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1

Bagerius, Henric. "Den nakna sanningen." Kroppens retorik, no. 84 (November 11, 2022): 39–59. http://dx.doi.org/10.52610/kjua8913.

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In the summer of 1932, Dagbräckning [Daybreak], the first Swedish nudist journal, was founded with the mission of getting people to sunbathe, swim and do gymnastics naked. It was soon followed by Natur och Hälsa [Nature and Health] and Solvännen [Sun Friend], which alongside Dagbräckning sparkled interest in the emerging Swedish nudist movement. A recurring feature in these journals were conversion narratives in which men and women described how they became nudists. This article analyzes thirty-six conversion narratives from the 1930s and 1940s and demonstrates how a narrative structure drawn
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2

Pollen, Annebella. "“Indignities Imposed by Arbitrary Adult Rule?” Children’s Dress (and Undress) in Progressive Schools in Interwar England." Jeunesse: Young People, Texts, Cultures 15, no. 2 (2023): 183–204. http://dx.doi.org/10.3138/jeunesse-2023-0032.

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Independent schools describing themselves as “progressive,” “modern,” or “advanced” flourished in interwar England. At the same time, new ideas were emerging among intellectuals about the social and psychological value (or otherwise) of clothing (and its lack). Progressives’ experiments in living and loving, eating and dressing, intersected with the choices they made for educating their children. Radical utopian child-centred establishments integrated health cures and vegetarian diets, for example, alongside new curriculum approaches that included nude practices of “sun and air bathing.” This
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3

Story, Marilyn D. "A comparison of social nudists and non‐nudists on experience with various sexual outlets." Journal of Sex Research 23, no. 2 (1987): 197–211. http://dx.doi.org/10.1080/00224498709551357.

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4

Shantz, Mary-Ann. "“Nudists at Heart”: Children’s Nature and Child Psychology in the Postwar Canadian Nudist Movement." Journal of the History of Childhood and Youth 10, no. 2 (2017): 228–47. http://dx.doi.org/10.1353/hcy.2017.0026.

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5

Monterrubio, Juan Carlos, and Emmanuel Jaurand. "Les sociétés locales face au tourisme nudiste." Téoros 28, no. 2 (2014): 83–92. http://dx.doi.org/10.7202/1024811ar.

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Cet article cherche à explorer les attitudes de la population résidente par rapport à la nudité publique pratiquée par des touristes et plus généralement par rapport au corps dénudé. Fondée sur des entrevues approfondies, l’étude a pour cadre une plage nudiste tolérée de la côte pacifique mexicaine. Les résultats montrent que même si la nudité collective n’est pas conforme aux valeurs culturelles et sociales de la communauté d’accueil, l’impact économique de ce tourisme joue un rôle important dans la perception positive que les habitants ont des touristes nudistes. Par conséquent, la pratique
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6

Cleaves (Née Woloshyn), Tania. "Out of Reach: Photographs of Child Nudists." Grey Room, no. 96 (2024): 30–51. http://dx.doi.org/10.1162/grey_a_00405.

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7

L., J. F. "GET REAL!" Pediatrics 98, no. 5 (1996): A67. http://dx.doi.org/10.1542/peds.98.5.a67.

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Recent Bulletins from the language wars: There are no more girdles left in the world-they are all "shapewear." Nudists have virtually disappeared, though there are many practitioners of clothing-optional lifestyle. At Stanford University, nobody ever fails a course. Instead, a dedicated campus underachiever gets an NP—no pass. To the amazement of all, pedophiles and some sex researchers now refer to adult sex with children as "intergenerational intimacy." Perhaps necrophilia would emerge as "post-terminal intimacy."
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8

Pollen. "Utopian Bodies and Anti-fashion Futures: The Dress Theories and Practices of English Interwar Nudists." Utopian Studies 28, no. 3 (2018): 451. http://dx.doi.org/10.5325/utopianstudies.28.3.0451.

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9

FENDER, STEPHEN. "Review Essay The Environmental Imagination: Walden and its Readers." Journal of American Studies 31, no. 2 (1997): 313–19. http://dx.doi.org/10.1017/s0021875896005592.

