Relevant bibliographies by topics / Noyon, France. Notre-Dame (Cathedral)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Noyon, France. Notre-Dame (Cathedral)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Noyon, France. Notre-Dame (Cathedral)"

1

Lassak, Marshall. "Mathematical Lens: Cathédrale Notre-Dame de Strasbourg, Strasbourg, France." Mathematics Teacher 101, no. 2 (2007): 99–101. http://dx.doi.org/10.5951/mt.101.2.0099.

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Pruden, Meredith L. "For Whom the Bell Tolls: Memeing French Landscape on Instagram." Vista, no. 5 (December 31, 2019): 149–70. http://dx.doi.org/10.21814/vista.3044.

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On the evening of April 15, 2019, hoary plumes of smoke erupted from Notre-Dame Cathedral and rolled across the rooftops of the Ile de la Cité in Paris, France. World leaders expressed their condolences over the loss, and many experts publicly warned that, though it can be rebuilt, the 12th-century monument to Catholicism will never “be the same”. By the end of the next day, cathedral bells tolled across the city in honor of the devastating fire and hundreds of millions in euros already had been pledged, with the uber-wealthy leading the way. In the days that followed the fire, the fire and f
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Glorennec, Philippe, Aurélia Azema, Séverine Durand, Sophie Ayrault, and Barbara Le Bot. "The Isotopic Signature of Lead Emanations during the Fire at Notre Dame Cathedral in Paris, France." International Journal of Environmental Research and Public Health 18, no. 10 (2021): 5420. http://dx.doi.org/10.3390/ijerph18105420.

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When Notre Dame de Paris cathedral caught fire on 15 April 2019, lead particles were deposited in its surroundings. Our objective was to determine whether the lead plume had a homogeneous isotopic signature (i.e., a set of homogenous isotopic ratios), and whether, if so, this was different from common sources. In January 2020, dust samples were collected from six areas inside the cathedral, downwind of the fire, as well as from eight roof debris fragments. These samples were mineralized and analyzed using ICP-MS. Their isotopic ratios (207Pb/206Pb and 206Pb/204Pb) were determined and then comp
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Paszkowski, Zbigniew W., and Magdalena Balcerzak. "FIRE PROTECTION IN RELIGIOUS MONUMENTS: ON THE EXAMPLE OF NOTRE-DAME DE PARIS AND THE CATHEDRAL OF ST. PETER AND ST. PAUL IN NANTES, FRANCE." Space&FORM 2023, no. 54 (2023): 7–30. http://dx.doi.org/10.21005/pif.2023.54.b-01.

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The cases of the fires of Notre-Dame in Paris and St Peter and St Paul in Nantes present the effects of the gradual neglect of monument conservation and their impact on a decrease in safety. The causes and consequences of the fires were described. Differences in the methods of technical protection and reconstruction after a fire have been specified. It was reported that in the Cathedral in Nantes, the wooden truss was replaced with a concrete one, whereas in Notre-Dame the original truss will be recreated. The need to select fire protection and reconstruction methods on a case-bycase basis and
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Elwert, Frederik, Giulia Evolvi, Anna Neumaier, and Kim de Wildt. ": Emoji and Religion in the Twitter Discourses on the Notre Dame Cathedral Fire." Journal of Religion, Media and Digital Culture 11, no. 2 (2023): 198–226. http://dx.doi.org/10.1163/21659214-bja10071.

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Abstract The fire that destroyed a large part of the world-famous Notre Dame Cathedral in France in April 2019 shocked the world. A lively expression of thoughts and feelings during and after the fire arose on Twitter. In this article, we will analyze the discourses about the Notre Dame fire on Twitter, with a specific focus on emoji, focusing on the thoughts and feelings emoji express and how they convey the meanings religious buildings have for people. Based on a dataset of almost 2 million tweets collected in the week following the incident, this paper leverages a variety of computational a
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Everist, Mark. "From Paris to St. Andrews: The Origins of W1." Journal of the American Musicological Society 43, no. 1 (1990): 1–42. http://dx.doi.org/10.2307/831405.

