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Journal articles on the topic 'Novellara'
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Fenlon, Iain. "Giaches de Wert at Novellara." Early Music XXVII, no. 1 (February 1999): 25–41. http://dx.doi.org/10.1093/earlyj/xxvii.1.25.
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Fenlon, I. "Giaches de Wert at Novellara." Early Music 27, no. 1 (February 1, 1999): 25–40. http://dx.doi.org/10.1093/em/27.1.25.
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Fenlon, I. "Renaissance Novellara: Musical Life in the Gonzaga Hinterland." Music and Letters 91, no. 4 (November 1, 2010): 484–97. http://dx.doi.org/10.1093/ml/gcq091.
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Hua, Meng, and Jun Li. "A rare glimpse into the Chinese novella." FORUM / Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation 17, no. 1 (July 26, 2019): 120–25. http://dx.doi.org/10.1075/forum.17010.hua.
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Abstract The Chinese novella has been playing an important role in the evolution of modern Chinese literature. To provide English readers with a rare glimpse into the heart of contemporary Chinese fictional writing, this paper introduces the content and style of a book titled By the River: Seven Contemporary Chinese Novellas, and comments on its English translation from perspectives of a reader. This book is a handsomely recommended production for readers who are interested in Chinese literature or novellas.
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Guiberson, Mark, and Emily Wakefield. "A Preliminary Study of a Spanish Graphic Novella Targeting Hearing Loss Prevention." American Journal of Audiology 26, no. 3 (September 18, 2017): 259–67. http://dx.doi.org/10.1044/2017_aja-16-0069.
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Purpose This preliminary study developed a digital graphic novella targeting hearing protection beliefs of Spanish-speaking agricultural workers. Researchers used pretest–posttest interview surveys to establish if the novella had an immediate influence on the participants' beliefs about noise-induced hearing loss and usage of hearing protection devices. Method Researchers developed a digital graphic novella directed to increase knowledge about noise-induced hearing loss and increase the proper use of hearing protection devices. The novella was tailored to meet the specific linguistic and literacy needs of Spanish-speaking agricultural workers. Thirty-one Spanish-speaking farmworkers of Mexican nationality participated. This study included an interview survey with specific questions on noise-induced hearing loss, myths, and hearing protection device usage. A pretest–posttest design was applied to measure the graphic novella's immediate influence on workers. Results The posttest scores on Hearing Protection Beliefs statements were significantly better than pretest scores, with a large effect size observed. Conclusion Digital media may be an effective way to overcome language and literacy barriers with Spanish-speaking workers when providing health education and prevention efforts.
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Khorob, Stepan. "The Poetics of the Novella in Correlation to Vasyl Stefanyk's Artistic Vision." Journal of Vasyl Stefanyk Precarpathian National University 7, no. 2 (November 18, 2020): 15–22. http://dx.doi.org/10.15330/jpnu.7.2.15-22.
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The article discusses correlations between artistic vision and poetics in Vasyl Stefanyk’s novellas. It is argued that the writer’s modernist aesthetic experience left its imprint on his literary works. The author concludes that the writer’s artistic vision followed a dynamic course of development correlating with the poetics of the novella and enriching the stylistic color scheme of his narrative prose.
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Кравець, Ярема. "REALITY, DREAM AND FANTASY IN THE SELECTION «THE NIGHT OF POLASTRI» BY ALBERT AYGUESPARSE." Sultanivski Chytannia, no. 8 (June 21, 2019): 102–16. http://dx.doi.org/10.15330/sch.2019.8.102-116.
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Aim. The paper examines lexico-grammatical and syntactic specificity of the third novelistic collection by Albert Ayguesparse (1900–1996) – one of the more prominent Belgian Francophone writers of the 20th c. It aims at outlining the more important characteristics of individual novellas in the selection, where the reader comes to know the polyphony of the writer’s short prose, moving from Lyrical Realism through tragic episodes of life to the enigmatic and the fantastic. Research methodology. The article employs a systematic approach with the use of literary-historical and comparative methods. On the basis of these two methods, the specificity of the author’s writing, syntactic structure of the text, individualized language of the characters, places of the light-and-shadow, voice-and-silence, life-and-death playing have been determined. Results. The study provides a wider analysis of the selection’s first novella, viz. «Monica sans tête» [«Monica Without the Head»], as well as the novellas «Les Bottes» [«The High Boots»], full of horror stories; «Le Point rouge» [«The Red Spot»], presenting an interest by the functioning of the internal dialogue; the psychological triptych «Les chasses d’Eros» [«The Hunts of Eros»], «Je me nomme Jérôme» [«My Name Is Jérôme»], «Monsieur Oscar» [«Mr. Oscar»], the mystic in its conception novella «Les Survivants» [«Those Who Survived»]. Research novelty. The article is the first in Ukrainian Literary Studies research into the famous Belgian writer’s novellas, with whose novels the Ukrainian reader got acquainted owing to the translation of his work «Notre ombre nous précède» [«Our Shadow’s Ahead»], published in 1984/1985 on the pages of the «Vitchyzna» [«Motherland»] magazine. Practical value. The article may become the basis for a deeper reading of the work of one of the leading representatives of contemporary Belgian Francophone literature, lexical-stylistic features of the writer’s novellas.
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Badrideen, Ahmed. "The soul in Time’s Arrow: A post-Enlightenment presence." Journal of European Studies 48, no. 1 (January 26, 2018): 56–68. http://dx.doi.org/10.1177/0047244117744089.
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The consensus among critics is that the narrator of Martin Amis’s Time’s Arrow is the suppressed moral consciousness of the protagonist, the Nazi doctor Odilo Unverdorben. This critical opinion takes its cue from the notion of ‘doubling’ in Robert Jay Lifton’s The Nazi Doctors which Amis cites as the spur to writing the novella. Although this reading is persuasive, it does not quite account for the full characterization of the narrator, namely his ‘soul-like’ qualities. This article makes the case for the narrator as a ‘familiar compound ghost’ of Western philosophical and cultural accounts of the soul. Such a reading has wide implications for the novella’s account of the work of the Nazi doctors and Nazism more generally, and positions the novella within an anti-positivist line of post-Enlightenment thought.