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Laurence Buell, The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture (Cambridge, Mass.: Harvard University Press, 1995, £27.95). Pp. 586. ISBN 0 674 25861 4.In an MLA survey conducted in 1991 American professors proclaimed Walden the single most important work to teach in the country's nineteenth-century literature. Walden got 45% of the vote, as against 34% for The Scarlet Letter and 29% for Moby Dick. And, as Professor Buell reminds the readers of this wide-ranging, scholarly, and beautifully written book, Walden has always had a popular readership to
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10

Herold Junior, Carlos, Alisson Bertão Machado, Carolini Aparecida Campanholi, Bruna Solera, and Pedro Gabriel Gil Parizotto. "O CORPO A PARTIR DO MOVIMENTO NUDISTA: RIO DE JANEIRO NA DÉCADA DE 1950." Movimento (ESEFID/UFRGS) 24, no. 1 (2018): 49. http://dx.doi.org/10.22456/1982-8918.65075.

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O objetivo deste trabalho é estudar representações sobre o corpo, produzidas a partir do movimento nudista. Isso será feito abordando as disputas sobre as fotografias publicadas em revistas nudistas durante a década de 1950 no Rio de Janeiro. Ao lado das próprias revistas, jornais, documentos judiciais e livros serão utilizados como fontes primárias, abordadas por meio do conceito de representação (CHARTIER, 2002). Observou-se que as publicações nudistas e a expansão das práticas do movimento produziram representações que evidenciam tensões sobre a relevância do corpo e da exposição corporal n
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11

Gómez, Leticia, and Azucena Castro. "Shrieks from the Margins of the Human: Framing the Environmental Crisis in Two Contemporary Latin American Movies // Gritos desde los márgenes de lo humano: Enmarcando la crisis medioambiental en dos películas latinoamericanas contemporáneas." Ecozon@: European Journal of Literature, Culture and Environment 10, no. 1 (2019): 177–95. http://dx.doi.org/10.37536/ecozona.2019.10.1.2657.

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The contemporary fictional films Nosilatiaj. La belleza [Beauty] (dir. Daniela Seggiaro, 2012) and Los decentes [A Decent Woman] (dir. Lukas Valenta Rinner, 2016) explore the complex intra-action between the human and the non-human worlds, in this case the animal world and the natural landscape, in the context of environmental crisis. In both movies, images of natural landscapes are accompanied by depictions of class inequalities and the environmental crisis. As fiction, the films present an environmental perspective through a symbolic framing of nature. This highlights the marginal place assi
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12

LUBTCHANSKY, Natacha. "La nudité comme critère de différenciation anthropologique entre Grecs et Étrusques : à la recherche du rituel autour de la « Vénus » de Cannicella." Archimède. Archéologie et histoire ancienne Archimède n° 9 (December 2022): 146–65. http://dx.doi.org/10.47245/archimede.0009.ds1.11.

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Résumé La question de la nudité dans l’Antiquité classique a fait couler beaucoup d’encre. Les chercheurs ont souligné les oppositions de gender, de cultures et d’époques expliquant l’adoption ou le refus de la nudité. Nous utiliserons les principes d’opposition entre les représentations étrusques et grecques de la nudité : aux korai grecques richement vêtues correspondent en effet des figurations féminines étrusques dénudées, tandis que de nombreux kouroi et athlètes, nus dans l’art grec, portent pagne et cuirasse dans la sculpture étrusque. En nous centrant sur la célèbre « Vénus » de Cannic
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13

Mozgawa, Marek, and Katarzyna Nazar. "Nagość człowieka z perspektywy prawa karnego." Prawo w Działaniu 55 (2023): 25–55. http://dx.doi.org/10.32041/pwd.5502.

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The subject of the study is an attempt at criminal law assessment of nudity in various situational contexts. The authors begin by defining the scope of the concept of nudity and present its various variants (total, partial, natural, forced, legal). They analyze the types of prohibited acts most often involved in the context of presenting or receiving nudity (recording the image of a naked person – Article 191a of the Penal Code, indecent excess – Article 140 of the Code of Petty Offenses). They indicate a number of phenomena or situations related to nudity and make a criminal law assessment of
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14

Bauberot, Arnaud. "De la nudité thérapeutique au nudisme, les naturistes français." Rives méditerranéennes, no. 30 (June 15, 2008): 101–16. http://dx.doi.org/10.4000/rives.2403.

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15

Östman, Lars. "AGAMBEN. NAKED LIFE AND NUDITY." DANISH YEARBOOK OF PHILOSOPHY 45, no. 1 (2010): 71–88. http://dx.doi.org/10.1163/24689300_0450105.