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Recent research has suggested that W1 may have been copied in St. Andrews in the 1240s. Very little attempt has been made to understand why or how the virtuoso polyphony associated with the cathedral of Notre-Dame in Paris came to be cultivated so far from home. The article argues for a redating of the manuscript in the 1230s and therefore rejects the suggestion that the interest in polyphonic music was generated by Bishop David Bernham (in office from 1239-1253) and points to his predecessor, Guillaume Mauvoisin (1202-1238) as the agency by which Parisian music was transmitted from Paris to S
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Lu, Ke, Chaoyang Zhang, Jiahao Li, and MingDer Jean. "Virtual Reality for the Visualised-Guided Tours of the Notre Dame Museum in Paris." International Journal of Social Sciences and Artistic Innovations 4, no. 3 (2024): 1–7. http://dx.doi.org/10.35745/ijssai2024v04.03.0001.

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This study aims to explore the application of virtual reality technology for visualization in museums, using Notre Dame de Paris, France, as an example. It is more rich in scenes, more interactive graphics, and other visualizations, which enables viewers to enjoy the reconstructed Notre Dame online with the best audio-visual effects. We used the Likert scale research method for a survey. The questionnaire was administered to 15 students and 15 experts for basic information collection and experience feedback. Using data statistics and qualitative analysis, the effectiveness of the guided tours
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Kluczewska-Wójcik, Agnieszka. "“Inner light” Stained glass in contemporary French sacred art – an overview." Sacrum et Decorum 15 (2022): 110–40. http://dx.doi.org/10.15584/setde.2022.15.6.

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In the 1920s, a movement of revival of sacred art began in France, which also included stained glass. Its revival was associated with a departure from the illusionistic character of stained glass of the 19 th century and a reference to monumentalism and the spiritual tradition of the Middle Ages. The search for a new concept of stained glass, both in its ideological and technological aspects, resulted in the creation of “artists’ stained glass” (vitraux d’artistes), realised from the middle of the 20 th century on official commissions, thanks to the cooperation of ecclesiastical institutions a
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Casta, Isabelle-Rachel. "What we do in the Shadows... Rapports de force/rapports de France dans quelques romans de Jean-Christophe Grangé." Dalhousie French Studies, no. 117 (March 29, 2021): 145–56. http://dx.doi.org/10.7202/1076098ar.

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Middlebrow author, Jean-Christophe Grangé is little studied as such, but his novels (widely read) nonetheless draw a strange map of France: the police, the seat and visible embodiment of official power, is regularly overwhelmed by a shifting and disparate sects, camarillas, more or less occult organizations or all-powerful paramilitary groups, in line with the apocalyptic thought of the illuminists of the eighteenth century.The France of the balance of power is fantastically present, crisscrossed at full speed by movements precisely described and timed, but totally improbable by their very eas
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Любарт, Маргарита Кемальевна. "Christian Churches in Modern France: The Reality of Post-Secular Society." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 2 (June 25, 2020): 124–35. http://dx.doi.org/10.26158/tk.2020.21.2.011.

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В статье исследуются особенности процесса дехристианизации и секуляризации и проведения политики светскости (лаицизма) в отношении архитектурного христианского наследия в современной Франции. Количество зарегистрированных полицией инцидентов, связанных с христианскими храмами, составляет в последнее десятилетие около тысячи в год. Получивший печальную известность пожар собора Парижской Богоматери в апреле 2019 г. - только один из подобных примеров. Регулярными стали разграбления, осквернения мест христианского культа, нападения на священников, их убийства и т. п. Ежегодно ряд церквей, признанн
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Dissertations / Theses on the topic "Noyon, France. Notre-Dame (Cathedral)"

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Sawkins, Annemarie. "Architecture, politics and the rebuilding of the cathedral of Notre-Dame at Senlis, 1504-1560." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0017/NQ44575.pdf.

