Relevant bibliographies by topics / Nymphets in art

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  2. Dissertations / Theses
  3. Books
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  5. Conference papers

Academic literature on the topic 'Nymphets in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Nymphets in art"

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Stansly, Philip A., C. Mayra, and G. Avilez. "Control of Silverleaf Whitefly on Commercial Eggplant, 1997." Arthropod Management Tests 23, no. 1 (January 1, 1998): 105–6. http://dx.doi.org/10.1093/amt/23.1.105.

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Abstract A commercial field of staked eggplant was used ap-proximately 45 days after transplanting for this trial in the Culican Valley of Sinaloa, Mexico. The field was 100 m wide and approximately 2 km in length, located between 2 fields of corn. The crop had recently been sprayed with endosulfan (Thiodan®). Consequently, relatively few adult whiteflies could be observed although the presence of eggs and young nymphs indicated the likelihood of increasing infestation, and no further applications were made by the grower for the duration of the trial. Experimental design was completely randomized block with 5 treatments and 4 replicates. Beds were 100 m in length running north and south with 1.5 m between centers and 2 rows per bed. Plots were 4 beds wide and 15 m long with 1.5 m between plots (90m2). Three weekly applications were made beginning on 12 Feb with 2 Maruyama™ motorized backpack sprayers equipped with a hand-held boom carrying 2 bronze T-Jet™ D2 hollow cone nozzles containing #45 spinner plates. Each bed was sprayed from both sides with 5 liters per replicate of each treatment, delivering a volume of 60.5 gpa. Each plot was sampled for whitefly adults and immature stages prior to application. A beat pan made of an aluminum cake pan 22.5cm X 32.5 cm painted black and covered with a film of vegetable oil and liquid detergent (9:1) was used to sample adults. Three samples were taken in each plot by beating the pan 10 times against the foliage in the middle 2 rows and counting the whiteflies trapped in the oil mixture. Immatures were sampled by counting all whitefly eggs, small nymphs, large nymphs, and pupae in 4 lensfields of 1.77 cm2 per leaf (3 leaves per plot). Additional samples were taken 3 days after each successive treatment. Small nymphs, large nymphs, and pupae were combined as “immatures” for analysis.
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Kondo, Takumasa, Angela María Arcila, Laura Isabel Colorado, Yenifer Campos-Patiño, and Paola Sotelo-Cardona. "Wasmannia auropunctata (Roger) (Hymenoptera: Formicidae), a small but voracious predator of Diaphorina citri Kuwayama (Hemiptera: Liviidae)." ACTA ZOOLÓGICA MEXICANA (N.S.) 34, no. 1 (November 12, 2018): 1–5. http://dx.doi.org/10.21829/azm.2018.3412127.

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The effect of predation by the little fire ant Wasmannia auropuntacta (Roger) (Hymenoptera: Formicidae) on Asian citrus psyllid Diaphorina citri Kuwayama (Hemiptera: Liviidae) kept under experimental conditions for the breeding of the parasitoid Tamarixia radiata (Waterston) (Hymenoptera: Eulophidae) was evaluated. An experiment was carried out using cages with capacity for 9 plants of Murraya paniculata (L.) Jack (Rutaceae) infested with an average of 600 nymphs of D. citri and 100 adults of T. radiata per cage. Three cages were exposed to ants and one had no ant exposure (Control). In each cage, the numbers of healthy and parasitized nymphs and the numbers of adults of D. citri and T. radiata were counted every 2 days for 15 days. Exposure to predation by W. auropunctata significantly affected the number of nymphs that reached the adult stage as well as the number of nymphs parasitized by T. radiata (Fisher's exact test). In the ant-exposed cages, about 3% of the nymphs survived to the adult stage in contrast to 18% in the control cage. Likewise, the action of the parasitoid was affected, with 24% of nymphs parasitized in the ant-exposed cages in contrast to 66% in the control cage. Wasmannia auropunctata has a great potential as a natural enemy of this psyllid pest in citrus nurseries. The ant also consumes T. radiata by consuming parasitized nymphs of D. citri and this predation may negatively impact the control of D. citri by the parasitoid.
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Cranshaw, Whitney, and Dayna Cooper. "Striped Pine Scale Control, Golden, Co, 1992." Arthropod Management Tests 20, no. 1 (January 1, 1995): 317. http://dx.doi.org/10.1093/amt/20.1.317.