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Beke, Ottó, and Zoltán Szűts. "Intraperszonális önszabályozás a biotechnológia korában : Aktuális médiatudományi és szociokulturális reflexiók Ted Chiang Szépségvakság című áldokumentum novellájára." JEL-KÉP, no. 2 (2021): 23–31. http://dx.doi.org/10.20520/jel-kep.2021.2.23.
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Tanulmányunk középpontjában Ted Chiang Szépségvakság című novellája áll, mely forgatókönyv formátumával egy televíziós, illetve online formában sugárzott dokumentumműsor felépítését, dramaturgiáját követi. A történet középpontját egy, a szép észlelését megakadályozó fiktív állapot, az úgynevezett kalliagnózia képezi. A novella szereplői egy forgatókönyv – vagy inkább online fórum? – keretei között arról vitáznak, hogy ki kell-e terjeszteni ezt a mesterségesen kiváltható állapotot a társadalom nagyobb csoportjaira, az ötletet támogatók szerint ily módon véve elejét a lookizmusnak, vagyis a külső alapján történő megkülönböztetésnek, egyúttal hozzájárulva ezzel a társadalmi igazságosság előmozdításához, és az erkölcsi fejlődéshez. A novella olyan kérdéseket vet fel, amelyek vizsgálata elengedhetetlenül fontos és aktuális napjaink társadalmi, kulturális és médiakommunikációs környezetében, amikor a telekommunikációs folyamatokban és azokon túl is egyre inkább lehetővé válik az észlelés tárgyát képező kép- és hanganyag technikai befolyásolása.
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Grieve, Patricia E. "Embroidering with Saintly Threads: María de Zayas Challenges Cervantes and the Church." Renaissance Quarterly 44, no. 1 (1991): 86–106. http://dx.doi.org/10.2307/2862407.
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When The Spanish Novella-Writer, María de Zayas y Sotomayor, challenged seventeenth-century male authorities, her challenge embraced both sacred and profane canons. Zayas invests her novellas with the formal properties of hagiography while subverting the ideology of that Church-sanctioned genre. At the same time, Zayas shows herself to be a subtle reader and interpreter of one of Spain's greatest writers, Cervantes, by challenging his attitude to and treatment of women.
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LOGACHEVA, Elena V. "Dialectisms in the novella “The Ravine” by S.A. Yesenin." Neophilology, no. 19 (2019): 282–92. http://dx.doi.org/10.20310/2587-6953-2019-5-19-282-292.
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We analyze lexical and semantic originality and part of speech activity of dialect words as one of the stylistic dominants of the S.А. Yesenin’s novella “The Ravine” and as part of his in-dividual creative manner. This study was conducted for the first time. We consider the material using the methods of interpretation, component analysis, as well as structural descriptive and con-textual methods. In the course of working with the existing literature on this issue, we discover the lack of material coverage and the absence of dialect vocabulary analysis in the novella “The Ravine” from morphological point of view. We find the thematic, morphological diversity and reveal the manifestation specificity of local words in the author’s and dialogical speech of the work, as well as the functional validity of their application. We prove that the use of local words in novella is caused not only by the idea of novella being a village theme work, but also has a deep cognitive basis. The relevance of the study lies in the fact that conducted research of novella’s dialectal vo-cabulary allows to complement the knowledge of the specificity of S.A. Yesenin poetics’, his lin-guistic worldview and the peculiarity of his individual style.
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Courville, Mathieu E. "Part Lion, Part Wolf." Studies in Religion/Sciences Religieuses 45, no. 3 (July 10, 2016): 415–38. http://dx.doi.org/10.1177/0008429816637637.
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In this essay, I begin by examining arguments concerning “Orientalism” from the work of the late Edward W. Said. I then highlight the way that Kurban Said’s novella Ali and Nino is indebted to this tradition, the author relying upon it in order to create a complex world within a few pages. On the one hand, this novella is a wonderful work of art with which to work out some of Edward Said’s key ideas, and on the other hand, appreciating Edward Said’s key ideas is also crucial for a better appreciation of this novella’s complexity. The second part of the paper focuses on the novella itself, so as to think of Ali and Nino with Edward Said’s critique of Orientalism in the foreground of one’s mind. In conclusion, I not only highlight why this also sheds light on art and literature, religion and politics, history and current affairs, in such a geopolitically important area as the Caucasus as well as elsewhere the world over; I also point out parallels between the Orientalist stereotypes examined in this essay and key ideas from ascetic religious traditions.
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Chaabene, Rached. "L’hybridité dans La Steppe rouge de J. Kessel : limite ou complémentarité ?" Quêtes littéraires, no. 6 (December 30, 2016): 56–64. http://dx.doi.org/10.31743/ql.219.
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The Red Steppe of Joseph Kessel is a valuable work, insofar as it is mainly characterized by its generic hybridity. The six novellas oscillate between the biographical and autobiographical, between history and fiction, between the individual and the collective, between the current and the universal. A sort of juxtaposition and/or co-existence can be traced between the novella of Kessel and other literary genres such as the travelogue, the initiation story, the adventure story, the historical narrative and the fictional narrative. This interdiscursive report makes the historical text an open text, "a hybrid text."
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Maftyn, Natalia. "Psychoanalytic Discourse of the 1920s-1930s Ukrainian Novellas." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (October 30, 2017): 54–62. http://dx.doi.org/10.15330/jpnu.4.2.54-62.
