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Books on the topic 'Novel brunei fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Chong, Ah Fok. Kajian novel terpilih Brunei Darussalam dari perspektif pengkaedahan Melayu. Dewan Bahasa dan Pustaka Brunei, Kementerian Kebudayaan, Belia dan Sukan, 2008.

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2

Tuah, Kamis Haji. Dinamika persekitaran dan karya sastera: Kajian novel-novel peraduan DBP Brunei, 1980-1990. Dewan Bahasa dan Pustaka Brunei, Kementerian Kebudayaan, Belia dan Sukan, 2002.

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3

Dewan Bahasa dan Pustaka Brunei., ed. Novel Negara Brunei Darussalam, 1940-1992: Suatu analisis kritis intrinsik-ekstrinsik. Dewan Bahasa dan Pustaka Brunei, Kementerian Kebudayaan Belia dan Sukan, 1998.

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4

Bruges-la-Morte: A novel. Wilfion Books, 1986.

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5

Philip, Mosley, ed. Bruges-la-Morte: A novel. University of Scranton Press, 2007.

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6

Rodenbach, Georges. Bruges-la-Morte: A novel. University of Scranton Press, 2007.

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7

Leon, Donna. Death at La Fenice: A novel of suspense. HarperPaperbacks, 1992.

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8

The Jekyl Island club: A novel. St. Martin's Press, 2015.

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9

Monahan, Brent. The Jekyl Island Club: A novel. St. Martin's Minotaur, 2000.

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10

Monahan, Brent. The Jekyl Island Club: A novel. St. Martin's Minotaur, 2000.

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11

The Sceptred Isle Club: A novel. St. Martin's Minotaur, 2002.

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12

The blackwater lightship: A novel. Scribner, 2000.

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13

Bruce Peel Special Collections Library. Illustrated British novels: 1800 to 1899. University of Alberta, 2001.

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14

Kalogridis, Jeanne. En el tiempo de las hogueras. Grupo Editorial Random House Mondadori, 2002.

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15

Starlin, Jim. Batman: A Death in the Family. DC Comics, 2011.

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16

Chandra, Saurabh, ed. SOCRATES (Vol 3, No 2 (2015): Issue- June). 3rd ed. SOCRATES : SCHOLARLY RESEARCH JOURNAL, 2015.

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17

Smith, Jad. Fierce Speculation, 1967–75. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037337.003.0003.

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This chapter focuses on John Brunner's works from 1967 to 1975. These include Quicksand (1967), which garnered testy and argumentative reviews; Zanzibar (1968), which went on to garner Nebula and Hugo nominations; The Sheep Look Up (1972), his darkest novel set in the United States as it enters its “third century” as a nation; and The Shockwave Rider (1975), which Brunner described as convenient “shorthand” for dealing with the vicissitudes of the human mind. Brunner also contributed five columns on assorted topics to Science Fiction Review between December 1969 and March 1971. By the mid-1970s, Brunner largely dropped out of view and stopped writing science fiction.
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18

David, Deirdre. The Rise. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198729617.003.0002.

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Deeply troubled by social injustice, Pamela became an active member of the Labour Party, writing newsletters and marching in protests against the Spanish Civil War and Franco. In 1935 she met an Australian journalist, Gordon Neil Stewart, whom she married in 1936; her mother, Amy, lived with them after the wedding. Neil and Pamela travelled together in France just before the war (where Neil had lived for a few years after leaving Australia) and she continued to write short stories and novels. Her most memorable fiction in these years is The Monument (1938), a political novel sympathetic to the working class and passionately critical of prejudice, particularly that directed against Jews, and the first novel in her ‘Helena’ trilogy, Too Dear for My Possessing (named for one of the central characters). It is set in Bruges, a city she dearly loved.
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19

Smith, Jad. Interview with John Brunner. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037337.003.0006.

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This chapter presents the transcript of an interview with John Brunner conducted by Steven L. Goldstein. The interview covered topics such as where Brunner gets his ideas; how he goes about putting his ideas on paper; whether he believes that the future will be as bleak as he made it appear in The Sheep Look Up; whether he follows a set, daily pattern in his work; if he knew that his experimental novels such as Stand on Zanzibar and The Jagged Orbit would turn out the way they did; advice that he can give to aspiring writers; his views on the influence of mainstream writers on science fiction; and how he felt when he won the Hugo Award for Stand on Zanzibar.
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20

David, Deirdre. Breaking Free. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198729617.003.0006.

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In the mid- to late 1950s, Pamela emerged as a critically acclaimed novelist, particularly after the family returned to London. In perhaps her best-known novel, The Unspeakable Skipton, she explores the life of a paranoid writer who sponges on English visitors to Bruges. The novel was hailed for its wit and sensitive depiction of the life of a writer. She also published a fine study of a London vicar martyred in marriage to a vain and selfish wife: The Humbler Creation is remarkable for its incisive and empathetic depiction of male despair. The Last Resort sealed her distinction as a brilliant novelist of domestic life in its frank depiction of male homosexuality. While continuing to publish fiction, Pamela maintained her reputation as a deft reviewer. In 1954, she and Charles travelled to the United States—the first of many trips that were to follow.
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21

Westfahl, Gary. Different Engines. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037801.003.0006.