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Tryoen, Lucie. "L'écrit au chapitre de Notre-Dame de Paris au XIIIe siècle." Thesis, université Paris-Saclay, 2020. http://www.theses.fr/2020UPASV006.

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Le chapitre de Notre-Dame de Paris, malgré sa centralité dans l’espace parisien, est resté absent de la récente relecture historiographique des sources médiévales. Convoquant les méthodes de l’archéologie textuelle et les problématiques de l’histoire des pratiques de l’écrit, cette thèse explore les rapports du chapitre à la documentation qu’il produit et conserve, à l’époque de cette révolution quantitative et qualitative qu’est le XIIIe siècle.Revenant sur l’apparition de la chancellerie capitulaire, elle étudie l’évolution de sa production et de son fonctionnement entre XIIe et XIIIe siècle
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Lamy, Didier. "« Le principal corps ecclésiastique de la province ». le chapitre de la cathédrale de Notre Dame de Rouen du milieu du XVIIème siècle jusqu’à la Révolution." Thesis, Paris 4, 2010. http://www.theses.fr/2012PA040238.

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S’intitulant eux-mêmes et avec fierté comme étant le premier corps ecclésiastique de la province de Normandie, le chapitre et les chanoines de la cathédrale de Rouen dominent le paysage clérical local. La thèse a pour objectif de décrire cette institution, son fonctionnement et ses problèmes dans la dernière partie de l’Ancien Régime, du milieu du 17è-me siècle jusqu’à la dissolution en fin 1790.L’étude des membres du chapitre montre une nette évolution dans les modalités d’accès et les carrières entre le début de la période, alors que les prescriptions du concile de Trente peinent encore à re
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Lamy, Didier. "« Le principal corps ecclésiastique de la province ». Le chapitre de la cathédrale de Notre Dame de Rouen du milieu du XVIIème siècle jusqu’à la Révolution." Electronic Thesis or Diss., Paris 4, 2010. http://www.theses.fr/2010PA040238.

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S’intitulant eux-mêmes et avec fierté comme étant le premier corps ecclésiastique de la province de Normandie, le chapitre et les chanoines de la cathédrale de Rouen dominent le paysage clérical local. La thèse a pour objectif de décrire cette institution, son fonctionnement et ses problèmes dans la dernière partie de l’Ancien Régime, du milieu du 17è-me siècle jusqu’à la dissolution en fin 1790.L’étude des membres du chapitre montre une nette évolution dans les modalités d’accès et les carrières entre le début de la période, alors que les prescriptions du concile de Trente peinent encore à re
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Dujon-Attali, Ben Mayer Caroline. "Notre-Dame de Reims, de Laon et de Paris : étude comparée de la restauration de l'architecture et de la statuaire de 1789 à 1914." Thesis, Reims, 2015. http://www.theses.fr/2015REIML001.

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Dans une démarche scientifique liant la tradition et l'innovation, cette recherche s'inscrit dans la continuité historique, tout d'abord celle de l'histoire culturelle, du patrimoine, initiée par les premiers travaux portant sur les politiques patrimoniales et les administrations responsables: le Conseil supérieur des Beaux-arts et la thèse de Marie-Claude Genet-Delacroix, l'institution des musées et la patrimonialisation étudiées par Dominique Poulot, puis dans la continuité de l'histoire générale de la restauration, avec les travaux de Jean-Michel Léniaud portant sur le service des Edifices
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Frizet, Yannick. "Munificence et stratégie de Louis XI dans l'aire Provençale (1440-1483)." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10079.

