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Shortanbay, Sh A. "The Image of Writers and the Author's Position in the Novel-essay by K. Yskak «The Illusion of the Past Days»." Iasaýı ýnıversıtetіnіń habarshysy 127, no. 1 (2023): 108–19. http://dx.doi.org/10.47526/2023-1/2664-0686.09.

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It is known that one of the genres of Kazakh literature, essays, appeared infrequently in the literature of the Soviet era. During the period of independence, within the framework of this genre, events and scenes in the Soviet space were described in detail, by the authors. Writers have used the rational side of the essay genre as a powerful way to analyze an idea in the context of artistic reality. The article analyzes a novel-essay «Kelmes kunder elesi» («The illusion of the past days»), from two books, which is the result of the relationship between the novel and the essay by the outstandin
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Ovcharenko, O. A. "The last novel of the last classic On the 125th anniversary of the birth of academician L.M. Leonov." Вестник Российской академии наук 94, no. 5 (2024): 478–87. http://dx.doi.org/10.31857/s0869587324050091.

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In 2024, there are three important dates in the fate of the Russian writer academician Leonid Leonov: the 125th anniversary of his birth, the 30th anniversary of his death and the publication of his last novel “Pyramid”, work on which lasted for five decades. The Pyramid is rightly considered a novel-the testament of the writer. It examines such important issues as the existence of world evil, the future of the world and humanity, the role of the devil in world history, Russia’s place in world civilization, gnostic theories of the future of the world and man. Since The Pyramid was published in
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Dissertations / Theses on the topic "Novel about writer"

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Crossland, R. Bert (Rodney Bert). "A Content Analysis of Children's Historical Fiction Written about World War II." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279151/.

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The purpose of this study was to investigate the evolution of children's historical fiction dealing with World War II in order to describe the changes that have occurred over the past 50 years. Two questions were asked in the study: (1) Has the characterization of protagonists portrayed in historical fiction about World War H evolved since 1943? and (2) Have the accounts of the events of World War H portrayed in historical fiction evolved since 1943? Content analysis was used as the method of collecting data. The sample consisted of 86 novels written from 1943 to 1993. Upon completing the read
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Books on the topic "Novel about writer"

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Alison, Lurie. The truth about Lorin Jones: A novel. Avon Books, 1990.

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Alison, Lurie. The truth about Lorin Jones: A novel. Franklin Library, 1988.

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Hayrullin, Vladimir. Spatial codes of key texts of Russian culture. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2140133.

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The monograph examines the ways of representing open and closed spaces in such key texts of Russian classics as Leo Tolstoy's novel "Anna Karenina" and F.M. Dostoevsky's novel "The Idiot", and in the translations of these works into English. It is suggested that the spaces described using features encoding certain information about these spaces are presented differently by writers, and these differences become more pronounced when considering works translated into English, which allows us to talk about translation spatial codes. Much attention in the information field of the monograph is paid
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Bang: A Novel About the Danish Writer. Norvik Pr, 2018.

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Conan, Doyle Arthur. Poison Belt: A 1913 Science Fiction Novel by British Writer Arthur Conan Doyle, the Second Book about Professor Challenger. Independently Published, 2020.

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Venfield, Vivian. How to Write a Book or How to Write a Novel. Writing a Book Made Easy. What You Must Know about Being a Writer. from Gathering Your Ideas to Publishi. IMB Publishing, 2014.

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Cooke, Nathalie. Margaret Atwood. Greenwood, 2004. http://dx.doi.org/10.5040/9798400682742.

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This book offers readers a concise introduction to Atwood's published novels and the central themes motivating her writing. The volume starts with an overview of the author's biography and the relationship of her writing to relevant literary traditions. Because Atwood is internationally renowned, many commentaries ignore the Canadian roots of her work. Cooke corrects this oversight by sketching the ways in which her work is shaped by, and has shaped, the Canadian literary scene. As the author of a full-length Atwood biography, Cooke is able to summarize feminist, Canadian nationalist, and post
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Kondrateva, Elena. Write a Novel about Me. Lulu Press, Inc., 2015.

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Visokaya, Elena. Write a novel about me. Lulu.com, 2015.

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Visokaya, Elena. Write a Novel about Me. Lulu Press, Inc., 2015.