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Abstract Trials were conducted at a golf course in Golden, CO on Scotch pine heavily infested with striped pine scale. Applications were made 17 Jun to point of run-off on individual infested terminal branches. Plot design was a RCB with 4 replications. At the time of treatment most nymphs had recently settled on the needles; few crawlers were present. Plots were evaluated by counting the number of dead and living nymphs on 10 needle bundles collected from terminals 5 Aug. Plots of SunSpray and Volck were retreated 5 Aug. Samples (10 needle bundles/plot) were again taken from all plots 10 Sep.
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Hertl, P. T., and R. L. Brandenburg. "Control of Mole Cricket Nymphs with Insecticide-Treated Baits, 1997." Arthropod Management Tests 23, no. 1 (January 1, 1998): 324. http://dx.doi.org/10.1093/amt/23.1.324.

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Abstract The efficacy of several bait formulations was evaluated for the control of mole cricket nymphs in a field test on a bermudagrass fairway at the Fox Squirrel Country Club in Brunswick Co, NC. Plots 16 X 16 ft were established in an area heavily infested with mole crickets. Treatments with four replicates were randomly assigned to the plots in a CRBD. All insecticides were applied late in the day on 17 Sep under sunny skies. The 4-inch soil temperature was 83°F and all formulations tested were applied using a Republic EZ Handspreader®. The fairway irrigation system was used to moisten the soil in the test area prior to application. The Talstar 0.2 G was applied to the appropriate plots and then the entire test site received 0.25 inch of water as post-irrigation for this treatment. The turf surface was allowed to dry before appropriate amounts of each bait were applied to the plots. The fairway irrigation system was turned off to prevent irrigation of the area on the first night of the test. Soil at the test site is classified as Kureb fine sand with a pH of 5.8 and 0.56% humic matter. Soapy water flush sampling indicate that the fairway population was approximately 85% Southern and 15% Tawny mole crickets. Plots were evaluated for fresh damage on 23 Sep (6 DAT) and 1 Oct (14 DAT) using the damage grid evaluation method of Mack and Cobb (1989). A m2 grid divided into nine sections was randomly placed in each plot and a damage rating (0-9) given based on the occurrence of fresh damage in the nine subsections (with 0 = no damage and 9 = severe damage). Five damage ratings were made in each plot on each sampling date. The actual damage means are reported in the Table. All data were transformed x + 0.5 prior to ANOVA and Tukey’s Studentized Range Test.
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Wise, John C. "Pear, Early Season Control of Pear Psylla and Pear Rust Mite, 1996." Arthropod Management Tests 22, no. 1 (January 1, 1997): 40–41. http://dx.doi.org/10.1093/amt/22.1.40.

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Abstract Mature ‘Bartlett’ trees at the Trevor Nichols Research Complex in Fennville, MI (Pear 1 Block) were sprayed at a rate of 100 gpa with an FMC 1029 airblast sprayer. Trees were arranged in a CR design of single trees replicated 4 times. All materials were applied as indicated in the table on 4 Jun (IC) and 17 Jul (4C, PP Threshold of 0.3 nymphs per leaf). Streptomycin, Benlate, Penncozeb, Rubigan, Captan, and Funginex were applied to all treatments separately. Dates of PP and PRM evaluation were 19 Jun, 2 Jul, 15 Jul, and 8 Aug. At each evaluation, 50 leaves per replicate were picked, brushed in a mite-brushing machine and then examined under a stereo microscope for PRM adults. Twenty-five leaves per replicate were also evaluated under a stereomicroscope for PP nymphs and eggs. Mean data are reported as PRM adults per leaf, and PP nymphs or eggs per leaf. Harvest fruit evaluations were made on 27 Aug by picking 25 fruit randomly from the periphery of the tree from each replicate per treatment. They were examined for sooty mold from PP and PRM russetting. Sooty mold and russetting evaluations were based on visual inspection, with the scoring criteria listed in the table.
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Handa, Chihiro. "How Do Scale Insects Settle into the Nests of Plant-Ants on Macaranga Myrmecophytes? Dispersal by Wind and Selection by Plant-Ants." Sociobiology 59, no. 2 (September 26, 2014): 435. http://dx.doi.org/10.13102/sociobiology.v59i2.607.