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Le 11 décembre 1481, le roi Louis XI rattachait le comté de Provence souverain au royaume de France. Cela ne s’accomplit pas sans que les grands sanctuaires provençaux reçoivent de sa part des offrandes importantes, tels la chapelle de la Sainte-Baume, le chef-reliquaire d’or de Sainte-Marthe de Tarascon, et, dans une certaine mesure, le tombeau du dernier comte Charles III de Provence dans la cathédrale Saint-Sauveur d’Aix. Mais sa munificence religieuse de quatre décennies en Provence, connut bien d’autres développements (fondations, rentes, privilèges). Cette étude originale est un essai de
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Gastinne-Biclet, Armelle. "Image et parole : le vitrail de Saint Lubin à Chartres : sens et fonction de ses images à la fin du XIIe siècle." Thesis, Bourgogne Franche-Comté, 2019. http://www.theses.fr/2019UBFCH040.

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L’énigme du vitrail de saint Lubin à Chartres, qui montre une histoire de vin au centre de la vie du saint, se résout si l’on en pratique une lecture symbolique respectueuse des schèmes mentaux médiévaux : le mystère eucharistique central du vin permet au jeune Lubin de devenir un saint, dans sa vocation propre de consacré (le chanoine lettré du XIIème siècle transparaissant sous le moine du VIème siècle), prêtre et évêque, Bon Pasteur dispensateur des dons divins. La présence insolite de petits personnages dans la bordure correspond à une reprise en compte du peuple des laïcs à travers le mys
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Griggs, Nicole C. "Reconsidering the Tribune in Early Gothic Architecture of Twelfth-Century Northern France." Thesis, 2017. https://doi.org/10.7916/D81G0SMR.

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This work reconsiders the tribune, its functional and symbolic importance in Gothic style architecture of twelfth-century France. Three case studies, the cathedrals of Notre-Dame of Noyon and Senlis and the priory church of Saint-Leu at Saint-Leu-d’Esserent, serve as a means to examine the origins, function and medieval conceptions of this enigmatic second story. An analysis of the cathedral fabric, together with the episcopal palace and chapel, in conjunction with an examination of the sociological and political context are undertaken in an effort to start a new dialogue regarding this archit
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Books on the topic "Noyon, France. Notre-Dame (Cathedral)"

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Prache, Anne. La Cathédrale Notre-Dame de Noyon: Oise. AGIR-Pic, 1997.

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Philippe, Montier, ed. La cathédrale Notre-Dame de Noyon et son quartier. Cap régions, 2012.

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Erlande-Brandenburg, Alain. Notre-Dame de Paris. Nathan, 1991.

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Friedman, Michael Jan. Hunchdog of Notre Dame. Scholastic., 1998.

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Friedman, Michael Jan. Hunchdog of Notre Dame. Gareth Steven Pub., 1999.

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Hugo, Victor. The hunchback of Notre Dame. First Avenue Editions, 2014.

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1840-1926, Monet Claude, ed. Monet's cathedral: Rouen, 1892-1894. Knopf, 1990.

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Moore, Robin. The hunchback of Notre Dame. Aladdin Paperbacks, 1996.

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1802-1885, Hugo Victor, ed. The hunchback of Notre Dame. Random House, 1995.

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1802-1885, Hugo Victor, and Smith Tony 1960 ill, eds. The hunchback of Notre Dame. DK Pub., 1996.

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Book chapters on the topic "Noyon, France. Notre-Dame (Cathedral)"

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Thompson, Guy Llewelyn. "The Place Of Paris In A Divided France." In Paris And Its People Under English Rule. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198221593.003.0001.

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Abstract On I December 1420 King Henry V of England made his formal royal entry into Paris as regent of France and heir to the throne. The French king, Charles VI, was beside him; just behind rode the duke of Burgundy, foremost peer of France. The Parisians lined the streets, glad to welcome their king and his new ally, and the duke whom they regarded as their special leader. Although the chapter of Notre-Dame, irritated by the efforts of Henry and the duke of Burgundy to impose their nominee as bishop, declined to step more than a few yards outside the cathedral, the rest of the population wa
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Conference papers on the topic "Noyon, France. Notre-Dame (Cathedral)"

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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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