Relevant bibliographies by topics / Novela de espionaje

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Academic literature on the topic 'Novela de espionaje'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Novela de espionaje"

1

Henríquez, Sebastián. "Rastros de la novela de suspenso/espionaje anglosajona en Operación Masacre (1957) de Rodolfo Walsh." Boletín de Literatura Comparada 1, no. 47 (2022): 49–79. http://dx.doi.org/10.48162/rev.54.011.

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La crítica literaria suele ubicar los cuentos policiales de Rodolfo Walsh dentro de la categoría de policial “de enigma”, mientras que propone ver en Operación Masacre (1957) un pasaje hacia la “novela negra”. En este trabajo analizaremos la correspondencia de Rodolfo Walsh con el investigador norteamericano Donald A. Yates, mantenida entre 1954 y 1957, para dar cuenta de la particular recepción que hizo el escritor argentino de las tendencias del género policial de procedencia anglosajona. De dicho análisis se desprende que no es la novela negra, sino las entonces emergentes novelas policiale
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Ramón García, Emilio. "Los reflejos del espionaje internacional en los espías de Pérez-Reverte." Analecta Malacitana. Revista de la sección de Filología de la Facultad de Filosofía y Letras 42 (March 12, 2022): 223–41. http://dx.doi.org/10.24310/analecta.v42i1-2.14457.

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Arturo Pérez-Reverte siempre ha mostrado gusto por los escritores clásicos para seguir su modelo de historias bien contadas por medio de una narración rápida y precisa y diversidad de referencias intertextuales. Durante décadas, ha explorado la novela histórica, el género de aventuras con un toque de misterio y el género bélico, en donde muestra una visión de la guerra bastante sucia y nada romántica. Si bien se ha escrito mucho acerca de sus héroes cansados y del carácter existencialista y bélico de los mismos, aún no está muy explorada la vena del género del espionaje que recorre algunas de
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León, Ramón. "Literatura, historia y psicología en la obra de E.L. Doctorow." Paideia 5, no. 6 (2017): 79–97. http://dx.doi.org/10.31381/paideia.v5i6.899.

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Uno de los más importantes novelistas norteamericanos del siglo veinte, E. L. Doctorow ha legado doce novelas. El libro del Daniel y Ragtime están entre ellas. El libro de Daniel reconstruye la atmósfera del maccartismo en los Estados Unidosde los años 1950. Esta novela está basada en el controversial caso de Julius y Ethel Rosenberg, dos civiles judíos y comunistas quienes fueron juzgados y sentenciados a muerte por supuestas actividades de espionaje en 1953. Ragtime, un best-seller, retrata al New York a comienzos del siglo veinte. Este ensayo presenta una breve biografía de Doctorow y comen
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García Ferreira, Roberto. "“El asunto Mesutti”: anticomunismo y espionaje soviético en Uruguay." Revista de Historia Iberoamericana 4, no. 2 (2011): 84–111. http://dx.doi.org/10.3232/rhi.2011.v4.n2.04.

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Desde 1954, Oscar Mesutti era uno de los funcionarios más competentes y capacitados en el archivo de la cancillería uruguaya. Su compromiso con la función pública trascendía lo habitual: cumplía sus funciones fuera de hora e inclusive llevaba trabajo a su casa. Cuatro años después, su esposa, habitualmente maltratada por Oscar y al igual que él, consumidora de estupefacientes, puso en conocimiento del Juez que su marido entregaba documentos a la embajada soviética. Corría el año 1958 y el “asunto Mesutti” había estallado, transformándose en una “novela” de espionaje que ocupó por casi dos años
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Feuillet, Lucía. "Las tradiciones revolucionarias y el género policial argentino. Una lectura de Los muros azules, de Juan Carlos Martelli." Orbis Tertius 22, no. 25 (2017): 035. http://dx.doi.org/10.24215/18517811e035.

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Analizaremos cómo en novela policial que abordamos se cuenta una revolución poniendo discusión conceptos centrales del marxismo (el Estado, las clases, las etapas del capitalismo), que orientan, a su vez, un modo de leer la historia delictiva que va por detrás. La introducción del espionaje a partir del tejido de redes de comercio ilegal internacional, centrado en las Antillas, donde se activa una rebelión independentista con elementos socialistas, impone la búsqueda de nuevos instrumentos para una lectura del policial así redefinido. El delito como rama de la producción social es el instrumen
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Herrmann, Blanca Aidé. "El papel del espía y la maleabilidad de la trama en Our Man in Havana, de Graham Greene." Trasvases entre la Literatura y el Cine, no. 3 (September 29, 2021): 163–80. http://dx.doi.org/10.24310/trasvasestlc.vi3.11962.

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Tanto la novela Our Man in Havana (1958), de Graham Greene, como sus adaptaciones (cinematográfica en 1959, dirigida por Carol Reed; y teatral en 2009, escrita por Clive Francis) utilizan la sátira como medio para hacer una burla de la trama convencional de espías. El análisis de estas tres obras hará un estudio de la representación de la figura del espía en la novela y cómo el protagonista, Jim Wormold, es un móvil que enfatiza el aspecto histórico de La Habana en cuanto a la adaptación cinematográfica. El análisis de la representación teatral con respecto al protagonista y el espacio en el q
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M., Sc. Humberto Sainz Cano. "La Realidad Internacional y su ficción literaria. De la modernidad a la Guerra Fría." Política Internacional V, No. 2/2023 (2023): 151–64. https://doi.org/10.5281/zenodo.8260092.

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La historia de la humanidad ha estado marcada por el accionar de civilizaciones, reinos y naciones. La balanza de poder, su estructura y orden más allá de las fronteras territoriales lleva en su esencia la creación de productos culturales consustanciales a la hegemonía a implementar. Entre los más longevos y permanentes en el tiempo se encuentra la novela de espionaje, un canal de reproducción ideológica y construcción de consensos, por lo que los acontecimientos o eventos abordados por este tipo de literatura evidencian temáticas
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Conteris, Hiber. "En la novela negra, el espionaje y la aventura: el polifacético discurso ficcional de Daniel Chavarría." Revista Iberoamericana 76, no. 231 (2010): 345–57. http://dx.doi.org/10.5195/reviberoamer.2010.6718.

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9

Kroll, Simon. "La estética del secreto en una novela de espionaje : La deuxième mort de Ramón Mercader de Jorge Semprún." Acta Hispanica 20 (January 1, 2015): 41–50. http://dx.doi.org/10.14232/actahisp.2015.20.41-50.

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This paper examines a specific characteristic of spy novels, the aesthetics of secrecy, on the example of Jorge Semprún's La deuxième mort de Ramón Mercader. An important aspect in the creation of an aesthetic of secrecy in the novel in question is the variation of the famous figure of the double. Ramón Mercader, the protagonist of the novel presents an interesting case of this, which will be analysed in the first part of this paper. The second part of the article points out the overruling organisation principle of the novel: the secret. The complex narratological and temporal structure of the
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Sainz, Cano Humberto. "Del fin de la Guerra Fría a la guerra contra el terrorismo. La reconfiguración del enemigo en la literatura y la gran pantalla." Política Internacional VII, . 2 (2025): 345–62. https://doi.org/10.5281/zenodo.15103977.

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La construcción de imaginarios colectivos es resultante de una pugna por la hegemonía cultural, donde los contendientes intentan imponer sus valores, símbolos, modos de pensar, mediante métodos aparentemente nobles o pacíficos, cuyo objetivo es erosionar creencias, revaluar conceptos, modos de vida y sistemas sociales. La caída del muro de Berlín significó el fin de la confrontación ideológica entre el Capitalismo y el Socialismo, dando paso a nuevas dinámicas de poder en el escenario internacional. El presente trabaj
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Books on the topic "Novela de espionaje"

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Carre, John Le. The mission song. Hodder & Stoughton, 2006.

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Carre, John Le. The mission song. Little, Brown and Co. Large Print, 2006.

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Carre, John Le. The Mission Song. Little, Brown and Company, 2006.

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Carre, John Le. The mission song. Hodder & Stoughton, 2006.

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5

Gopegui, Belén. El lado frio de la almohada. Anagrama, 2004.

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6

Laurie, Hugh. The gun seller: A novel. Washington Square Pr., 1996.

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Laurie, Hugh. The gun seller: A novel. Washington Square Pr., 1996.

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8

Bill, Pronzini, and Greenberg Martin Harry, eds. Baker's dozen: 13 short espionage novels. Bonanza Books, 1985.

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9

Stender, William. Master switch: A novel of espionage. Peachtree Publishers, 1996.

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10

Goldberg, Marshall. Intelligence: A novel of medical espionage. Dufour Editions, 1996.

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Book chapters on the topic "Novela de espionaje"

1

Griffin, Martin. "Introduction: Revisiting Ramón Mercader, 1966." In Reading Espionage Fiction. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399520799.003.0001.

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Chapter discusses Jorge Semprun’s 1969 novel The Second Death of Ramón Mercader as an example of a non-Anglophone work of fiction that narrates a spy story within the style of literary modernism. The novel suggests a different posture vis-à-vis the relative status of genres in foreign literary cultures. Individual chapter descriptions.
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Griffin, Martin. "“We’ll Meet Again”: War, Memories, and Loss in MacInnes and Garve." In Reading Espionage Fiction. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399520799.003.0004.

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Chapter reads Helen MacInnes’ novel I and My True Love and Andrew Garve’s novel The Ashes of Loda as exemplary espionage narratives of the postwar decades. Both texts deal with the legacy of World War II and the shadow it throws over the Cold War. The role of memory and its effects on both personal and political identity dominate both these works of fiction.
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Griffin, Martin. "The Soldier’s Song: Britain’s Irish War in Gerald Seymour’s Trilogy." In Reading Espionage Fiction. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399520799.003.0008.

