Relevant bibliographies by topics / Nuyorican poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Nuyorican poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Nuyorican poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Nuyorican poetry"

1

Goergen, Juana Iris. "In visible movement: Nuyorican poetry from the sixties to slam." Latino Studies 13, no. 4 (December 2015): 573–74. http://dx.doi.org/10.1057/lst.2015.37.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Esterrich, Carmelo. "Home and the Ruins of Language: Victor Hernandez Cruz and Miguel Algarin's Nuyorican Poetry." MELUS 23, no. 3 (1998): 43. http://dx.doi.org/10.2307/467677.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Moore, J. Peter. "Bodies on the Line: Performance and the Sixties Poetry Reading / In Visible Movement: Nuyorican Poetry from the Sixties to Slam." American Literature 88, no. 1 (February 15, 2016): 201–3. http://dx.doi.org/10.1215/00029831-3453768.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Montes-Alcalá, Cecilia. "Code-switching in US Latino literature: The role of biculturalism." Language and Literature: International Journal of Stylistics 24, no. 3 (August 2015): 264–81. http://dx.doi.org/10.1177/0963947015585224.

Full text
Abstract:
While mixing languages in natural speech production has often been inaccurately ascribed to illiteracy or lack of linguistic competence, doing so in writing is a long-standing practice in bilingual literature. This practice may fulfill stylistic or aesthetic purposes, be a source of credibility and/or communicate biculturalism, humor, criticism, and ethnicity, among other functions. Here, I analyze a selection of contemporary Spanish–English bilingual literature (poetry, drama, and fiction) written by Mexican American, Nuyorican, and Cuban American authors focusing on the types, and significance, of code-switching (CS) in their works. The aim of the study is to determine to what extent the socio-pragmatic functions that have been attested in natural bilingual discourse are present in literary CS, whether it is mimetic rather than rhetorical, and what differences exist both across literary genres and among the three US Latino groups. I also emphasize the cultural aspect of CS, a crucial element that has often been overlooked in the search for grammatical constraints.
APA, Harvard, Vancouver, ISO, and other styles
5

Semenova, Marina. "Code-switching and translated/untranslated repetitions in Nuyorican Spanglish." E3S Web of Conferences 273 (2021): 12139. http://dx.doi.org/10.1051/e3sconf/202127312139.

Full text
Abstract:
Nuyorican Spanglish is a variety of Spanglish used primarily by people of Puerto Rican origin living in New York. Like many other varieties of the hybrid Spanglish idiom, it is based on extensive code-switching. The objective of the article is to discuss the main features of code-switching as a strategy in Nuyrican Spanglish applying the methods of linguistic, componential, distribution and statistical analysis. The paper focuses on prosiac and poetic texts created in Nuyrican Spanglish between 1978 and 2020, including the novel Yo-Yo Boing! by Giannina Braschi and 142 selected Boricua poems, which allows us to make certain observations on the philosophy and identity of Nuyorican Spanglish speakers. As a result, two types of code-switching as a strategy are denoted: external and internal code-switching for both written and oral speech forms. Further, it is concluded that repetition, also falling into two categories (translated and untranslated), embodies the core values of Nuyorican Spanglish (freedom of choice and focus on the linguistic personality) and reflects the philosophical basis for code-switching.
APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Nuyorican poetry"

1

Rebollo-Gil, Guillermo. "The new boogaloo nuyorican poetry and the coming Puerto Rican identities /." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0007061.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Castro, Silvia Regina Lorenso. "De ruas, bodegas e bares: um contínuum Africano em poéticas transaltânticas periféricas - San Juan, Nova York e São Paulo." Thesis, 2013. http://hdl.handle.net/2152/29153.

Full text
Abstract:
This dissertation establishes a transatlantic connection between Brazil, the United States and the Caribbean through the discussion of two contemporary literary movements: Sarau da Cooperifa, in São Paulo, and Nuyorican poetry, from the Puerto Rican poets living in New York City. Although these places share significant differences in terms of colonial and postcolonial history, they share similar experiences in terms of race and class representations. From similar oppressive realities, I argue that they also build similar strategies of resistance and urban discourse. By carrying a secondary citizenship status, Nuyorican poets and poets from the Brazilian periphery find in creative writing ways to reinvent themselves as subjects of their own history, a story written and reinvented in the streets, in the street corners, in barber shops, in the back yard, in bars and pubs. They take the street as epistemological locus in order to expand the concept of political intervention, be it while celebrating life or ritualizing death. In this sense, the street is the site for unrestricted access to poetry, and poetry is the element that fits these subjects in the history of the city. The work of Sergio Vaz, Ferrez, Allan da Rosa, Elizandra Souza, Willie Perdomo, Victor Hernandez Cruz, Miguel Algarín, Miguel Piñero and Sandra Maria Esteves is read through the lenses of African Diaspora theories and its relation to literary criticism, anthropology, history, discourse analysis, Black feminist theory and Latino studies. I share Edouard Glissant’s understanding that the Africans, who were forced to come to the Americas and the Caribbean upon slavery, did not bring only their body. They also brought with their body a worldview, a way of dealing with adversity, an epistemological understanding that has allowed them to outlive the physical death by overcoming the imputation of social death. Thus, this dissertation argues that cultural production is a political production, and that it has been used by racialized and impoverished minority individuals and groups across the globe as strategic tool in the struggle against oppression.
text
APA, Harvard, Vancouver, ISO, and other styles
3

Grem, Jennifer Mason. "Paredes y puertas el Nuyorican Poets Cafe y la poesía performativa /." 2006. http://purl.galileo.usg.edu/uga%5Fetd/grem%5Fjennifer%5Fm%5F200605%5Fma.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Nuyorican poetry"

