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Relevant bibliographies by topics / Nuenen (Netherlands) in art

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Academic literature on the topic 'Nuenen (Netherlands) in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Nuenen (Netherlands) in art"

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Stoner, Joyce Hill. "Art Matters: Netherlands Technical Studies in Art." Journal of the American Institute for Conservation 43, no. 2 (2004): 185. http://dx.doi.org/10.2307/4129653.

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Belder, Lucky. "Art lending in the Netherlands." Art Libraries Journal 12, no. 1 (1987): 47–50. http://dx.doi.org/10.1017/s0307472200005071.

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The loan of works of art to the public was initiated in the Netherlands in 1955 through a scheme set up by a group of artists to encourage people to purchase contemporary art. The success of this scheme attracted support from the government, which was itself acquiring works in the process of assisting artists. Works thus acquired were lent to public institutions and government bodies, but from the 1970s they were also made available for loan to the public via artotheques. These two schemes gave rise to over a hundred art lending centres including hybrid establishments owing something to both; however, direct government support of artists has recently been phased out, and as a result artotheques no longer obtain works via the government and must evolve alternative methods of acquisition.

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Wishaupt, Maggy. "Art book publishing in the Netherlands." Art Libraries Journal 17, no. 3 (1992): 49–50. http://dx.doi.org/10.1017/s0307472200007999.

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Probably only about 5% of books published in the Netherlands are art books. There is a very limited demand for art books in the Dutch language; in order to sell in greater numbers, books have to be produced in English or in several languages, and/or as co-editions, while the domestic market is flooded by foreign imports including cheap remainders. In these circumstances the publication of art books depends on grants or on the income which some publishers earn from bookselling, printing, or other activities. Nonetheless a few, small, specialist publishers are producing art books of high quality, while some general publishers also publish the occasional art book. Museum publishing activities are considerable but are largely confined to exhibition catalogues.

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Woodcock, Sally. "ArtMatters: Netherlands Technical Studies in Art." Studies in Conservation 48, no. 2 (January 2003): 141–42. http://dx.doi.org/10.1179/sic.2003.48.2.141.

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Montias, John Michael. "Art Dealers in the Seventeenth-Century Netherlands." Simiolus: Netherlands Quarterly for the History of Art 18, no. 4 (1988): 244. http://dx.doi.org/10.2307/3780702.

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Weststeijn, Thijs. "Introduction: Global art history and the Netherlands." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online 66, no. 1 (October 22, 2016): 6–27. http://dx.doi.org/10.1163/22145966-90000779.

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Waddell, Mark A. "Art and Science in the Early Modern Netherlands." Annals of Science 72, no. 1 (March 5, 2013): 131–33. http://dx.doi.org/10.1080/00033790.2012.757365.

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Koot, Geert-Jan. "10 Years of ARLIS in the Netherlands." Art Libraries Journal 17, no. 4 (1992): 27–30. http://dx.doi.org/10.1017/s0307472200008075.

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Reviving the spirit of an earlier phase of cooperation, art librarians in the Netherlands joined together informally at the end of 1982 under the title ‘Overleg Kunsthistorische Bibliotheken’ (OKB); although this title remains in force, for international purposes the acronym ARLIS/NL was adopted in 1992. Meetings are held at least four times each year. The group helped to organise the 2nd European Conference of the IFLA Section of Art Libraries, at Amsterdam, in 1986, and prepared the contents of a special issue of Art Libraries Journal devoted to art libraries in the Netherlands, which appeared the following year. ARLIS/NL has also concerned itself with shared cataloguing, favouring TINLIB, and with coordinated collection policies, in association with Dutch university libraries and the Royal Library, while as a result of an ARLIS/NL initiative all member libraries are to submit periodicals holdings data to the Central Catalogue of Periodicals.

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Schmidt, Victor. "Dutch art periodicals today." Art Libraries Journal 12, no. 1 (1987): 18–24. http://dx.doi.org/10.1017/s0307472200005009.

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A survey of current Dutch periodicals, devoted to the visual arts (including architecture) or of related interest. A noteworthy feature of art literature in the Netherlands is the contribution made to it by student journals. The quantity and variety of Dutch art periodicals has increased in recent years, enriching art literature but posing problems regarding its bibliographical control.