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The Italian thinker Giorgio Agamben has achieved large international recognition since his first book in the homo sacer-project, Homo sacer. Il potere sovrano e la nuda vita, was published in 1995. The project’s basic aim is to try and understand the fundamental relation between man and power, politics and theology, which Agamben gives the name biopolitics. Such a politics, Agamben writes in the introduction, is the very fundamental element of Western metaphysics, “because it occupies the threshold in which the articulation between the living and logos is accomplished.” With relentless stringe
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16

Fisken, R. A. "Embrace your inner nudist." BMJ 344, may01 2 (2012): e3058-e3058. http://dx.doi.org/10.1136/bmj.e3058.

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17

Cachard, Claudie. "Nudités." Le Coq-Héron 107, no. 1 (1988): 65–69. https://doi.org/10.3406/coqhe.1988.2016.

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La nudité du patient est l'une des conditions de certaines thérapies corporelles, et particulièrement de l'enveloppement humide, dit "pack". Les thérapeutes impliqués sont entraînés à certaines dénudations psychiques, conséquences de la situation et de la relation particulière établie à partir de telles approches. Elles incitent à se défaire d'environnements protecteurs familiers, permettent de prendre en considération des manifestations de l'Inconscient au niveau des expressions de corps et soulignent le non fondé des clivages entre expression non verbale et langage, et des hiérarchisations t
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18

Voyau, Élise. "Nudité politique, nudité artistique." Photographica, no. 6 (April 27, 2023): 80–101. http://dx.doi.org/10.4000/photographica.1142.

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19

Prot, Bénédicte. "Nudités exposées." Dix-huitième siècle 50, no. 1 (2018): 273. http://dx.doi.org/10.3917/dhs.050.0273.

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20

Jaurand, Emmanuel. "Les plages nudistes, une exception occidentale ?" Géographie et cultures, no. 67 (December 5, 2008): 47–64. http://dx.doi.org/10.4000/gc.1023.

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21

Bohler, Sébastien. "Bien dans sa peau… de nudiste." Cerveau & Psycho N° 127, no. 11 (2020): 8a. http://dx.doi.org/10.3917/cerpsy.127.0008a.

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22

Allan, Jonathan A. "“So come on, folks, join the naturists and learn to love others”: Nudist Fantasies, Misconceptions, and Discourse in Facts on Nudism (1946)." American Review of Canadian Studies 54, no. 4 (2024): 407–25. https://doi.org/10.1080/02722011.2025.2460913.

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23

Vitacca, Sara. "Fasciste, viril et colonial : le corps paradoxal des naturistes futuristes dans l’Italie du Ventennio (1922-1943)." Perspective 2 (2024): 189–204. https://doi.org/10.4000/12u3x.

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Vers la fin du xixe siècle se diffusent en Europe des utopies naturistes qui, en réaction à l’industrialisation de la société, promeuvent une régénération des corps fondée sur un contact renouvelé avec la nature, le nudisme et le pacifisme. En Italie, les idées naturistes se répandent tardivement et prennent une tournure radicalement singulière. Alors qu’en 1934 les futuristes Filippo Tommaso Marinetti et Arnaldo Ginna signent le manifeste du naturisme futuriste, ils refusent toute forme de nudité sociale, considérée comme un comportement sauvage et immoral ; ils célèbrent la communion entre n
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24

Richards, Tom, and Lyn Richards. "The NUDIST qualitative data analysis system." Qualitative Sociology 14, no. 4 (1991): 307–24. http://dx.doi.org/10.1007/bf00989643.

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25

Campuzano, Betina Sandra. "Reseña: La felicidad de los normales." Mitologías hoy 30 (July 12, 2024): 258–62. http://dx.doi.org/10.5565/rev/mitologias.1037.

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26

Sanmartin, Olivier. "Le militaire, le bédouin et le nudiste." Égypte/Monde arabe, no. 26 (June 30, 1996): 7–32. http://dx.doi.org/10.4000/ema.1465.

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27

Luckman, Susan. "Uncovering Nudity." Cultural Studies Review 11, no. 1 (2013): 203–7. http://dx.doi.org/10.5130/csr.v11i1.3461.