1

Algarín, Miguel. Aloud: Voices from the Nuyorican Poets Cafe. Edited by Miguel Algarín and Bob Holman. New York, USA: Henry Holt and Co., 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Miguel, Algarín, and Holman Bob 1948-, eds. Aloud: Voices from the Nuyorican Poets Cafe. New York: H. Holt, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

In visible movement: Nuyorican poetry from the Sixties to slam. Iowa City: University Of Iowa Press, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

David, Gabrielle, Jesus Papoleto Melendez, Kevin E. Tobar Pesantez, and Adam Wier. Hey Yo! Yo Soy! 40 Years of Nuyorican Street Poetry: 40 Years of Nuyorican Street Poetry, A Bilingual Edition. 2Leaf Press, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Aloud: Voices from the Nuyorican Poets Cafe. Henry Holt & Co, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Bonair-Agard, Roger, Alix Olson, Guy LeCharles Gonzalez, Stephen Colman, and Lynne Procope. Burning Down the House : Selected Poems from the Nuyorican Poets Cafe's National Poetry Slam Champions. Soft Skull Press, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Burning down the house: Selected poems from the Nuyorican Poets Café's National Poetry Slam Champions. New York: Soft Skull Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Flores, Jaime "Shaggy." Sancocho: A book of Nuyorican poetry / by Shaggy Flores, edited by Louis Reyes Rivera. Dark Souls, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Roger, Bonair-Agard, Holman Bob 1948-, Gonzalez Guy LeCharles, and Nuyorican Poets Cafe, eds. Burning down the house: Selected poems from the Nuyorican Poets Café's National Poetry Slam Champions. New York (98 Suffolk # 3A, New York 10002): Soft Skull Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Nuyorican poetry"

1

Zapf, Harald. "Slammin’ in Transnational Heterotopia: Words Being Spoken at the Nuyorican Poets Cafe." In Imagined Transnationalism, 117–36. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230103320_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Campbell, Susan M. "Nuyorican Poetry, Tactics for Local Resistance." In Spanish and Empire, 117–38. Vanderbilt University Press, 2020. http://dx.doi.org/10.2307/j.ctv16755vb.9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Estéves, Sandra María. "Ambivalence or Activism from the Nuyorican Perspective in Poetry." In Images and Identities, 164–70. Routledge, 2017. http://dx.doi.org/10.4324/9780203789148-19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

"Epilogue: Bob Holman, the Poetry Project, and the Nuyorican Poets Café." In All Poets Welcome, 203–8. University of California Press, 2019. http://dx.doi.org/10.1525/9780520936430-009.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Rodriguez, Ralph E. "The Lyric, or, a Radical Singularity in Latinx Verse." In Latinx Literature Unbound. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823279234.003.0005.

Full text
Abstract:
Latinx, especially Chicana/o and Nuyorican, poetry has long been known for its political leanings and its employment in numerous social movements, particularly in the 1960s and 1970s. At the forefront of much of this poetry has been a narrative tradition. Less well known is the lyric and experimental tradition in Latinx poetry. This chapter focuses on poetry that cannot readily be paraphrased as having a message or making a political statement. It examines poems that do not easily accord with what we understand Latinx literature to be and that do not in some transparent way represent a Latinx worldview. The lyric poetry by Eduardo Corral, Rosa Alcalá, and Amanda Calderón analyzed in this chapter strikes a dissonant chord with the tradition of narrative-driven Latinx poetry.
APA, Harvard, Vancouver, ISO, and other styles
6

Fernández, Johanna. "The Church Offensive." In The Young Lords, 155–92. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469653440.003.0007.

Full text
Abstract:
In winter 1969, the Young Lords recited scripture, channeled the revolutionary Jesus, and occupied the First Spanish United Methodist Church for its indifference to social violence, which combined with its promises of happiness in the hereafter, they argued, cloaked a project of social control. Rechristened, The People’s Church, the Lords’ prefigurative politics and project included a free medical clinic and redress of community grievances and needs, from housing evictions to English translation at parent-teacher meetings. Their hot morning meals to poor school-aged children became what is now the federal school breakfast program. As antidote to the erasure of culture and history that accompanied colonization and slavery in the Americas, they sponsored alternatives to public school curricula on the Puerto Rican independence movement, black American history, and current events. In the evening, they curated spurned elements of Afro-Puerto Rican culture and music performed by underground Nuyorican Poets and new genres of cultural expression, among them the spoken word poetry jam, a precursor to hip hop. They served revolutionary analysis with Mutual Aid. Their daily press conferences created a counternarrative to representations of Puerto Ricans as junkies, knife-wielding thugs, and welfare dependents that replaced traditional stereotypes with powerful images of eloquent, strategic, and candid Puerto Rican resistance.
APA, Harvard, Vancouver, ISO, and other styles
7

Ruiz, Sandra. "Countdown to the Future." In Ricanness, 99–134. NYU Press, 2019. http://dx.doi.org/10.18574/nyu/9781479888740.003.0004.

Full text
Abstract:
This chapter focuses on the work of “the poet laureate of the Nuyorican Poets” Pedro Pietri, particularly his experimental and existential one-act endurance play The Masses Are Asses. In Pietri’s crude play, events occur in timed sequences that repeat and loop back on themselves, and become clear indicators of the colonial time of dread. Pietri tackles socioeconomic issues such as poverty and imperialism, the bourgeoisie’s control of mankind, and domestic and gender violence. Through these hardships, the author argues, the reader is led into the cramped space of colonial violence doubling as a bathroom. This play invites the audience to read the text temporally, through the tempo of dread—such that a piece with only two general characters, Lady and Gentleman, makes Time the third actor. Endurance, here, operates as a hardening and precipitation of being, one animated by the intimacies of vulgarity in Pietri’s social drama.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography