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Relevant bibliographies by topics / Nudes (representations)

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Academic literature on the topic 'Nudes (representations)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Nudes (representations)"

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Deslandes, Suely Ferreira, Claudia Valéria Cardim da Silva, Juliana Marins Reeve, and Roberta Matassoli Duran Flach. "Nude Leaking: from moralization and gendered violence to empowerment." Ciência & Saúde Coletiva 27, no. 10 (2022): 3959–68. http://dx.doi.org/10.1590/1413-812320222710.07112022en.

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Abstract The “sphere of intimacy” is increasingly mediated by a socio-technical network inlaid with new meanings and readings in love and seduction games. In these affective-digital exchanges, nudes are essential in linking interest between partners, also setting spaces for power struggles and violence. This work aims to analyze the prevailing moralities, the emotional management, and the inclusion of the body in affirming autonomy and diversity identified in the statements of young people whose intimate contents were disseminated on the internet without their consent. We analyzed 20 videos of

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Budzisz, Aleksandra, Magdalena Hoły-Łuczaj, and Kamil Łuczaj. "Kobieta FIT – seksualne uprzedmiotowienie czy zyskana moc? Analiza na podstawie kobiecego aktu sportowego." Kultura Popularna 3, no. 49 (2017): 104–19. http://dx.doi.org/10.5604/01.3001.0009.8048.

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Today, the perception of (ideal) feminity is based on a visual presentation of the (ideal) female body, including female nudes. Due to the cultural patterns, most of the recipients of visual culture rarely have an opportunity to become familiar with a variety of representations of the female body (age, body shape, stylization). The most common is the pattern of “fit woman” – neat, slim, stressing her sexual attributes. This analysis confronts the traditional image with the increasingly popular trend among women – building athletic body (strong, muscular, silhouette), previously limited to men.

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Scheid, Kirsten. "NECESSARY NUDES: ḤADĀTHA AND MUʿĀṢIRA IN THE LIVES OF MODERN LEBANESE". International Journal of Middle East Studies 42, № 2 (2010): 230a. http://dx.doi.org/10.1017/s0020743810000334.

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In Beirut between 1920 and 1940, the fine-art nude was a necessary genre. Exhibitions of these pictures put audiences on display as much as nudes. Thus, these events enable probing the role of art at intercultural junctures and understanding the experience of self-modernizing subjects outside metropolitan locales. Al-ḥadātha and al-muʿāṣira are analyzed as complementary but noninterchangeable aspects of the modernizing project, to argue that viewing art and appreciating nudes were necessary components of an urban, modern identity for Mandate-era Beirutis. The concept of dislocation is introduc

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Hsu, Chi-Wei. "Alice Neels Female Nudes: Society, Feminism and Art." Communications in Humanities Research 3, no. 1 (2023): 648–62. http://dx.doi.org/10.54254/2753-7064/3/20220547.

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Alice Neel is one of the most prolific contemporary American artists, a realist in an age of abstraction. Her tenacity in portraying the people, the world and the issues that come with them led her portraits to carry not just a likeness to the subject, but also the subjects social, political, economic baggage. With that, Neels candor in portraying her subjects also allowed for representation of women of all circumstances, something historically lacking. Specifically, in her ground-breaking nude portraits of women, she breaks down previous conception of female nudes by incorporating the status

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Juzefovič, Agnieška. "CREATIVE TRANSFORMATIONS IN VISUAL ARTS OF EARLY FRENCH MODERNISM: TREATMENT OF NUDE BODY." Creativity Studies 9, no. 1 (2016): 25–41. http://dx.doi.org/10.3846/23450479.2015.1112854.

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Resent paper is focused on the early modern culture, particularly on the topic of visual art and its confrontation with traditional, pre-modern culture and aesthetic. The author unveils how and why painters of early French modernism had rejected traditional representation of eroticism, typical for pre-modern art, especially for the art of academicism. Thus from their artworks disappeared sublimated, exalted nudity, withdrew nudes modestly hidden under mythological or religious context. In the works of impressionists and postimpressionists naked body was depicted frankly, openly, without any ex

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Wright, Ellen. "Having Her Cheesecake and Eating It." Feminist Media Histories 2, no. 4 (2016): 116–42. http://dx.doi.org/10.1525/fmh.2016.2.4.116.

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Bunny Yeager was a pinup model and photographer who appeared on TV and in exploitation films, while creating pinups and “art” nudes for Playboy, coffee-table books, and how-to publications. She is currently experiencing a revival as part of a subcultural vogue for 1950s and 1960s Americana. In her images she was often both subject and photographer, and her self-reflexive pictures engage with issues of authorship, control, and the sexualized gaze. This text examines Yeager's portraiture, her instructive writing, her representation in the film Bunny Yeager's Nude Camera (1963), and the way she p

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SUI, CHENGLONG, and Won-Kyung Kim. "An Examination of the Depiction of Nude Scholars in Ancient Chinese Painting: A Semiotic Analysis Based on Peirce’s Triadic Sign Theory." Society for Chinese Humanities in Korea 88 (December 31, 2024): 107–20. https://doi.org/10.35955/jch.2024.12.88.107.

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The portrayal of nude scholars occupies a distinctive position within the annals of Chinese art history, functioning not only as a representation of the scholars' quotidian lifestyles but also as a manifestation of their spiritual aspirations and philosophical doctrines. Nonetheless, extant scholarship has predominantly emphasized the surface-level visual representations, thereby neglecting an in-depth exploration of the underlying symbolic significances inherent in this imagery. This study employs a semiotic framework to elucidate the intricacies of the nude scholar motif as a cultural signif

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Cui, Shuqin. "The Pregnant Nude and Photographic Representation." Women's Studies 43, no. 8 (2014): 993–1021. http://dx.doi.org/10.1080/00497878.2014.955701.

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Saeid, Samaneh, and Laleh Atashi. "Vintage Ladies in Cubist Exhibitions: Pablo Picasso's Cubist Women and Judith Butler's Performativity." k@ta 22, no. 1 (2020): 28–35. http://dx.doi.org/10.9744/kata.22.1.28-35.

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As a prominent figure in the history of painting, Pablo Picasso has bestowed upon the world his uniquely striking paintings in different styles, the most revolutionary of which being his Cubist art. The representation of women occupies a significant space in Picasso’s Cubist works. While the painter’s style is highly revolutionary, rejecting the accepted principles of painting, the subject matter does not change as such: nude women are objectified with a cubist look. Judith Butler’s theory of gender performativity which examines the roots of naturalized concepts of gender, has been applied to

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Aláez Corral, Máximo. "Dysfunctional Gaze and the Representation(s) of Women in Nuala Ní Chonchúir’s “As I Look”." Complutense Journal of English Studies 27 (October 4, 2019): 247–58. http://dx.doi.org/10.5209/cjes.61104.

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In this article I intend to analyse Nuala Ní Chonchúir’s short story “As I Look,” from her 2009 collection Nude, in relation to the concept of dysfunction, the representation of the nude female body, and the deconstruction of the conventional male gaze. My analysis will be backed up by a theoretical framework on objectification and will focus on dysfunction in the gaze and representation, and also in narration. I aim at highlighting dysfunction as an instrument to convey a new meaning around the visual/literary representation of women, a more positive and desirable connotation than the “functi

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Dissertations / Theses on the topic "Nudes (representations)"

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Evans, Philippa A. "Nudus amor formam non amat artificem : representations of gender in elegiac discourse." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017895.

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This thesis explores the representation of gender, desire, and identity in elegiac discourse. It does so through the lens of post‐structural and psychoanalytic theory, referring to the works of Michel Foucault, Judith Butler, Jessica Benjamin, and Laura Mulvey in their analyses of power, gender performativity, and subjectivity. Within this thesis, these concepts are applied primarily to the works of Tibullus, Propertius, and Sulpicia, ultimately demonstrating that the three love elegists seek, in their poetry, to construct subversive discourses which destabilise the categories by which gender

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Lazzarini, Elena. "The nude in central Italian painting and sculpture (1500-1600) : definition, perception and representation." Thesis, University of Leicester, 2005. http://hdl.handle.net/2381/30490.

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This interdisciplinary study of the male and female nude explores the cultural, social and political context in sixteenth-century Italy in order to discover new connections between images of the nude and everyday life. Many of the sources concerning behaviour, undressing and sexual activities in diverse settings, which are believed to reflect actual behaviour (Rudolf Bell, 1999), were written in Italian at a time when the printing industry began to flourish. This new literature, which has received scant attention from art historians, reached a wider audience and directly completed with prescri

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Ferreira, Ana Brígida Freitas. "Os nomes da dor: processos de representação nas narrativas de Rui Nunes." Master's thesis, Universidade de Évora, 2009. http://hdl.handle.net/10174/15707.

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O fulcro temático da dor é o eixo pendular sobre o qual deverão assentar motivos que se desenrolam em diversos leitmotiven, e que instituem a problemática da representação nos corpora narrativos de Rui Nunes seleccionados para esta dissertação – Cães e A Boca na Cinza. Estas duas obras fundam um meta-paradigma que enforma um irreversível estranhamento na recepção, e que se pauta por uma labiríntica compleição diegética e discursiva. Mediante uma narrativa de cariz hiperbólico, importa equacionar a dor individual, afunilada nas personagens e nas suas intrincadas deambulações ontológicas, e que

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Oliveira, Juliam Izabel de. "A oralidade em Toda nudez será castigada, de Nelson Rodrigues." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/14183.

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Made available in DSpace on 2016-04-28T19:33:27Z (GMT). No. of bitstreams: 1 Juliam Izabel de Oliveira.pdf: 21101553 bytes, checksum: c3debe639ccc3f330831eb97d8468dc0 (MD5) Previous issue date: 2010-10-27<br>This study aims to analyze problems that involve representation and preservation of the face in dialogues of a written theatre text. For the development of this research, we selected the text Toda nudez será castigada, written by Nelson Rodrigues. We started from a theoretical reference that is based, mainly, on Conversation Analysis and Interactional Sociolinguistics. This way, we are g

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Monteiro, Lunardi Gabriela. "The 'Brazilian-ness' of Brazilian YouTube: New voices, new platforms, new television?" Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/233173/1/Gabriela_Monteiro%20Lunardi_Thesis.pdf.

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This thesis analyses the culture of YouTube in Brazil and its role in the broader Brazilian media environment. It argues that Brazilian YouTube represents Brazilian culture in new ways, helping to change how the nation sees itself. It closely examines three highly popular Brazilian YouTube channels: Canal KondZilla, whinderssonnunes and Porta dos Fundos, as well as their cross-over productions for television. The analysis shows that these channels combine the culture of YouTube with existing television references and Brazilian popular culture expressions to produce more progressive representat

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Carnvik, Sofia. "Jag tänker på mig själv som en nakenakt : En studie av Marianne Lindberg De Geers skulptur Jag tänker på mig själv i relation till nakenakten som motivkategori." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-377652.

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The aim of this thesis is to describe and analyze the Swedish artist Marianne Lindberg De Geer’s public sculpture Jag tänker på mig själv in relation to the female nude as a traditional motif within the western art and aesthetic. The artwork in question depicts two naked upright standing women, one of whom is represented as emaciated and skinny and the other one as voluminous and fat. By using previous research on the subject of aberrant bodily representations as its main theoretical framework and with a methodological approach based on visual semiotics, this study has found that Jag tänker på

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Bergen, Glenn. "Nude in a landscape : stories about tradition and representation." 1996. http://hdl.handle.net/1993/19075.

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Knudsen, Dane. "NSFW contextual influences on perception : representations of the nude in public and private spaces." Thesis, 2017. http://hdl.handle.net/10321/2500.

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Submitted in partial fulfilment of the requirements for the Masters of Technology in Graphic Design Degree, Durban University of Technology, 2017.<br>The aim of this research is to investigate the influence of context on the artistic exploration of the nude figure, in the work of selected artists. Qualitative research methods were used. The research is practice-led, as my art making plays an essential part in guiding my research. An outline detailing the various influences and changes to artistic practice surrounding the nude – from ancient Greece to the development of feminist ideas - pro

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McConnell, George D. Dahl Mary Karen. "Live! Nude! Girls! representations of female nudity in the Fluffgirls Burlesque, Girls Gone Wild, and Suicidegirls /." Diss., 2006. http://etd.lib.fsu.edu/theses/available/etd-04072006-141611.

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Thesis (M. A.)--Florida State University, 2006.<br>Advisor: Mary Karen Dahl, Florida State University, College of Visual Arts, Theatre and Dance, School of Theatre. Title and description from dissertation home page (viewed June 14, 2006). Document formatted into pages; contains iv, 93 pages. Includes bibliographical references.

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Books on the topic "Nudes (representations)"

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Kenneth, Clark. The nude: A study of ideal art. Penguin, 1985.

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Cañete, Reuben Ramas. Sacrificial bodies: The oblation and the political aesthetics of masculine representations in Philippine visual cultures. University of the Philippines Press, 2012.

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裸睇: 中西裸體藝術名作賞析. 次文化, 2010.

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Restuccia, Frances. Agamben's Political Ontology of Nudity in Literature and Art. Taylor & Francis Group, 2019.

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Agamben's Political Ontology of Nudity in Literature and Art. Taylor & Francis Group, 2019.

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Restuccia, Frances. Agamben's Political Ontology of Nudity in Literature and Art. Taylor & Francis Group, 2019.

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Restuccia, Frances. Agamben's Political Ontology of Nudity in Literature and Art. Taylor & Francis Group, 2019.

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Restuccia, Frances. Agamben's Political Ontology of Nudity in Literature and Art. Taylor & Francis Group, 2019.

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The temperamental nude: Class, medicine and representation in eighteenth-century France. Voltaire Foundation, 2010.

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Hallett, Christopher H. The Roman Nude: Heroic Portrait Statuary 200 BC-AD 300 (Oxford Studies in Ancient Culture & Representation). Oxford University Press, USA, 2005.

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Book chapters on the topic "Nudes (representations)"

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Contogouris, Ersy. "Discursive Blurring in Representations of Classical Rapes and Abductions." In On the Nude. Routledge, 2021. http://dx.doi.org/10.4324/9781003049968-5.

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Khan, Shah Noor, Eelco Herder, and Diba Kaya. "Effects of Representation Nudges on the Perception of Playlist Recommendations." In Communications in Computer and Information Science. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-87654-7_14.

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Wang, Y. Yvon. "Plus c’est la même chose." In Reinventing Licentiousness. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501752971.003.0006.

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This chapter shows that despite — indeed, because of — the democratization of desire and access to sexual representations, individuals continued seeking authoritative positions from which to pronounce judgments on the desires of others. The chapter revisits examples raised as new developments in the previous chapters: depictions of women in public, nationalistic commentaries on The Plum in the Golden Vase (hereafter Plum), campaigns to rescue folk songs and lyric books, the furor around female nudes, and elite consumption of sexology as a status symbol. In each case, the chapter shows how new

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Cui, Shuqin. "The Pregnant Nude and Photographic Representation." In Gendered Bodies. University of Hawai'i Press, 2015. http://dx.doi.org/10.21313/hawaii/9780824840037.003.0004.

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ZANKER, PAUL. "Domitian’s Palace on the Palatine and the Imperial Image." In Representations of Empire. British Academy, 2002. http://dx.doi.org/10.5871/bacad/9780197262764.003.0006.

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A Roman emperor was defined not simply by his own actions, but also by the manner in which he presented himself, the way he appeared in public, and the personal style he adopted in his interaction with the Senate and the people. A major element of that style lay in the manner of his domestic life and, closely related to this, how he handled the rituals associated with the imperial residence, such as the salutation and, above all, the invitations to an imperial convivium. Should the power of the emperor be put on display or concealed? In what kinds of settings should he carry out his duties? Ho

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Hallett, Christopher H. "The Nude Portrait under the Empire." In The Roman Nude. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199240494.003.0006.

