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Dissertations / Theses on the topic 'Nuova Musica'

Author: Grafiati
Published: 11 March 2023

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1

Genuario, Francesco <1985&gt. "Puglia Sounds, una nuova filiera della musica." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5002.

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L'elaborato inerisce allo studio dell'industria musicale e della relativa filiera. In particolare sul tentativo della Regione Puglia e di soggetti ad essa collegati, di strutturare, attraverso l'utilizzo di fondi Europei, la filiera della musica grazie ad un programma chiamato Puglia Sounds. La ricerca si focalizza su questo programma analizzandone tutti gli aspetti e, attraverso un'indagine empirica e la costruzione di un database, cerca di osservare se effettivamente si può parlare o meno di filiera della musica.
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2

Giommoni, Marco. "Processi morfogenetici e normativi nella Nuova Musica : la composizione algoritmica e le strutture musicali dell'avanguardia." Rouen, 2006. http://www.theses.fr/2006ROUEL551.

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La thèse s'occupe de l'analyse algorithmique de 5 extraits de partition de musique contemporaine. Elle s'intéresse à l'influence de la pensée scientifique d'aujourd'hui sur les techniques d'écriture musicale contemporaine<br>The thesis is involved with the algorithmic analysis of 5 extraits of contemporary music score. It discusses of the influence of scientific experience of today in the technic of musical writing
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3

Bianchessi, Marco Angelo <1994&gt. "Il rap, la musica del nuovo capitalismo." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14213.

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Il Realismo Capitalista di Mark Fisher, come struttura pervasiva che comprende tutto l’orizzonte del pensabile, ha nelle ultime tendenze della musica rap il suo volto più evidente e sfacciato. Sviscerando gli elementi strutturali che compongono l’analisi fatta dal critico inglese, si possono ritrovare nella scena rap americana e non (ma mi attengo a quella Americana perché è la più grande e stratificata), alcuni di questi elementi. Attraverso un’analisi comparata tra il testo di Fisher e il mezzo musica, si possono sfruttare i concetti portanti del libro per ricavare un’analisi inedita della
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4

Pozzobon, Patrizia. "L’industria musicale e la musica classica nello scenario dei media digitali." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/23558/.

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La musica classica ha sempre fatto parte del mondo dell’intrattenimento fino ai giorni nostri. In epoca contemporanea però, con l’evoluzione tecnologica, questa ha perso sempre più popolarità fino a essere considerata di nicchia o adatta solo a un certo tipo di persone, con un alto livello di cultura o sofisticate. Questa viene anche percepita difficile l’attenzione richiesta e la complessità considerata non accessibile a tutti. Le industrie culturali oggi devono affrontare problemi di monetizzazione del proprio mercato molto più che in precedenza, a causa delle nuove piattaforme digitali, dei
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5

Darby, Rosemarie. "The liturgical music of the Chiesa Nuova, Rome (1575-1644)." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/the-liturgical-music-of-the-chiesa-nuova-rome-15751644(eac12ff5-339a-413b-8c05-eade9235645a).html.

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The music of the Congregation of the Roman Oratory has been the subject of previous research relating to their spiritual exercises or oratories, which contributed to the development of the oratorio. This thesis, however, investigates the liturgical music from the Chiesa Nuova, the church of the Congregation of the Oratory in Rome. The period covered extends from 1575, when the Congregation was officially recognised, to 1644, when Girolamo Rosini, the final member of the Congregation to hold the post of maestro di cappella, died. After referring to literature that has described the Chiesa Nuova
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6

Gámez, Hernández Carlos. "Le Nuove Musiche: Giovanni Battista Bovicelli?" Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30458/.

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This thesis is a comparative study on the late 16th century manuals of ornamentation by Girolamo Dalla Casa, Giovanni Bassano, Riccardo Rognoni, and Giovanni Battista Bovicelli. The study demonstrates that the latest Renaissance manual should be given more credit for the innovative ornamentation style that was to come in the Early Baroque era. Bovicelli's use of sequence, dissonances, and less moving notes for more rhythmic varieties are features most often associated in the style of the Baroque. Unfortunately, the topic of ornamentation in the late Renaissance is most commonly discussed as a
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7

Spreafico, Chiara <1991&gt. "L'industria della musica alla conquista delle nuove generazioni di 'nativi digitali'." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/9754.