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The article highlights the impact of Freud’s ideas on the Ukrainian prose between the Two World Wars. The analysis of the works by V. Pidmohylnyi and I. Cherniava shows that in literary texts, the erotic-death paradigm is one of the ‘modernist’ algorithms for plot development; in the novellas, this paradigm affects the process of conflict modeling and conflict development.
It is rightly believed that V. Pidmohylnyi’s dominant literary interest was the ‘helplessness of human morality before the temptations of crime’. In the novella analyzed in this study, Pidmohylnyi adopts the perspective of the ontogenesis of the human soul at the age of puberty. I. Cherniava explores the theme of subconscious ‘temptation of crime’ a wicked and thoughtless children’s game is sure to unleash. The two stories have many features in common: they are thematically close; in both of them, the plot is based on the Freudian ideas; stylistically, they are realist-oriented works with certain elements of naturalism. The novellas belong to the same type of structurally modified literary works, in which the action is no more important than the resultant psychic changes in the characters.
In both novellas, the plot is built around stable structural-behavioural patterns of human culture (in Vania, it is the initiation trial pattern; in The Execution, the perverse play pattern, the game of a trial transformed into a crime). Both works have rather specific expositions, which fulfill the function of ‘Vorgeschichte’ – they tell a reader about certain psychic inclinations of the characters and present the projection of the central theme. In both novellas, the plot type, which determines the development of action, is outlined in the prehistory. Structurally, the two novellas are based on parallelism of events. As to their style, both works bear the features of naturalism
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Colerick, Edward. "Samuel Beckett and the Death of Representation: Rockaby, Ill Seen Ill Said and Worstward Ho." Prace Literaturoznawcze, no. 8 (December 1, 2020): 161–72. http://dx.doi.org/10.31648/10.31648/pl.5663.
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The article explores not only the link between Samuel Beckett’s final two novellas and the late drama but also seeks to demonstrate the author’s intent on stripping away the symbolism and imagery within his work in order to expose a life lived through the prism of representation; and, finally, to use his art to suggest something of the ‘real’ beneath the representational world. In this way the article demonstrates that the apotheosis of Beckett’s entire oeuvre is to reduce his narrative and dramas to a single work which finds its most comprehensive embodiment in his final novella: Worstward Ho.
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Ridder-Vignone, António De. "Incoherent Texts? Storytelling, Preaching, and theCent nouvelles nouvellesin Marguerite de Navarre’sHeptaméron21*." Renaissance Quarterly 68, no. 2 (2015): 465–95. http://dx.doi.org/10.1086/682435.
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AbstractTo analyze Marguerite de Navarre’s response to the misogynist francophone novella tradition, this article asks how material provided by oldernouvellesis reorganized in theHeptaméron, blurring both normative definitions of masculinity and femininity and the lines between framed novellas and other genres. This article describes Marguerite’s use of nonfictional sources as well asCent nouvelles nouvelles26. Visual iconographic transformations in theCent nouvelles nouvellesare converted in theHeptaméroninto textual and intergeneric transformations. In the distance betweenCent nouvelles nouvelles26’s elaborate crossdressing farce andHeptaméron21, which blends romance, pardon request, and martyr’s tale, one perceives the differences in gendered thought and rhetorical strategy separating Marguerite from her anonymous predecessors.
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Bugeja, Norbert. "After the Long Wait: Post-Migrant Agency and the Politics of Return in Tahar Ben Jelloun's A Palace in the Old Village." CounterText 4, no. 2 (August 2018): 236–55. http://dx.doi.org/10.3366/count.2018.0129.
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This essay offers a contemplation of the affinity between a post-literary idiom and the question of migrant writing through a reading of Tahar Ben Jelloun's novella A Palace in the Old Village (Arcadia Books, 2011 [2009]). Taking its cue from the novella's account of its Maghrebi protagonist, the migrant worker Mohammed, in the moment of his retirement and return to Morocco, the essay opens up the question of whether the liminal ‘Franco-Maghrebi borderland’ ( Sajed 2013 ) which he traverses, as well as the home-space itself, may be perceived as either discursively generative and liberatory spaces, or as ultimately aporetic zones of living. The essay evaluates Ben Jelloun's novella as a ‘post-migrant’ one, approaching the narrative spatial projection back into the native space as a dynamics of refraction, a quest for ‘choric’ ( Rickert 2007 ) spatiality, and a restitution of agency to and from the autochthonous. The essay finally suggests that Ben Jelloun's novella stages an amplified visualisation of post-migrant discourse as it percolates through the migrant body. As Mohammed deteriorates on his native Moroccan terrain, waiting for his children who never show up, his fading body is now indelibly marked by the labour to which post-war Europe owed much of its economic resurgence: a dynamics which is described here as a ‘refracted indigeneity’.
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Attar, Karina. "Muslim-Christian Encounters in Masuccio Salernitano's Novellino." Medieval Encounters 11, no. 1-2 (2005): 71–100. http://dx.doi.org/10.1163/157006705775032825.
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AbstractClose textual and contextualized analysis of two novellas drawn from Masuccio Salernitano's mid-fifteenth-century collection of short stories, Il Novellino, shows that, while the tales appear to present antithetical notions of Muslim identity, they also blur the categories of good and evil through often over-lapping positive and negative depictions of both Christian and Muslim protagonists. Both narratives discussed are also set within similar contexts (the guerra del corso, maritime travel, enslavement and ransom, inter-racial sexual relations) and can thus function as partial records of particular fifteenth-century cultural and social experiences. Although Salernitano's narratives have often been read as moralizing tales through which the author sought to expose the vices he perceived in society, as this article seeks to show, much more is at stake. The novellas offer significant insights into mid-fifteenth-century notions of Muslim identity and preoccupations about Christian-Muslim encounters and reflect a panorama of contemporary historical and social realities on a scale and in a fashion that remained unparalleled in the subsequent novella tradition.
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Powell, Kersti Tarien. "‘The Answer … is Yes and No’: John Banville, Henry James, and The Ambassadors." Irish University Review 45, no. 2 (November 2015): 302–19. http://dx.doi.org/10.3366/iur.2015.0178.