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This report elucidates the process of settlement by Coccus scale insects into Crematogaster plant-ant nests formed inside the hollow stems of a myrmecophytic species, Macaranga bancana, in a tropical rain forest. We collected wafting scale insect nymphs from the canopy using sticky traps and characterized the DNA sequence of the trapped nymphs. In addition, we experimentally introduced first-instar nymphs of both symbiotic and nonsymbiotic scale insects to M. bancana seedlings with newly formed plant-ant colonies. Nymphs of symbiotic species were generally carried by ants into their nests within a few minutes of introduction. Most nymphs of nonsymbiotic species were thrown to the ground by ants. Our results suggest that in Crematogaster–Macaranga myrmecophytism, symbiotic coccids disperse by wind onto host plant seedlings at the nymphal stage, and plant-ants actively carry the nymphs landing on seedlings into their nests in discrimination from nonsymbiotic scale insects.
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Scobey, David. "Nymphs and Satyrs." Winterthur Portfolio 37, no. 1 (March 2002): 43–66. http://dx.doi.org/10.1086/376342.

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Hertl, P. T., and R. L. Brandenburg. "Surface Application of Deltamethrin for Control of Mole Cricket Nymphs, 1996." Arthropod Management Tests 22, no. 1 (January 1, 1997): 342. http://dx.doi.org/10.1093/amt/22.1.342.

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Redak, R. A., and J. A. Bethke. "Control of the Silverleaf Whitefly (SW) on Poinsettia Using Soil Treatments, Winter 1992." Arthropod Management Tests 19, no. 1 (January 1, 1994): 333. http://dx.doi.org/10.1093/amt/19.1.333a.

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Abstract Poinsettias obtained as rooted cuttings were potted in 15 cm diam. pots. Plants were allowed 4 wk growth (25-30 cm tall) before use in trials. An arbitrary leaf was selected and a 2.5 cm diam circle drawn on the leaf. On day 0, a pre-treatment count of immature whitefly nymphs within the circle was taken. Plants then were assigned to treatments to approximate an equal no. of immatures/replicate prior to treatments. Three plants/treatment were arranged in a RCB design on a greenhouse bench in constant exposure to sweetpotato whitefly. Four rates of two form, of NTN 33893 (2.5G and 240F) were applied by hand to each pot and drenched with water. Post-treatment counts of eggs, nymphs, redeye pupae, and empty pupal cases were made at 14 DAT, 28 DAT, 49 DAT (7 wk) & 91 DAT (13 wk).
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Haug, Joachim T., Veronika Winder, Maja Ilic, Gideon T. Haug, and Carolin Haug. "The early stages of Miomantis binotata and their bearing on the question whether ant mimicry is a larval feature of first stage praying mantises (Mantodea: Mantidae)." Fragmenta Entomologica 52, no. 1 (April 10, 2020): 29–38. http://dx.doi.org/10.4081/fe.2020.402.