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Ströber, Eva. "BUTTERFLIES IN THE ART OF CHINA AND THE NETHERLANDS." Aziatische Kunst 41, no. 2 (July 11, 2011): 2–11. http://dx.doi.org/10.1163/25431749-90000227.

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Dissertations / Theses on the topic "Nuenen (Netherlands) in art"

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Morris, Anita Boyd. "Images of debauchery the prodigal son's revels in Netherlandish art of the sixteenth and seventeenth centuries /." Diss., Restricted to subscribing institutions, 2010. http://proquest.umi.com/pqdweb?did=2023814011&sid=2&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Eastman, John Arnold. "An Archaeological Assessment of St Eustatius, Netherlands Antilles." W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626031.

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Vanhaelen, Engeline Christine. "Guilty pleasures : the uses of farcical prints for children in early modern Amsterdam." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ46439.pdf.

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Feldman, Paula. "Made to order : American minimal art in the Netherlands, late 1960s to early 1970s." Thesis, Courtauld Institute of Art (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414492.

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Schaller, Wendy M. "Children borne aloft : Nicolaes Maes's Ganymede Portraiture and the context of death and mourning in the seventeenth-century Netherlands /." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486401895207345.

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Harper, Ross K. "An Ethnoarchaeological Study of the Cisterns in Oranjestad, Sint Eustatius, Netherlands Antilles." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625580.

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MacDonald, Deanna. "Acknowledging the "Lady of the house" : memory, authority and self-representation in the patronage of Margaret of Austria." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38227.

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Margaret of Austria (1480--1530) ruled the Burgundian Netherlands for over twenty years and was an integral member of the joint Houses of Burgundy and Habsburg. She was also one of the most prolific patrons and collectors of her time. This dissertation examines Margaret's patronage in relation to her contemporary environment with the aim of extending and deepening our understanding of her commissions within the dynamics and discourses of the culture of the early sixteenth century.
Margaret of Austria was a highly conscientious patron and the art and architecture she commissioned intimately reflected her life. Chapter one introduces the historical facts of Margaret's life as well as issues affecting her patronage. Chapter two considers the monastery of Brou in Savoy as Margaret's architectural autobiography. Drawing on documentation and the building itself, it examines Margaret's involvement in Brou's creation. Chapter three looks at several of Margaret's other commissions such as her residence, the Palace of Savoy in Mechelen and the Convent of the Annunciate in Bruges. This chapter considers the potential goals of these projects, as ambitious as founding a capital city, embellishing her authority as a ruler, or attaining sainthood. Chapter four turns to Margaret's self-portraits, that is, images she commissioned of herself. Created in several mediums for a variety of audiences (including herself), Margaret's self-portraits portray her as everything from a widow to a goddess to a saint. Each image was designed for a specific audience and demonstrates Margaret's understanding of the function of images in negotiating a place in the contemporary world and history. Chapter five presents Margaret's view of herself as one of the rulers of a New World Empire with her pioneering collection of artefacts from the Americas. The conclusion considers the unique image of Margaret of Austria that emerges from her commissions.

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Baines, Lorena. "The artist's devices Illusionism and imagination in Gerrit Dou's 'Painter with a Pipe and Book' (Netherlands) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 1.90 Mb, 52 p, 2005. http://wwwlib.umi.com/dissertations/fullcit/1428198.

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Phillips, Catherine Victoria. "Art and politics in the Austrian Netherlands : Count Charles Cobenzl (1712-70) and his collection of drawings." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4049/.