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Chapter reads Gerald Seymour’s trilogy of novels, Harry’s Game, Field of Blood, and The Journeyman Tailor, set in Northern Ireland during the so-called ‘Troubles’ from the 1970s to the 1990s as exploring the uncomfortable reality of armed conflict within the United Kingdom itself. Protagonists of these novels are English characters plunged into covert operations and asymmetric warfare in a place that is both foreign and looks like home. Nationality becomes blurry and, because of this reality, the intelligence war in Northern Ireland is merciless and can be fatal.
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4

Lehman, David. "The Great British Spymasters." In The Mysterious Romance of Murder. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763625.003.0009.

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This chapter is a brief overview of British espionage fiction. It begins with the works of W. Somerset Maugham, who initiated a more plausible, less flamboyant line of spy fiction compared to writers such as E. Phillips Oppenheim or Ian Fleming. Informed by his experience as an agent in Switzerland and Russia, the linked stories of Ashenden (1928) rank among Maugham's finest. Next, the chapter considers Eric Ambler, who was the most apt of Maugham's pupils. When he read Ashenden, Ambler found the antidote to novels of intrigue and adventure. In the half-dozen novels he wrote in the years leadi
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Griffin, Martin. "The American Uncertainty: Genre and Borders in Charles McCarry and Don DeLillo." In Reading Espionage Fiction. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399520799.003.0006.

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Chapter investigates connections between genre fiction and so-called ‘literary fiction’ via comparative readings of The Miernik Dossier and The Tears of Autumn by Charles McCarry and The Names by Don DeLillo. All three novels deal with ideas of conspiracy (the assassination of JFK, for example) and the international arena in which the American crisis plays out. Authors may borrow elements of genre fiction but espionage stories can also reach beyond genre in ways that complicate assumptions and stereotypes.
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Griffin, Martin. "Race and Intelligence: African-Americans and the Secret Life." In Reading Espionage Fiction. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399520799.003.0007.

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Chapter examines espionage fiction that has a central focus on African-American political identity and the experience of being Black in America. From early short stories by Richard Wright to novels by Sam E. Greenlee and John A. Williams, the racial structure of America makes daily life similar to being on a covert mission behind enemy lines, demanding secrecy and dissembling. The threat of the Black revolutionary survives to disrupt narratives of consensus, even in contemporary dramas such as Homeland.
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Lassner, Phyllis. "Eric Ambler: Espionage Chronicler of the 1930s." In Espionage and Exile. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401104.003.0002.

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This chapter examines Eric Ambler's novels of the 1930s, including The Dark Frontier (1936), Background to Danger (1937), Epitaph for a Spy (1938), Cause for Alarm (1938), The Mask of Dimitrios (Also titled A Coffin for Dimitrios (1939). Detailing Ambler's use of a gothic expressionist style, the chapter shows how his anti-fascist stance led to narrative experiments combining popular genre conventions with polemical fiction to critique the more egregious stereotypes spy fiction had previously deployed and to create sympathy on behalf of Hitler’s targeted victims.
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Griffin, Martin. "The Past as Prologue: Antifascism and the Prophetic Mode in Ambler and MacNeice." In Reading Espionage Fiction. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399520799.003.0003.

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Chapter examines Eric Ambler’s novel A Coffin for Dimitrios (The Mask of Dimitrios in the UK) and Louis MacNeice’s long narrative poem Autumn Journal, both published in 1939, as examples of literature with an antifascist aesthetic. Both works also reveal an element of prophecy, as their certainty that war was coming was somewhat risky when neither author could really know the future. The fact that history proved them right gives both works an aura of poignancy and integrity.
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Lassner, Phyllis. "John Le Carré’s Never-ending War of Exile." In Espionage and Exile. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401104.003.0005.

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This chapter shows how World War II is a central thematic and political presence in le Carré’s novels. Detailed studies of the expressionist techniques in Call for the Dead (1961) and The Spy Who Came in from the Cold (1963) show how Cold War intrigue is intertwined with unvanquished elements of Fascism that reappear in Britain as double agents now working for East Germany. Villainy and victimhood are also enmeshed as Holocaust survivors betrayed by western indifference turn to Communism, creating the tragic overtones of these political spy thrillers.
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Lassner, Phyllis. "Double Agency: Women Writers of Espionage Fiction." In Espionage and Exile. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401104.003.0003.

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This chapter examines the fiction of Helen MacInnes, Ann Bridge, With different narrative techniques, each of them dramatise ethical and political concerns about the viability of a second world war. They also reshape the genre of spy fiction by creating women protagonists who represent keen insights into narrative and political relationships, particularly deracination, exile, and antisemitism. Their novels respond critically to the way conventional spy thrillers draw heroes and villains as caricatures of good and evil and women as disposable attractions. Each writer engages gender analysis as
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