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This chapter examines William Gibson's The Difference Engine, a collaboration with Bruce Sterling, as well as his screenplays, poetry, song lyrics, and nonfiction. Sterling used an irresistibly marketable concept for The Difference Engine: a novel by what he could describe as the two leading cyberpunk authors that would appealingly blend three popular subgenres of science fiction—cyberpunk, alternate history, and “steampunk” literature. Despite the prominence of cyberspace in his Sprawl trilogy, Gibson claimed that he has “never really been very interested in computers themselves.” This chapter first offers a reading of The Difference Engine before discussing Gibson's screenplays written for Hollywood in the late 1980s, including one for a proposed Alien 3 film and another for the film version of Johnny Mnemonic. It also considers Gibson's poems such as “The Beloved: Voices for Three Heads,” his ventures into writing song lyrics, and the approach he used in some of his later nonfiction works: looking at the real world in terms of science fiction, conveying that we indeed live in a science fiction world.
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22

The Manhattan Island Clubs: A Novel. St. Martin's Minotaur, 2004.

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23

Armstrong, Joshua. Maps and Territories. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781786942012.001.0001.

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The rapidity of postwar globalization and the structural changes it has brought to both social and spatial aspects of everyday life have meant, in France as elsewhere, the destabilizing of senses of place, identity, and belonging, as once familiar, local environments are increasingly de-localized and made porous to global trends and planetary preoccupations. Maps and Territories identifies such preoccupations as a fundamental underlying impetus for the contemporary French novel. Indeed, like France itself, the protagonists of its best fiction are constantly called upon to renegotiate their identity in order to maintain any sense of belonging within the troubled territories they call home. Maps and Territories reads today’s French novel for how it re-maps such territories, and for how it positions its protagonists vis-à-vis the spatial crisis of globalized capitalism. It uncovers previously unseen affinities amongst—and offers original perspectives on—a diverse set of authors: namely, Michel Houellebecq, Chloé Delaume, Lydie Salvayre, Jean-Philippe Toussaint, Virginie Despentes, Philippe Vasset, Jean Rolin, and Marie Darrieussecq. In the process, it sets the literary works into dialogue with a range of influential theorists of postmodernity and globalization, including Paul Virilio, Marc Augé, Peter Sloterdijk, Bruno Latour, Fredric Jameson, Edward Casey, David Harvey, and Ursula K. Heise.
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24

Doctored Evidence: A Commissario Brunetti Novel (Commissario Guido Brunetti Mysteries). Sound Library, 2004.

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25

Leon, Donna. Doctored Evidence: A Commissario Brunetti Novel (Commissario Guido Brunetti Mysteries). Sound Library, 2004.

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26

Leon, Donna. Doctored Evidence: A Commissario Brunetti Novel (Commissario Guido Brunetti Mysteries). Sound Library, 2004.

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27

Leon, Donna. Uniform Justice: A Commissario Brunetti Novel (Commissario Guido Brunetti Mysteries). Sound Library, 2004.

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28

Alworth, David J. Site Reading. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691183343.001.0001.

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This book offers a new method of literary and cultural interpretation and a new theory of narrative setting by examining five sites—supermarkets, dumps, roads, ruins, and asylums—that have been crucial to American literature and visual art since the mid-twentieth century. Against the traditional understanding of setting as a static background for narrative action and character development, the book argues that sites figure in novels as social agents. Engaging a wide range of social and cultural theorists, especially Bruno Latour and Erving Goffman, the book examines how the literary figuration of real, material environments reorients our sense of social relations. To read the sites of fiction, the book demonstrates, is to reveal literature as a profound sociological resource, one that simultaneously models and theorizes collective life. Each chapter identifies a particular site as a point of contact for writers and artists—the supermarket for Don DeLillo and Andy Warhol; the dump for William Burroughs and Mierle Laderman Ukeles; the road for Jack Kerouac, Joan Didion, and John Chamberlain; the ruin for Thomas Pynchon and Robert Smithson; and the asylum for Ralph Ellison, Gordon Parks, and Jeff Wall—and shows how this site mediates complex interactions among humans and nonhumans. The result is an interdisciplinary study of American culture that brings together literature, visual art, and social theory to develop a new sociology of literature that emphasizes the sociology in literature.
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29

The Crossover. Houghton Mifflin Harcourt, 2014.

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30

The Crossover. Houghton Mifflin Harcourt, 2014.

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31

The Crossover. Houghton Mifflin Harcourt, 2019.

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32

Alexander, Kwame. The Crossover. HMH Books for Young Readers, 2019.

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