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L'industria musicale è in costante e veloce adeguamento ai mutamenti sociali, specie dall'avvento di Internet. La mia tesi tratterà di come i prodotti musicali industriali sembrino sempre più rivolti a un pubblico relativamente nuovo, quello dei nativi digitali (bambini, pre adolescenti e in parte adolescenti). A partire da una premessa sull'avvento di Internet, della diffusione di strumenti e piattaforme digitali e della conseguente formazione di una nuova categoria di fruitori musicali indipendenti, quella dei più giovani, la ricerca si concentra su un nuovo target, esaminando in particolare
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8

Giner, Marco María Carmen. "CREATIVIDAD ARTÍSTICA EN LA INFANCIA. UNA NUEVA PROPUESTA EN EDUCACIÓN MUSICAL." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/90465.

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This thesis was born of several reasons. My experience as music teacher has allowed me to work in an educational project focused on a young age range, a project that involved music, dance and plastic arts, called "Jardí Artístic" (JA). Artistic education is key part ofa child¿s formation as it has a direct impact when they reach adulthood. I have appreciated the innovative character of this project for many years, while at the same time believing that improvements could be made in the didactic execution and theory fundamentals. This doctoral thesis investigates the potential outcomes of artis
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9

Culaciati, Riveros Francisca Andrea. "Músicos independientes: la autogestión como la nueva forma de estar en la scena musical chilena." Tesis, Universidad de Chile, 2013. http://repositorio.uchile.cl/handle/2250/132760.

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Memoria conducente al título profesional de Periodista<br>Esta investigación periodística se traducirá en un programa radial, donde se expondrán las distintas estrategias que llevan a cabo artistas independientes de la música chilena, con el fin de promover, posicionar y hacer circular sus creaciones. Un proceso que, sin desatender el periodo productivo que concluye con la grabación de sus discos, se abocará a la difusión y promoción de sus producciones. Además se investigarán las estrategias que ocupan para participar en los distintos circuitos donde puedan exponer su música, y, en espe
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Folin, Enrico <1955&gt. "PIETRO MONTANI Ricostruzione storica e biografica della figura del musicista alla luce di nuove fonti documentali." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4190.

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Pietro Montani dedica la sua intera vita alla musica, dai precocissimi studi musicali intrapresi in famiglia, all’ultimo impegno, mantenuto fino alla morte, di Direttore dell’Accademia Filarmonica di Bologna. Concertista, compositore e insegnante di pianoforte al Conservatorio per oltre quarant’anni, prima a Firenze e poi a Milano, collabora a lungo con l’editore Ricordi attraverso un’intensa attività di revisore, curatore e trascrittore di opere pianistiche e con l’assunzione, per l’intera durata delle pubblicazioni, della direzione del mensile «Ricordiana». Appassionato polemista, negli
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Loayza, Jiménez Mathiuz. "Nueva sede del Conservatorio Nacional de Música." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/657366.

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El presente proyecto desarrolla la propuesta arquitectónica para la Nueva Sede del Conservatorio Nacional de Música, a través de una investigación descriptiva y proyectiva, que permita una visión general en respuesta a las necesidades y proyección de crecimiento de las sedes del actual Conservatorio Nacional de Música. Para ello se ha tenido en cuenta diferentes aspectos según del usuario, como la necesidad de mayores espacios, aumentar la capacidad de alumnado y satisfacer la futura demanda. El proyecto se encuentra ubicado en distrito de Pueblo Libre, en el cruce de la avenida Universitaria
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Dubuc, Tamar. "Uncovering the subject dimension of the musical artefact: Reconsiderations on Nueva Cancion Chilena (New Chilean Song) as practiced by Victor Jara." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27628.

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Extant literature on Nueva Cancion Chilena or New Chilean Song (NCCh), a musical genre emerging in 1960s Chile, concerns itself largely with the socio-historical context and function of NCCh at the expense of the song as musical artefact. The present study aims to reverse this concern, proposing a new theoretical approach which temporarily suspends contextual considerations and focuses on the artefact itself. The study assumes a tripartite structure wherein the first part discusses problems of definition and biography in NCCh research, the second introduces the theoretical frameworks of person
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Battiston, Valentina <1984&gt. "Intermezzi, balli e musiche strumentali: la consuetudine della musica nelle stagioni di prosa al Teatro Nuovo di Trieste, 1801-1867." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8375.