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28

Bonfante, Larissa. "ETRUSCAN NUDITY." Source: Notes in the History of Art 12, no. 2 (1993): 47–55. http://dx.doi.org/10.1086/sou.12.2.23202935.

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29

Dench, Emma. "SERIOUS NUDITY." Art History 29, no. 5 (2006): 926–31. http://dx.doi.org/10.1111/j.1467-8365.2006.00528.x.

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30

Al Gharaibeh, Fakir. "The effects upon children in Jordan of the imprisonment of their fathers." International Social Work 51, no. 2 (2008): 233–46. http://dx.doi.org/10.1177/0020872807085861.

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English This study examined the effects upon children in Jordan of fathers being imprisoned. Interviews were conducted with 26 mothers of children and NUDIST was used for qualitative data analysis. As elsewhere, the study confirmed that children are adversely affected and stigmatized: problems related to emotional development, behaviour and schooling were evident. French Cette étude examine les effets sur les enfants de Jordanie de l'emprisonnement de leurs pères. Des entretiens ont été conduits avec 26 mères d'enfants et le système d'analyses de données NUDIST a été utilisée pour l'analyse de
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31

Ma, Hong-Zheng, Zhe Cai, Fu-Min Zhang, et al. "Taxonomic evaluation of Miscanthus nudipes (Poaceae) based on morphological and molecular evidence." Phytotaxa 205, no. 1 (2015): 1. http://dx.doi.org/10.11646/phytotaxa.205.1.1.

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Miscanthus species including the famous energy plant M. × giganteus are considered to be second-generation energy crops. Miscanthus nudipes is an endemic species from Himalaya-Hengduan Mountains and provides important germplasm for Miscanthus breeding given its high tolerance to frost and drought. However, the taxonomy of this species remains controversial in terms of intraspecific classification, with one to nine subspecies or species recognized previously. The variation patterns of the morphological characters are not understood clearly as there have been no intensive analyses of the morphol
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Pataj, Magdalena. "Nagość w kampaniach społecznych w świetle koncepcji zarządzania uwagą." Zarządzanie Mediami 9, no. 3 (2021): 535–49. http://dx.doi.org/10.4467/23540214zm.21.028.13759.

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Nudity in Social Campaigns in the Light of Attention Economy This article offers a quantitative analysis of social campaigns showing naked bodies, with the focus on what social problems are portrayed with the use of nudity and whether the images of nudity are of a direct or indirect character. Other questions posed in this article are whether nudity has a gender, what does it symbolize and what associations does it generates in the recipient. My research shows that nudity (primarily female nudity) is deployed in campaigns of a wide thematic array and is endowed with various meanings.
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Wilson, Wayne. "What Price Nudity?" Psychological Reports 76, no. 3 (1995): 769–70. http://dx.doi.org/10.2466/pr0.1995.76.3.769.

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Students in human sexuality (69 men, 137 women) were randomly assigned to pretend money groups with incentives to disrobe across 25 varied situations. Students' refusals to disrobe in the hypothetical exercise were more decisive than the willingness to disrobe.
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34

Lavalette, Chloé. "Nudité et institution." Théâtre/Public N° 224, no. 2 (2017): 127–29. https://doi.org/10.3917/thepu.224.0127.

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35

Moon, Warren G. "Nudity and Narrative." Journal of the American Academy of Religion LX, no. 4 (1992): 587–658. http://dx.doi.org/10.1093/jaarel/lx.4.587.

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36

Pouillaude, Frédéric. "Degas. Danse. Nudité." Critique 797, no. 10 (2013): 818. http://dx.doi.org/10.3917/criti.797.0818.

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37

Diabate, Naminata. "Nudity and Pleasure." Nka Journal of Contemporary African Art 2020, no. 46 (2020): 152–66. http://dx.doi.org/10.1215/10757163-8308270.

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Cultural products and discourses about erotic pleasure have recently proliferated, leading to what the author calls “the pleasure turn.” In studies of African culture, “the pleasure turn” can be read as decentering the dominant paradigm that has mostly associated black nakedness with negative emotions: sorrow, pain, and humiliation. Illustrative of the turn is the 2009 exhibition Beauty and Pleasure in South African Contemporary Art, which considered pain and suffering as overrated and sought to provide a more accurate picture of life on the continent as a mix of pleasure and pain. This articl
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OLSON, STORRS L., and WILLIAM SUÁREZ. "A new generic name for the Cuban Bare-legged Owl Gymnoglaux lawrencii Sclater and Salvin." Zootaxa 1960, no. 1 (2008): 67–68. http://dx.doi.org/10.11646/zootaxa.1960.1.3.

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The two species of Antillean "screech" owls, notable for having unfeathered tarsi and lacking erectile "ear" tufts, have a rather complicated early history because specimens were at first very rare in collections so that for a long time no investigator was able to compare the two side by side. The first to be described was Strix nudipes Daudin (1800), now known as the Puerto Rican Screech-Owl Otus nudipes (American Ornithologists' Union [AOU] 1983, 1998). Bonaparte (1854) proposed the monotypic genus Gymnasio for the Puerto Rican bird with Strix nudipes Daudin as the type.
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39

Compton-Engle, Gwendolyn. "Male Stage-Nudity in Aristophanes." Illinois Classical Studies 45, no. 2 (2020): 399–423. http://dx.doi.org/10.5406/illiclasstud.45.2.0399.

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Abstract The stage-nudity of male characters is relatively common in comic scenes of the fifth century and first half of the fourth century, in both Attic and South Italian vase-painting. A review of the material evidence shows that stage-nudity is particularly frequent in scenes of vigorous physical activity; a few scenes indicate plot-prompted disrobing. These scenes indicate that stage-nudity may have been more common in the performance of Aristophanes than previously believed based on textual evidence alone. This paper reconsiders possible instances of male-stage nudity in extant plays, in
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Kholiq, Mohamad Nur, Dinda Ajeng Puspanita, and Prawitra Thalib. "Copyright Protection of Art Containing Nudist Elements Under Positive Law In Indonesia." Law and Justice 6, no. 2 (2022): 161–73. http://dx.doi.org/10.23917/laj.v6i2.17480.

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In Law No. 28 of 2014 concerning Copyright, copyright can be granted to photography and painting as works of art produced by human creativity and initiative. Problems arise in realism works of art in the form of painting or photography containing nudist elements. By applying normative juridical research approaches of legislation (statute approach) and conceptual approach, this study examined restrictions based on the meaning of one article that works being the object of copyright protection must comply with morals, religion, morality, public order or national defense and security. The findings
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Delfour, Jean-Jacques. "De la nudité en danse." Figures de l'Art. Revue d'études esthétiques 4, no. 1 (1999): 559–80. http://dx.doi.org/10.3406/fdart.1999.1223.

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«Nudity in contemporary dance » In French contemporary dance, nudity ha s recently become a meaningful chorégraphie theme. It caused a scandal. In fact, its social status is complex. Analysis shows it is marked by noticeable polysemy from an historical political cultural and a esthetical point of view. It can mean everything but also its opposite. As the arts have their own autonomy, nudity in art takes on only the meaning determined by the work of art and accepted in the given period. Indeed, the experiences of Body Art have opened up contemporary dance to nudity. This development is not simp
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Kuzmicz, Maksymilian M. "Naked in the Eyes of the Law." European Journal of Crime, Criminal Law and Criminal Justice 31, no. 3-4 (2023): 325–45. http://dx.doi.org/10.1163/15718174-bja10049.

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Abstract This paper conducts a legal analysis of the concept of nudity in the context of innovative technologies in selected Europeans jurisdictions. The laws of Poland, Ireland, and the European Union are examined and compared in terms of their approach to the protection of nudity. The research finds that while there are similarities in the criminal laws of Poland and Ireland, there are also notable differences in the understanding of nudity. Additionally, the proposed EU Directive on combating violence against women and domestic violence is examined in relation to the non-consensual distribu
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Kuźmicz, Maksymilian. "Naked in the Eyes of the Law." European Journal of Crime, Criminal Law and Criminal Justice 31, no. 3-4 (2023): 325–45. https://doi.org/10.1163/15718174-bja10049.

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This paper conducts a legal analysis of the concept of nudity in the context of innovative technologies in selected Europeans jurisdictions. The laws of Poland, Ireland, and the European Union are examined and compared in terms of their approach to the protection of nudity. The research finds that while there are similarities in the criminal laws of Poland and Ireland, there are also notable differences in the understanding of nudity. Additionally, the proposed EU Directive on combating violence against women and domestic violence is examined in relation to the non-consensual distribution of i
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44

Zuorro, Antonio, Daylisney Cassiani-Cassiani, Demmy A. Meza-González, Kariana Andrea Moreno-Sader, and Ángel Darío González-Delgado. "Evaluation of Shrimp Waste Valorization Combining Computer-Aided Simulation and Numerical Descriptive Inherent Safety Technique (NuDIST)." Applied Sciences 10, no. 15 (2020): 5339. http://dx.doi.org/10.3390/app10155339.

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Nowadays, inherently safer designs are considered as key priorities to prevent or mitigate serious incidents with devastating consequences. The need for process safety assessment during early design phases has motivated the development of several contributions related to computer-aided assessment methodologies to measure the inherent safety of chemical processes. In this work, the large-scale production of chitosan from shrimp wastes was evaluated from a process safety point of view using the numerical descriptive inherent safety technique (NuDIST). To this end, simulation of the chitosan prod
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Barry, Christine A. "Choosing Qualitative Data Analysis Software: Atlas/ti and Nudist Compared." Sociological Research Online 3, no. 3 (1998): 16–28. http://dx.doi.org/10.5153/sro.178.

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Choosing between Nudist and Atlas/ti, the main qualitative data analysis software packages can be difficult. To assist researchers in making this choice, I have conceptualised their differences along two dimensions, related to the qualities of the software and of the research project. The software dimension is structural design, and the project dimension is complexity. Software structure is dichotomised between structured, sequential, verbal versus visual, spatial, interconnected modes of operation. Projects are dichotomised between homogeneous sample, short timeframe, single data-type, single
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Wolga, Julien. "Le nudisme et son art…" Corps N° 19, no. 1 (2022): 193–205. http://dx.doi.org/10.3917/corp1.019.0193.

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Matthes, Jörg, and Michael Prieler. "Nudity of Male and Female Characters in Television Advertising Across 13 Countries." Journalism & Mass Communication Quarterly 97, no. 4 (2020): 1101–22. http://dx.doi.org/10.1177/1077699020925450.

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There is a lack of comparative research on nudity in television advertising. Building on cross-cultural theory, we examined countries’ gender indices and preclearance policies as predictors of nudity. We also tested the influence of a main actors’ gender and age, as well as the role of product categories. We sampled N = 1,755 TV ads from 13 countries and found that the main characters’ nudity was higher for women compared with men, less likely with increasing age, and occurred more often for congruent than incongruent products. Multilevel analyses showed that nudity was independent of a countr
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48

Potts, Malcolm. "NUDIST COLONIES: A REVEALING GLIMPSE OF CYANOBACTERIAL EXTRACELLULAR POLYSACCHARIDE." Journal of Phycology 40, no. 1 (2004): 1–3. http://dx.doi.org/10.1046/j.1529-8817.2004.40101.x.

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PATITUCCI, LUCIANO DAMIÁN, JUAN CARLOS MARILUIS, and FERNANDO HERNÁN ABALLAY. "A new species of the South American genus Arthurella Albuquerque (Diptera: Muscidae), with a key to species and new records." Zootaxa 2810, no. 1 (2011): 56. http://dx.doi.org/10.11646/zootaxa.2810.1.6.

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The monotypic genus Arthurella Albuquerque, 1954 was originally described for A. nudiseta with a distribution restricted to Chile and Argentina. We add one new species, Arthurella choelensis sp. nov., from the central part of Argentina, and new distribution records for A. nudiseta. Biological and distributional information is given for both species. An identification key to the species of the genus is provided.
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50

Diouf, Abdoulaye. "Déconstruction-reconstruction identitaire et poétique de l’altérité dans Le procès-verbal de J-M G. Le Clézio." Voix Plurielles 13, no. 2 (2016): 150–62. http://dx.doi.org/10.26522/vp.v13i2.1443.

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En partant du double mouvement rhizomatique de la « déterritorialisation » et de la « reterritorialisation », cet article se propose d’étudier la conception dynamique de l’identité dans Le procès-verbal de Jean-Marie Gustave Le Clézio (1963). Pour cela, il explore, d’une part, le processus graduel de déconstruction identitaire du héros du roman (marginalité, nudité, métamorphose) par le biais de la médiation altéritaire – dans le sens d’un rapport au monde et à l’Autre – à partir de laquelle se reconstruit une nouvelle identité transcendante loin de tout essentialisme. D’autre part, il analyse
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