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Abstract The aim of this chapter is to determine the function and meaning of the portrait in heroic costume under the empire. Since the extant material for this period is so abundant, the kind of comprehensive treatment attempted in the previous chapter is not possible. Instead a different method is followed: in the first part of the chapter a broad historical survey is offered of the various kinds of nude portrait found in the imperial period, making use of select examples to represent (as far as is possible) the full extent and variety of the surviving evidence. There follows in the second p

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Hallett, Christopher H. "The Nude Portrait in Greek Art." In The Roman Nude. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199240494.003.0003.

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Abstract The best evidence for the development of ‘portrait costumes’ in Greek art is found in funerary monuments, in the large corpus of Attic grave stelai of the fourth century BC. Here we find Athenian men, identiﬁed by name, depicted in three distinct guises: wearing the himation (the Greek civic cloak); in military uniform and carrying weapons; or shown naked with athletic equipment. All three kinds of representation had been appearing on Greek grave stelai from at least as far back as the late Archaic period, and it has been remarked that these ‘seem to present archetypes for the three a

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Hallett, Christopher H. "Introduction." In The Roman Nude. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199240494.003.0001.

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Abstract Almost every handbook of Roman art contains, in the section dealing with the art of the Roman Republic, an illustration of the ‘Pseudo-Athlete’ from Delos (Pl. 1) or the ‘Tivoli General’ (Pl. 2). Partly for this reason, one supposes, these are two of the best known of all Roman statues. What is not so well known is that these works are not isolated creations of the late Republic, but are merely two representative examples of a whole genre of Roman portraiture. Such ﬁgures were produced by setting a ‘realistic’—and in many cases rather elderly—Roman portrait head directly on to the nud

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"2. The Pregnant Nude And Photographic Representation." In Gendered Bodies. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824857424-005.

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Borsato, Fabiane. "Janela, alpendre e anfiteatro como espaços e tempos da consciência dos estados interiores do ser no mundo." In Materiais para a Salvação do Mundo. ILC-FLUP, 2025. https://doi.org/10.21747/978-989-36147-3-0/lib42a1.

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This work analyzes the forms of representation of time in two poems by João Cabral de Melo Neto and in the novel Momo, by Michael Ende, works produced between the 40s and 70s of the 20th century. The theoretical-critical basis comprises Henri Bergson’s notions about duration and states of consciousness; Benedito Nunes’ studies on the concepts of time and ennui in modernity; the works of Ballart and Ortega y Gasset on frames; Walter Benjamin’s conception of history; the relationship between fracture, aesthesia and perfection developed by the semiotician Greimas.

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Conference papers on the topic "Nudes (representations)"

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Paunescu, Mihaela, Vasilica Grigore, Georgeta Mitrache, and Radu Predoiu. "USE OF COMPUTER TECHNOLOGY IN EVALUATING THE CONCENTRATION AND MOBILITY OF ATTENTION." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-237.

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Attention is the psychical phenomenon (mental function) which designates the selective orientation of the activity and the focalization of the mental energy on an object, in order to know it better and to act more efficiently. Attention is the manifestation of conscience and cannot be related to a certain mental process. It does not have inherent reflectory content, being present in all psychical functions ? perception, representation, thinking (we pay attention when we perceive, when we memorize, when we think etc). This study was carried out on a number of 90 students in NUPES, divided into

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Kumar, Ankit, Amit Priyadarshan, and Pragadeesh K. Sekar. "Monitoring Mechanical Equipment on an Offshore Rig with Contrastive Learning on Acoustic Features." In ADIPEC. SPE, 2022. http://dx.doi.org/10.2118/211145-ms.

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Abstract Mechanical equipment, operating in the oil and gas industry produces a wide range of sounds, often culminating in noise. A functional equipment creates a standard sound, while malfunctioning equipment creates an anomalous sound. In this paper, we propose an application of a contrastive learning algorithm to detect anomalous sound amidst industrial noise, which in turn helps in the identification of the malfunctioning equipment on an offshore rig. The recent success of contrastive learning algorithms to detect novelty in visual representation has inspired our work. We hypothesise that

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