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Late twentieth- and early twenty-first century fiction has witnessed a surge of interest in Henry James, his life and works. Most of these recent Jamesian (re-)engagements are concerned with the body, with James's (still) questionable homosexuality, or with his direct involvement in the literary marketplace. John Banville's 1984 novella, The Newton Letter, is a literary forerunner of this renewed preoccupation with James and Jamesian concerns in contemporary fiction. Differing from more recent novels such as Colm Tóibín's The Master (2004) and David Lodge's Author, Author (2004), Banville's engagement with James does not centre around the portrayal of sexuality or accrued literary/monetary capital. Rather, Banville follows James in his concern with unstable and indeterminate meaning. This essay establishes that indeterminacy through an investigation of the novella's rich textual and intertextual archive. Hitherto critics have commonly assumed the novella's intertextual centre to lie in the works of Hugo von Hoffmanstahl and Wolfgang Goethe. By uncovering its composition history and studying the unpublished materials relating to the project, this essay demonstrates Banville's ongoing engagement with Jamesian concerns, most importantly with tropes of reading and/or writing, and the construction of subjectivity through these tropes.
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Cenedese, Marta-Laura. "Home and Exile in Irène Némirovsky’s Novella Les Mouches d’automne (1931)." Open Philosophy 4, no. 1 (January 1, 2021): 211–23. http://dx.doi.org/10.1515/opphil-2020-0172.
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Abstract Irène Némirovsky’s novella Les Mouches d’automne (1931. Snow in Autumn, 2007) paints an effective portrait of exile, of the longing for the lost home, and the disorientation that one feels when faced with a reality that is neither recognizable nor understandable. In this article, I analyse Némirovsky’s narrative strategies in relation to spatio-temporal phenomena. My analysis is based on the work of philosophers Mikhail Bakhtin and Gilles Deleuze: Bakhtin’s chronotope and Deleuze’s crystal-image illuminate how the novella’s dominant themes, exile and nostalgia for the home, are irreducible to the clichés of a linear narration and to the simplistic dichotomy home/exile, past/present, and here/there. Instead, Némirovsky creates a productive tension of overlapping and coalescing space- and time-frames. The philosophical framework provided by Bakhtin and Deleuze is useful to unlock and make visible how this thematic complexity is reflected in the novella’s narrative structure. Indeed, my analysis of Les Mouches’s chronotopes and crystal images illuminates Némirovsky’s innovative experimentation in the creation of time–space crossings and a/synchronies, and also contributes to extend further our understanding of Némirovsky’s place within the contemporaneous literary panorama.
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Maftyn, N. V. "“I WAS SUPPORTED BY MY FAITH…”: VASYL’ KARKHUT’S FEAT IN LIFE AND CREATIVE WORK." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 121–29. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-121-129.
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The article is dedicated to the analysis of wholeness of “life creating” and “text creating” of Vasyl’ Karkhut’s figure: a fighter for Ukraine’s independence, a talented writer on animals, doctor and phytotherapist. The article examines the factors influencing the formation of V. Karkhut’s worldview, his artistic abilities. In addition, it analyses the influence of Jack London’s and Dontsov’s aesthetic conception of “will neo-romanticism” on the formation of the psychological narrative of animal stories and novellas by the writer. It analyses the thematic, genre and style compass of the collection “Tsupke zhyttia”, an innovative search in the realm of architectonics of the genre of the novella.
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Leś, Mariusz M. "Between sacrum and simulacrum: the space of chaos in Jacek Dukaj’s novella The Cathedral." Świat i Słowo 35, no. 2 (November 26, 2020): 89–108. http://dx.doi.org/10.5604/01.3001.0014.5466.
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The author of the article analyses Jacek Dukaj’s science fiction novella The Cathedral (2000), which inspired the famous animated short film released under the same title in 2002. The eponymous pseudo-building was founded on the grave of Izmir Predú, a man who has sacrificed himself to save his travel companions’ lives. It is built using programmed nanoparticles and has formed itself – chaotically – into a cathedral-like asymmetrical, fractal structure. The novella’s main character, a Catholic priest, has been sent onto a planetoid to validate rumours about Predú’s holiness. The author of the article argues that the process of incarnating the protagonist into the Cathedral’s body leads him to the point of holistic transformation of the body, psyche and knowledge, similar to technological singularity, which is indistinguishable from a mystical, religious act. It is limited to earthly life, though, and brings the risk (as a transhuman act) of losing humanity. Jacek Dukaj offers the reader a few clues, but they are inconclusive. The reader’s interpretative hesitance therefore mirrors the protagonist’s ambiguous transformation. There is no reason to name the novella a religious one, although transhuman messianism plays an important role in it.
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Rousselot, Elodie. "Treating the Victorian Medical Past in Melissa Pritchard's ‘Captain Brown and the Royal Victoria Military Hospital’." Victoriographies 6, no. 2 (July 2016): 165–80. http://dx.doi.org/10.3366/vic.2016.0230.
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This article examines Melissa Pritchard's novella ‘Captain Brown and the Royal Victoria Military Hospital’ (2011) in its reimagining of the once famous but now demolished major Victorian military hospital of the title. I argue that the Royal Victoria offers a fitting illustration of the conflicted position the legacy of the Victorian scientific past occupies in the present and show how this legacy is explored in Pritchard's story. This conflicted position is layered with a further paradox in the narrative, as the novella picks up the historical thread of the Royal Victoria at the point of its 1944 take-over by the United States Navy as part of Operation Overlord. The novella's return to this 1940s setting is therefore operated via the lens of the Victorian scientific past, a conflation of two distinct time frames which is marked by the deployment of an array of gothic images in the text. Yet, if the neo-Victorian medical gothic mode of the story conveys the lingering, haunting presence of the Victorian scientific past, I show how such ghostly presence is dismissed to be replaced by the more powerful spectre of the Second World War's unresolved legacies in the twenty-first century.
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Valčić Bulić, Tamara. "Свирепост и тиранија турских султана у ренесансној новели." Issues in Ethnology and Anthropology 12, no. 1 (March 31, 2017): 259. http://dx.doi.org/10.21301/eap.v12i1.12.
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The subject of analysis in this paper consists of two renaissance novellas: the author of the first novella is the Italian renaissance writer Matteo Bandello, while François de Belleforest is the author of its French translation/adaptation and the author of the second novella which will be analyzed, and which was inspired by a renaissance tragedy. The main theme of both of the stories is the elimination of a potential pretender to the throne of the Ottoman empire: the first story details the fratricide which took place when Mehmed II took the throne, while the other tells of Suleiman the Magnificent's execution of his son Mustafa because of an alleged betrayal. After pointing out the basic characteristics of Bandella's renaissance novella, as well as the newly made "tragic tale" subgenre it belongs to, special attention will be paid to the ways in which Bandello and de Belleforest tell of historical events: storied of the cruelty and depravity of Turkish sultans are a special - even if only literary - way of dealing with the objective threat which the Ottoman empire posed to Europe. Aside from the visible ideological motives, in the case of these authors, and especially François de Belleforest, there is a detectable tendency towards approaching the genre of tragedy. In this case, tragedy is, first and foremost understood as the display of pathetic and painful images; which is displayed through the aesthetic of suffering and the emphasis on such images within the narrative.
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Al-Alami, Suhair. "Fiction From a Critical Perspective." Theory and Practice in Language Studies 11, no. 9 (September 1, 2021): 990–97. http://dx.doi.org/10.17507/tpls.1109.03.
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With English as a lingua franca in mind, it has become essential for undergraduate students to acquire the English language. Additionally, undergraduate students are expected to acquire a repertoire of critical thinking skills for lifelong learning. Inspired by the need to augment mastery of English as a foreign language (EFL) whilst at the same time enhancing critical thinking on the part of EFL learners, the research study this paper portrays was conducted for one academic semester involving a number of students at the institution where the author of this paper works. The research aimed to investigate whether using English novels; novellas; and short stories for teaching purposes would have any significant impacts on subjects’ attitudes towards using literary texts for enhancement of both critical thinking and EFL skills. To achieve the intended aim, the researcher used eight English short stories and one novella in class besides assigning one English novel as extensive reading, while teaching the course Communication Skills during the implementation stage. The researcher also administered a pre-post questionnaire with the aim of measuring subjects’ attitudes towards utilizing novels; novellas; and short stories as a means for fostering both critical thinking and EFL skills. Based on the statistical tests, there were significant differences in favor of the post questionnaire regarding the majority of the questionnaire’s items. Based on this study, it can be concluded that English novels; novellas; and short stories have a significant role to play in relation to developing critical thinking and EFL skills.
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Schneider, Martin. "nr="40",,Der Dämon aller Sammler“. : Musikarchive in Gottfried Kellers ,,Hadlaub“ und den Züricher Novellen." Zeitschrift für Germanistik 31, no. 2 (January 1, 2021): 40–55. http://dx.doi.org/10.3726/92169_40.
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Abstract Der Beitrag untersucht Gottfried Kellers Züricher Novellen, insbesondere die Eröffnungsnovelle Hadlaub, im Kontext der Musikernovellen des 19. Jahrhundert. Er zeigt, dass Keller Topoi der romantischen Musikästhetik aufruft, um sie zugleich zu archivieren. Keller präsentiert eine Spielart realistischen Erzählens, in dem Ereignis und Archiv, Leidenschaft und philologische Edition, Innovation und Tradition immer schon verschränkt erscheinen und konfliktfrei koexistieren.This article examines Gottfried Keller’s Züricher Novellen, in particular the opening novella Hadlaub, in the context of 19th century musician’s novellas. It shows that Keller invokes topoi of Romantic musical aesthetics in order to simultaneously archive them. Keller presents a variation of realistic narration in which event and archive, passion and philological edition, innovation and tradition have always appeared intertwined and coexist without conflict.
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Zambrzycka, Marta. "Obraz śmierci masowej w nowelach Mykoły Chwylowego Бараки, що за містом і Я Романтика." Slavica Wratislaviensia 168 (April 18, 2019): 99–108. http://dx.doi.org/10.19195/0137-1150.168.8.
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The image of mass death in Mykola Khvylovy’s novellas Barracks Outside the Town and I Romantica The author of this article analyzes two novellas by Mykola Khvylovy as examples of the literary representation of the subject of mass death. Khvylovy, who belonged to The Executed Renaissance generation, committed suicide at the age of 33 in 1933 to protest against Stalinism and the new reality. Death in the name of “superior necessity” is also a motif that appears in some of his works, especially in the novella I Romantica, which is the main subject of this article. The shocking image of mass death also appears in Barracks Outside the Town. Зображення масової смерті в новелах Миколи Хвильового Бараки, что за містом і Я РомантикаДля зображення теми масової смерті в літературі авторка обрала дві новелі українського письменника, представника Розстріляного Відродження Миколи Хвильового. Його самогубство у 33 році, яке було протестом проти сталінізму і виразом відчаю перед обличчям нової реальності, само по собі вписується в проблематику масової смерті, що зумовлена політичним контекстом. Масове умертвлення, яке відбувається в ім’я „вищої необхідності” є темою, яка з’являється в деяких творах Хвильового, особливо в новелі Я Романтика, яка буде основним об’єктом мого аналізу. Шокуючу картину масової смерті, ми також знаходимо в новелі Бараки, что за містом.