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Ant mimicry, i.e., the mimicking of ant workers by another organism, is a widespread phenomenon among different groups of Euarthropoda, including spiders and different insect species. One example of ant mimicry occurs among praying mantises (Mantodea); here the first stage nymphs have been recorded to perform ant mimicry. In this study, we investigated different nymphal instars of Miomantis binotata for possible morphological similarities to ants. The different instars were compared as stages supposed to perform ant mimicry would differ morphologically from those stages not supposed to resemble ants. The specimens were investigated under different microscopic settings and measurements were performed. Our results do not show significant differences concerning morphological measurements or shape of structures between the different nymphal instars of M. binotata. One prominent difference between stage one nymphs and later stages occurs in the colouration of the body, which is very dark in the earliest nymph. This difference might explain why young nymphs of Miomantis binotata are interpreted as ant-mimicking, despite the apparent lack of other morphological resemblances.
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Dissertations / Theses on the topic "Nymphets in art"

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Letzner, Wolfram. "Römische Brunnen und Nymphaea in der westlichen Reichshälfte /." Münster : Lit, 1990. http://catalogue.bnf.fr/ark:/12148/cb355177749.

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Mette, Bettina Dorothée. "Skulptur und Landschaft : mythologische Skulpturengruppen in griechischer und römischer Aufstellung /." Köln : [B.D. Mette], 1992. http://catalogue.bnf.fr/ark:/12148/cb35600005t.

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Dorl-Klingenschmid, Claudia. "Prunkbrunnen in kleinasiatischen Städten : Funktion im Kontext /." München : F. Pfeil, 2001. http://catalogue.bnf.fr/ark:/12148/cb390072376.

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Texte remanié de: Diss.--Philosophische Fakultät--München--Ludwig-Maximilians-Universität, Wintersemester 1997/98. Titre de soutenance : Antike Brunnenbauten in Kleinasien. Struktur, Funktion, Kontext.
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Debenedetti, Ana. "Dans l’antre des nymphes : études sur les rapports entre la pensée magique de Marsile Ficin et les premières théories de l’art à Florence au XVe siècle." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4004.

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Au XVe siècle, le philosophe florentin Marsile Ficin (1433-1499) rédige un texte singulier intitulé De vita coelitus comparanda ou « comment obtenir la vie du ciel » qui deviendra le troisième et dernier livre d’un ouvrage médical de plus large envergure, le De vita libri tres, consacré à conserver et à prolonger la santé des hommes de lettres accablés sous le poids de l’étude. Ce texte est tout entier consacré au pouvoir apotropaïque et prophylactique du talisman ou « image astrologique », une notion savante qui apparaît en Occident au milieu du XIIIe siècle, et insiste tout particulièrement sur la matérialité, la forme et l’apparence de ces images. Ainsi Ficin développe-t-il un discours original par rapport à la tradition en se concentrant sur le processus de fabrication, discours qui n’est pas sans rappeler les premières théories de l’art qui apparaissent à la même époque à Florence. Ficin réhabilite la figure du mage antique dans le cadre d’une réflexion plus vaste qui met en exergue le pouvoir créateur de l’homme en tant que savant, humaniste et philosophe. Si le postulat d’une influence tardive du néoplatonisme ficinien sur la littérature artistique du XVIe siècle a donné lieu à de nombreuses études, il apparaît en revanche que les rapports que Ficin était susceptible d’entretenir avec le monde des artistes, et surtout des artistes-théoriciens du XVe siècle, demeure un terrain relativement peu exploré. Tout l’enjeu de notre travail se situe donc dans la triple interrogation que ce concours de circonstances soulève : quel rôle jouent au sein de la pensée magique de Ficin les allusions à l’art et à sa pratique qui traversent l'ensemble de son œuvre? dans quelle mesure la notion d’«image astrologique» qu’il reprend et développe s’est-elle nourrie de la nouvelle littérature artistique alors en pleine formation? et enfin, comment peut-on affirmer que certaines œuvres typiques du Quattrocento florentin relèvent d’un caractère « mixte » oscillant entre le produit de l’art à proprement parler et l’objet magique?
In fifteenth-century Florence, the philosopher Marsilio Ficino (1433-1499) wrote the De vita coelitus comparanda, i.e. “how to capture life from the heavens”, which would later form the last and third book of a larger volume titled De vita libri tres. The latter exposes the means to preserve the health and extend the life of man of letters afflicted by their intense studies. The former deals with the apotropaic and prophylactic power of the talismans also called “astrological images”, following a learned concept which appeared in Western Europe in the mid-thirteenth century, and focuses on the materiality, form and appearance of these images. Ficino hence develops a new reflexion that focuses on the process of making which seems to echo new artistic theories devised during the same period in Florence. Ficino redeems the figure of the ancient magus by enhancing man’s creative power and his status as a philosopher and a humanist. The assumption of a late influence of Ficino’s neoplatonic thought on the arts in the sixteenth century has led to several studies but its genesis and its potential links with the artistic world and, especially his fellows artist-theoreticians, remained to be fully investigated. This thesis aims therefore to investigate the role of the artistic references within Ficino’s magic thought, the influence of contemporary ideas on the art practice upon his conception of “astrological image”, and the nature of specific artworks typical of fifteenth-century Florence, which seem to respond to both a magical and an artistic purpose
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Kou, Fei, Hu Li, Shujuan Li, Huaizhu Xun, Yinqiao Zhang, Ziqiang Sun, Xuguo Zhou, and Wanzhi Cai. "Temporal transcriptomic profiling of the ant-feeding assassin bug Acanthaspis cincticrus reveals a biased expression of genes associated with predation in nymphs." NATURE PUBLISHING GROUP, 2017. http://hdl.handle.net/10150/625979.

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Acanthaspis cincticrus (Stal) is an assassin bug with a specialized camouflaging behavior to ambush ants in the nymphal stages. In this study, we comprehensively sequenced all the life stages of A. cincticrus, including the eggs, five nymph instars, female and male adults using Illumina HiSeq technology. We obtained 176 million clean sequence reads. The assembled 84,055 unigenes were annotated and classified functionally based on protein databases. Among the unigenes, 29.03% were annotated by one or more databases, suggesting their well-conserved functions. Comparison of the gene expression profiles in the egg, nymph and adult stages revealed certain bias. Functional enrichment analysis of significantly differentially expressed genes (SDEGs) showed positive correlation with specific physiological processes within each stage, including venom, aggression, olfactory recognition as well as growth and development. Relative expression of ten SDEGs involved in predation process was validated using quantitative real-time PCR (qRT-PCR).
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Nicoud, Roger Marc. "Influence respective des facteurs thermodynamiques, hydrodynamiques et diffusionnels sur le fonctionnement des échangeurs d'ions application à un procédé ionique, le nymphéa /." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37608442b.

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Books on the topic "Nymphets in art"

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Pupilla: Metamorfozy figury drapieżnej dziewczynki w wyobraźni symbolicznej XX wieku. Gdańsk: Wydawnictwo słowo/obraz terytoria, 2014.

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Bramberger, Andrea. Die Kindfrau: Lust, Provokation, Spiel. München: Matthes & Seitz, 2000.

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Nymphs. London: Seagull, 2013.

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Monet, Claude. Claude Monet, Nympheas: Impression, Vision. Zürich: SV International, 1986.

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Les nymphéas, la nuit. Paris: Scala, 2010.

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Rey, Jean Dominique. Monet, les nymphéas: L'intégralité. Paris: Flammarion, 2008.

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Rey, Jean Dominique. Monet, les nymphéas: L'intégralité. Paris: Flammarion, 2008.

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1840-1926, Monet Claude, ed. Les nymphéas: Monet grandeur nature. Paris: Hazan, 2010.

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Claude Monet "Nymphéas": Eine Annäherung. Hildesheim: G. Olms, 1985.

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L'adieu au paysage: Les nymphéas de Claude Monet. Paris: Différence, 2008.

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Book chapters on the topic "Nymphets in art"

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Bal, Anjali, Leyland Pitt, and Michael Parent. "Monet’s, Nympheas… $11 Million; Rothko’s, White… $73 Million; My Youngest Son’s, The Burial of Our Dog Rover… Priceless!: Consumer Behavior in the Fine Art Market." In Let’s Get Engaged! Crossing the Threshold of Marketing’s Engagement Era, 627. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-11815-4_191.