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The Cabinet of Count Charles Cobenzl lies at the heart of the Hermitage Museum, forming the core of the collection of Old Master Drawings. Yet despite perpetual references to him as ‘grand collectionneur’, no study of Cobenzl’s collecting has ever been undertaken. Nor, in the absence of prosopographical studies of art production or collecting in the Austrian Netherlands in the middle of the eighteenth century, or indeed of other individual collectors, has it been possible to set him in a ‘collecting context’. Bringing together the works of art themselves and Cobenzl’s abundant correspondence, this thesis assesses what he owned, how and why he acquired it, the political and intellectual framework for his collecting and how he perceived the objects in his possession. Looking at Cobenzl’s roles as public figure and private collector, it shows how the latter fits into the context of the former, his collecting rooted firmly in his ambition to revive the economy and the arts of the Austrian Netherlands, in his own ambiguous status and his conflicts with the Governor, Charles de Lorraine. The battle for both real and perceived superiority was played out in many different parts of Cobenzl’s professional and private life, and he used display – the adornment of his home and his person and his collecting – as part of a play for social prestige. Cobenzl used objects as a discrete assertion of both intellectual and aesthetic superiority. This thesis proposes that Cobenzl’s transformation into a collector of drawings was an example of his perspicacious identification of emerging trends that could be turned to advantage, economic or prestigious, public or personal. He was drawn by the status of drawings, perceived as accessible only to those of greater refinement and understanding, as something elite, less accessible than the collecting of paintings. The direct and specific stimulus for his emergence as a collector of drawings lay in the provenance of two large groups of works he was offered, which permitted him to assert a very specific link to the past. It suggests that Cobenzl adopted not only the drawings, but also their histories, to negotiate social position and identity, within the context of his pragmatic utilitarianism. This egocentric study also provides the foundation for a preliminary attempt to create a context for Cobenzl’s collecting of drawings, within his circle, in the Austrian Netherlands overall, and, through analysis of his collecting practices, in the wider European context.

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Mitchell, Laura. ""Through Marriage Marvelously Blended": Visual Representations of Matrimonial Rituals in the Burgundian and Habsburg Netherlands, 1384 to 1555." Thèse, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/30560.

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The Burgundian and Habsburg Netherlands constitute an interesting case for studying the function and symbolism of matrimony. This period marked an active time of change in the Low Countries: there was ongoing antagonism between the dukes of Burgundy and their Dutch subjects; shifts in the mercantile industry caused economic flux; the Reformation sparked religious tension; and the rapid expansion of the art market created a Europe-wide demand for Netherlandish fine and decorative art. In the face of upheaval, the act of marriage and the ideology surrounding it remained relatively consistent. Betrothal and marriage ceremonies in the Low Countries were quite formal compared to those in southern Europe; the quintessential northern ceremony customarily involved a priest, witnesses, and symbolic hand gestures. The images discussed in this thesis overwhelmingly reflect the importance of ritualistic behaviour in the late medieval Netherlands; the majority of them depict proper in facie ecclesiae unions, meaning “in the face of the Church.” These images of ideal marriage rituals were most commonly commissioned by members of the court or Church, and were used primarily to display wealth and power, to enhance the pageantry of court life, to draw connections with the mythic or biblical past, to promote canon law, and to reinforce cultural values. The fifty-three images studied in this thesis not only relate to discourses on medieval marriage and art history; they also fit into the larger narratives surrounding civic authority, religious tension, economic change, and social mores. In this thesis, I use an interdisciplinary approach to reveal the main functions of matrimonial ceremonies in Early Netherlandish art, and to examine the gap between image and reality. This thesis contributes to a better understanding of ritual and visual expression in the Burgundian and Habsburg Netherlands.

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Books on the topic "Nuenen (Netherlands) in art"

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Brouwer, Ton de. Van Gogh en Nuenen. 2nd ed. Venlo-Antwerpen: Van Spijk, 1998.

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Brouwer, Ton de. Van Gogh en Nuenen. Venlo: Van Spijk, 1998.

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Prevenier, Walter. The Burgundian Netherlands. Antwerp: Fonds Mercator, 1985.

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Pieter, Blockmans Willem, and Blockmans-Delva An, eds. The Burgundian Netherlands. Cambridge: Cambridge University Press, 1986.

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Figures of speech: Picturing proverbs in renaissance Netherlands. Berkeley: University of California Press, 2010.

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missing], [name. The magnetic era: Video art in the Netherlands 1970-1985. Rotterdam: NAi Publishers, 2001.

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Jansen, Wilma. Kunstopdrachten van de Rijksgebouwendienst na 1945. Rotterdam: Uitgeverij 010, 1995.