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Karpukhina, T. P. "Genre-and-Style Characteristics of Anna Gavalda’s Novella "Petites Pratiques Germanopratines" ("Peculiarities of Saint-Germain Boulevard")." Bulletin of Kemerovo State University 22, no. 3 (October 29, 2020): 821–30. http://dx.doi.org/10.21603/2078-8975-2020-22-3-821-830.
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The present research featured short stories by Anna Gavalda, a contemporary French writer. The research objective was to define the genre and style of Petites Pratiques Germanopratines (Peculiarities of Saint-Germain Boulevard) published in Gavalada’s collection of novellas entitled Je Voudrais Que Quelqu’un M’attende Quelque Part (I wish somebody were waiting for me somewhere). The novella demonstrated features common to this type of narration: small volume; few characters; focus on their everyday private life and a singular event that changes it; dramatic nature of the plot development; peripeteia and a manifestly expressed culminating point resulting in a denouement that defeats the reader’s expectancy; prosaically neutral style of narration achieved by the use of neutral and literary-colloquial lexical units, etc. Alongside the typical features, the research revealed some specific characteristics that manifested themselves in the novella under analysis: first-person narrative; elements of psychology introduced into narration, e.g. inner monologues of the protagonist or her inner dialogue with a prospective interlocutor; limited time-and-space composition; cinematic type of dynamic narrative; motifs of road and accidental encounter; antithesis underlying the basic themes embedded in the plot structure; abundance of precedent and toponymic names and artistic details; diversity of linguistic means used to organize the narration and describe the inner world of the protagonist.
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Zhuravlev, Mikhail E., Irina V. Golovacheva, and Polina V. de Mauny. "What Issues of Literary Analysis Can Differential Equations Clarify?" International Journal of Applied Evolutionary Computation 6, no. 3 (July 2015): 49–63. http://dx.doi.org/10.4018/ijaec.2015070104.
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The authors investigate to what extent differential equations can describe the dynamics of love relations in masochistic novellas. Unlike previous researchers, they base their analysis not only on psychological credibility. They relate their model to the ideas of literary criticism. The authors compare Ivan Turgenev's Torrents of Spring with the most famous masochistic novella Venus in Furs by Leopold von Sacher-Masoch. To prove that the dynamics of masochistic relationships differ from that of the other types of romance they also investigate the plot of the undoubtedly non-masochistic story by Anton Chekhov “The Lady with the Dog.” Instruments of literary criticism coupled with mathematical modelling allow the authors to reproduce the temporal and spatial dynamics of love plots in fiction more precisely and clearly than it was done in previous research.
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Gelfant, Blanche H. "Days of Reckoning in Russian and American Novellas: A Cross-Cultural Triptych." Prospects 17 (October 1992): 405–58. http://dx.doi.org/10.1017/s0361233300004786.
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In saul bellow's novella, Seize the Day, Tommy Wilhelm, a preposterously superfluous, suffering man, articulates a belief in truth that postmodern literary and cultural critics generally disavow. Wilhelm conceives of truth as a vaguely reified “Something” - an object of size, located in space, and accessible to the human gaze. Throughout his fateful day of reckoning, Wilhelm hotly pursues this oxymoronic reification, following small and seemingly foolish signs, like a man's hat bobbing up in a crowd, until at last he discovers the ultimate reality he has been seeking - truth simultaneously embodied and disembodied by death. This ambiguous representation affects Wilhelm profoundly, consummating “his heart's ultimate need” but sundering his physical being. His vulnerable creaturely body convulses and seems to come apart, its disjunct segments independently bending, bowing, twisting, shaking, crippling, swelling, nodding, being clutched. These bodily contortions apparently signify Wilhelm's deliverance from this world to another, a higher, freer, world of “happy oblivion” where he can forget his earthly troubles. In the novella's final tableau, an ecstatically sobbing Wilhelm enters this transcendent realm in his own perverse way: instead of rising to its heights, he sinks. Thus he completes the drowning action with which the novella begins by losing — and finding — himself in undefinable depths. There, murkily, mortality evokes self-love as the essence of truth.
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Livholts, Mona. "The Snow Angel and Other Imprints." International Review of Qualitative Research 3, no. 1 (May 2010): 103–24. http://dx.doi.org/10.1525/irqr.2010.3.1.103.
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This article, written in the form of an untimely academic novella is a text, which explores academic authoring as thinking and writing practice in a place called Sweden. The aim is on inquiries of geographical space, place, and academia, and the interrelation between the social and symbolic formation of class, gender and whiteness. The novella uses different writing strategies and visual representations such as documentary writing and photographing from the research process, letters to a friend, and memories from childhood, based on three generations of women's lives. The methodology can be described as a critical reflexive writing strategy inspired by poststructuralist and postcolonial feminist theory and literary fiction, and additionally by methodological approaches in the humanities and social sciences, such as theorizing of letters, memory work, and narrative, and autobiographical approaches. In particular, it draws on work by the theorist critic and writer of fiction, Hélène Cixous, and the feminist author and theorist Charlotte Perkins Gilman, drawing on interpretation of Cixous' essay “Enter the Theatre” and Gilman's story “The Yellow Wallpaper.” Characteristics of the untimely academic novella elaborate with possible forms of the symbolic, visual, and performative photographic and sensory in writing research; furthermore, time, social change, and unfinal endings play a pervasive role. It may be read as a story that situates and theorizes embodyment, landscape, and power through the interweaving of forest rural farming spaces and academic office spaces by tracing autobiographical imprints of an untimely feminist author. “The Snow Angel and Other Imprints” is the second article in a trilogy of untimely academic novellas. The first, with the title “The Professor's Chair,” was published in Swedish in 2007 (in the anthology “Genus och det akademiska skrivandets former,” (Eds.) Bränström Öhman & Livholts), and forthcoming in English in the journal Life Writing 2010.
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Musayeva, Ayten. "NOVELLADA KARAKTERLERİN AÇILMASINDA DİYALOGLARIN ROLÜ." International Language, Literature and Folklore Researchers Journal 1, no. 8 (January 1, 2016): 1. http://dx.doi.org/10.12992/turuk265.