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Viene illustrata la consuetudine dell’utilizzo della musica nelle stagioni di prosa presso il Teatro Nuovo di Trieste dal 1801, anno della sua inaugurazione, al 1867, anno che sancì la fine dell’impero austriaco e l’avvio verso l’impero austro-ungarico. Tale utilizzo non si limita a episodi isolati, ma costituisce una pratica costante e continuativa. Ai fini dell’indagine sono stati presi in esame circa cento faldoni facenti parte dell’archivio dell’attuale teatro comunale Giuseppe Verdi di Trieste, oggi custodito presso il Civico Museo Teatrale “Carlo Schmidl”. I documenti sono di tipo ammini
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14

Vallejos, Casanova Felipe. "Cavas del Llano Subercaseaux : centro artístico-cultural para el desarrollo de la nueva escena musical en Santiago." Tesis, Universidad de Chile, 2008. http://www.repositorio.uchile.cl/handle/2250/115811.

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Meiggs, Baldeon Enrique Javier. "Nueva sede para la Universidad Nacional de Música (Ex Conservatorio de Música) en San Borja." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652395.

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En el Perú existe una falta de difusión cultural y debido a esto muchas carreras artísticas como la música no tienen el valor que se merece, esta despreocupación ha llevado a que la única casa nacional de educación superior de música se encuentre en un estado lamentable con respecto a su infraestructura. Con este proyecto se busca satisfacer las necesidades educacionales para aquellos interesados en algunas de las 25 especialidades que ofrece La Universidad Nacional de Música (ex conservatorio) y teniendo en cuenta las especificaciones técnicas de los ambientes a desarrollar. El partid
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Teruya, Taira Carlos Alberto. "La nueva sede del Conservatorio Nacional de Música." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/657255.

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La nueva sede del Conservatorio Nacional de Música, institución de Educación Superior Pública que en la actualidad es la Universidad Nacional de Música, es un proyecto que propone unificar las 3 sedes existentes y, consolidar 5 pilares fundamentales: La importancia de la educación, la cultura, el patrimonio, el usuario y la arquitectura. Como énfasis arquitectónico se propone “el encuentro entre personas como clave para generar conocimiento”. Basados en los espacios intermedios, estos permiten que sucedan el encuentro, las buenas conversaciones y la generación de conocimiento. El proyecto ubic
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17

Vilches, Freddy. "Poesía, canción y cultura popular en Latinoamérica : la nueva canción chilena /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192180731&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 344-363). Also available for download via the World Wide Web; free to University of Oregon users.
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18

Kim, Hae-Jeong. "Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278255/.

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This dissertation describes the musical and religious support of the Medici family to the Medici Chapel in Florence and the historical role of the church of San Lorenzo in the liturgical development of the period. During the later Middle Ages polyphony was allowed in the Office services only at Matins and Lauds during the Tenebrae service, the last three days of Holy Week, and at Vespers anytime. This practice continued until the end of the sixteenth century when more polyphonic motets based on the Antiphon and Responsory began to be included in the various Office hours during feast days. This
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Arias, Abanto Josue Renato. "Nueva Sede para la Universidad Nacional de Música en San Borja." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/657102.

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En la actualidad, la Universidad Nacional de Música (UNM) está sobrellevando una serie de problemas que no permiten el buen desarrollo de la enseñanza musical, siendo esta institución una de las más prestigiosas que tiene la nación, lamentablemente, no cuenta con el apoyo suficiente de las autoridades. Esta propuesta plantea un diseño: una nueva sede para la Universidad Nacional de Música, que manifiesta una solución a la institución donde no solo se beneficie la universidad, sino también la población peruana. El trabajo se enfoca en un nuevo edificio que resuelva las actuales problem
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Ruiz, Fernández Alex Javier. "¡No hay miedo ni prejuicio que dobleguen mi corazón! : el proyecto musical de La Nueva Invasión en el contexto limeño actual." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2018. http://tesis.pucp.edu.pe/repositorio/handle/123456789/12817.

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Hoy, ocho años después de su primer concierto, La Nueva Invasión se viene consolidando como uno de los principales referentes de la escena capitalina. Dentro de ella han transitado por numerosos escenarios, pero llegar hasta aquí no ha sido casualidad; así pues, es un camino iniciado antes del primer ensayo. Entre los primeros integrantes, asimismo los que se suman los siguientes años, confluyen distintos estilos musicales y experiencias desde las que se han aproximado a su práctica, en ese sentido, estas situaciones posibilitaron la reunión de estos intérpretes. Sin embargo, el trabajo no aca
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Olazo, Dávalos Jorge Antonio. "La cumbia fusión y el desarrollo de una escena musical “alternativa” en Lima: los casos de Bareto, La Nueva Invasión y Olaya Soundsystem." Master's thesis, Pontificia Universidad Católica del Perú, 2021. http://hdl.handle.net/20.500.12404/19578.

