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Books on the topic 'Nymphets in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Bramberger, Andrea. Die Kindfrau: Lust, Provokation, Spiel. Matthes & Seitz, 2000.

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2

Rey, Jean Dominique. Monet, les nymphéas: L'intégralité. Flammarion, 2008.

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3

Rey, Jean Dominique. Monet, les nymphéas: L'intégralité. Flammarion, 2008.

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4

Monet, Claude. Claude Monet: Nympheas : impression vision. SV International, Schweizer Verlagshaus, 1986.

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5

Université de Bordeaux III. Laboratoire pluridisciplinaire de recherches sur l'imagination littéraire, Université de Clermont-Ferrand II. Centre de recherches sur les littératures et la sociopoétique, and Maison du berger, eds. Muses et nymphes du XIXe siècle. Presses universitaires de Bordeaux, 2011.

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6

illustrator, Cassegrain Didier 1966, and Bussi Michel 1965-, eds. Nymphéas noirs. Dupuis, 2019.

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7

1840-1926, Monet Claude, ed. Les nymphéas: Monet grandeur nature. Hazan, 2010.

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8

Lambert, Stéphane. L'adieu au paysage: Les nymphéas de Claude Monet. Différence, 2008.

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9

Aitken, Geneviève. Hiramatsu, le bassin aux nymphéas: Hommage à Monet. Musée des impressionnismes Giverny, 2013.

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10

Hoog, Michel. Musée de l'Orangerie: Les nymphéas de Claude Monet. 3rd ed. Réunion des musées nationaux, 2006.

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11

Volk, Peter. Ludwig Schwanthalers Sinnende Nymphe: Eine romantische skulptur. Bayerisches Nationalmuseum, 1998.

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12

l'Orangerie, Musée de, ed. Le décor impressionniste: Aux sources des Nymphéas. Hazan, 2022.

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13

l'Orangerie, Musée de, ed. Nymphéas: L'abstraction américaine et le dernier Monet. Musée d'Orsay, 2018.

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14

Lawton, Terry. Nymph fishing: A history of the art and practice. Stackpole Books, 2005.

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15

1956-, Galitz Robert, and Reimers Brita 1949-, eds. Aby M. Warburg: "ekstatische Nymphe--trauernder Flussgott" : Portrait eines Gelehrten. Dölling und Galitz Verlag, 1995.

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16

Andreas, Hiepko, ed. Nymphae. Merve, 2005.

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17

Angelo, Walther. Von Göttern, Nymphen und Heroen: Die Mythen der Antike in der bildenden Kunst. Ed. Leipzig, 1993.

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18

Ernst, Max. Max Ernst: Im Garten der Nymphe Ancolie. Museum Tinguely, 2007.

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19

Monet, Claude. Monet: Le cycle des nymphéas : catalogue sommaire : 6 mai-2 aout̂ 1999, Museée national de l'Orangerie. Réunion des musées nationaux, 1999.

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20

Taylor-Foster, James. Monet: Colour in Impressionism. James Taylor-Foster, 2011.

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21

Roswitha, Juffinger, and Mayr-Oehring Erika, eds. Grenzenlos weiblich in barocken und antiken Darstellungen: Residenzgalerie Salzburg, 18.11.1999-6.2.2000. Residenzgalerie, 1999.

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22

Berns, Jörg Jochen. Die Jagd auf die Nymphe Echo: Zur Technisierung der Wahrnehmung in der Frühen Neuzeit : Frühgeschichte der Zeitung, Akustik, Bildstrategeme, Praecinematik, Automatisierung. Edition Lumière, 2011.

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23

Pupilla: Metamorfozy figury drapieżnej dziewczynki w wyobraźni symbolicznej XX wieku. Wydawnictwo słowo/obraz terytoria, 2014.

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24

Nymphs. Seagull, 2013.

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25

Noble, Marty. Cupids, Cherubs and Nymphs. Dover Publications, 2003.

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26

Monet, le cycle des Nymphéas. Réunion des musées nationaux, 1999.

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27

L'adieu au paysage: Les nymphéas de Claude Monet. Différence, 2008.

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28

Nymphéas: L'abstraction américaine et le dernier Monet. Connaissance des arts, 2018.

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29

Claude Monet prospectif: Les nymphéas, une oeuvre in situ. Echoppe, 2010.

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30

Les Nymphéas de Claude Monet - Une anthologie critique. CNRS EDITIONS, 2021.

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31

Les Nymphéas de Claude Monet: Publication officielle du musée de l'Orangerie. HAZAN, 2020.

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32

Stephens, Timothy, Nelson Blanton, and Ebony Mciver. AOI Ink Nymphs Los Angeles. Schiffer Publishing, Limited, 2016.

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33

Ninfe. Bollati Boringhieri, 2007.

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34

Earls, Irene. Baroque Art. Greenwood, 1996. http://dx.doi.org/10.5040/9798400616532.

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The major topics painted and sculpted during the 17th century are featured here. Baroque artists chose stories not only from the Bible but also from mythology; these are not included in art history texts. In this volume, one finds the primary sources:The Golden Legend, theBible, Ovid, and Plutarch, to name a few. Each entry concludes with an example of a work depicting the topic under examination (Diana Hunting, Lot and His Daughters, for instance) along with a readily available source where the work is pictured. The only reference of its type for art students, this is a companion piece for th

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35

Greek votive reliefs to Pan and the Nymphs. 1985.

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36

Les Nympheas avant et apres: Paris, Musee de l'Orangerie, 27 octobre 1992-25 janvier 1993. Distribution, Seuil, 1992.

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37

Nymph. Motif, Phantom, Affect: A Contribution to the Study of Aby Warburg. Peeters Publishers & Booksellers, 2014.

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38

Nymph. Motif, Phantom, Affect. Part II: Aby Warburg's Butterflies As Art Historical Paradigms. Peeters Publishers & Booksellers, 2016.

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39

Parthenos, Nymphe, Gyne: Weibliche Trachtikonographie als Bedeutungsträger im 5. Jahrhundert v. Chr. in Griechenland. Vandenhoeck & Ruprecht GmbH & Company KG, 2009.

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40

Wilson, Marcia. God Living Fairies Sprites Nymphs Gnomes Elves World Wide Now Art: God Light Life Love. CreateSpace Independent Publishing Platform, 2014.

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41

Les Nymphéas avant et après: Paris, Musée de l'Orangerie, 27 octobre 1992-25 janvier 1993. Réunion des musées nationaux, 1992.

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42

Ninfa fluida: Essai sur le drapé-désir. Gallimard, 2015.

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43

'Locus Amoenus' and the Sleeping Nymph: 'Ekphrasis', Silence, and 'Genius Loci'. Peeters Publishers & Booksellers, 2016.

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44

"Nympha ad amoenum fontem dormiens" (CIL VI/5, 3*e): Ekphrasis oder Herrscherallegorese? : Studien zu einem Nymphenbrunnen sowie zur Antikenrezeption und zur politischen Ikonographie am Hof des ungarischen Königs Matthias Corvinus. Ibidem-Verlag, 2005.

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45

Purkiss, Diane. At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things. NYU Press, 2001.

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46

Purkiss, Diane. At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things. NYU Press, 2003.

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47

"Una" e "molteplice": La ninfa eponima di città : iconografie monetali e semantica. Falzea, 2012.

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48

Saylor, Eric. Arcadia. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041099.003.0003.

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The Greek province of Arcadia is perhaps the most important locus for pastoralism in a classical context. Arcadian inhabitants such as shepherds, nymphs, and the god Pan play significant roles in both literary and musical contexts, and they can be expressed in an array of settings—not all of which are themselves classical. One such manifestation is “Merrie England,” an amalgamation of tropes and images drawn predominantly from the Elizabethan era and popular among the Victorians and Edwardians. Musical evocations of that site reveal important aspects of how idealized pastoral settings reflecte

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49

Hansen, William F. Handbook of Classical Mythology. ABC-CLIO, 2004. http://dx.doi.org/10.5040/9798400661198.

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An introduction to the mythological world of the Greeks and the Romans, combined with a chronology of myths and a dictionary of key characters, objects, and events. Handbook of Classical Mythologyoffers newcomers and long-time enthusiasts new ways to navigate the world of Greek and Roman myths. Written by a foremost mythologist, the book begins by exploring the sources and landscapes from which the myths emerged. It then provides a richly detailed timeline of mythic episodes from the creation of the cosmos to the end of the Heroic Age—plusan illustrated mythological dictionary listing every si

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50

Angelakis, Emmanouil, and Didier Raoult. Tick-borne rickettsial diseases. Oxford University Press, 2011. http://dx.doi.org/10.1093/med/9780198570028.003.0010.

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Bacteria of the genus Rickettsia belong to the family Rickettsiaceae in the order Rickettsiales and have for long been described simply as short, Gram-negative, strict intracellular rods that retain basic fuchsin when stained by the method of Gimenez (Raoult and Roux 1997). These bacteria are associated with ticks, lice, fleas or mites. To date the Rickettsia genus contains 24 recognized species classified into three groups based on their antigenic, morphological, and ecologic patterns: 1) the typhus group, 2) the spotted fever group and 3) Rickettsia bellii (Fournier and Raoult 2007). Most sp

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