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Booth, Philip. "The Dominican Educational and Social Contexts of Riccoldo of Monte Croce’s Pilgrimage Writing." Journal of Medieval and Early Modern Studies 51, no. 1 (January 1, 2021): 49–78. http://dx.doi.org/10.1215/10829636-8796246.
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Riccoldo of Monte Croce (ca. 1243–1320), Dominican friar, missionary, and pilgrim, was an accomplished author, but nature of his written corpus has been disputed by scholarship. For some, he is a noted anti-Islamic polemicist. For others, he is a quasi-tolerant traveler in the East. Yet past attempts to understand Riccoldo’s corpus have taken little notice of the priory of Santa Maria Novella, Florence, where he spent most of his life. This article begins to rectify this omission and signals new ways to understand Riccoldo by drawing on the work of historians, philologists, and codicologists. It assesses Riccoldo’s relationship to Santa Maria Novella’s library and its books. It also traces some of Riccoldo’s social relationships, demonstrating how his positions as a lecturer and preacher and his social connections with individuals like Remigio de’ Girolami influenced his writings. Overall, this study reemphasizes the fact that without understanding social contexts we can never properly understand the intentions of pilgrim-authors.
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Elshout, Helena. "‘No learned rhetorical flourishes!’ Anti-rhetorical narration and metaphorical agency in Raabe’sCeltic Bones." Language and Literature: International Journal of Stylistics 22, no. 3 (August 2013): 191–204. http://dx.doi.org/10.1177/0963947013489237.
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As Monika Fludernik (2011) points out, creative metaphors receive less attention than conceptual metaphors in cognitive studies. The complex role of metaphor in literature and its narrative function needs to be further explored. Realistic novellas do not display a predilection towards elaborate creative metaphors. They contain other figures of speech and more conventional figurative forms such as symbols, allegories and similes – the latter to approximate an experience or perception. My hypothesis is, however, that in realistic texts metaphorical agency is often contained and instigated by virtual micronarratives (digression, memory, association, imagination and dream). How does metaphoricity relate to virtual parts of the storyworld? In order to investigate this question I use Wilhelm Raabe’s poetic realist novella Keltische Knochen ( Celtic Bones, published 1864) as a case study. Raabe’s travel account shows how virtual passages can receive and entail a metaphorical dimension. In Raabe’s novella the narrator witness claims that it does not manipulate reality by rhetorical tricks and metaphorical transformations, and therefore makes a clear distinction between the virtual and real parts of the storyworld. At the same time this distinction is undermined because the virtual events interfere with the real events and transform them into metaphorical sequences. The metaphorical sequences open up alternative segments of the storyworld that can be coined as paranarratives. The case study exposes the negotiability and the co-text dependence of literary metaphoricity and contributes to the exploration of the narrative potential of figurativeness in literary texts.
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Fuchs, Florian. "Novella." New Literary History 50, no. 3 (2019): 399–403. http://dx.doi.org/10.1353/nlh.2019.0032.
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Schoolfield, George C., Knut Hamsun, and Lars Frode Larsen. "Livsfragmenter: Noveller." World Literature Today 63, no. 3 (1989): 492. http://dx.doi.org/10.2307/40145425.
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Karetnikov, Nikolai. "Two Novellas." Tempo, no. 173 (June 1990): 44–47. http://dx.doi.org/10.1017/s0040298200019136.
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Before they performed my ballet Vanina Vanini in 1961, the renowned Bolshoi Theatre orchestra had never played any music that had been written in the 12-note system.There was a lot of tension at the first rehearsal. The musicians neither understood or accepted the music. Their heads turned in bewilderment every time a phrase was taken up by a different instrument to the one that had begun it. It gradually dawned on me, and the musicians themselves, that they were simply incapable of playing the piece.
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AL Deen Lutfi Ali AL Ghammaz, Saif, Ruzy Suliza Hashim, and Amrah Binti Abdulmajid. "Honor Crime in Sanaa Shalan’s Tale of Tales." International Journal of English Language Education 8, no. 2 (April 15, 2020): 1. http://dx.doi.org/10.5296/ijele.v8i2.16849.
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Honor crime is a heinous global phenomenon occurring in several Arab and Islamic societies with varying magnitudes from one country to another. The growing number of honor crime cases, mostly in developing countries such as Jordan, demands serious academic investigation not only because the lives of the victims are at stake, but also because the phenomenon is still gravely overlooked and unaddressed due to socio-cultural norms branding it as a social taboo. Recently, there has been increasing interest among Arab and Jordanian writers in portraying honor killings against Jordanian women through their literary works (Fanous, 2018). Thus, in this paper, we shall examine the manifestations of honor crimes against women in the Jordanian context through a textual analysis of Tale of Tales by Sanaa Shalan, an author belonging to the Jordanian contemporary literary movement. Originally written in Arabic, this novella highlights the suffering of many Jordanian women due to honor crimes inflicted upon them by the poor and male-dominated society. Through an Islamic reading based on Quranic verses and Sunni Hadiths to read of Tale of Tales (2007), we shall examine Shalan’s depictions of honor crimes against women in the novella as an extremely engendered phenomenon resulting from male domination and power and gender inequity prevalent in the Jordanian society. This paper is premised based on two elements, namely: the misconception of honor and its association with the women’s body and its roots in Islam, as depicted in Tale of Tales through the novella’s female characters, notably the main protagonist.
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Polachek, Dora E. "Laughing at Unbearable Urges: Reshaping the Male-Authored Script of Desire." Renaissance and Reformation 38, no. 3 (November 27, 2015): 177–92. http://dx.doi.org/10.33137/rr.v38i3.26154.