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Esta tesis investiga el impacto de la escena de grupos de cumbia fusión entre 2010 y 2020 en la ciudad de Lima, y cómo su crecimiento ha sido un factor determinante para la programación de orquestas de cumbia tradicional en festivales masivos considerados rockeros o “alternativos”. Así mismo, señala que los mecanismos de autogestión implementados por estas bandas de cumbia fusión sirvieron para que su ejercicio artístico resulte viable económicamente, y en ese proceso, estos artistas comiencen aplicar estrategias de producción musical y de gestión comercial para tentar un público más am
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Treacy, Susan. "English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331253/.

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Seventeenth-century England witnessed profound historical, theological, and musical changes. A king was overthrown and executed; religion was practiced fervently and disputed hotly; and English musicians fell under the influence of the Italian stile nuovo. Many devotional songs were printed, among them those which reveal influences of this style. These English-texted sacred songs for one to three solo voices with continuo--not based upon a previously- composed hymn or psalm tune—are emphasized in this dissertation. Chapter One treats definitions, past neglect of the genre by scholars, and the
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ELEUTERI, SIMONE. "Internet, mercato discografico e diritto d’autore: un analisi economica di come le nuove tecnologie trasformano i mercati." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2009. http://hdl.handle.net/2108/907.

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Le moderne tecnologie di riproduzione e di distribuzione dei contenuti (internet in primis) stanno rivoluzionando il mercato con nuove forme di business a scapito di quelle tradizionali. Il fenomeno del “downloading” illegale di musica pone dei seri problemi in termini di protezione del diritto d’autore, di allocazione delle risorse e di efficienza economica ma offre anche nuove opportunità di guadagno. Si propone in questo studio un modello per analizzare quali siano le condizioni che rendono vantaggiosa la condivisione di opere protette anche per un produttore musicale, e attraverso gli stru
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Catalán, Jarque María del Carmen. "Pedro de Ulloa y su tratado "música universal o principios universales de la música" (Madrid, Bernardo Peralta, 1717): Una nueva reivindicación matemática de la teoría músical en España." Doctoral thesis, Universitat Politècnica de València, 2017. http://hdl.handle.net/10251/86164.

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The present work is an approach to the figure of a musical theorist of the Hispanic musical Baroque, Pedro de Ulloa and very specifically to his treatise Música Universal o Principios Universales de la Música (Universal Music or Universal Principles of Music, Madrid, Bernardo Peralta, 1717). It is a work that constituted a reference of first order at the time of its publication as a model of work for both music professionals and professionals in other fields related to this discipline (historians, philologists, art historians, Astronomers, mathematicians, theologians, orators of speech, rhetor
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Simões, Sílvia Sônia. "Canto que ha sido valiente siempre será canción nueva : o cancioneiro de Víctor Jara e o golpe civil-militar no Chile." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/30585.

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Esta dissertação tem por objetivo central demonstrar, por meio da análise da discografia do compositor e intérprete chileno Víctor Jara, e, mais especificamente, de seu disco La Población, que a subjugação dos movimentos populares, já no imediato pós-golpe civilmilitar chileno de 11 de setembro de 1973, foi tão ou mais importante do que a dos canais propriamente políticos, explicitados na Unidad Popular e no governo de Salvador Allende. Decorrente deste problema geral, verificam-se os mecanismos de Terror de Estado adotados na primeira fase da ditadura chilena (11 de setembro a 31 de dezembro
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King, Deborah Simpkin. "The Full Anthems and Services of John Blow and the Question of an English Stile Antico." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc332091/.

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John Blow (1649-1708) was among the first group of boys pressed into the service of King Charles II, following the decade of Puritan rule. Blow would make compositional efforts as early as 1664 and, at the age of nineteen, began to assume professional positions within the London musical establishment, ultimately becoming, along with his pupil and colleague, Henry Purcell, London's foremost musician. Restoration sacred music is generally thought of in connection with the stile nuovo which, for the first time, came to be a fully accepted practice among English musicians for the church. But the
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Magraner, Moreno Carles. "MÉTODO PROCESAL Y COHERENCIAS ENTRE LA EXPERIENCIA Y LA NUEVA PROPUESTA INTERPRETATIVA: UNA INVESTIGACIÓN ARTÍSTICA (AUTO)ETNOGRÁFICA EN TORNO A UN PROGRAMA DE CONCIERTO Y GRABACIÓN DISCOGRÁFICA DE ENSALADAS DE MATEO FLECHA Y BARTOLOMÉ CÁRCERES." Doctoral thesis, Universitat Politècnica de València, 2013. http://hdl.handle.net/10251/29752.