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"NO NYMPHS OR MUSES." In The Art of Being a Tiger, 44–45. Liverpool University Press, 2016. http://dx.doi.org/10.2307/j.ctv16zjjjm.15.

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"Aby Warburgs Nymphen und Schmetterlinge als Affekte." In Ars – Visus – Affectus, 18–37. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110474411-003.

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Ramachandran, Vilayanur S., and Elizabeth Seckel. "Neurology of Visual AestheticsIndian nymphs, modern art, and sexy beaks." In Aesthetic ScienceConnecting Minds, Brains, and Experience, 375–89. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:oso/9780199732142.003.0086.

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"THE EXQUISITE DANCE OF THE BLUE NYMPHS." In Duel at Dawn, 103–26. Harvard University Press, 2011. http://dx.doi.org/10.2307/j.ctv1p6hnsf.7.

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Manning, Jane. "SEBASTIAN CURRIER (b. 1959)The Nymphs Are Departed (2006)." In Vocal Repertoire for the Twenty-First Century, Volume 2, 48–50. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199390960.003.0016.

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This chapter assesses American composer Sebastian Currier’s The Nymphs Are Departed (2006). Disarmingly simple in appearance, and confined throughout within a practicable range, this arresting short piece should have a direct appeal in its almost hypnotic concentration and economy. The vocal part shows the composer’s instinctive ability to communicate without resorting to expressionist extremes. The musical style is basically tonal and exceptionally uncluttered, but, as all singers will be aware, controlling exposed, undecorated lines requires a secure technique. Note-values are straightforward, and pitches and phrases are frequently repeated. This means that the singer can develop ‘muscle memory’ as well as aural familiarity, useful for places later in the piece where the accompaniment holds fewer pitch cues. The piano part consists mainly of minimalist, repetitive figures, which gradually proliferate and intensify towards the centre of the piece, which takes the form of a balanced arc. Since a great many dynamics are soft, light, lean voices will have the advantage, especially sopranos and tenors, who will be comfortable singing low notes without recourse to an overrich sound.
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"Preliminary Material." In The Cave of the Nymphs at Pharsalus, i—xvi. BRILL, 2016. http://dx.doi.org/10.1163/9789004297623_001.

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"Introduction." In The Cave of the Nymphs at Pharsalus, 1–3. BRILL, 2016. http://dx.doi.org/10.1163/9789004297623_002.

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"1 Geography and Landscape (Plates i–v, vii–x)." In The Cave of the Nymphs at Pharsalus, 4–17. BRILL, 2016. http://dx.doi.org/10.1163/9789004297623_003.

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"2 The Site (Plates vi, viii–xxii)." In The Cave of the Nymphs at Pharsalus, 18–34. BRILL, 2016. http://dx.doi.org/10.1163/9789004297623_004.

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Conference papers on the topic "Nymphets in art"

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Borduin, Russell, Karthik Ramaswamy, Ashwin Mohan, Rex Cocroft, and Satish S. Nair. "Modeling the Rapid Transmission of Information Within a Social Group of Insects: Emergent Patterns in the Antipredator Signals." In ASME 2008 Dynamic Systems and Control Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/dscc2008-2298.

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The study of group behavior in animals emerging from social interactions among individuals using agent based models has gained momentum in recent years. Although most of the individuals in a group of the treehopper Umbonia crassicornis do not have information about where the predator is, the signaling behavior of the group yields an emergent pattern that provides the defending adult with information about predator presence and location. Offspring signal synchronously to warn a defending parent of a predator attack. We develop a computational model of rapid signaler-receiver interactions in this group-living insect. We test the emergence of informative global patterns by providing interacting juvenile nymphs with limited locally available information with this agent based model. Known parameters such as size of the aggregation and spatial distribution are estimated from experimental recordings. Further, the model investigates the behavioral rules underlying group signaling patterns that reveal the predator’s location. We also show how variation in these behavioral rules can bring about variation in group signals, demonstrating the potential for natural selection to shape these rules.
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