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As Pierre Champion noted a half a century ago, “ The Cent Nouvelles nouvelles open a secret door into the house of men of that time.” The misogynous aspect of these novellas, designed to inspire laughter, is evident in most of the stories dealing with masculine drives and uncontrollable desires of husbands to seduce other women without being discovered. Novella 9 is a prime example of such a scenario, a novella that serves as Marguerite de Navarre’s intertext in the Heptaméron’s novella 8. In this article I will analyze how Marguerite reshapes her fifteenth-century intertext in order to promote a highly protofeminist agenda. All the while maintaining the same structure and characters, she introduces changes that are both subtle and radical. The focus of my analysis will show how these changes put into question the masculinist vision offered by CNN 9 and open instead a space for a commentary on women’s agency and their quest for their own pleasure.
Comme Pierre Champion l’a remarqué il y a 50 ans, « Les Cent nouvelles nouvelles ouvrent ... une porte secrète de la maison des hommes de ce temps ». L’aspect misogyne de ces nouvelles destinées à faire rire est évident dans la plupart des nouvelles, où il s’agit des pulsions masculines et du désir incontrôlable de la part d’un mari volage de séduire une autre femme sans en être découvert. Telle est la situation dans la nouvelle 9 de cette collection, nouvelle qui sert comme intertexte de la nouvelle 8 de L’Heptaméron. Dans cet article je vais analyser comment Marguerite remanie cette nouvelle du XVe siècle afin de promouvoir ses idées protoféministes. Tout en gardant la même structure et les mêmes personnages, Marguerite introduit des changements à la fois subtils et radicaux, changements qui remettent en question la vision masculiniste offerte dans CNN 9 et ouvre un espace pour un commentaire sur la prise de parole de la femme à la recherche de son propre plaisir.
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Kappler, Ulrike, Kondo-Francois Aguey-Zinsou, Graeme R. Hanson, Paul V. Bernhardt, and Alastair G. McEwan. "Cytochromec551fromStarkeya novella." Journal of Biological Chemistry 279, no. 8 (November 26, 2003): 6252–60. http://dx.doi.org/10.1074/jbc.m310644200.
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Ramras-Rauch, Gila, Ruth Almog, and Gershon Shaked. "Six Israeli Novellas." World Literature Today 73, no. 4 (1999): 808. http://dx.doi.org/10.2307/40155263.
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Anderson, Charlotte, Frank G. Ryder, and Robert M. Browning. "German Romantic Novellas." Die Unterrichtspraxis / Teaching German 20, no. 1 (1987): 143. http://dx.doi.org/10.2307/3530541.
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Sozina, Elena Konstantinovna. "“BETWEEN EUROPE AND ASIA.” ORIENTALIST NARRATIVES OF ALEXANDRA FUCHS: THE RHETORIC OF WRITING AND THE AUTHOR’S POSITION." Yearbook of Finno-Ugric Studies 14, no. 3 (October 2, 2020): 465–75. http://dx.doi.org/10.35634/2224-9443-2020-14-3-465-475.
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The article discusses ethnographic essays and novellas in the poems by Alexandra Andreevna Fuchs. The wife of a famous professor Karl Fuchs, she was resident of Kazan, hosted a literary salon, which was frequented by many local and visiting writers and poets, and met with Alexander Pushkin during his stay in the town. Alexandra Fuchs became the first Russian ethnographer writer; she purposefully traveled to places where the Chuvash, Mari (Cheremis), and Udmurts (Votyaks) lived, and wrote essays about the life, daily routine, manners and customs of these peoples drawing on her personal observations. Her essays took the form of letters and were often accompanied by response letters from her husband. They were published in the Kazan magazine Zavolzhsky Muravey [Zavolzhsky Ant], in the regional newspaper Kazanskie gubernskie vedomosti [Kazan Provincial Gazette], as well as in a number of separate books. The article analyzes the rhetorical peculiarities and author’s position of Alexandra Fuks’ essay writing. The analysis also involves ethnographic-fiction novellas (poems) by A. Fuchs, taken, according to her, “from the Tatar tradition”: ‘Princess Habiba’, ‘Founding of the city of Kazan’, a comment to which was written by her husband. These works fit into the tradition of the “Eastern novella”, popular in Russia since the eighteenth century. Depicting the exotic life of ancient Tatars and the peoples neighboring Kazan, Alexandra Fuchs sought to reconcile the orientation of the region to the East with the Orthodox-Imperial ideology which (in her view) was more advanced and progressive. Her sympathies as the author lay with female characters who contradicted traditional Muslim customs. Alexandra Fuchs’ essays and tales played a considerable role in awakening the interest of a Russian reader to the peoples of the empire, which preceded the mid-19th century rise of ethnography in science and literature.
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Both, R. T. ""Brazil, a Novella"." Cream City Review 36, no. 2 (2012): 126–27. http://dx.doi.org/10.1353/ccr.2012.0031.
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Larson, Doran. "Syzygy: A Novella." Iowa Review 28, no. 3 (December 1998): 24–93. http://dx.doi.org/10.17077/0021-065x.5049.
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Brian Allen Carr. "The Novella Matters." American Book Review 31, no. 5 (2010): 5. http://dx.doi.org/10.1353/abr.2010.0006.
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Rundell, Richard J., and Jeffrey L. Sammons. "German Novellas of Realism." Modern Language Journal 74, no. 2 (1990): 242. http://dx.doi.org/10.2307/328151.
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Ingwersen, Faith, and Sissel Lie. "Tigersmil: Noveller og korttekster." World Literature Today 62, no. 1 (1988): 148. http://dx.doi.org/10.2307/40144176.
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Bliss, Carolyn, and Thea Astley. "Vanishing Points: Two Novellas." World Literature Today 67, no. 3 (1993): 665. http://dx.doi.org/10.2307/40149526.
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Ziolkowski, Margaret, and Vladimir Makanin. "Escape Hatch: Two Novellas." World Literature Today 70, no. 4 (1996): 985. http://dx.doi.org/10.2307/40152453.
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