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Book chapters on the topic "Novel about writer"

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Englund, Lena. "Representing Migration." In Storying Contemporary Migration. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-62003-4_2.

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AbstractRepresentation is a central theme of this book, addressed in all chapters in multiple ways, and introduced here in relation to a novel which received significant backlash upon publication: Jeanine Cummins’s American Dirt (2019). Central questions concern who can and should write stories of migration and in what contexts, and the controversy surrounding the novel also raises concerns about biases of the publishing industry and the limited representation of authors from various ethnic and racial backgrounds, in this case, writers who define themselves as Latin American/Latinx. The reception of the novel is contrasted against another text, Roberto Lovato’s Unforgetting: A Memoir of Family, Migration, Gangs, and Revolution in the Americas (2020), which has been favourably received. Findings indicate that autobiographical representations of migration are seen, by critics and researchers alike, as more suitable and desirable than purely fictional stories, particularly if the writer has no personal experience of migration.
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Simonsen, Karen-Margrethe. "Chapter 7. Melodramatic tableaux vivants." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxvi.07sim.

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The novel Sab (1841) by the Cuban-Spanish writer Gertrudis Gómez de Avellaneda has been called both a radical anti-slavery novel (Sommer 1991, Davies 2013) and an anti-abolitionist novel that only pays lip service to the abolitionist cause (Williams 2008, Gomariz, 2009). In this article I approach this ambiguity by moving the focus from content to form and from story to reader. Building on insights by Peter Brooks (1976), Jacky Bowring (2017) and David Denby (1994), I argue that formally the novel is a melodramatic tragedy and that its melodramatic tableaux vivants foster moral reflection in the reader by creating a clash between the ideal and the real and between surface and depth. I develop this in critical dialogue with ideas about the (dis)connection between emotionality, empathy and human rights developed by Lynn Hunt (Hunt 2007) and Lynn Festa (2006).
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Wieringa, Edwin. "Can Kartini Be Lesbian? Identity, Gender, and Sexual Orientation in a Post-Suharto Pop Novel." In Gender, Islam and Sexuality in Contemporary Indonesia. Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-5659-3_9.

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AbstractThe British author Martin Amis once remarked that “the way a writer names his characters provides a good index to the way he sees the world—to his reality-level, his responsiveness to the accidental humour and freakish poetry of life” (Amis Amis, The moronic inferno and other visits to America, Penguin, London, 1987, p. 13). If this is so, what, then, does the choice of the name Kartini for the protagonist in the 2007 pop novel Kembang Kertas (Paper Flowers) by the Indonesian woman writer Eni Martini with the provocative subtitle Ijinkan aku menjadi lesbian (Allow me to be lesbian) tell us about the way she appropriates the iconic feministfigure of Kartini who lived from 1879 to 1904? This essay explores how the Kartini image as a model of the ideal Indonesian woman is creatively refigured in this 21st-century expression of Indonesian popular culture and how the new post-colonial avatar is deployed to address problematics of gender, shame, and sexual orientation. The question arises as to the analogy between the emblematic Kartini, revered in Indonesia as the epitome of perfect heterosexual femininity, and the new-fangled Kartini figure in fictional form.
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Barrett, Laura. "Where Have All the Writers Gone? Art and Vision in DeLillo’s Later Works." In The Edinburgh Companion to Don DeLillo and the Arts. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474499903.003.0200.

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In Mao II (1991), acclaimed writer Bill Gray laments that “what terrorists gain, novelists lose. The degree to which they influence mass consciousness is the extent of our decline as shapers of sensibility and thought” (157). That novel also chronicles a profound anxiety about the loss of writers’ powers in the face of the increased influence of visual culture. It is significant, then, that Mao II is also the last DeLillo novel in which novelists play a central role, and by Underworld, writers in the conventional sense have all but disappeared. Words are still important, of course, but primarily embodied by the controversial improvisations of Lenny Bruce or the stylized graffiti of Moonman 157. Subsequent novels yield an even bleaker terrain for the writer who doesn’t even bother to show up. Even the spareness of DeLillo’s prose in the past twenty years suggests that the written word is obsolete. This chapter argues, however, that the writer’s role has not disappeared so much as it has been subsumed in the consciousness of the novels’ protagonists, whose perceptions of and responses to the overwhelmingly visual culture of the twenty-first century constitute the books we read.
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Snyder, Michael. "The Mourner Below." In James Purdy. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197609729.003.0011.

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Abstract In the 1960s, working with editor Robert Giroux, Purdy grew as a writer. His novels were widely reviewed and he drew attention from an increasing number of major writers and critics. But privately, it was a time of sorrow; in 1962 and 1964 he lost his mother and father. As some consolation, he met two gay composers who became close friends, Richard Hundley and Robert Helps. Hundley encouraged Purdy to write poems and set them to music. Another stage adaptation, Color of Darkness, appeared with Edward Albee attending. Cabot Wright Begins (1964), a satirical novel about people trying to write and publish a book about a serial rapist, split and scandalized critics, some of whom found themselves sent up. Susan Sontag declared Purdy one of six US writers worth taking seriously, while Joyce Carol Oates found it tiresome and badly written. He drafted his stunner, Eustace Chisholm and the Works.
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Raven, James. "Historical Introduction: The Novel Comes of Age." In The English Novel 1770–1829: A Bibliographical Survey of Prose Fiction Published in the British Isles. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198183174.003.0002.

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Abstract The modern novel is a product of the eighteenth century. With roots extending to the sixteenth- and seventeenth-century romance and to the influence of French, Italian, and Spanish writers, what has for long been called the ‘rise of the novel’ is very largely an eighteenth-century development. In 1785 Clara Reeve, an accomplished fiction writer herself, set about chronicling the history of the novel in her Progress of Romance. ‘We had early translations of the best Novels of all other Countries’, she concluded, ‘but for a long time produced very few of our own.’ In recent times-and she brought her account down to 1770-the situation had been transformed, even though she confessed to fright in trying to review the subject and admitted that any conclusion to her story ‘is yet a great way off’. As Reeve’s account suggested, a new critical maturity in English novel writing was reached in the three decades before 1770 and this furnished the climax to her ‘investigation of novels’.
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Bax, Sander. "‘The Most Successful Writer of the Netherlands’." In Branding Books Across the Ages. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723916_ch09.

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Since the success of his bestseller novel The Dinner in 2009, Dutch literary writer Herman Koch has been branded as ‘the most successful writer of the Netherlands’. In his media coverage, we encounter a narrative about his career that has all the characteristics of the ‘success myth’ of the contemporary celebrity. What can the construction of Koch’s success myth tell us about the norms that actors and institutions of the public media use when they talk about literature? How do Koch and his critics deal with the tension between different ways of contributing value in the literary field? And does Pierre Bourdieu’s conceptualization of the ‘economic world reversed’ still suffice to describe the distribution of capital in today’s literary fields?
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Weinfeld (ed.), David. "Hebrew Poetry in Poland between the Two World Wars." In Polin: Studies in Polish Jewry Volume 13. Liverpool University Press, 2000. http://dx.doi.org/10.3828/liverpool/9781874774600.003.0041.

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(Jerusalem: Mossad Bialik, 1997); pp. 496 The Hebrew Nobel Laureate S. Y. Agnon describes in his semi-autobiographical novel A Guest for the Night (1939) a Hebrew writer’s return in about 1930 to the Galician town of his birth. What was once a thriving centre of Jewish culture is now virtually a ghost town, its population depleted and traumatized by war and privation. The writer tries to renew his ties with the past but fails, and in the end returns to Jerusalem, his only true home....
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Nazarova, Anastasia V. "Changing the Gender “Role” in E.N. Chirikov’s Novel FamilyChanging the Gender “Role” in E.N. Chirikov’s Novel Family." In Femininity and Masculinity in the Modernist Culture: Russia and Abroad. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0740-3-435-449.

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The article considers E.N. Chirikov’s novel Family, which became the final part of the autobiographical tetralogy The Life of Tarkhanov (1911–1924), where the writer recreated the process of spiritual and moral development of an intellectual, whose youth came at the turn of 1880s–1890s. Chirikov was one of the first writers in Russian literature to demonstrate in this book that a male character can choose an alternative gender “role”, which is radically different from the traditional social role prescribed by the dominant idea of masculinity. In the first three parts of The Life of Tarkhanov Gennady Tarkhanov is passionate about revolutionary ideas, and then disappointed in them and tries to find his way in literature, i. e. his self-fulfillment takes place mainly in the external space, then in the novel Family this character renounces his high status of a well-known writer and public figure in favor of the family, that is, he chooses the traditionally “female” sphere of self-realization. Thus, Chirikov showed that the “microcosm” of the family is equally important for both genders and is the only protection in the disintegrating social “macrocosm”, engulfed in the fire of wars and revolutions at the beginning of the 20th century.
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Coffin, Judith G. "Readers and Writers." In Sex, Love, and Letters. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501750540.003.0004.

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This chapter elaborates how Simone de Beauvoir burst into the world of literary stardom in the 1950s. It begins with Mandarins from 1954, Beauvoir's novel about postwar French intellectuals' political, literary, and ethical debates, and their love lives, which won many readers and gained a blizzard of publicity. It also cites the novels, plays, and philosophical essays on justice, ethics, and morality that Beauvoir has written as an accomplished writer. The chapter talks about Beauvoir's publication of her reflections on her travels through the United States, America Day by Day, which was dedicated to Richard and Ellen Wright. It describes the outcome of Beauvoir's hard work as an epic of postwar existentialism and its attendant anguish, a readable and serious fare that fueled the mid-twentieth-century expansion of book publishing.
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Conference papers on the topic "Novel about writer"

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Ojars, Lams. "REFUGEES-IMMIGRANTS-INTEGRANTS: NARRATIVES ABOUT FORCED DISPLACEMENT IN BALTIC REGION AT THE END OF WW2." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.26.

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The process of displacement and the large numbers of Baltic refugees due to the return of Soviet occupation at the end of World War II is important theme in literature. In the literatures of Latvia, Lithuania and Estonia after war a new and long-lasting phenomenon appeared � literature of exile. This paper will turn to three texts that are from different decades and are written in different styles about displacement. The research focus will be on the novel �After Doomesday� (1968, English translation 2017) [3] by Latvian author Gunars Janovskis (1916�2000) who started his career as a writer in
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Štěpánek, Václav. "Čeští dobrovolníci v srbské armádě jako básníci a spisovatelé. Příspěvek k 110. výročí začátku Velké války." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-4.

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The paper is dedicated to the 110th anniversary of the outbreak of the Great War, which, as is well known, began with the very unsuccessful attacks of the Austro-Hungarian army on Serbia. The literature of the Czech participants in the Great War is very colourful, both those who wrote about their war journey within the Austrian army and those who, for various reasons, switched to the side of the Triple Entente who fought against their "wider homeland" and returned home, unlike the former, crowned with the glory of heroes. Much has been written about this literature, and it would seem that ther
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Kočevski, Ivana. "U klubu čeških Pikvika – Hašekove parodije i političke mistifikacije." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-15.

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One hundred years after the death and one hundred and forty years after the birth of the famous Czech writer Jaroslav Hašek (1883–1923), his work still attracts the undivided attention and curiosity of readers. His widely known literary work about the immortal soldier Josef Švejk, which has been translated into many languages, has acquired the dimension of omnipresence and timelessness – precisely in the sense that it can be read in any country and at any time. However, the majority of the writer's prose work consists of short stories, adventures and tales, often published first in newspapers
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Antoni, Cristina. "The writing and the writer. Serafim Saka‘s variant." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.20.

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The writer Serafim Saka (1935‒2011), in his activity as a publicist, translator, author of plays and scenarios, supporter of cultural projects, has left in the bsarabian literary space reflections, viewpoints, commentaries about the literary process and the writer’s status. Debater in publicist texts, initiator of discussions in his interview books ("Here and now", "For you I beat…"), Serafim Saka has presented in his last book, the novel-fact "Give me back to myself", with the same volubility "a romanced history of literature" (Mircea V. Ciobanu) with many openings about what has been written
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Sokolov, Anatoly. "VIETNAMESE WRITER BAO NINH: TALKING ABOUT TIME, WAR AND LITERATURE." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.43.

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In the history of world literature, there are many examples of one book writers, when only one work of the literary heritage of a particular author was famous, in the shadow of which the rest of his work remains. In Vietnamese literature, this is Bao Ninh, the author of the novel The Sorrow of War (first released in 1987 under the title The Destiny of Love), after which his writing life came a long pause. Bao Ninh was born in 1952 in Hanoi. In 1969, he went to the front and fought for the next six years. After the publication of his first novel, The Sorrow of War, he became one of the most fam
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Mitkina, Evgenia. "QIU XIAOLONG’S NOVELS: AMERICAN DETECTIVE STORIES WITH CHINESE ROOTS." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.23.

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Qiu Xiaolong is an American writer born in China, but he has been living in the United States since 1988. He wrote eleven novels about Inspector Chen, who lives in Shanghai and investigates crimes committed in that city. One of the features of Qiu Xiaolong’s work is insertions of poetry. Its main character is an educated person, he writes poetry himself, translates and actively uses the Chinese poetic heritage to express feelings. The author uses the form of a detective novel to show the various problems of modern China (the period covered is from the 1990s to the present day).
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Gallik, Ján. "Death as radical border. About Jan Čep’s novel The Border of a Shadow." In The Figurativeness of the Language of Mystical Experience. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-4.

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The Czech Catholic writer Jan Čep (1902–1974) belonged to the group of authors who built their work on spiritual-religious motifs. Literary critic František Xaver Šalda stated in the bookmark of Čep’s novel The Border of a Shadow (1935) that he is a “poet of death”, namely “a very special, possessing a very special, unusual view of things of life and death”. The language and imagery of his artistic work are based on philosophical-reflexive and meditative lyricism, often with a contemplative overlap. We consider the image of a double home to be one of the key images of Čep’s poetics. Its develo
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Davitadze, Tamila. "Oriental World in a Modern Novel (Based on the Novels by Jean Sasson)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8954.

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In the cultural sciences, the West and the East are seen as two fundamentally different types of worldview and social order; “They constantly interact, assimilate each other's values, enrich each other“ – says researcher J. Stidman. If earlier it was thought that Eastern and Western cultures did not intersect, as the famous English writer R.S. "The West is the West, the East is the East, and they will never meet," Kipling said. West and East are distinguished by many characteristics, including a view of the world and the definition of a person's place in it. The novel "Princess Diaries" by the
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Selimov, Mazay. "THE IMAGE OF THE IDEAL WOMAN IN TANIZAKI JUN’ICHIRŌ’S NOVEL BLUE FLOWER." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.42.

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This paper is about the Tanizaki Jun’ichirō’s (1886–1965) experience of creating a 1920–1950s Japanese woman image inspired by the urban environment of Yokohama — the city as a mirror of the Western culture in Japan. The writer who had combined the images of European and Oriental women in order to obtain the architype of new Japanese woman in his early works no longer wanted to do this. He began to portray a new-age woman — his new ideal, which writer observed in Hollywood movies. Tanizaki Jun’ichirō anticipated the appearance of Modan gāru on the Japanese stage, women who became objects of pu
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Galay, K. "THE FORGOTTEN EHRENBURG IN THE CONTEXT OF THE FRENCH MEDIA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3749.rus_lit_20-21/303-307.

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I.G. Ehrenburg was a writer, poet, publicist, whose creative legacy can be called an important asset of Russian literature of the twentieth century. The writer, who lived for a long time both in Russia and abroad, was also known in France - his figure was quite significant for the French readers and he was mentioned in various French weeklies. Moreover, he was invited as a journalist, wrote articles himself and gave interviews to French newspapers and magazines. A huge interest in the personality of Ilya Ehrenburg appeared during the Second World War: he was spoken of as a “combat writer”, as
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Reports on the topic "Novel about writer"

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Welcome to the New World Curriculum and Learning Guide. The Immigrant Learning Center, 2020. http://dx.doi.org/10.54843/xybq9136.

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“Welcome to the New World Curriculum and Learning Guide” teaches crucial and timely issues through the story of the Aldabaans, a real family of Syrian refugees who arrived in America on Election Day 2016. Journalist Jake Halpern shadowed them for four years and partnered with illustrator Michael Sloan to turn the family’s experiences first into a Pulitzer-winning comic in The New York Times, then into the full length graphic novel Welcome to the New World. In partnership with Halpern, The Immigrant Learning Center has created a curriculum based on his graphic novel. The series of nine lessons,
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