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1946-, Hunter-Stiebel Penelope, Dayton Art Institute, Phoenix Art Museum, and Portland Art Museum (Or.), eds. Rembrandt and the Golden Age of Dutch art: Treasures from the Rijksmuseum, Amsterdam. Portland, OR: Portland Art Museum, Oregon in association with the Rijksmuseum, Amsterdam, 2006.

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Rosenberg, Jakob. Dutch art and architecture: 1600 to 1800. 3rd ed. New Haven: Yale University Press, 1993.

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Nederland, Vereniging Bedrijfscollecties, ed. Bedrijfscollecties in Nederland =: Corporate art collections in the Netherlands. Rotterdam: NAI Publishers, 2009.

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Book chapters on the topic "Nuenen (Netherlands) in art"

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Kastrop, Peter M. M., and Sjerp M. Weima. "The Netherlands." In Quality Management in ART Clinics, 225–31. Boston, MA: Springer US, 2012. http://dx.doi.org/10.1007/978-1-4419-7139-5_20.

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Dragojlovic, Ana. "Balinese Art, Religion, and Community in the Netherlands." In Historic Engagements with Occidental Cultures, Religions, Powers, 197–211. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137405029_11.

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Raux, Sophie. "1. Art on Drawing. Lotteries of Works of Art in the Sixteenth-Century Southern Netherlands." In Art Auctions and Dealers, 5–22. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.seuh-eb.4.00029.

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Kuipers, Marieke. "Art Protection and Architectural Preservation in the Netherlands (1938–1945)." In Kunstgeschichte in den besetzten Gebieten 1939–1945, 141–62. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412502355-008.

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Hamster, A. W., M. J. van Duuren, G. C. S. Brons, J. Flokstra, and H. Rogalla. "Squid Readout of Cryogenic Particle Detectors." In Sensor Technology in the Netherlands: State of the Art, 281–85. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-5010-1_45.

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Bellekom, Sandra. "Influence of Substrate Voltage on Sensitivity and Offset of (Spinning-Current) Hall Plates." In Sensor Technology in the Netherlands: State of the Art, 179–84. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-5010-1_28.

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Djurica, Miodrag, and Johan H. Huijsing. "Low Power Sigma-Delta Analog-to-Digital Converter Interface for Biomedical Measurement System." In Sensor Technology in the Netherlands: State of the Art, 269–73. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-5010-1_43.

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Vargas, L., G. C. S. Brons, B. Bouverat, J. Flokstra, H. Rogalla, G. Rietveld, C. Rillo, et al. "Development of Cryogenic Current Comparators with DC Squid Readout for the Calibration of Electrical Standards." In Sensor Technology in the Netherlands: State of the Art, 275–80. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-5010-1_44.

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Zwijze, Robert A. F., Remco J. Wiegerink, Theo S. J. Lammerink, and Miko Elwenspoek. "Low Creep and Hysteresis Load Cell Based on a Force to Liquid Pressure Transformation." In Sensor Technology in the Netherlands: State of the Art, 287–92. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-5010-1_46.

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Beulen, M. W. J., F. C. J. M. van Veggel, and D. N. Reinhoudt. "Stability and Applications of Electrochemically-Active Self-Assembled Monolayers." In Sensor Technology in the Netherlands: State of the Art, 293–97. Dordrecht: Springer Netherlands, 1998. http://dx.doi.org/10.1007/978-94-011-5010-1_47.

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Conference papers on the topic "Nuenen (Netherlands) in art"

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Maslennikova, Svetlana Fedorovna. "SOME ASPECTS OF PROFESSIONAL TRAINING OF FUTURE BACHELORS OF TOURISM AT THE UNIVERSITY." In All-Russian scientific and practical conference with international participation. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-97880.

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The article reveals the specifics of training future specialists in the travel industry at the Ural State University of Economics. The role of the analysis of tourist resources in studying the course "Geography and culture of tourist destinations" is shown on the example of acquaintance with the history, culture, and art of the Netherlands.

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Pichitkul, Auraluck, Lakshmi N. Sankar, and Jechiel Jagoda. "Feasibility of an Offshore Wind Farm in the North Sea Region." In ASME 2019 Gas Turbine India Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/gtindia2019-2783.

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Abstract Preliminary design and feasibility investigation of a 2-MW wind turbine for offshore wind farm operation are presented in this study. A region in the North Sea, to the west of the West Frisian Islands offshore of Dutch coast is selected as a potential wind farm site due to its high availability of wind resources. Based on the wind data of the selected site and operating requirements of the wind farm, preliminary sizing and conceptual design of wind turbine rotor blades are carried out. Performance of the rotor design is first assessed by classical blade element-momentum theory, followed by state-of-the-art commercial CFD software. Economics and feasibility analysis of this wind turbine operating in an offshore wind farm setting is conducted using DOE/NREL scaling cost model. The feasibility investigation results reveal that the cost of energy (COE) for operating the current wind turbine design at the selected wind farm site is considerably lower than the average COE in the Netherlands, indicating high potential of commercially making profits. Environmental impact studies have also been done.

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Stefanini, L., and F. H. E. de Haan - de Wilde. "High Flux Reactor Continued Safe Operation: Time Limited Ageing Analyses." In ASME 2020 Pressure Vessels & Piping Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/pvp2020-21032.

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Abstract The High Flux Reactor (HFR) is a multipurpose nuclear reactor located in Petten, the Netherlands. With its 45 MWth it is one of the most powerful and versatile research reactors in the world. Its main roles are material irradiation and medical isotopes production. The output of the reactor in terms of medical isotopes is important at a global level (60% of European demand). Every day in the Netherlands alone 30.000 patients are treated using isotopes produced in the HFR. The importance of the HFR dates back in time. The HFR has been in service since 1961. Due to the long life (58 years to date) of the reactor an efficient integrated ageing management program (AMP) is envisaged as it is foreseen that the HFR will continue to operate for a prolonged period of time. The development of the AMP has begun in 2018 (CSO project) and will be completed in view of the IAEA CSO mission. The HFR is the second reactor in the world to undergo this type of IAEA review and one of the objectives of this project is to set a state of the art when it comes to research reactors long term operation. The CSO project foresees four major sections: scoping and screening, development and improvement of plant programs, (re) validation of time limited ageing analyses (TLAAs) and realization of the ageing management program. In this paper the focus will lie on the TLAAs. The applicable TLAAs were scoped starting from the IGALLs TLAAs list. The TLAAs relevant for the HFR are: TLAA fatigue, TLAA reactor vessel, TLAA leak before break, TLAA manufacturing flaws TLAA beryllium and TLAA equipment qualification. The latter was developed in the framework of the equipment qualification plant program and does not figure as an independent TLAA in the CSO project. For each TLAA the principal problematics will be highlighted and the possible solutions illustrated.

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Head, Adam Joseph, Carlo De Servi, Emiliano Casati, Matteo Pini, and Piero Colonna. "Preliminary Design of the ORCHID: A Facility for Studying Non-Ideal Compressible Fluid Dynamics and Testing ORC Expanders." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-56103.

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Organic Rankine Cycle (ORC) power systems are receiving increased recognition for the conversion of thermal energy when the source potential and/or its temperature are comparatively low. Mini-ORC units in the power output range of 3–50 kWe are actively studied for applications involving heat recovery from automotive engines and the exploitation of solar energy. Efficient expanders are the enabling components of such systems, and all the related developments are at the early research stage. Notably, no experimental gasdynamic data are available in the open literature concerning the fluids and flow conditions of interest for mini-ORC expanders. Therefore, all the performance estimation and the fluid dynamic design methodologies adopted in the field rely on non-validated tools. In order to bridge this gap, a new experimental facility capable of continuous operation is being designed and built at Delft University of Technology, the Netherlands. The Organic Rankine Cycle Hybrid Integrated Device (ORCHID) is a research facility resembling a state-of-the-art high-temperature ORC system. It is flexible enough to treat different working fluids and operating conditions with the added benefit of two interchangeable Test Sections (TS’s). The first TS is a supersonic nozzle with optical access whose purpose is to perform gas dynamic experiments on dense organic flows in order to validate numerical codes. The second TS is a test-bench for mini-ORC expanders of any configuration up to a power output of 100 kWe. This paper presents the preliminary design of the ORCHID setup, discussing how the required operational flexibility was attained. The envisaged experiments of the two TS’s are also described.