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Magraner Moreno, C. (2013). MÉTODO PROCESAL Y COHERENCIAS ENTRE LA EXPERIENCIA Y LA NUEVA PROPUESTA INTERPRETATIVA: UNA INVESTIGACIÓN ARTÍSTICA (AUTO)ETNOGRÁFICA EN TORNO A UN PROGRAMA DE CONCIERTO Y GRABACIÓN DISCOGRÁFICA DE ENSALADAS DE MATEO FLECHA Y BARTOLOMÉ CÁRCERES [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/29752<br>TESIS
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FEDERICO, LUCA. "L'apprendistato letterario di Raffaele La Capria." Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1005664.

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Superati «novant’anni d’impazienza» e dopo un lungo periodo votato all’autocommento e all’esplorazione delle proprie intenzioni, Raffaele La Capria ha raccolto le sue opere in due Meridiani curati da Silvio Perrella. La Capria ne ha celebrato l’uscita nella prolusione inaugurale di Salerno Letteratura, poi confluita nel breve autoritratto narrativo "Introduzione a me stesso" (2014). In questa sede, l’autore è tornato su alcuni punti essenziali della sua riflessione sulla scrittura, come la relazione, reciproca e ineludibile, fra tradizione e contemporaneità. All’epilogo del «romanzo involontar
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Campolongo, Gianfranco, Pietro Pantano, and Eleonora Bilotta. "Scienza delle reti e musica: un nuovo approccio per la modellizzazione e l'analisi di composizioni musicali e per la musica generativa ed evolutiva." Thesis, 2013. http://hdl.handle.net/10955/185.

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GAVAGNIN, STEFANO. "Musica dell'Altro e memoria di sé: i gruppi italiani di musica cilena/andina." Doctoral thesis, 2020. http://hdl.handle.net/11573/1357077.

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Attorno alla metà degli anni Settanta iniziano a formarsi in Italia numerosi gruppi musicali – quasi sempre di carattere non professionistico, ma comunque spesso attivamente impegnati nella sfera pubblica in circuiti culturali e politici – che adottano i i repertori e i linguaggi musicali della Nueva Canción Chilena e della musica andina, due ambiti musicali dotati di un carattere di alterità, o almeno percepiti come tali e che, in seguito al colpo di stato cileno del 1973 e al vivo interesse per le vicende politiche e per la cultura latinoamericane proprio di quel periodo, conoscevano allora
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BONECHI, MADDALENA. ""Nuove Musiche" nella Firenze di primo Seicento: luoghi, occasioni, prassi esecutive, musiche e testi." Doctoral thesis, 2017. http://hdl.handle.net/2158/1089319.

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All’interno della tesi si esaminano, per la prima volta in modo complessivo, testi e contesti relativi al fenomeno della musica vocale da camera, quale si diffuse negli ambienti della corte medicea, ma anche in alcune delle famiglie del patriziato e in accademie, camerate e confraternite, della Firenze dei primi decenni del Seicento. A tale scopo sono state esaminate sistematicamete, da una parte, le testimonianze coeve contenute in una variegata tipologia di documentazione edita e inedita (lettere, diari, trattati, dedicatorie); dall’altra, un corpus costituito da 29 libri di musiche a una, d
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Calle, Simón. "Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect." Thesis, 2012. https://doi.org/10.7916/D893117S.

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This dissertation analyses identity formation through music among contemporary Colombian musicians. The work focuses on the emergence of musical fusions in Bogotá, which participant musicians and Colombian media have called "nueva música Colombiana" (new Colombian music). The term describes the work of bands that assimilate and transform North-American music genres such as jazz, rock, and hip-hop, and blend them with music historically associated with Afro-Colombian communities such as cumbia and currulao, to produce several popular and experimental musical styles. In the last decade, these ne
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Hurst, Tara Elgin 1951. "A “newer” new song : nueva canción in the life and music of Lourdes Pérez : intersections of politics, identity and community." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-08-1710.

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Commonly known as nueva canciόn in Puerto Rico or nueva trova in Cuba, “new song” is a 60-year-old genre, a musical form resonant with political overtones. This thesis examines the life and music of Lourdes Pérez, a Puerto Rican singer working in the nueva canciόn tradition. Pérez, who has lived in the U.S. for 20 years, is dedicated through her compositions to create a “newer song,” a form of socially engaged music based on artists of the past but addressing contemporary issues. Through the creation of a diverse community for such music, and collaborations with other Latin American musicians
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"La mujer dentro del discurso machista de la música regional: Una nueva forma de aceptación y los logros que han impuesto dentro de la cultura hegemónica." Master's thesis, 2015. http://hdl.handle.net/2286/R.I.30043.

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abstract: The popularity that regional Mexican music has achieved in the last years is impressive. The population increase of Mexican nationals in the United States and the availability to share information via web has increased the popularity of the musical genre, specially the subgenres of música norteña and banda. Regarless of the low economic class that is associated with the subgenres of música norteña and banda, nowadays they are a fundamental asset in the music industry, impart to the high volume of sales and popularity. However, even with a high index of popularity at a multinational l
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Cancel-Bigay, Mario R. "Sounds that Fall Through the Cracks, and Other Silences and Acts of Love: Decoloniality and Anticolonialism in Puerto Rican Nueva Canción and Chanson Québécoise." Thesis, 2021. https://doi.org/10.7916/d8-ydm5-4t46.

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Sounds that Fall Through the Cracks, and Other Silences and Acts of Love tells the story of a dozen cosmopolitan socially aware singer-songwriters, poets and musicians of different racial, ethnic and national backgrounds who developed their political consciousness by thinking within/through the colonial problematic of Québec or Puerto Rico in the 1960s and 1970s. Five interrelated claims give coherence to this work: a) grasping the decolonial import of socially aware repertoires needs to attend to the meeting point among sound, music, lyrical content, and the interlocutor’s perspective on the
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Ramos, Juan. "Latin American decolonial aesthetics: Antipoetry, nueva canción, and third cinema as counterculture (1960–1975)." 2011. https://scholarworks.umass.edu/dissertations/AAI3482657.

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This dissertation situates these three modes of artistic expression in a broader interdisciplinary framework to better understand the cultural, socio-political, and historical processes of countercultural formation in Latin America. In Chapter 1, I define my conceptualization of Latin American counterculture. Here I make the case for including antipoetry, nueva canción and third cinema as part of Latin American counterculture seeking to contest foreing influences and elitist cultural models. In Chapter 2, I present the theoretical foundations of decolonial aesthetics, which serves as a framewo
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Braz, Vitor Ângelo Meneghetti. "Un tranquillo Posto nel Cinema Italiano –Uma análise da relação da obra do compositor Ennio Morricone com o Gruppo di Improvvisazione Nuova Consonanza com as transformações da prática musical no cinema até a década de 1960." Master's thesis, 2019. http://hdl.handle.net/10362/87951.

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Com o objetivo de contribuir à documentação histórica das práticas das artes musicais no contexto cinematográfico europeu, este trabalho analisará de forma breve as transformações ocorridas no cinema italiano desde a chegada dos talkies2 até a década de 1960. Para isso será utilizado como estudo de caso, o trabalho do compositor romano Ennio Morricone juntamente com o Gruppo di Improvvisazione Nuova Consonanza no filme Un tranquillo posto di campagna (1968), dirigido por Elio Petri. Sempre no âmbito músico-fílmico, será igualmente considerado o contexto histórico e social das práticas e
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Barbieri, Julián José. "Hacia la región desconocida : Poética musical del modernismo británico." Bachelor's thesis, 2020. http://hdl.handle.net/11086/23480.

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Este trabajo propone indagar sobre las posibilidades de producción musical a partir de la aplicación de una serie de técnicas y procedimientos correspondientes a un grupo de compositores británicos del siglo XX. En esta investigación he decidido aprovechar el impulso de este interés para transitar y profundizar mis conocimientos sobre el mismo, ya que a lo largo del cursado este camino no ha sido recorrido. Nuestra producción propone recuperar recursos de la música compuesta en las islas británicas a lo largo del siglo XX. Como referencia principal tomaremos dos líneas compositivas sust
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Jordan, Gonzalez Laura Francisca. "La musique des Chiliens exilés à Montréal pendant la dictature (1973-1989) : la création de musiques de la résistance politique et la réception des auditeurs dans l’exil." Thèse, 2010. http://hdl.handle.net/1866/4995.

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