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Hannink, M. H. C., F. J. Blom, P. W. B. Quist, A. E. de Jong, and W. Besuijen. "Demonstration of Fatigue for LTO License of NPP Borssele." In ASME 2015 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/pvp2015-45791.

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Long Term Operation (LTO) of nuclear power plants (NPPs) requires an ageing management review and a revalidation of Time Limited Ageing Analyses (TLAAs) of structures and components important for nuclear safety. An important ageing effect to manage is fatigue. Generally, the basis for this is formed by the fatigue analyses of the safety relevant components. In this paper, the methodology for the revalidation of fatigue TLAAs is demonstrated for LTO of NPP Borssele in the Netherlands. The LTO demonstration starts with a scoping survey to determine the components and locations having relevant fatigue loadings. The scope was defined by assessment against international practice and guidelines and engineering judgment. Next, a methodical review was performed of all existing fatigue TLAAs. This also includes the latest international developments regarding environmental effects. In order to reduce conservatism, a comparison was made between the number of cycles in the analyses and the number of cycles projected to the end of the intended LTO period. The projected number of cycles is based on transient counting. The loading conditions used in the analyses were assessed by means of temperature measurements by the fatigue monitoring system (FAMOS). As a result of the review, further fatigue assessment or assessment of environmental effects was necessary for certain locations. New analyses were performed using state-of-the-art calculation and assessment methods. The methodology is demonstrated by means of an example of the surge line. The model includes the piping, as well as the nozzles on the pressurizer and the main coolant line. The thermal loadings for the fatigue analysis are based on temperature measurements. Fatigue management of the NPP is ensured by means of the fatigue concept where load monitoring, transient counting and fatigue assessment are coupled through an integrated approach during the entire period of LTO.

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Hoefnagels, Cees, Anna Van Spanje, and Saskia Wijsbroek. "Implementing the Rights of the Child." In CARPE Conference 2019: Horizon Europe and beyond. Valencia: Universitat Politècnica València, 2019. http://dx.doi.org/10.4995/carpe2019.2019.10187.

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Although almost all countries have ratified the UN Convention of the Rights of the Child (UN CRC), children’s rights are violated every day, including in Europe. Many decisions that will affect the child’s life, for instance regarding family interventions in child abusive families, or being removed from their home, are made by adults unilaterally without taking the child’s opinion into consideration (CRC, Art. 12). Since most children and adults are unaware of children’s rights, these rights are regularly violated by their parents, youth professionals and other children in addition to society as a whole. Therefore, the objective of this project is to change the current practice and monitor the changes. To reach this goal: 1) A series of pilot projects will be conducted in order to raise awareness and to implement children’s rights in daily practice, among youth professionals and children. 2) These projects will be monitored through longitudinal multi-method (qualitative and quantitative) studies. 3) Networking conferences will be organized to a) design the pilot projects in the initial stage, and b) learn about the conditions in the final stages. Literature downloads.unicef.org.uk/wp-content/uploads/2010/05/UNCRC_summary-1.pdf?_ga=2.53414636.536433711.1558 Financing ideas for the projects In the EU, call next year: https://ec.europa.eu/info/funding-tenders/opportunities/portal/screen/opportunities/topic-details/rec-rchi-prof-ag-2019In local countries (e.g. in the Netherlands: Kansfonds, ZonMw) Available A paper to incorporate child rights in the Dutch reporting code on child maltreatment for all mandated reporting disciplines: Geurts, E., Hokwerda, Y., Bouma, H., Winder, L. & Hoefnagels, C. (2018). Handreiking ‘Participatie van kinderen in de Meldcode huiselijk geweld en kindermishandeling’. In opdracht van het Ministerie van VWS in het kader van het programma ‘Aanscherping en verbetering Meldcode en werkwijze Veilig Thuis’. Den Haag: Ministerie van Volksgezondheid, Welzijn en Sport.

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